Jean-Luc Godard was a French and Swiss film director, screenwriter, and film critic. He rose to prominence as a pioneer of the French New Wave film movement of the 1960s, alongside such filmmakers as François Truffaut, Agnès Varda, Éric Rohmer and Jacques Demy. He was arguably the most influential French filmmaker of the post-war era. According to AllMovie, his work "revolutionized the motion picture form" through its experimentation with narrative, continuity, sound, and camerawork. His most acclaimed films include Breathless (1960), Vivre sa vie (1962), Contempt (1963), Band of Outsiders (1964), Alphaville (1965), Pierrot le Fou (1965), Masculin Féminin (1966), Weekend (1967) and Goodbye to Language (2014).
King: A Filmed Record... Montgomery to Memphis is a 1970 American documentary film biography of Martin Luther King Jr. and his creation and leadership of the nonviolent campaign for civil rights and social and economic justice in the Civil Rights Movement.
Robert Bresson was a French film director. Known for his ascetic approach, Bresson made a notable contribution to the art of cinema; his non-professional actors, ellipses, and sparse use of scoring have led his works to be regarded as preeminent examples of minimalist film. Much of his work is known for being tragic in story and nature.
The 400 Blows is a 1959 French coming-of-age drama film, and the directorial debut of François Truffaut, who also co-wrote the film. Shot in the anamorphic format DyaliScope, the film stars Jean-Pierre Léaud, Albert Rémy, and Claire Maurier. One of the defining films of the French New Wave, it displays many of the characteristic traits of the movement. Written by Truffaut and Marcel Moussy, the film is about Antoine Doinel, a misunderstood adolescent in Paris who struggles with his parents and teachers due to his rebellious behavior. Filmed on location in Paris and Honfleur, it is the first in a series of five films in which Léaud plays the semi-autobiographical character.
Breathless is a 1960 French New Wave crime drama film written and directed by Jean-Luc Godard. It stars Jean-Paul Belmondo as a wandering criminal named Michel, and Jean Seberg as his American girlfriend Patricia. The film was Godard's first feature-length work and represented Belmondo's breakthrough as an actor.
Tokyo Story is a 1953 Japanese drama film directed by Yasujirō Ozu and starring Chishū Ryū and Chieko Higashiyama, about an aging couple who travel to Tokyo to visit their grown children.
Equinox Flower is a 1958 color Japanese film directed by Yasujirō Ozu which is based on a novel by Ton Satomi.
In filmmaking, a long take is shot with a duration much longer than the conventional editing pace either of the film itself or of films in general. Significant camera movement and elaborate blocking are often elements in long takes, but not necessarily so. The term "long take" should not be confused with the term "long shot", which refers to the distance between the camera and its subject and not to the temporal length of the shot itself. The length of a long take was originally limited to how much film the magazine of a motion picture camera could hold, but the advent of digital video has considerably lengthened the maximum potential length of a take.
Early Summer is a 1951 Japanese drama by Yasujirō Ozu. Like most of Ozu's post-war films, Early Summer deals with issues ranging from communication problems between generations to the rising role of women in post-war Japan. The plot concerns Noriko, who lives contentedly in an extended family household that includes her parents and her brother's family, but an uncle's visit prompts the family to find her a husband.
Early Spring is a 1956 film by Yasujirō Ozu about a married salaryman who escapes the monotony of married life and his work at a fire brick manufacturing company by beginning an affair with a fellow office worker. The film also deals with the hardships of the salaryman lifestyle. "I wanted," Ozu said, "to portray what you might call the pathos of the white-collar life."
Janus Films is an American film distribution company. The distributor is credited with introducing numerous films, now considered masterpieces of world cinema, to American audiences, including the films of Michelangelo Antonioni, Sergei Eisenstein, Ingmar Bergman, Federico Fellini, Akira Kurosawa, Satyajit Ray, François Truffaut, Yasujirō Ozu and many other well-regarded directors. Ingmar Bergman's The Seventh Seal (1957) was the film responsible for the company's initial growth.
Kino Lorber is an international film distribution company based in New York City. Founded in 1977, it was originally known as Kino International until it was acquired by and merged into Lorber HT Digital in 2009. It specializes in art house films, such as documentary films, classic and rarely seen films from earlier periods in the history of cinema, and world cinema. In addition to theatrical distribution, Kino Lorber releases films in the home entertainment market and has its own streaming services for its digital library.
Two or Three Things I Know About Her is a 1967 French New Wave film written and directed by Jean-Luc Godard, one of three features he completed that year. As with the other two, it is considered both socially and stylistically radical. Village Voice critic Amy Taubin considers the film to be among the greatest achievements in filmmaking.
Timothy Ray Lucas is an American film critic, biographer, novelist, screenwriter and blogger, best known for publishing and editing the video review magazine Video Watchdog.
I Was Born, But... is a 1932 black-and-white Japanese silent comedy film directed by Yasujirō Ozu. It was the first of six Ozu films to win the Kinema Junpo Award for Best Film of the Year.
Masters of Cinema is a line of DVD and Blu-ray releases published through Eureka Entertainment. Because of the uniformly branded and spine-numbered packaging and the standard inclusion of booklets and analysis by recurring film historians, the line is often perceived as the UK equivalent of The Criterion Collection.
Stephen Robert Prince was an American film critic, historian and theorist. He was a Professor of Communication Studies and was a Professor of Cinema at Virginia Polytechnic Institute and State University. His books include The Warrior's Camera: The Cinema of Akira Kurosawa (1991) and Savage Cinema: Sam Peckinpah and the Rise of Ultraviolent Movies (1998).Prince was frequently cited as an expert in East Asian cinema by Criterion and can often be heard in commentary tracks in their collections.
Kogonada is a South Korean-born American filmmaker. He is known for his video essays that analyze the content, form and structure of various films and television series. The essays frequently use narration and editing as lenses, and often highlight a director's aesthetic. Kogonada—the name is a pseudonym—is a regular contributor to Sight & Sound, and is frequently commissioned by The Criterion Collection to create supplemental videos for its home-video releases. He has also written, directed and edited the feature films Columbus (2017) and After Yang (2021).
Minimalist cinema is related to the art and philosophy of minimalism.
Modernist film is related to the art and philosophy of modernism.
