Primal Fear | |
---|---|
Directed by | Gregory Hoblit |
Screenplay by | |
Based on | Primal Fear by William Diehl |
Produced by | |
Starring | |
Cinematography | Michael Chapman |
Edited by | David Rosenbloom |
Music by | James Newton Howard |
Production company | |
Distributed by | Paramount Pictures |
Release dates |
|
Running time | 130 minutes |
Country | United States |
Language | English |
Budget | $30 million [1] |
Box office | $102.6 million [2] |
Primal Fear is a 1996 American legal mystery crime thriller film directed by Gregory Hoblit, based on the 1993 novel of the same name by William Diehl, written by Steve Shagan and Ann Biderman. It stars Richard Gere, Laura Linney, John Mahoney, Alfre Woodard, Frances McDormand and Edward Norton in his film debut. The film follows a Chicago-based defense attorney who believes that his client, an altar boy, is not guilty of murdering a Catholic bishop.
The film was a box office success and received mixed-to-positive reviews, with Norton's performance earning critical praise. Norton won the Golden Globe Award for Best Supporting Actor – Motion Picture, and was nominated for the Academy Award for Best Supporting Actor and the BAFTA Award for Best Actor in a Supporting Role. [3]
Martin Vail is an arrogant Chicago defense attorney, known for his undesirable but high-profile clients, including mob boss Joey Piñero. Fond of the spotlight, Vail is profiled for a magazine cover story and attempts to rekindle a casual relationship with his former colleague, prosecutor Janet Venable.
One day, beloved Archbishop Rushman is murdered in his bedroom and his body mutilated. Aaron Stampler, a 19-year-old altar boy from Kentucky, is caught fleeing the scene covered in blood and charged with murder. Vail offers to defend him pro bono, and the meek, stuttering Aaron claims he is innocent but is prone to amnesia. Vail believes Aaron, while the state's attorney, John Shaughnessy, assigns Venable to prosecute the case and pursue the death penalty.
At Aaron's apartment, Vail's investigator Tommy Goodman is attacked by another altar boy, Alex, who flees. Neuropsychologist Dr. Molly Arrington interviews Aaron for hours about his difficult childhood, his memory lapses, and his missing girlfriend Linda. With help from Piñero, Vail discovers that powerful civic leaders, including Shaughnessy, lost millions in real estate investments due to Rushman's decision not to develop church-owned land. In court, a message carved into Rushman's chest is linked to a passage from The Scarlet Letter , which denounced the archbishop as "two-faced".
Vail and Goodman track down Alex, who was searching for an incriminating VHS cassette. Stealing the tape from the archbishop's closet, Vail and his team discover footage of one of many encounters filmed by the archbishop, in which he coerces Aaron, Linda, and Alex to engage in sexual acts on threat of eviction from their group home. Vail angrily confronts Aaron about concealing information from him, but Aaron denies the accusations, becoming increasingly distressed as Vail continues to press him. Aaron's demeanor abruptly shifts from deferential to aggressive, and he chastises Vail for "scaring off" Aaron. This violent personality, Roy, admits to killing the archbishop but threatens Vail not to introduce the tape at trial. Suddenly, he reverts back to Aaron's docile personality, with no recollection of the episode.
Dr. Arrington concludes that Aaron has dissociative identity disorder caused by years of abuse at the hands of his father and, later, Rushman. Conflicted, Vail knows that he could acquit his client via an insanity defense, but legal rules would not allow him to change his strategy mid-trial. He delivers the evidence anonymously to Venable, forcing her to use the tape as proof of Aaron's motive, at the risk of tarnishing the archbishop and generating sympathy for Aaron. Shaughnessy demands that she destroy the evidence, but she refuses and introduces it in court.
Piñero is discovered murdered, and Vail surprises the court by calling Shaughnessy as a witness. Vail suggests Shaughnessy resented the archbishop for stopping the $60 million land development, and accuses him of concealing previous evidence of the archbishop's sexual predation, and for being complicit in Piñero's death. Judge Shoat intervenes, striking the line of questioning from the record and fining Vail for using the courtroom as a stage for his own vendettas. She also dismisses Dr. Arrington's testimony as it leans too close to an insanity plea. Vail then calls Aaron to the stand, intentionally triggering his memories of his father's abuse. Venable begins a challenging cross-examination, in which Aaron suddenly becomes Roy, screaming obscenities and assaulting Venable before he is subdued. The judge dismisses the jury in favor of a bench trial to declare Aaron not guilty by reason of insanity.
A shaken Venable rejects Vail's advances, and Vail informs Aaron that he will be remanded to a psychiatric hospital for treatment with a strong possibility of release. A grateful Aaron thanks Vail and asks him to apologize to Venable for the injuries to her neck, leading Vail to realize that Aaron was aware of his actions during the attack. Aaron commends the attorney for his insight, then brags about having murdered Linda and Rushman without remorse and faking having multiple personalities. When Vail asks if the Roy persona was a fake the whole time, the murderer corrects him by stating: "There never was an Aaron, Counselor." Stunned and disillusioned, Vail leaves the courthouse, but does so through a discreet back entrance to avoid the attention and publicity he once sought.
Several Chicago television news personalities made cameos as themselves as they deliver reports about the case, including WLS's Diann Burns and Linda Yu, WBBM-TV's Mary Ann Childers, Lester Holt and Jon Duncanson, and WGN-TV's Bob Jordan and Randy Salerno.
Pedro Pascal auditioned for a role in the film. [4] Paramount wanted Leonardo DiCaprio as Aaron Stampler, he was offered the role but declined as he found the script "problematic". [5] [6] Casting calls were set in California and England where 2,100 actors were seen for the role of Aaron, including Matt Damon and James Van Der Beek [7] [8] [9] Connie Britton auditioned for the role of Naomi, which eventually went to Maura Tierney. [5]
The soundtrack includes the Portuguese fado song "Canção do Mar" sung by Dulce Pontes.
The film was released on April 5, 1996 and opened in the #1 spot, remaining there for three consecutive weeks. [10] [2] It grossed $56.1 million domestically and $46.5 million internationally for a total worldwide gross of $102.6 million. [2]
The film was released to VHS and LaserDisc on October 15, 1996. [11] On October 21, 1998, it was released to DVD. [12]
Paramount released Primal Fear on Blu-ray on March 10, 2009. [13] The Blu-ray includes an audio commentary track by director Gregory Hoblit, writer Ann Biderman, producer Gary Lucchesi, executive producer Hawk Koch, and casting director Deborah Aquila, as well as the featurettes "Primal Fear: The Final Verdict", "Primal Fear: Star Witness-Casting Edward Norton", and "The Psychology of Guilt".
Review aggregation website Rotten Tomatoes reports an approval rating of 77% based on 48 reviews, with an average rating of 6.8/10. The site's critics consensus reads: "Primal Fear is a straightforward, yet entertaining thriller elevated by a crackerjack performance from Edward Norton". [14] Metacritic, which uses a weighted average, lists the film with a weighted average score of 47/100 based on 18 critics, indicating "mixed or average reviews". [15] Audiences surveyed by CinemaScore awarded the film an average grade of B+ on an A+-to-F scale. [16]
Janet Maslin of The New York Times wrote that the film has a "good deal of surface charm" but "the story relies on an overload of tangential subplots to keep it looking busy". [17] Roger Ebert of the Chicago Sun-Times awarded Primal Fear three and a half stars, writing that "the plot is as good as crime procedurals get, but the movie is really better than its plot because of the three-dimensional characters". Ebert described Gere's performance as one of the best in his career, praised Linney for rising above what might have been a stock character and applauded Norton for offering a "completely convincing" portrayal. [18]
The film spent three weekends at the top of the U.S. box office. [2]
The film is recognized by American Film Institute in these lists:
Roger Joseph Ebert was an American film critic, film historian, journalist, essayist, screenwriter and author. He was the film critic for the Chicago Sun-Times from 1967 until his death in 2013. Ebert was known for his intimate, Midwestern writing style and critical views informed by values of populism and humanism. Writing in a prose style intended to be entertaining and direct, he made sophisticated cinematic and analytical ideas more accessible to non-specialist audiences. Ebert endorsed foreign and independent films he believed would be appreciated by mainstream viewers, championing filmmakers like Werner Herzog, Errol Morris and Spike Lee, as well as Martin Scorsese, whose first published review he wrote. In 1975, Ebert became the first film critic to win the Pulitzer Prize for Criticism. Neil Steinberg of the Chicago Sun-Times said Ebert "was without question the nation's most prominent and influential film critic," and Kenneth Turan of the Los Angeles Times called him "the best-known film critic in America." Per The New York Times, "The force and grace of his opinions propelled film criticism into the mainstream of American culture. Not only did he advise moviegoers about what to see, but also how to think about what they saw."
Broadcast News is a 1987 American romantic comedy-drama film written, produced and directed by James L. Brooks. The film concerns a virtuoso television news producer who has daily emotional breakdowns, a brilliant yet prickly reporter, and the latter's charismatic but far less seasoned rival. It also stars Robert Prosky, Lois Chiles, Joan Cusack, and Jack Nicholson.
"Feigned madness" is a phrase used in popular culture to describe the assumption of a mental disorder for the purposes of evasion, deceit or the diversion of suspicion. In some cases, feigned madness may be a strategy—in the case of court jesters, an institutionalised one—by which a person acquires a privilege to violate taboos on speaking unpleasant, socially unacceptable, or dangerous truths.
Edward Harrison Norton is an American actor and producer. After graduating from Yale College in 1991 with a degree in history, he worked for a few months in Japan before moving to Manhattan to pursue an acting career. He gained recognition and critical acclaim for his debut in Primal Fear (1996), which earned him a Golden Globe for Best Supporting Actor and an Academy Award nomination in the same category. His role as a redeemed neo-Nazi in American History X (1998) earned him an Academy Award nomination for Best Actor. He also starred in the film Fight Club (1999), which garnered a cult following.
The Life of David Gale is a 2003 crime thriller film directed and co-produced by Alan Parker, written by Charles Randolph, co-produced by Nicolas Cage, and starring Kevin Spacey as the title character, a college professor and longtime activist against capital punishment who is sentenced to death for killing a fellow capital punishment opponent; Kate Winslet, Laura Linney, and Gabriel Mann co-star. The film, an international co-production between the United States, Germany and the United Kingdom, was Parker's final film before his retirement, and subsequent death in 2020.
Laura Leggett Linney is an American actress. She is the recipient of several awards, including two Golden Globe Awards and four Primetime Emmy Awards, and has been nominated for three Academy Awards and five Tony Awards.
The Last Seduction is a 1994 American neo-noir erotic thriller film directed by John Dahl, featuring Linda Fiorentino, Peter Berg, and Bill Pullman. The film was produced by ITC Entertainment and distributed by October Films. Fiorentino's performance garnered widespread critical acclaim and generated talk of an Oscar nomination, but she was deemed ineligible because the film was shown on HBO before its theatrical release. October Films and ITC Entertainment sued the Academy, but were unable to make Fiorentino eligible for a nomination.
Criminal Law is a 1988 American legal thriller film directed by Martin Campbell and starring Gary Oldman and Kevin Bacon. It received generally negative reviews.
The Village is a 2004 American period thriller film written, produced, and directed by M. Night Shyamalan. It stars Bryce Dallas Howard, Joaquin Phoenix, Adrien Brody, William Hurt, Sigourney Weaver, and Brendan Gleeson. The story is about a village whose population lives in fear of creatures inhabiting the woods beyond it.
Kinsey is a 2004 American biographical drama film written and directed by Bill Condon. It describes the life of Alfred Charles Kinsey, a pioneer in the area of sexology. His 1948 publication, Sexual Behavior in the Human Male was one of the first recorded works that tried to scientifically address and investigate sexual behavior in humans. The film also stars Laura Linney, Chris O'Donnell, Peter Sarsgaard, Timothy Hutton, John Lithgow, Tim Curry, and Oliver Platt.
Ghosts of Mississippi is a 1996 American biographical courtroom drama film directed by Rob Reiner and starring Alec Baldwin, Whoopi Goldberg, and James Woods. The film is based on the 1994 trial of Byron De La Beckwith, a white supremacist accused of the 1963 assassination of civil rights activist Medgar Evers.
William Diehl was an American novelist and photojournalist.
Gregory Hoblit is an American film director, television director and television producer. He is known for directing the feature films Primal Fear (1996), Fallen (1998), Frequency (2000), Hart's War (2002), Fracture (2007), and Untraceable (2008). He has won nine Emmy Awards for directing and producing, an accolade which includes work on the television series Hill Street Blues, NYPD Blue, L.A. Law, and Hooperman, and the television film Roe vs. Wade.
The Big Easy is a 1986 American neo-noir romantic thriller film directed by Jim McBride and written by Daniel Petrie Jr. The film stars Dennis Quaid, Ellen Barkin, John Goodman, and Ned Beatty. The film was both set and shot on location in New Orleans, Louisiana.
The 22nd Los Angeles Film Critics Association Awards, honoring the best in film for 1996, were given in December 1996.
The 9th Chicago Film Critics Association Awards, given on 10 March 1997, honored the finest achievements in 1996 filmmaking.
Primal Fear is a 1993 American thriller novel by William Diehl about Aaron Stampler, an altar boy accused of murder, and Martin Vail, the attorney defending him.
Dead Man Walking is a 1995 American crime drama film starring Susan Sarandon and Sean Penn, and co-produced and directed by Tim Robbins, who adapted the screenplay from the 1993 non-fiction book of the same name. It marked Peter Sarsgaard’s film debut.
Show of Evil is a 1995 thriller novel by American writer William Diehl, the sequel to Primal Fear.
Reign in Hell is a 1997 thriller novel by American thriller William Diehl, the sequel to Primal Fear and Show of Evil.