Burton Stephen Lancaster was an American actor and film producer. Initially known for playing tough guys with a tender heart, he went on to achieve success with more complex and challenging roles over a 45-year career in films and television series. He was a four-time nominee for the Academy Award for Best Actor, and he also won two BAFTA Awards and one Golden Globe Award for Best Lead Actor. The American Film Institute ranks Lancaster as #19 of the greatest male stars of classic Hollywood cinema.
Robert Siodmak was a German film director who also worked in the United States. He is best remembered as a thriller specialist and for a series of films noir he made in the 1940s, such as The Killers (1946).
Scarlet Street is a 1945 American film noir directed by Fritz Lang. The screenplay concerns two criminals who take advantage of a middle-aged painter in order to steal his artwork. The film is based on the French novel La Chienne by Georges de La Fouchardière, which had been previously dramatized on stage by André Mouëzy-Éon, and cinematically as La Chienne (1931) by director Jean Renoir.
Margaret Yvonne Middleton, known professionally as Yvonne De Carlo, was a Canadian-American actress, dancer and singer. She became a Hollywood film star in the 1940s and 1950s, made several recordings, and later acted on television and stage.
Dan Duryea was an American actor in film, stage, and television. Known for portraying a vast range of character roles as a villain, he nonetheless had a long career in a wide variety of leading and secondary roles.
The Woman in the Window is a 1944 American film noir directed by Fritz Lang and starring Edward G. Robinson, Joan Bennett, Raymond Massey, and Dan Duryea. It tells the story of a psychology professor who meets a young femme fatale and murders her lover in self-defense.
Lizabeth Virginia Scott was an American actress, singer and model for the Walter Thornton Model Agency, known for her "smoky voice" and being "the most beautiful face of film noir during the 1940s and 1950s". After understudying the role of Sabina in the original Broadway and Boston stage productions of The Skin of Our Teeth, she emerged in such films as The Strange Love of Martha Ivers (1946), Dead Reckoning (1947), Desert Fury (1947), and Too Late for Tears (1949). Of her 22 films, she was the leading lady in all but three. In addition to stage and radio, she appeared on television from the late 1940s to early 1970s.
The Killers is a 1946 American film noir starring Burt Lancaster, Ava Gardner, Edmond O'Brien and Sam Levene. Based in part on the 1927 short story of the same name by Ernest Hemingway, it focuses on an insurance detective's investigation into the execution by two professional killers of a former boxer who was unresistant to his own murder. Directed by Robert Siodmak, it featured an uncredited John Huston and Richard Brooks co-writing the screenplay, which was credited to Anthony Veiller. As in many film noir, it is mostly told in flashback.
Cry of the City is a 1948 American film noir starring Victor Mature, Richard Conte, and Shelley Winters. Directed by Robert Siodmak, it is based on the novel by Henry Edward Helseth, The Chair for Martin Rome. The screenwriter Ben Hecht worked on the film's script, but is not credited. The film was partly shot on location in New York City.
Brute Force is a 1947 American crime film noir directed by Jules Dassin, from a screenplay by Richard Brooks with cinematography by William H. Daniels. It stars Burt Lancaster, Hume Cronyn, Charles Bickford and Yvonne De Carlo.
Howard Green Duff was an American actor.
Daniel Fuchs was an American screenwriter, fiction writer, and essayist.
World for Ransom is a 1954 American film noir drama directed by Robert Aldrich and starring Dan Duryea, Patric Knowles, Gene Lockhart, Reginald Denny, and Nigel Bruce.
Kiss the Blood Off My Hands is a 1948 American noir-thriller film directed by Norman Foster. Based on the best-selling novel of the same name by Gerald Butler, it stars Joan Fontaine, Burt Lancaster, and Robert Newton. The film faced minor opposition from fundamentalist groups in the United States and the Commonwealth, with regard to its gory title. In some markets, the film was released under the alternate titles The Unafraid or Blood on My Hands.
Rope of Sand is a 1949 American adventure-suspense film noir directed by William Dieterle, produced by Hal Wallis, and starring Burt Lancaster and three stars from Wallis's Casablanca – Paul Henreid, Claude Rains and Peter Lorre. The film introduces Corinne Calvet and features Sam Jaffe, John Bromfield, and Kenny Washington in supporting roles. The picture is set in South West Africa. Desert portions of the film were shot in Yuma, Arizona.
The Leopard is a 1963 epic historical drama film directed by Luchino Visconti. Written by Visconti, Suso Cecchi d'Amico, Enrico Medioli, Pasquale Festa Campanile, Massimo Franciosa, and an uncredited René Barjavel, the film is an adaptation of the 1958 novel of the same title by Giuseppe Tomasi di Lampedusa.
William Bowers was an American reporter, playwright, and screenwriter. He worked as a reporter in Long Beach, California and for Life magazine, and specialized in writing comedy-westerns. He also turned out several thrillers.
The Underneath is a 1995 American crime film directed by Steven Soderbergh and starring Peter Gallagher and Alison Elliott. The film is based on the novel Criss Cross by Don Tracy, and is a remake of the original 1949 film adaptation. The plot revolves around many themes common to film noir, including romantic intrigue, a botched robbery, and a surprise ending.
Thunder on the Hill is a 1951 American film noir crime film directed by Douglas Sirk and starring Claudette Colbert and Ann Blyth. The picture was made by Universal-International Pictures and produced by Michael Kraike from a screenplay by Oscar Saul and Andrew Solt, based on the play Bonaventure by Charlotte Hastings. The music score was by Hans J. Salter and the cinematography by William H. Daniels.
Temptation is a 1946 American film noir thriller film directed by Irving Pichel and starring Merle Oberon, George Brent, Charles Korvin and Paul Lukas. The film was based on Robert Smythe Hichens's 1909 novel Bella Donna. Other film adaptations of the novel were produced in 1915, 1923 and 1934.
