Martin Walsh | |
---|---|
Born | |
Occupation | Film editor |
Martin Walsh (born 8 November 1955 in Manchester, England) is an English film editor with more than 30 film credits dating from 1984. [1] Walsh won the Academy Award for Best Film Editing and the ACE Eddie Award for the film Chicago (2002), for which he was also nominated for the BAFTA Award for Best Editing. Walsh has been elected to membership in the American Cinema Editors. [2]
Year | Film | Director | Role |
---|---|---|---|
2005 | Bee Season | Additional editor |
Year | Film | Director | Role | Notes |
---|---|---|---|---|
1996 | Saint-Ex | Anand Tucker | Special thanks | First collaboration with Anand Tucker |
2015 | Tear Me Apart | Alex Lightman | Thanks |
TV documentaries
Year | Film | Director |
---|---|---|
1994 | Land of Dreams - Randy Newman's America | Leslie Woodhead |
TV movies
Year | Film | Director | Notes |
---|---|---|---|
1989 | The Fifteen Streets | David Wheatley | |
1993 | Don't Leave Me This Way | Stuart Orme | Second collaboration with Stuart Orme |
Dancing Queen | Nick Hamm |
TV series
Year | Title | Notes |
---|---|---|
1984 | Africa | |
1986 | Oil | |
1988 | The Fear | 5 episodes |
2012 | Titanic: Blood and Steel | 2 episodes |
Michael Kahn is an American film editor known for his frequent collaboration with Steven Spielberg. His first collaboration with Spielberg was for his 1977 film, Close Encounters of the Third Kind. He has edited all of Spielberg's subsequent films except for E.T. the Extra-Terrestrial (1982), which was edited by Carol Littleton. Kahn has received eight Academy Award nominations for Best Film Editing, and has won three times—for Raiders of the Lost Ark (1981), Schindler's List (1993), and Saving Private Ryan (1998), which were all Spielberg-directed films.
Peter Honess is an English film editor with more than thirty film credits dating from 1973. Honess received the 1997 BAFTA Award for Best Editing for his work on L.A. Confidential.
Zach S. Staenberg, A.C.E. is an American film editor best known for his work on action films and the Matrix Trilogy. Staenberg won an Academy Award and two ACE Eddie Award for the editing of The Matrix (1999) and for HBO's Gotti (1996) for which he was also nominated for an Emmy. The Matrix films were written and directed by the Wachowskis, with whom Staenberg has had an extended collaboration dating from 1996. He is a frequent collaborator of director Andrew Niccol.
Joe Hutshing is an American film editor who grew up in San Diego, California and is best known for working multiple times with film director, Oliver Stone and well as with film director Cameron Crowe. Hutshing graduated from the University of Oregon in 1980.
Anne Voase Coates was a British film editor with a more than 60-year-long career. She was perhaps best known as the editor of David Lean's epic film Lawrence of Arabia in 1962, for which she won an Oscar. Coates was nominated five times for the Academy Award for Best Film Editing for the films Lawrence of Arabia, Becket (1963), The Elephant Man (1980), In the Line of Fire (1993) and Out of Sight (1998). In an industry where women accounted for only 16 per cent of all editors working on the top 250 films of 2004, and 80 per cent of the films had absolutely no women on their editing teams at all, Coates thrived as a top film editor. She was awarded BAFTA's highest honour, a BAFTA Fellowship, in February 2007 and was given an Academy Honorary Award, which are popularly known as a Lifetime Achievement Oscar, in November 2016 by the Academy of Motion Picture Arts and Sciences.
Craig McKay is an American feature film editor, story consultant, director, and executive producer. Recognized with two Academy Award nominations for editing Reds and The Silence of the Lambs, and an Emmy Award for editing the NBC miniseries Holocaust, he has edited more than forty films including Philadelphia, The Manchurian Candidate, Cop Land and Maid in Manhattan.
Dennis Virkler was an American film editor with more than 40 credits dating from 1973. He was nominated twice for the Academy Award for Best Film Editing, and was elected as a member of the American Cinema Editors. The Fugitive (1993) was listed as the 39th best-edited film of all time in a 2012 survey of members of the Motion Picture Editors Guild. Virkler died from heart failure on September 15, 2022. He was 80.
Christopher Russell Rouse is an American film and television editor and screenwriter who has about a dozen feature-film credits and numerous television credits. Rouse won the Academy Award for Best Film Editing, the BAFTA Award for Best Editing, and the ACE Eddie Award for the film The Bourne Ultimatum (2007).
Gerald Bernard "Jerry" Greenberg was an American film editor with more than 40 feature film credits. Greenberg received both the Academy Award for Best Film Editing and the BAFTA Award for Best Editing for the film The French Connection (1971). In the 1980s, he edited five films with director Brian De Palma.
Jill Elizabeth Bilcock is an Australian film editor, a member of the Australian Screen Editors (ASE) guild, as well as the American Cinema Editors (ACE) society, and has edited films such as Romeo + Juliet, Moulin Rouge! and Road to Perdition. She occasionally gives seminars at the Victorian College of the Arts in Melbourne, of which she is an alumna.
Richard Pearson is an American film editor who is mainly associated with action films. Pearson, with Clare Douglas and Christopher Rouse, received the BAFTA Award for Best Editing for the film United 93 (2006).
Jay Cassidy is an American film editor with dozens of credits since 1978.
Timothy S. Squyres is an American film editor with about 30 film credits. Squyres has had an extended collaboration with the Taiwanese director Ang Lee. His latest collaboration with Jonathan Demme on the film A Master Builder opened in New York during June 2014 and was based on the 19th century play by Henrik Ibsen.
Daniel P. Hanley, A.C.E. is an American film editor with more than 30 feature film credits. Hanley and his editing partner Mike Hill have had a notable collaboration with the director Ron Howard, having edited all of Howard's films since Night Shift (1982). They won an Academy Award for the film Apollo 13 (1995), and the BAFTA Award for the film Rush (2013).
Michael J. HillACE was an American film editor. He and his editing partner Dan Hanley had a longstanding, notable collaboration with director Ron Howard, having cut all of Howard's films from Night Shift (1982) to In the Heart of the Sea (2015). They won an Academy Award for the film Apollo 13 (1995), and the BAFTA Award for the film Rush (2013). Hill was a member of the American Cinema Editors (ACE).
Elizabeth Clare Douglas was a British film editor who received a BAFTA Award for Best Editing for the 2006 film United 93. Douglas worked extensively for British television, and had been nominated four times for BAFTA Television Editing Awards.
Chris Dickens is a British film and television editor. For his work on Slumdog Millionaire (2008), directed by Danny Boyle, he won the Academy Award for Best Film Editing, the BAFTA Award for Best Editing, and the American Cinema Editors Award for Best Edited Feature Film – Dramatic.
Barry M. Malkin was an American film editor with about 30 film credits. He is noted for his extended collaboration with director Francis Ford Coppola, having edited most of Coppola's films from 1969 to 1997. In particular, Malkin worked with Coppola on four of the component and compilation films of the Godfather trilogy, though he did not edit the first film, The Godfather. Film critic Roger Ebert called the first two Godfather films a "cultural bedrock".
Philippa "Pip" Karmel is an Australian filmmaker. As a film editor, she has worked exclusively with director Scott Hicks in a notable collaboration from 1988 through 2007; their work together includes the 1996 film Shine. She has directed and written several films, including Me Myself I (2000), which was released internationally.
Jay Rabinowitz is an American film editor and commercial editor. He is certified by the American Cinema Editors.