Richard Francis-Bruce | |
---|---|
Born | Sydney, New South Wales, Australia | 10 December 1948
Occupation | Film editor |
Years active | 1978–present |
Spouse | Susan [1] |
Richard Leslie Francis-Bruce AM (born 10 December 1948) is an Australian film editor who has received several nominations for the Academy Award for Best Film Editing.
This section of a biography of a living person needs additional citations for verification .(May 2015) |
Francis-Bruce aspired to be a cinematographer like his father, Jack Bruce, who worked for Hollywood players like Cecil B. DeMille and the Famous Lansky Players. Nonetheless, Richard's aspirations landed him an editing gig at the Australian Broadcasting Corporation (ABC) in Sydney, where he spent 15 years honing his craft. [2]
Francis-Bruce collaborated with filmmaker George Miller on a plethora of films including Mad Max Beyond Thunderdome (1985), The Witches of Eastwick (1987), and Lorenzo's Oil (1992).
Francis-Bruce later earned Academy Award nominations for his Best Film Editing work on Frank Darabont's The Shawshank Redemption (1994), David Fincher's Seven (1995) and Wolfgang Petersen's Air Force One (1997). Francis-Bruce was nominated for ACE Eddie Awards for The Shawshank Redemption, The Rock (directed by Michael Bay - 1996), Air Force One, and for Harry Potter and the Philosopher's Stone (directed by Chris Columbus - 2001). In 1997, he was invited to become a member of the American Cinema Editors (ACE). [3]
In 1996, Francis-Bruce visited Australia and spoke at a seminar at the Australian Film Television and Radio School entitled Frame by Frame. Francis-Bruce explained the importance of understanding internal rhythm and external rhythm as well as the choices he made in and between every shot throughout the film Seven . [2]
The Shawshank Redemption is a 1994 American prison drama film written and directed by Frank Darabont, based on the 1982 Stephen King novella Rita Hayworth and Shawshank Redemption. The film tells the story of banker Andy Dufresne, who is sentenced to life in Shawshank State Penitentiary for the murders of his wife and her lover, despite his claims of innocence. Over the following two decades, he befriends a fellow prisoner, contraband smuggler Ellis "Red" Redding, and becomes instrumental in a money laundering operation led by the prison warden Samuel Norton. William Sadler, Clancy Brown, Gil Bellows, and James Whitmore appear in supporting roles.
Michael Kahn is an American film editor known for his frequent collaboration with Steven Spielberg. His first collaboration with Spielberg was for his 1977 film, Close Encounters of the Third Kind. He has edited all of Spielberg's subsequent films except for E.T. the Extra-Terrestrial (1982), which was edited by Carol Littleton. Kahn has received eight Academy Award nominations for Best Film Editing, and has won three times—for Raiders of the Lost Ark (1981), Schindler's List (1993), and Saving Private Ryan (1998), which were all Spielberg-directed films.
Founded in 1950, American Cinema Editors (ACE) is an honorary society of film editors who are voted in based on the qualities of professional achievements, their education of others, and their dedication to editing. Members use the post-nominal letters "ACE". The organization's "Eddie Awards" are routinely covered in trade magazines such as The Hollywood Reporter and Variety. The society is not an industry union, such as the I.A.T.S.E., to which an editor might also belong. The current president of ACE is Kevin Tent, who was elected in 2020.
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Lee Smith, ACE, is an Australian film editor who has worked in the film industry since the 1980s. He began his film career as a sound editor before establishing himself as an editor. His breakthrough came when he began collaborating with director Peter Weir. Smith is best known for his work on several of Christopher Nolan's films, including Batman Begins (2005), The Dark Knight (2008), Inception (2010), The Dark Knight Rises (2012), Interstellar (2014) and Dunkirk (2017), for which he won the Academy Award for Best Film Editing.
David L. Bretherton was an American film editor with more than 40 credits for films released from 1954 to 1996.
Zach S. Staenberg, A.C.E. is an American film editor best known for his work on action films and the Matrix Trilogy. Staenberg won an Academy Award and two ACE Eddie Award for the editing of The Matrix (1999) and for HBO's Gotti (1996) for which he was also nominated for an Emmy. The Matrix films were written and directed by the Wachowskis, with whom Staenberg has had an extended collaboration dating from 1996. He is a frequent collaborator of director Andrew Niccol.
Anne Voase Coates was a British film editor with a more than 60-year-long career. She was perhaps best known as the editor of David Lean's epic film Lawrence of Arabia in 1962, for which she won an Oscar. Coates was nominated five times for the Academy Award for Best Film Editing for the films Lawrence of Arabia, Becket (1963), The Elephant Man (1980), In the Line of Fire (1993) and Out of Sight (1998). In an industry where women accounted for only 16 per cent of all editors working on the top 250 films of 2004, and 80 per cent of the films had absolutely no women on their editing teams at all, Coates thrived as a top film editor. She was awarded BAFTA's highest honour, a BAFTA Fellowship, in February 2007 and was given an Academy Honorary Award, which are popularly known as a Lifetime Achievement Oscar, in November 2016 by the Academy of Motion Picture Arts and Sciences.
Willie D. Burton is an American production sound mixer. His career has spanned five decades and has included films such as The Shawshank Redemption, Se7en, and Indiana Jones and the Last Crusade. Burton has been nominated for the Academy Award for Best Sound or Best Achievement in Sound Mixing a total of seven times, winning twice; he has been nominated for two BAFTA Film Awards for Best Sound, winning once; and he was nominated for one Emmy Award for Outstanding Achievement in Film Sound Mixing for his work on Roots.
Gerald Bernard "Jerry" Greenberg was an American film editor with more than 40 feature film credits. Greenberg received both the Academy Award for Best Film Editing and the BAFTA Award for Best Editing for the film The French Connection (1971). In the 1980s, he edited five films with director Brian De Palma.
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The American Cinema Editors Award for Best Edited Animated Feature Film is one of the annual awards given by the American Cinema Editors. This award was first given out in 2010. As of 2024, both The Lego Movie and Spider-Man: Across the Spider-Verse are the only films which have won the award without also winning the Academy Award for Best Animated Feature.
Richard Franklin Chew is an American film editor, best known for his Academy Award-winning work on Star Wars (1977), alongside Paul Hirsch and Marcia Lucas. Other notable films include One Flew Over the Cuckoo's Nest (1975), Risky Business (1983), Waiting to Exhale (1995), That Thing You Do! (1996), and I Am Sam (2001). His career over a variety of films spans more than four decades.
Kevin Tent is an American film editor and director. Tent has been elected to membership in the American Cinema Editors (ACE) and serves as President of the board. He is best known for his longstanding collaboration with Alexander Payne, having edited every feature film Payne has directed as of 2023. For his work on Payne's films, Tent has been nominated for two Academy Awards for Best Editing for his works in The Descendants and The Holdovers. Tent also won an ACE Eddie award for first film and received three other ACE Eddie Award nominations for Election, Sideways and About Schmidt. In addition to his career in editing, Tent also co-directed two films, Ultra Warrior (1990) and Blackbelt II (1993), and directed the 2017 film Crash Pad.
William Manger is an American sound editor. He was nominated at the 62nd Academy Awards for the film Black Rain. This was in the category of Best Sound Editing. He shared his nomination with Milton Burrow.
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Tim Porter is a British film editor, best known for his work on the HBO series, Game of Thrones, as well as several other notable British television series. He worked as an editor and co-producer on the Game of Thrones prequel, House of the Dragon.