David Rosenbloom

Last updated
David Rosenbloom
Occupation Film editor

David Rosenbloom is an American film and television editor with more than 20 film credits, as well as many television editing and directing credits. [1] He was nominated for the Academy Award for Best Film Editing and the American Cinema Editors "Eddie" for The Insider (1999).

Contents

Life and career

Rosenbloom co-edited The Insider with William Goldenberg and Paul Rubell; the film was directed by Michael Mann. The three editors were interviewed by Scott Essman in 1999 about the making of The Insider. [2] Rubell noted that, "the camera work is kind of chaotic. It is the opposite of what you would call a controlled visual style. The camera is always moving and it is very jittery and when you look at the dailies, you see that the operators had great latitude in what they could physically do with the camera; they tried some wild things and Michael loved that. He would sort of control the chaos and shape it, but he allowed the chaos to occur." Rosenbloom added, "I never worked with a director who gave such precise notes - the fact that the notes were precise and that there were so many of them made them imprecise because you couldn't possibly do everything that the note said to do. If you did, you would have 24 versions of the scene. The notes provided you with a road map and oftentimes the chaos in the editing was trying to figure out the one way that you could first put the scene together."

Rosenbloom's earlier television work garnered several additional Eddie and Emmy Award nominations. [3] He has been elected to the American Cinema Editors. [4]

Filmography

Film

Related Research Articles

Founded in 1950, American Cinema Editors (ACE) is an honorary society of film editors that are voted in based on the qualities of professional achievements, their education of others, and their dedication to editing. Members use the post-nominal letters "ACE". The organization's "Eddie Awards" are routinely covered in trade magazines such as The Hollywood Reporter and Variety. The society is not an industry union, such as the I.A.T.S.E., to which an editor might also belong. The current President of ACE is Kevin Tent, who was elected in 2020.

<span class="mw-page-title-main">Thelma Schoonmaker</span> American film editor (born 1940)

Thelma Schoonmaker is an American film editor, known for her over five decades of work with director Martin Scorsese. She has received numerous accolades including three Academy Awards, two BAFTA Awards, as well as a Golden Lion in 2014 and the BAFTA Fellowship in 2019. She has received eight Academy Award for Best Film Editing nominations, the most in Academy history alongside frequent Steven Spielberg collaborator Michael Kahn.

<span class="mw-page-title-main">David Milhous</span> American film and television editor

David Milhous is a motion picture editor. He is known best as the editor of Crime Watch Daily, which won the Emmy award for Editing in 2017. Milhous has been elected to membership in the American Cinema Editors (ACE) Archived 2022-01-17 at the Wayback Machine. He is also a founding member of the American post-punk band Lippy's Garden.

Zach S. Staenberg, A.C.E. is an American film editor best known for his work on action films and the Matrix Trilogy. Staenberg won an Academy Award and two ACE Eddie Award for the editing of The Matrix (1999) and for HBO's Gotti (1996) for which he was also nominated for an Emmy. The Matrix films were written and directed by the Wachowskis, with whom Staenberg has had an extended collaboration dating from 1996. He is a frequent collaborator of director Andrew Niccol.

Joe Hutshing is an American film editor who grew up in San Diego, California and is best known for working multiple times with film director, Oliver Stone and well as with film director Cameron Crowe. Hutshing graduated from the University of Oregon in 1980.

Dody Jane Dorn is an American film and sound editor. She is best known for working with director Christopher Nolan on several films including Memento (2000), for which she was nominated for an Academy Award.

Christopher Russell Rouse is an American film and television editor and screenwriter who has about a dozen feature-film credits and numerous television credits. Rouse won the Academy Award for Best Film Editing, the BAFTA Award for Best Editing, and the ACE Eddie Award for the film The Bourne Ultimatum (2007).

Richard Marks was an American film editor with more than 30 editing credits for feature and television films dating from 1972. In an extended, notable collaboration (1983–2010), he edited all of director James L. Brooks' feature films.

Paul Rubell is an American film editor. His career spans 25 years in both film and television.

Richard Pearson is an American film editor who is mainly associated with action films. Pearson, with Clare Douglas and Christopher Rouse, received the BAFTA Award for Best Editing for the film United 93 (2006).

Jim Miller is an American film editor. Along with Paul Rubell, Miller was nominated for an Academy Award for Best Film Editing for the film Collateral.

Sarah Flack is an American film editor. She frequently worked with American independent film directors Steven Soderbergh and Sofia Coppola. Flack's work on Lost in Translation won her the BAFTA Award for Best Editing. The film went on to win numerous other awards, including a Golden Globe Award for Best Motion Picture – Musical or Comedy and the Independent Spirit Award for Best Film. She won a Primetime Emmy Award and an American Cinema Editors Eddie award with Robert Pulcini for co-editing the HBO film "Cinema Verite".

Angus Alexander Wall is a film editor and film title designer. He and fellow film editor Kirk Baxter won the Academy Award for Best Film Editing for the David Fincher film The Social Network (2010) and again the next year for The Girl with the Dragon Tattoo (2011). He and Baxter were nominated the Academy Award for Best Film Editing, the BAFTA Award for Best Editing, and the American Cinema Editors Eddie Award for the 2008 film The Curious Case of Benjamin Button, also directed by David Fincher. Wall's title design work on the HBO television series Carnivàle and Game of Thrones both received Emmy Awards in 2004 and 2011, respectively, and his work on the series Rome's titles was nominated for the BAFTA Award in 2005.

<span class="mw-page-title-main">Alan Heim</span> American film editor (born 1936)

Alan Heim, ACE is an American film editor. He won an Academy Award for editing All That Jazz.

Michael Luciano was an American film and television editor with about forty feature film credits and many additional credits for television programs. From 1954 to 1977, Luciano edited 20 of the films directed, and often produced, by Robert Aldrich. Aldrich was a prolific and independent maker of popular films "who depicted corruption and evil unflinchingly, and pushed limits on violence throughout his career." Their early collaboration, the film noir Kiss Me Deadly (1955), was entered into the US National Film Registry in 1999; the unusual editing of the film has been noted by several critics. Luciano's work with Aldrich was recognized by four Academy Award nominations, for Hush...Hush, Sweet Charlotte (1964), The Flight of the Phoenix (1965), The Dirty Dozen (1967), and The Longest Yard (1974).

Melanie Ann Oliver is a New Zealand film editor. She is best known for her works in the films Anna Karenina (2012), Les Misérables (2012), The Danish Girl (2015) and Victoria & Abdul (2017).

<span class="mw-page-title-main">Tim Porter</span> British television editor

Tim Porter is a British film editor, best known for his work on the HBO series, Game of Thrones, as well as several other notable British television series. He worked as an editor and co-producer on the Game of Thrones prequel, House of the Dragon.

Donald Brochu is an American film editor.

The American Cinema Editors Award for Best Edited Comedy Series for Non-Commercial Television is one of the annual awards given by the American Cinema Editors. It has evolved throughout the history of the American Cinema Editors Awards, narrowing it's eligibility field numerous times.

References

  1. ↑ David Rosenbloom at IMDb
  2. ↑ Essman, Scott (November–December 1999). "Delving Inside The Post-Production Of THE INSIDER". Motion Picture Editors Guild Newsletter, Vol. 20(6). Archived from the original on 2009-01-07.
  3. ↑ "David Rosenbloom - Awards". IMDb. Retrieved 2009-05-13.
  4. ↑ "Members". American Cinema Editors. Archived from the original on 2008-02-18.


This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.