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Adrian Martin | |
---|---|
Born | Adrian Paul Martin 1959 |
Nationality | Australian |
Occupation | Film critic |
Years active | 1979-present |
Website | https://adrianmartinfilmcritic.com/ |
Adrian Martin (born 1959) is an Australian film and arts critic. He now lives in Malgrat de Mar in Spain. He is Adjunct Associate Professor in Film Culture and Theory at Monash University. [1] His work has appeared in many magazines, journals and newspapers around the world, and has been translated into over twenty languages and has regular columns in the Dutch De Filmkrant and in Caiman: Cuadernos de cine .
Born in Melbourne, Martin was educated at St Joseph's College, Melbourne and Melbourne State College, where he studied film and media studies in the late 1970s. He later completed a PhD in Film Style at Monash University in 2006. His thesis, titled Toward a Synthetic Analysis of Film Style, won the Mollie Holman Doctoral Medal for Best PhD Thesis in the Faculty of Arts and Design. [2]
Martin began teaching in 1979, and has lectured in film studies at Melbourne State College, Swinburne University of Technology, Rusden College and RMIT University. After completing his PhD, Martin was a senior research fellow in film and television studies at Monash University from 2006 to 2009, and was promoted to associate professor in 2010.
Martin was one of The Age newspaper's film reviewers for 11 years until early 2006 and has worked as a film reviewer for ABC TV and Radio National. He was co-editor of the online film journal Rouge between 2003 and 2009, [3] and co-editor, with Girish Shambu, of the online film journal Lola from 2011 to 2016. [4] He also serves as one of the editorial team of Screening The Past. [5]
From 2013 to 2015, Martin was distinguished visiting professor at Goethe University in Frankfurt, Germany. [6]
In July 2017 he launched his official website Film Critic: Adrian Martin. [7]
From 2006 to 2011, Martin contributed feature-length audio commentaries to the 'Directors Suite' DVD series produced by Madman Entertainment in Australia. Madman discontinued producing these special bonus features in 2011. In 2015, Martin returned to audio commentary work, commissioned by the British Film Institute and Masters of Cinema labels. Martin's commentary appears on the following films (release dates follow each title):
Jean-Luc Godard was a French and Swiss film director, screenwriter, and film critic. He rose to prominence as a pioneer of the French New Wave film movement of the 1960s, alongside such filmmakers as François Truffaut, Agnès Varda, Éric Rohmer and Jacques Demy. He was arguably the most influential French filmmaker of the post-war era. According to AllMovie, his work "revolutionized the motion picture form" through its experimentation with narrative, continuity, sound, and camerawork. His most acclaimed films include Breathless (1960), Vivre sa vie (1962), Contempt (1963), Band of Outsiders (1964), Alphaville (1965), Pierrot le Fou (1965), Masculin Féminin (1966), Weekend (1967) and Goodbye to Language (2014).
King: A Filmed Record... Montgomery to Memphis is a 1970 American documentary film biography of Martin Luther King Jr. and his creation and leadership of the nonviolent campaign for civil rights and social and economic justice in the Civil Rights Movement.
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Breathless is a 1960 French New Wave crime drama film written and directed by Jean-Luc Godard. It stars Jean-Paul Belmondo as a wandering criminal named Michel, and Jean Seberg as his American girlfriend Patricia. The film was Godard's first feature-length work and represented Belmondo's breakthrough as an actor.
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Early Summer is a 1951 Japanese drama by Yasujirō Ozu. Like most of Ozu's post-war films, Early Summer deals with issues ranging from communication problems between generations to the rising role of women in post-war Japan. The plot concerns Noriko, who lives contentedly in an extended family household that includes her parents and her brother's family, but an uncle's visit prompts the family to find her a husband.
Early Spring is a 1956 film by Yasujirō Ozu about a married salaryman who escapes the monotony of married life and his work at a fire brick manufacturing company by beginning an affair with a fellow office worker. The film also deals with the hardships of the salaryman lifestyle. "I wanted," Ozu said, "to portray what you might call the pathos of the white-collar life."
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Antony Rayns is a British writer, commentator, film festival programmer and screenwriter. He wrote for the underground publication Cinema Rising before contributing to the Monthly Film Bulletin from the December 1970 issue until its demise in 1991. He has written for the British Film Institute's magazine Sight & Sound since the 1970s, and also contributed extensively to Time Out and to Melody Maker in the late 1970s.
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