Cobra Woman | |
---|---|
Directed by | Robert Siodmak |
Screenplay by | Gene Lewis Richard Brooks |
Story by | Scott Darling |
Produced by | George Waggner |
Starring | Maria Montez Jon Hall Sabu Edgar Barrier Lois Collier Mary Nash Lon Chaney |
Cinematography | W. Howard Greene |
Edited by | Charles Maynard |
Music by | Edward Ward |
Production company | Universal Pictures |
Distributed by | Universal Pictures |
Release date |
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Running time | 71 minutes |
Country | United States |
Language | English |
Cobra Woman is a 1944 American South Seas adventure film from Universal Pictures, directed by Robert Siodmak that stars Maria Montez, Jon Hall, and Sabu. Shot in Technicolor, this film is typical of Montez's career at Universal, and, although mostly forgotten today by the general public, is venerated by film buffs as a camp classic for its legendary phallic snake-dance and Montez's words: "Geev me that Cobra jewl (sic)".
Avant-garde filmmaker Kenneth Anger has called it his favorite film. Film critic Leonard Maltin gave the film three stars out of four and called it a camp classic. [2] [3]
The beautiful Tollea is abducted and taken to Cobra Island, where she discovers that the Queen is her grandmother. Hava warns the angered Ramu not to go after Tollea, but he sets sail for the forbidden island, with his young friend Kado accompanying him as a stowaway.
A panther attacks Ramu, who is saved by a dart from Kado's deadly blowgun. They continue the search for Tollea, unaware that the high priestess of the island is Naja, her twin sister. The queen has ordered Tollea to be forcibly returned to Cobra Island only so she can displace her evil sister.
Ramu mistakenly becomes involved with Naja, who falls in love with him. Kado is captured and tortured by the brutal Martok, but refuses to reveal Ramu's whereabouts. Martok proceeds to murder the Queen.
When they finally meet, Naja attempts to kill her sister with a spear, but plunges to her own death instead. The evil Martok insists that Tollea perform a forbidden cobra dance, whereupon the island's volcano begins to violently erupt. It ceases when Martok is killed by Hava. When Ramu is about to return home, Tollea asks him to remain by her side and help her rule Cobra Island.
Universal announced the film in June 1942 starring Montez, Hall, and Sabu, even before shooting had begun on their production of Arabian Nights. [4] It was meant to follow that film but was pre-empted by White Savage. [5] [6]
Filming took place in May 1943. [7]
Siodmak later called the film "silly but fun...Montez couldn't act from here to there but she was a great personality and completely believed in her roles: if she was playing a princess you had to treat her like one all through lunch but if she was a slave girl you could kick her around anyhow and she wouldn't object: Method Acting before its time you might say." [8]
A contemporary review of the film by Bosley Crowther in The New York Times reported that "the submissive audience is witchingly rocked to sleep with as wacky an adventure fable as was ever dished up outside the comic strips." He also wrote that Cobra Island "is ruled by a viperous doll who snake-dances in the sacred temple, surrounded by a bevy of night-gowned toots," that "Miss Montez plays dual roles — those of the good twin and the bad twin — without a trace of distinction between," and that the film "is better than the funny papers, on which it was obviously based." [9] Writing in AllMovie, critic Hans Wollstein described the film as "the quintessential romantic Montez-John Hall melodrama," "Hollywood escapism at its zenith," and "a rather choice slice of cinematic ham." [10] A description of the film at Turner Classic Movies notes that "the absurdity of the plot of Cobra Woman was a source of creative inspiration for such diverse individuals as theatrical producer Charles Ludlam of the Ridiculous Theatrical Company and novelist Gore Vidal. [11]
Universal's theatrical release poster can be seen in the 2013 film Mama .
Robert Siodmak was a German film director who also worked in the United States. He is best remembered as a thriller specialist and for a series of films noir he made in the 1940s, such as The Killers (1946).
María África Gracia Vidal, known professionally as Maria Montez, was a Dominican actress who gained fame and popularity in the 1940s starring in a series of filmed-in-Technicolor costume adventure films. Her screen image was that of a seductress, dressed in fanciful costumes and sparkling jewels. She became so identified with these adventure epics that she became known as The Queen of Technicolor. Over her career, Montez appeared in 26 films, 21 of which were made in North America, with the last five being made in Europe.
Jon Hall was an American film actor known for playing a variety of adventurous roles, as in 1937's The Hurricane, and later when contracted to Universal Pictures, including Invisible Agent and The Invisible Man's Revenge and six films he made with Maria Montez. He was also known to 1950s fans as the creator and star of the Ramar of the Jungle television series which ran from 1952 to 1954. Hall directed and starred in two 1960s sci-fi films in his later years, The Beach Girls and the Monster (1965) and The Navy vs. the Night Monsters (1966).
Turhan Bey was an Austrian-born actor of Turkish and Czech-Jewish origins. Active in Hollywood from 1941 to 1953, he was dubbed "The Turkish Delight" by his fans. After his return to Austria, he pursued careers as a photographer and stage director. Returning to Hollywood after a 40-year hiatus, he made several guest appearances in 1990s television series including SeaQuest DSV, Murder, She Wrote and Babylon 5 as well as a number of films. After retiring, he appeared in a number of documentaries, including a German-language documentary on his life.
Phantom Lady is a 1944 American film noir directed by Robert Siodmak and starring Franchot Tone, Ella Raines, and Alan Curtis. Based on the novel of the same name by Cornell Woolrich, it follows a young Manhattan secretary and her endeavors to prove that her boss did not murder his wife.
Christmas Holiday is a 1944 American film noir crime film directed by Robert Siodmak and starring Deanna Durbin and Gene Kelly. Based on the 1939 novel of the same name by W. Somerset Maugham, the film is about a woman who marries a Southern aristocrat who inherited his family's streak of violence and instability and soon drags the woman into a life of misery. After he is arrested, the woman runs away from her husband's family, changes her name, and finds work as a singer in a New Orleans dive. The film received an Academy Award nomination for Best Musical Score for Hans J. Salter.
The Invisible Woman is an American science fiction comedy film directed by A. Edward Sutherland. It is the third film in Universal Pictures' The Invisible Man film series, following The Invisible Man and The Invisible Man Returns, the latter which was released earlier in the year. It was more of a screwball comedy than the others in the series. Universal released The Invisible Woman on December 27, 1940.
Son of Dracula is a 1943 American horror film directed by Robert Siodmak with a screenplay based on an original story by his brother Curt Siodmak. The film stars Lon Chaney Jr., Louise Allbritton, Robert Paige, Evelyn Ankers, and Frank Craven. The film is set in the United States, where Count Alucard has just taken up residence. Katherine Caldwell (Allbritton), a student of the occult, becomes fascinated by Alucard and eventually marries him. Katherine begins to look and act strangely, leading her former romantic partner Frank Stanley (Paige) to suspect that something has happened to her. He gets help from Dr. Brewster (Craven) and psychologist Laszlo who come to the conclusion that Alucard is a vampire.
Follow the Boys also known as Three Cheers for the Boys is a 1944 musical film made by Universal Pictures during World War II as an all-star cast morale booster to entertain the troops abroad and the civilians at home. The film was directed by A. Edward "Eddie" Sutherland and produced by Charles K. Feldman. The movie stars George Raft and Vera Zorina and features Grace McDonald, Charles Grapewin, Regis Toomey and George Macready. At one point in the film, Orson Welles saws Marlene Dietrich in half during a magic show. W.C. Fields, in his first movie since 1941, performs a classic pool-playing presentation he first developed in vaudeville four decades earlier in 1903.
Arabian Nights is a 1942 adventure film directed by John Rawlins and starring Jon Hall, Maria Montez, Sabu and Leif Erikson. The film is derived from The Book of One Thousand and One Nights but owes more to the imagination of Universal Pictures than the original Arabian stories. Unlike other films in the genre, it features no monsters or supernatural elements.
The Suspect is a 1944 American film noir starring Charles Laughton and Ella Raines, and directed by Robert Siodmak. Set in Edwardian London in 1902, it is based on the 1939 novel This Way Out, by James Ronald, and was released by Universal Pictures.
White Savage is a 1943 American Technicolor South Seas adventure film directed by Arthur Lubin and starring Maria Montez, Jon Hall and Sabu. The film was re-released by Realart in 1948 on a double-feature with the same three stars in Cobra Woman (1944) and again in 1953, under the title White Savage Woman. It was choreographed by Lester Horton.
Jungle Woman is a 1944 American horror film directed by Reginald LeBorg. The film stars Evelyn Ankers, J. Carrol Naish, Samuel S. Hinds, Lois Collier, Milburn Stone, and Douglass Dumbrille. The film involves Dr. Carl Fletcher who is in court on the murder of Paula Dupree, who he explains has the ability to turn into an Ape Woman.
Ali Baba and the Forty Thieves is a 1944 adventure film from Universal Pictures, directed by Arthur Lubin, and starring Maria Montez, Jon Hall, and Turhan Bey. The film is derived from The Book of One Thousand and One Nights, but its storyline departs greatly from the folk tale of the same name, wedding that story to an actual historic event. The film is one of series of "exotic" tales released by Universal during the Second World War; others include Cobra Woman, Arabian Nights, and White Savage.
The Strange Affair of Uncle Harry, also known as Uncle Harry and The Zero Murder Case, is a 1945 American film noir directed by Robert Siodmak and starring George Sanders, Geraldine Fitzgerald and Ella Raines. It is based on the stage play Uncle Harry by Thomas Job, which was first performed in 1938.
Tangier is a 1946 American film noir mystery film directed by George Waggner and starring Maria Montez, Robert Paige and Sabu. It is set in the international city of Tangier, Morocco and was one of the last Universal Pictures films before the studio's reorganization as Universal-International in July 1946.
Sudan is a 1945 American Technicolor adventure film directed by John Rawlins and starring Maria Montez, Jon Hall and Turhan Bey.
Night in Paradise is a 1946 American Technicolor fantasy comedy film directed by Arthur Lubin and starring Merle Oberon, Gale Sondergaard and Turhan Bey. It was produced by Walter Wanger for distribution by Universal Pictures.
Gypsy Wildcat is a 1944 Technicolor adventure film directed by Roy William Neil starring Maria Montez, Jon Hall and Peter Coe. It was co-written by James M. Cain.
The Mystery of Marie Roget is a 1942 mystery film starring Patric Knowles. The story was adapted from the short story "The Mystery of Marie Rogêt" written by Edgar Allan Poe in 1842. The film, directed by Phil Rosen and produced by Universal Pictures, is set in 1889.