Academy Award for Best Film Editing | |
---|---|
Country | United States |
Presented by | Academy of Motion Picture Arts and Sciences (AMPAS) |
First awarded | 1935 |
Most recent winner | Jennifer Lame Oppenheimer (2023) |
Website | oscars |
The Academy Award for Best Film Editing is one of the annual awards of the Academy of Motion Picture Arts and Sciences (AMPAS). Nominations for this award are closely correlated with the Academy Award for Best Picture. For 33 consecutive years, 1981 to 2013, every Best Picture winner had also been nominated for the Film Editing Oscar, and about two thirds of the Best Picture winners have also won for Film Editing. [1] [2] Only the principal, "above the line" editor(s) as listed in the film's credits are named on the award; additional editors, supervising editors, etc. are not currently eligible. [3]
The nominations for this Academy Award are determined by a ballot of the voting members of the Editing Branch of the academy; there were 220 members of the Editing Branch in 2012. [4] The members may vote for up to five of the eligible films in the order of their preference; the five films with the largest vote totals are selected as nominees. [3] The Academy Award itself is selected from the nominated films by a subsequent ballot of all active and life members of the academy. This process is essentially the reverse of that of the British Academy of Film and Television Arts (BAFTA); nominations for the BAFTA Award for Best Editing are done by a general ballot of academy voters, and the winner is selected by members of the editing chapter. [5]
This award was first given for films released in 1934. The name of this award is occasionally changed; in 2008, it was listed as the Academy Award for Achievement in Film Editing.
Four film editors have won this award three times in their career:
To date, two film directors have won this award: James Cameron and Alfonso Cuarón, for the films Titanic and Gravity , respectively. Directors David Lean, Steve James, Joel Coen and Ethan Coen (under the alias "Roderick Jaynes"), Michel Hazanavicius, Jean-Marc Vallée (under the alias "John Mac McMurphy"), Chloé Zhao and Sean Baker have been nominated for editing their own films as well, with Cameron, Cuarón, and the Coens each being nominated for the award twice. Also, Best Film Editing winner, Walter Murch, although known for film editing and sound, directed the Oscar nominated Return to Oz , and is, to date, the only person with Oscars for both sound engineering and film editing—winning them in the same year for his work on The English Patient .
Additionally, former film editors Robert Wise (nominee for Citizen Kane ), Hal Ashby (winner for In the Heat of the Night ), and Francis D. Lyon (co-winner for Body and Soul ) became directors whose films were subsequently nominated for Best Film Editing themselves. These films include Somebody Up There Likes Me , I Want to Live! , West Side Story , The Sound of Music , The Sand Pebbles , and The Andromeda Strain for Wise; Bound for Glory and Coming Home for Ashby; and Crazylegs for Lyon.
Category | Name | Superlative | Year | Notes |
---|---|---|---|---|
Most awards | Thelma Schoonmaker | 3 awards [6] | 2006 | Awards resulted from 9 nominations |
Michael Kahn | 1998 | Awards resulted from 8 nominations | ||
Daniel Mandell | 1960 | Awards resulted from 5 nominations | ||
Ralph Dawson | 1938 | Awards resulted from 4 nominations | ||
Most nominations | Thelma Schoonmaker | 9 nominations | 2023 | Nominations resulted in 3 awards [6] |
Most nominations without a win | Frederic Knudtson | 6 nominations | 1963 | Nominations resulted in no awards |
Gerry Hambling | 1996 | |||
Oldest winner | Michael Kahn | Age 68 | 1998 | |
Oldest nominee | Thelma Schoonmaker | Age 84 | 2023 | |
Youngest winner | David Brenner | Age 27 | 1989 | Co-edited with Joe Hutshing [7] |
Superlatives taken from a document published by the Academy of Motion Picture Arts and Sciences. [8]
These listings are based on the Awards Database maintained by the Academy of Motion Picture Arts and Sciences. [9]
Finalists for Best Film Editing were selected by branch members, who voted for ten finalists which were screened to determine the five nominees. [13]
The following editors have received multiple nominations for the Academy Award for Best Film Editing. This list is sorted by the number of total awards won (with the number of total nominations listed in parentheses).
The Academy Award for Best Production Design recognizes achievement for art direction in film. The category's original name was Best Art Direction, but was changed to its current name in 2012 for the 85th Academy Awards. This change resulted from the Art Directors' branch of the Academy of Motion Picture Arts and Sciences (AMPAS) being renamed the Designers' branch. Since 1947, the award is shared with the set decorators. It is awarded to the best interior design in a film.
The Academy Award for Best Picture is one of the Academy Awards presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) since the awards debuted in 1929. This award goes to the producers of the film and is the only category in which every member of the Academy is eligible to submit a nomination and vote on the final ballot. The Best Picture category is traditionally the final award of the night and is widely considered the most prestigious honor of the ceremony.
The Academy Award for Best Cinematography is an Academy Award awarded each year to a cinematographer for work on one particular motion picture.
The Academy Award for Best Adapted Screenplay is the Academy Award for the best screenplay adapted from previously established material. The most frequently adapted media are novels, but other adapted narrative formats include stage plays, musicals, short stories, TV series, and other films and film characters. All sequels are also considered adaptations by this standard, being based on the story and characters of the original film.
The Academy Award for Best Costume Design is one of the Academy Awards presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) for achievement in film costume design.
The Academy Award for Best Director is an award presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS). It is given in honor of a film director who has exhibited outstanding directing while working in the film industry.
The Academy Award for Best Documentary Feature Film is an award for documentary films. In 1941, the first awards for feature-length documentaries were bestowed as Special Awards to Kukan and Target for Tonight. They have since been bestowed competitively each year, with the exception of 1946. Copies of every winning film are held by the Academy Film Archive.
The Academy Award for Best Original Score is an award presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) to the best substantial body of music in the form of dramatic underscoring written specifically for the film by the submitting composer. Some pre-existing music is allowed, though, but a contending film must include a minimum of original music. This minimum since 2021 is established as 35% of the music, which is raised to 80% for sequels and franchise films. Fifteen scores are shortlisted before nominations are announced.
The Academy Award for Best Sound is an Academy Award that recognizes the finest or most euphonic sound mixing, recording, sound design, and sound editing. The award used to go to the studio sound departments until a rule change in 1969 said it should be awarded to the specific technicians, the first of which were Murray Spivack and Jack Solomon for Hello, Dolly!. It is generally awarded to the production sound mixers, re-recording mixers, and supervising sound editors of the winning film. In the lists below, the winner of the award for each year is shown first, followed by the other nominees. Before the 93rd Academy Awards, Best Sound Mixing and Best Sound Editing were separate categories.
This is a list of films by year that have received an Academy Award together with the other nominations for best documentary short film. Following the Academy's practice, the year listed for each film is the year of release: the awards are announced and presented early in the following year. Copies of every winning film are held by the Academy Film Archive. Fifteen films are shortlisted before nominations are announced.
Sally JoAnne Menke was an American film editor, who worked in cinema and television. Over the span of her 30-year career in film, she accumulated more than 20 feature film credits.
Thelma Schoonmaker is an American film editor, best known for her collaboration over five decades with director Martin Scorsese. She has received numerous accolades, including three Academy Awards, two BAFTA Awards, and four ACE Eddie Awards. She has been honored with the British Film Institute Fellowship in 1997, the Golden Lion for Lifetime Achievement in 2014, and the BAFTA Fellowship in 2019.
Peter Zinner was an Austrian-American film editor. Following nearly fifteen years of uncredited work as an assistant sound editor, Zinner received credits on more than fifty films from 1959 to 2006. His most influential films are likely The Godfather and The Godfather Part II, both of which appear on a 2012 listing of the 75 best edited films of all time compiled by the Motion Picture Editors Guild.
Stewart Bridgewater Linder was an American film editor with 25 credits. He shared the Academy Award for Best Film Editing for the 1966 film Grand Prix, which was the first film on which Linder was credited as an editor. Linder is particularly noted for his long collaboration (1982–2006) with the director Barry Levinson. Perhaps the best remembered film from their collaboration, which extended over 20 films, was Rain Man (1988), which won the Academy Award for Best Picture. Linder won an ACE Eddie award for editing this film, and was nominated for both the Academy Award and the BAFTA Award for Best Editing.
The Academy Award for Best Original Song is one of the awards given annually to people working in the motion picture industry by the Academy of Motion Picture Arts and Sciences (AMPAS). It is presented to the songwriters who have composed the best original song written specifically for a film. The performers of a song are not credited with the Academy Award unless they contributed either to music, lyrics, or both in their own right. The songs that are nominated for this award are typically performed during the ceremony and before this award is presented.
Jenny Beavan is an English costume designer. In a career spanning over four decades, she is recognized for her prolific work across stage and screen. She has received numerous accolades, including three Academy Awards, four BAFTA Awards, two Emmy Awards, and an Olivier Award. Beavan was appointed Officer of the Order of the British Empire (OBE) in 2017.
Mary Zophres is an American costume designer. In a career spanning over three decades, she is recognized for her prolific work across independent films and blockbusters. She has been nominated for the Academy Award for Best Costume Design four times.
Niv Adiri is an Israeli sound engineer.
Cecelia Hall is an Oscar-winning sound designer and sound editor. She became the first woman to be nominated for an Academy Award for Best Sound Effects Editing in 1986 for Top Gun and went on to win the Oscar for The Hunt for Red October, a 1990 film for which she also received a nomination for the BAFTA Award for Best Sound at the 44th British Academy Film Awards.