Jill Bilcock | |
---|---|
Born | Jillian Stevenson 1948 (age 75–76) |
Occupation | Film editor |
Jill Elizabeth Bilcock AC (born 1948) is an Australian film editor, a member of the Australian Screen Editors (ASE) guild, as well as the American Cinema Editors (ACE) society, [1] and has edited films such as Romeo + Juliet , Moulin Rouge! and Road to Perdition . She occasionally gives seminars at the Victorian College of the Arts in Melbourne, of which she is an alumna. [2]
Bilcock was born in Melbourne, Victoria, Australia. She is a graduate of the Swinburne College of Technology. [3] She won the 2002 Eddie Award (best edited comedy or musical feature film) for Moulin Rouge! , for which she also received a nomination for the Academy Award for Best Film Editing. She has been nominated four times for the BAFTA Award for Best Editing. Three of these nominations were for the first three films directed by Baz Luhrmann: Strictly Ballroom (1992), Romeo + Juliet (1996), and Moulin Rouge! (2002). The fourth BAFTA nomination was for Elizabeth (1998), directed by Shekhar Kapur.
The documentaries Jill Billcock: The Art Of Film Editing for ABC TV [4] [5] and the cinema-released Jill Bilcock: Dancing the Invisible, [6] [7] both in 2017, explore her life and work.
Moulin Rouge! is a 2001 jukebox musical romantic drama film directed, produced, and co-written by Baz Luhrmann. It follows an English poet, Christian, who falls in love with the star of the Moulin Rouge, cabaret actress and courtesan, Satine. The film uses the musical setting of the Montmartre Quarter of Paris and is the final part of Luhrmann's Red Curtain Trilogy, following Strictly Ballroom (1992) and Romeo + Juliet (1996). A co-production of Australia and the United States, it features an ensemble cast starring Nicole Kidman and Ewan McGregor, with Jim Broadbent, Richard Roxburgh, John Leguizamo, Jacek Koman, and Caroline O'Connor in supporting roles.
Mark Anthony "Baz" Luhrmann is an Australian film director, producer, writer, and actor. With projects spanning film, television, opera, theatre, music, and recording industries, he is regarded by some as a contemporary example of an auteur for his style and deep involvement in the writing, directing, design, and musical components of all his work. He is the most commercially successful Australian director, with four of his films in the top ten highest worldwide grossing Australian films of all time.
William Shakespeare's Romeo + Juliet is a 1996 romantic crime film directed, produced, and co-written by Baz Luhrmann. It is a modernized adaptation of William Shakespeare's tragedy of the same name, albeit still utilizing Shakespearean English. The film stars Leonardo DiCaprio and Claire Danes in the title roles of two teenagers who fall in love, despite their being members of feuding families. Brian Dennehy, John Leguizamo, Miriam Margolyes, Harold Perrineau, Pete Postlethwaite, Paul Sorvino and Diane Venora also star in supporting roles. It is the third major film version of the play, following adaptations by George Cukor in 1936 and by Franco Zeffirelli in 1968.
The Red Curtain Trilogy is a DVD boxed set, released in 2002, of the first three films directed by Baz Luhrmann:
Craig Armstrong, is a Scottish composer of modern orchestral music, electronica and film scores. He graduated from the Royal Academy of Music in 1981, and has since written music for the Royal Shakespeare Company, the Royal Scottish National Orchestra and the London Sinfonietta.
Peter Honess is an English film editor with more than thirty film credits dating from 1973. Honess received the 1997 BAFTA Award for Best Editing for his work on L.A. Confidential.
Lee Smith, ACE, is an Australian film editor who has worked in the film industry since the 1980s. He began his film career as a sound editor before establishing himself as an editor. His breakthrough came when he began collaborating with director Peter Weir. Smith is best known for his work on several of Christopher Nolan's films, including Batman Begins (2005), The Dark Knight (2008), Inception (2010), The Dark Knight Rises (2012), Interstellar (2014) and Dunkirk (2017), for which he won the Academy Award for Best Film Editing.
Zach S. Staenberg, A.C.E. is an American film editor best known for his work on action films and the Matrix Trilogy. Staenberg won an Academy Award and two ACE Eddie Award for the editing of The Matrix (1999) and for HBO's Gotti (1996) for which he was also nominated for an Emmy. The Matrix films were written and directed by the Wachowskis, with whom Staenberg has had an extended collaboration dating from 1996. He is a frequent collaborator of director Andrew Niccol.
Catherine Martin is an Australian costume, production, and set designer. In a career spanning over three decades, she is recognized for her prolific work across stage and screen with her husband, Baz Luhrmann. These include their collaborations on such acclaimed films as Strictly Ballroom (1992), Romeo + Juliet (1996), Moulin Rouge! (2001), Australia (2008), The Great Gatsby (2013), and Elvis (2022). She has received numerous accolades, including four Academy Awards, six BAFTA Awards, and a Tony Award.
The AACTA Award for Best Editing is an award presented by the Australian Academy of Cinema and Television Arts (AACTA), a non-profit organisation whose aim is to "identify, award, promote and celebrate Australia's greatest achievements in film and television." The award is presented at the annual AACTA Awards, which hand out accolades for achievements in feature film, television, documentaries and short films. From 1976 to 2010, the category was presented by the Australian Film Institute (AFI), the Academy's parent organisation, at the annual Australian Film Institute Awards. When the AFI launched the Academy in 2011, it changed the annual ceremony to the AACTA Awards, with the current award being a continuum of the AFI Award for Best Editing.
Anne Voase Coates was a British film editor with a more than 60-year-long career. She was perhaps best known as the editor of David Lean's epic film Lawrence of Arabia in 1962, for which she won an Oscar. Coates was nominated five times for the Academy Award for Best Film Editing for the films Lawrence of Arabia, Becket (1963), The Elephant Man (1980), In the Line of Fire (1993) and Out of Sight (1998). In an industry where women accounted for only 16 per cent of all editors working on the top 250 films of 2004, and 80 per cent of the films had absolutely no women on their editing teams at all, Coates thrived as a top film editor. She was awarded BAFTA's highest honour, a BAFTA Fellowship, in February 2007 and was given an Academy Honorary Award, which are popularly known as a Lifetime Achievement Oscar, in November 2016 by the Academy of Motion Picture Arts and Sciences.
Sarah Flack is an American film editor. She frequently worked with American independent film directors Steven Soderbergh and Sofia Coppola. Flack's work on Lost in Translation won her the BAFTA Award for Best Editing. The film went on to win numerous other awards, including a Golden Globe Award for Best Motion Picture – Musical or Comedy and the Independent Spirit Award for Best Film. She won a Primetime Emmy Award and an American Cinema Editors Eddie award with Robert Pulcini for co-editing the HBO film "Cinema Verite".
Ralph Kemplen was a British film editor with more than fifty film credits between 1933 and 1982. He had a long collaboration with director John Huston on six films between 1951 and 1966. He also directed one feature film, The Spaniard's Curse (1958).
Alan Heim, ACE is an American film editor. He won an Academy Award for editing All That Jazz.
Geoff Foster is an English recording and mix engineer, best known for his work on numerous film scores.
The soundtrack for the 1968 film Romeo and Juliet was composed and conducted by Nino Rota. It was originally released as an LP, containing nine entries, most notably the song "What Is a Youth", composed by Nino Rota, written by Eugene Walter and performed by Glen Weston. The music score won a Silver Ribbon award of the Italian National Syndicate of Film Journalists in 1968 and was nominated for two other awards.
Michael Chandler is an American producer, director, writer and editor of feature and documentary films. He produced and directed, with Sheila Canavan, the feature documentary Compared to What? The Improbable Journey of Barney Frank, a Showtime Networks Broadcast Premier and official selection of the Tribeca Film Festival; the PBS Independent Lens feature documentary Knee Deep which one reviewer called, “one of the year's best 'believe it or not' documentaries, a rural Rashomon and a compelling cinematic experience;” and produced & directed Forgotten Fires, a PBS documentary which investigated the burning by Ku Klux Klansmen of Black churches. Bill Moyers said about it: "If we wanted a real dialog about race in America, we'd start with this film." Chandler also produced & directed investigative documentaries for the PBS series Frontline, including Blackout, a collaboration with The New York Times, The Future of War, and Secrets of the SAT.
Sue Maslin is an Australian screen producer. She is best known for her feature films Road to Nhill (1997) Japanese Story (2003) and The Dressmaker (2015).