 | This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these template messages)
|
Claire Simpson is a British film editor. For her work on Oliver Stone's Platoon (1986), she won the Academy Award for Best Film Editing and was nominated for The Constant Gardener (2005), while her work on both films won her the BAFTA Award for Best Editing. She also worked as editor of Stone's Salvador (1986) and Wall Street (1987).
Sally JoAnne Menke was an American film editor, who worked in cinema and television. Over the span of her 30-year career in film, she accumulated more than 20 feature film credits.
Robert Bridge Richardson, ASC is an American cinematographer. Known for his trademark aggressively bright highlight as well as shapeshifting style, he is one of three living persons who has won the Academy Award for Best Cinematography three times, the others being Vittorio Storaro and Emmanuel Lubezki. He has frequently collaborated with Oliver Stone, Quentin Tarantino, and Martin Scorsese.
Pietro Scalia is an Italian film editor. He won Best Film Editing at the 64th Academy Awards for his work on the film JFK, sharing the award with Joe Hutshing, and at the 74th Academy Awards for Black Hawk Down.
Stephen Mirrione is an American film editor. He is best known for winning an Academy Award for his editing of the film Traffic (2000).
Lee Smith, ACE, is an Australian film editor who has worked in the film industry since the 1980s. He began his film career as a sound editor before establishing himself as an editor. His breakthrough came when he began collaborating with director Peter Weir. Smith is best known for his work on several of Christopher Nolan's films, including Batman Begins (2005), The Dark Knight (2008), Inception (2010), The Dark Knight Rises (2012), Interstellar (2014) and Dunkirk (2017), for which he won the Academy Award for Best Film Editing.
Julie Monroe is an American film editor best known for having been one of director Oliver Stone's 'hot shot' group of up-and-coming film editors.
Joe Hutshing is an American film editor who grew up in San Diego, California and is best known for working multiple times with film director, Oliver Stone and well as with film director Cameron Crowe. Hutshing graduated from the University of Oregon in 1980.
Anne Voase Coates was a British film editor with a more than 60-year-long career. She was perhaps best known as the editor of David Lean's epic film Lawrence of Arabia in 1962, for which she won an Oscar. Coates was nominated five times for the Academy Award for Best Film Editing for the films Lawrence of Arabia, Becket (1963), The Elephant Man (1980), In the Line of Fire (1993) and Out of Sight (1998). In an industry where women accounted for only 16 per cent of all editors working on the top 250 films of 2004, and 80 per cent of the films had absolutely no women on their editing teams at all, Coates thrived as a top film editor. She was awarded BAFTA's highest honour, a BAFTA Fellowship, in February 2007 and was given an Academy Honorary Award, which are popularly known as a Lifetime Achievement Oscar, in November 2016 by the Academy of Motion Picture Arts and Sciences.
Dody Jane Dorn is an American film and sound editor. She is best known for working with director Christopher Nolan on several films including Memento (2000), for which she was nominated for an Academy Award.
Christopher Russell Rouse is an American film and television editor and screenwriter who has about a dozen feature-film credits and numerous television credits. Rouse won the Academy Award for Best Film Editing, the BAFTA Award for Best Editing, and the ACE Eddie Award for the film The Bourne Ultimatum (2007).
Gerald Bernard "Jerry" Greenberg was an American film editor with more than 40 feature film credits. Greenberg received both the Academy Award for Best Film Editing and the BAFTA Award for Best Editing for the film The French Connection (1971). In the 1980s, he edited five films with director Brian De Palma.
Terence Rawlings was a British film editor and sound editor with several BAFTA nominations and one Academy Award nomination. His credits as a sound editor date from 1962–1977, after which he was credited primarily as a film editor.
Stewart Bridgewater Linder was an American film editor with 25 credits. He shared the Academy Award for Best Film Editing for the 1966 film Grand Prix, which was the very first film on which Linder was credited as an editor. Linder is particularly noted for his long collaboration (1982–2006) with the director Barry Levinson. Perhaps the best remembered film from their collaboration, which extended over 20 films, was Rain Man (1988), which won the Academy Award for Best Picture. Linder won an ACE Eddie award for editing this film, and was nominated for both the Academy Award and the BAFTA Award for Best Editing.
Elizabeth Clare Douglas was a British film editor who received a BAFTA Award for Best Editing for the 2006 film United 93. Douglas worked extensively for British television, and had been nominated four times for BAFTA Television Editing Awards.
Tatiana S. Riegel A.C.E., is an American film editor known for independent films such as Lars and the Real Girl, The Way Way Back and I, Tonya. She received an ACE Eddie award for "Best Edited Miniseries or Motion Picture for Non-Commercial Television".
Fredric Steinkamp was an American film editor with more than 40 film credits. He had a longstanding, notable collaboration with director Sydney Pollack, editing nearly all of Pollack's films from They Shoot Horses, Don't They? (1969) through Sabrina (1995).
Richard Halsey is an American film editor with more than 60 credits from 1970 onwards. An alumnus of Hollywood High School, he won an Academy Award for Best Film Editing at the 49th Academy Awards for editing Rocky with Scott Conrad, also being nominated for one BAFTA and one Emmy Award. He often works with his wife Colleen Halsey and they are credited together. Both have been elected to membership in American Cinema Editors (A.C.E.); Halsey has been a member since 1988. He is now living in the Hollywood Hills.
John Bloom is a British film editor with nearly fifty film credits commencing with the 1960 film, The Impersonator. He is the brother of actress Claire Bloom.
Alan Heim, ACE is an American film editor. He won an Academy Award for editing All That Jazz.
Lisa Fruchtman is an American film and television editor, and documentary director with about 25 film credits. Fruchtman won the Academy Award for Best Film Editing for The Right Stuff (1983). With her brother, Rob Fruchtman, she produced, directed, and edited the 2012 documentary Sweet Dreams.
| International | |
|---|---|
| National | |
| Other | |
