Pip Karmel | |
---|---|
Born | Philippa Karmel 27 March 1963 [1] Adelaide, South Australia, Australia |
Occupation | Film editor, film director, screenwriter |
Years active | 1984–present |
Philippa "Pip" Karmel (born 27 March 1963) is an Australian filmmaker. As a film editor, she has worked exclusively with director Scott Hicks in a notable collaboration from 1988 through 2007; their work together includes the 1996 film Shine . She has directed and written several films, including Me Myself I (2000), which was released internationally.
Karmel is the daughter of Peter Karmel, who was an Australian economist, professor, and university administrator. She studied visual arts in Adelaide. She was an assistant editor in the mid-1980s. She worked for editor Andrew Prowse on several films including Call Me Mr. Brown (1985), [2] which was Scott Hicks' first feature film. [3] She subsequently studied film directing and editing at the Australian Film Television and Radio School. [1] [2] She interrupted her studies to edit Hicks' feature Sebastian and the Sparrow (1988), which was her first feature credit as an editor. [4] Her graduate film was Sex Rules (1989), a short film. [2]
In the early 1990s Karmel worked primarily as a director and writer. She directed an episode, The Long Ride, for the Australian television program Under the Skin ; the episode won the Australian Film Institute Award for Best Tele-feature. [2] Hicks persuaded Karmel to return to editing for the film, Shine , which Hicks was directing and had co-written. [4] Shine (1996) has become Hicks' most recognized film; it is based on the early life of David Helfgott, who became a concert pianist following several years of institutionalization for mental illness. In his Variety review, David Stratton wrote, "Securing the musician's cooperation was obviously crucial to Jane Scott's accomplished production, which is also distinguished by Geoffrey Simpson's fine camerawork and Pip Karmel's editing, the latter skillfully shaping a wealth of material into a fast-paced, compelling narrative." [5] Karmel has now edited several additional films with Hicks.
Karmel worked throughout the 1990s on the film Me Myself I (2000), which she wrote and directed. Karmel's script explores the choices made by an unmarried woman who has become a successful journalist; in the film, the woman enters an "alternate reality" in which she is married to a former beau and has three children. The film was mainly seen in Australia, but was internationally distributed and widely reviewed. [6] [7] [8] Roger Ebert and other critics have emphasized Rachel Griffiths' performance in the lead, but Andrew Sarris noted in The New York Observer, "In any event, Ms. Karmel, whether as erstwhile writer, editor, or maker of short films, has earned the right to a long and fruitful directorial career on the strength of Me Myself I, one of the most striking feature-film debuts ever." [9]
Karmel has written a screenplay for a film adaptation of Geraldine Brooks' 2001 novel, Year of Wonders , which is a story of a 17th-century plague year in an English village. [10] As of 2012, this film, which Karmel is slated to direct, is "in development". [11]
Karmel and Vincent Sheehan wrote a screenplay for a comedy What Alice Forgot, and in 2012 received a grant to support further development of a film. [12]
Karmel's editing of Shine (1996) was nominated for the Academy Award for Best Film Editing, the BAFTA Award for Best Editing, and an American Cinema Editors Eddie Award, and it won the Australian Film Institute Award for Best Achievement in Editing. For Me Myself I (2000), Karmel was nominated for the Australian Film Institute Award for Best Direction and for Best Screenplay.
This filmography is based on the Internet Movie Database, and incorporates referenced additions to that listing. [3]
Shine is a 1996 Australian biographical psychological drama film based on the life of David Helfgott, a pianist who suffered a mental breakdown and spent years in institutions.
Out of Sight is a 1998 American crime comedy film directed by Steven Soderbergh and written by Scott Frank, adapted from Elmore Leonard's 1996 novel of the same name. The first of several collaborations between Soderbergh and actor George Clooney, it was released on June 26, 1998.
Walk the Line is a 2005 German-American biographical musical romantic drama film directed by James Mangold. The screenplay, written by Mangold and Gill Dennis, is based on two autobiographies authored by singer-songwriter Johnny Cash, 1975's Man in Black: His Own Story in His Own Words and 1997's Cash: The Autobiography. The film follows Cash's early life, his romance with June Carter, and his ascent in the country music scene. It stars Joaquin Phoenix as Cash, Reese Witherspoon as Carter, Ginnifer Goodwin as Cash's first wife Vivian Liberto, and Robert Patrick as Cash's father.
Kimberly Ane Peirce is an American filmmaker, best known for her debut feature film, Boys Don't Cry (1999), which won the Academy Award for Best Actress for Hilary Swank's performance. Her second feature, Stop-Loss, was released by Paramount Pictures in 2008. Her film Carrie was released on October 18, 2013. She is a governor of the Academy of Motion Pictures Arts and Sciences and a National Board member of the Director's Guild of America.
Charlotte Sally Potter is an English film director and screenwriter. She is best known for directing Orlando (1992), which won the audience prize for Best Film at the Venice Film Festival.
Robert Scott Hicks is an Australian film director and screenwriter. He is best known as the screenwriter and director of Shine, the biopic of pianist David Helfgott. For this, Hicks was nominated for two Academy Awards. Other movies he has directed include the film adaptations of Stephen King's Hearts in Atlantis and Nicholas Sparks' The Lucky One.
Me, Myself, and I may refer to:
Andrew Dominik is an Australian film director and screenwriter. He has directed the crime film Chopper (2000), the Western drama film The Assassination of Jesse James by the Coward Robert Ford (2007), and the neo-noir crime film Killing Them Softly (2012). He has also directed the documentary film One More Time with Feeling (2016) and two episodes of the Netflix series Mindhunter in 2019.
Pietro Scalia is an Italian–American film editor. He won Best Film Editing at the 64th Academy Awards for his work on the film JFK, and shared the award with Joe Hutshing.
The Australian Film Television and Radio School (AFTRS) is Australia's national screen arts and broadcast school. The school is an Australian Commonwealth government statutory authority. It is a member of Arts8, the Australian Roundtable for Arts Training Excellence.
Anne Voase Coates was a British film editor with a more than 60-year-long career. She was perhaps best known as the editor of David Lean's epic film Lawrence of Arabia in 1962, for which she won an Oscar. Coates was nominated five times for the Academy Award for Best Film Editing for the films Lawrence of Arabia, Becket (1963), The Elephant Man (1980), In the Line of Fire (1993) and Out of Sight (1998). In an industry where women accounted for only 16 percent of all editors working on the top 250 films of 2004, and 80 percent of the films had absolutely no women on their editing teams at all, Coates thrived as a top film editor. She was awarded BAFTA's highest honour, a BAFTA Fellowship, in February 2007 and was given an Academy Honorary Award, which are popularly known as a Lifetime Achievement Oscar, in November 2016 by the Academy of Motion Picture Arts and Sciences.
Dody Jane Dorn is an American film and sound editor. She is best known for working with director Christopher Nolan on several films including Memento (2000), for which she was nominated for an Academy Award.
Mary Sweeney is an American director, writer, film editor and film producer. She was briefly married to American film director David Lynch, who she collaborated with for 20 years. Sweeney worked with Lynch on several films and television series, most notably the original Twin Peaks series (1990), Lost Highway (1997), The Straight Story, (1999) and Mulholland Drive (2001). Sweeney is the Dino and Martha De Laurentiis Endowed Professor in the Writing Division of the School of Cinematic Arts at the University of Southern California. She is the chair of the Film Independent board of directors.
Jill Elizabeth Bilcock is an Australian film editor, a member of the Australian Screen Editors (ASE) guild, as well as the American Cinema Editors (ACE) society, and has edited films such as Romeo + Juliet, Moulin Rouge! and Road to Perdition. She occasionally gives seminars at the Victorian College of the Arts in Melbourne, of which she is an alumna.
Geraldine "Geri" Peroni was an American film editor who was best known for working with Robert Altman. She received a nomination for the Academy Award for Best Film Editing for her work on Altman's 1992 film, The Player.
Me Myself I is a 2000 Australian romantic comedy film. It was the first feature film by director Pip Karmel, and was released and reviewed internationally.
Jack Murray was an American film editor with about 55 feature film credits between 1929 and 1961. Fifteen of these films were with the director John Ford. Their credited collaborations commenced with The Prisoner of Shark Island (1936), which was produced when both men were working at the 20th Century Fox studio. It encompassed such well-known films as The Quiet Man (1952) and The Searchers (1956), and ended only with Murray's death in 1961.
Kim Roberts, A.C.E., is an American filmmaker who has worked primarily on documentaries as a film editor and writer. Roberts has a master's degree in documentary film production from Stanford University (1996). Her first credit as an editor was for Long Night's Journey into Day (2000), which was directed by Deborah Hoffmann and Frances Reid and that was nominated for the Academy Award for Best Documentary Feature. She was credited as both an editor and writer for Great Wall Across the Yangtze (2000), which was directed by Ellen Perry. Her work since then and several of her honors are sketched in the filmography below. Roberts was featured in a New York Times article on film editing in 2012. She has been selected for membership in the American Cinema Editors, which entitles editors to append "A.C.E." to their film credits.