Academy Award for Best Film Editing | |
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Country | United States |
Presented by | Academy of Motion Picture Arts and Sciences (AMPAS) |
First awarded | 1935 |
Most recent winner | Joe Walker Dune (2021) |
Website | oscars |
The Academy Award for Best Film Editing is one of the annual awards of the Academy of Motion Picture Arts and Sciences (AMPAS). Nominations for this award are closely correlated with the Academy Award for Best Picture. For 33 consecutive years, 1981 to 2013, every Best Picture winner had also been nominated for the Film Editing Oscar, and about two thirds of the Best Picture winners have also won for Film Editing. [1] [2] Only the principal, "above the line" editor(s) as listed in the film's credits are named on the award; additional editors, supervising editors, etc. are not currently eligible. [3]
The nominations for this Academy Award are determined by a ballot of the voting members of the Editing Branch of the Academy; there were 220 members of the Editing Branch in 2012. [4] The members may vote for up to five of the eligible films in the order of their preference; the five films with the largest vote totals are selected as nominees. [3] The Academy Award itself is selected from the nominated films by a subsequent ballot of all active and life members of the Academy. This process is essentially the reverse of that of the British Academy of Film and Television Arts (BAFTA); nominations for the BAFTA Award for Best Editing are done by a general ballot of Academy voters, and the winner is selected by members of the editing chapter. [5]
This award was first given for films released in 1934. The name of this award is occasionally changed; in 2008, it was listed as the Academy Award for Achievement in Film Editing.
Four film editors have won this award three times in their career:
To date, two film directors have won this award, James Cameron and Alfonso Cuarón for the films Titanic and Gravity , respectively. Directors David Lean, Steve James, Joel Coen and Ethan Coen (under the alias "Roderick Jaynes"), Michel Hazanavicius, Jean-Marc Vallée (under the alias "John Mac McMurphy") and Chloé Zhao have been nominated for editing their own films, with Cameron, Cuarón, and the Coens each being nominated for the award twice. Additionally, Best Film Editing winner, Walter Murch, although known for film editing and sound, directed the Oscar nominated Return to Oz and is, to date, the only person with Oscars for both sound engineering and film editing, winning them in the same year for his work on The English Patient . Also, nominated editors Robert Wise, Francis D. Lyon, winner for Body and Soul and Hal Ashby, winner for In the Heat of the Night , became directors whose films were in turn nominated for Best Film Editing, namely Somebody Up There Likes Me , I Want to Live! , West Side Story , The Sound of Music , The Sand Pebbles and The Andromeda Strain for Wise, Crazylegs for Lyon and Bound for Glory and Coming Home for Ashby.
Category | Superlative | Name | Year | Notes |
---|---|---|---|---|
Most awards [6] | 3 awards | Michael Kahn | 1998 | Awards resulted from 8 nominations |
Thelma Schoonmaker | 2006 | |||
Daniel Mandell | 1960 | Awards resulted from 5 nominations | ||
Ralph Dawson | 1938 | Awards resulted from 4 nominations | ||
Most nominations [6] | 8 nominations | Michael Kahn | 2012 | Nominations resulted in 3 awards |
Thelma Schoonmaker | 2019 | |||
Most nominations without a win | 6 nominations | Gerry Hambling | 1996 | Died in 2013 |
Frederic Knudtson | 1963 | Died in 1964 |
Superlatives taken from a document published by the Academy of Motion Picture Arts and Sciences. [7]
These listings are based on the Awards Database maintained by the Academy of Motion Picture Arts and Sciences. [8]
The following editors have received multiple nominations for the Academy Award for Best Film Editing. This list is sorted by the number of total awards won (with the number of total nominations listed in parentheses).
The Academy Award for Best Picture is one of the Academy Awards presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) since the awards debuted in 1929. This award goes to the producers of the film and is the only category in which every member of the Oscars is eligible to submit a nomination and vote on the final ballot. The Best Picture category is often the final award of the night and is widely considered as the most prestigious honor of the ceremony.
The Academy Award for Best International Feature Film is one of the Academy Awards handed out annually by the U.S.-based Academy of Motion Picture Arts and Sciences (AMPAS). It is given to a feature-length motion picture produced outside the United States with a predominantly non-English dialogue track.
The Academy Award for Best Makeup and Hairstyling is the Academy Award given to the best achievement in makeup and hairstyling for film. Traditionally, three films have been nominated each year with exceptions in the early 1980s and 2002 when there were only two nominees; in 1999, when there were four nominees. Beginning with the 92nd Academy Awards, five films were nominated.
The Academy Award for Best Cinematography is an Academy Award awarded each year to a cinematographer for work on one particular motion picture.
The Academy Award for Best Visual Effects is an Academy Award given for the best achievement in visual effects.
The Academy Award for Best Adapted Screenplay is the Academy Award for the best screenplay adapted from previously established material. The most frequently adapted media are novels, but other adapted narrative formats include stage plays, musicals, short stories, TV series, and even other films and film characters. All sequels are also considered adaptations by this standard.
The Academy Award for Best Director is an award presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS). It is given in honor of a film director who has exhibited outstanding directing while working in the film industry. The award is traditionally presented by the previous year's Best Director winner.
The Academy Award for Best Documentary Feature Film is an award for documentary films. In 1941, the first awards for feature-length documentaries were bestowed as Special Awards to Kukan and Target for Tonight. They have since been bestowed competitively each year, with the exception of 1946. Copies of every winning film are held by the Academy Film Archive.
The Academy Award for Best Sound Editing was an Academy Award granted yearly to a film exhibiting the finest or most aesthetic sound design or sound editing. Sound editing is the creation of sound effects. The award was usually received by the Supervising Sound Editors of the film, sometimes accompanied by the Sound Designers. Beginning with the 93rd Academy Awards, Best Sound Editing was combined with Best Sound Mixing into a single award for Best Sound.
This is a list of films by year that have received an Academy Award together with the other nominations for best documentary short film. Following the Academy's practice, the year listed for each film is the year of release: the awards are announced and presented early in the following year. Copies of every winning film are held by the Academy Film Archive. Ten films are shortlisted before nominations are announced.
Peter Franklin Kurland is an American production sound mixer.
George Watters II is an American retired sound editor with more than 80 feature film credits. He has won the Academy Award for Best Sound Editing twice, for The Hunt for Red October (1990) and for Pearl Harbor (2001).
Cecelia Hall is an Oscar winning sound designer and sound editor. She was the first woman to be nominated for an Academy Award for Best Sound Effects Editing for Top Gun and went on to win the Oscar for The Hunt for Red October, a film for which she also received a British BAFTA nomination for Best Sound.
John Leveque is a sound editor. He has won two BAFTAs for sound and has been nominated by the Motion Picture Sound Editors for sound.
Peter Grace is an Australian production sound mixer. He is best known for his work on critically acclaimed war-drama film Hacksaw Ridge (2016) for which he received the Academy Award for Best Sound Mixing at the 89th Academy Awards, sharing with Robert Mackenzie, Kevin O'Connell and Andy Wright.