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A soundtrack, also written sound track,can be recorded music accompanying and synchronized to the images of a motion picture, book, television program, or video game; a commercially released soundtrack album of music as featured in the soundtrack of a film, video, or television presentation; or the physical area of a film that contains the synchronized recorded sound.
Film, also called movie or motion picture, is a medium used to simulate experiences that communicate ideas, stories, perceptions, feelings, beauty or atmosphere by the means of recorded or programmed moving images along with other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it.
As a physical object, a book is a stack of usually rectangular pages oriented with one edge tied, sewn, or otherwise fixed together and then bound to the flexible spine of a protective cover of heavier, relatively inflexible material. The technical term for this physical arrangement is codex. In the history of hand-held physical supports for extended written compositions or records, the codex replaces its immediate predecessor, the scroll. A single sheet in a codex is a leaf, and each side of a leaf is a page.
A television show is any content produced for broadcast via over-the-air, satellite, cable, or internet and typically viewed on a television set, excluding breaking news, advertisements, or trailers that are typically placed between shows. Television shows are most often scheduled well ahead of time and appear on electronic guides or other TV listings.
In movie industry terminology usage, a sound track is an audio recording created or used in film production or post-production. Initially the dialogue, sound effects, and music in a film each has its own separate track (dialogue track, sound effects track, and music track), and these are mixed together to make what is called the composite track, which is heard in the film. A dubbing track is often later created when films are dubbed into another language. This is also known as a M & E track (music and effects) containing all sound elements minus dialogue which is then supplied by the foreign distributor in the native language of its territory.
A sound film is a motion picture with synchronized sound, or sound technologically coupled to image, as opposed to a silent film. The first known public exhibition of projected sound films took place in Paris in 1900, but decades passed before sound motion pictures were made commercially practical. Reliable synchronization was difficult to achieve with the early sound-on-disc systems, and amplification and recording quality were also inadequate. Innovations in sound-on-film led to the first commercial screening of short motion pictures using the technology, which took place in 1923.
Post-production is part of the process of filmmaking, video production, radio production and photography. Post-production includes all stages of production occurring after shooting or recording individual program segments.
Dubbing, mixing, or re-recording is a post-production process used in filmmaking and video production in which additional or supplementary recordings are "mixed" with original production sound to create the finished soundtrack.
The contraction soundtrack came into public consciousness with the advent of so-called "soundtrack albums" in the late 1940s. First conceived by movie companies as a promotional gimmick for new films, these commercially available recordings were labeled and advertised as "music from the original motion picture soundtrack", or "music from and inspired by the motion picture." These phrases were soon shortened to just "original motion picture soundtrack." More accurately, such recordings are made from a film's music track, because they usually consist of the isolated music from a film, not the composite (sound) track with dialogue and sound effects.
The abbreviation OST is often used to describe the musical soundtrack on a recorded medium, such as CD, and it stands for Original Soundtrack; however, it is sometimes also used to differentiate the original music heard and recorded versus a rerecording or cover of the music.[ citation needed ]
Compact disc (CD) is a digital optical disc data storage format that was co-developed by Philips and Sony and released in 1982. The format was originally developed to store and play only sound recordings (CD-DA) but was later adapted for storage of data (CD-ROM). Several other formats were further derived from these, including write-once audio and data storage (CD-R), rewritable media (CD-RW), Video Compact Disc (VCD), Super Video Compact Disc (SVCD), Photo CD, PictureCD, CD-i, and Enhanced Music CD. The first commercially available audio CD player, the Sony CDP-101, was released October 1982 in Japan.
In popular music, a cover version, cover song, revival, or simply cover, is a new performance or recording by someone other than the original artist or composer of a previously recorded, commercially released song.
Types of soundtrack recordings include:
The soundtrack to the 1937 Walt Disney animated film Snow White and the Seven Dwarfs was the first commercially issued film soundtrack.It was released by RCA Victor Records on multiple 78 RPM discs in January 1938 as Songs from Walt Disney's Snow White and the Seven Dwarfs (with the Same Characters and Sound Effects as in the Film of That Title) and has since seen numerous expansions and reissues.
Snow White and the Seven Dwarfs, the soundtrack to the 1937 Walt Disney film, was the first commercially issued film soundtrack. It was released in January 1938 as Songs from Walt Disney's Snow White and the Seven Dwarfs and has since seen numerous expansions and reissues.
Walter Elias Disney was an American entrepreneur, animator, voice actor and film producer. A pioneer of the American animation industry, he introduced several developments in the production of cartoons. As a film producer, Disney holds the record for most Academy Awards earned by an individual, having won 22 Oscars from 59 nominations. He was presented with two Golden Globe Special Achievement Awards and an Emmy Award, among other honors. Several of his films are included in the National Film Registry by the Library of Congress.
Snow White and the Seven Dwarfs is a 1937 American animated musical fantasy film produced by Walt Disney Productions and originally released by RKO Radio Pictures. Based on the German fairy tale by the Brothers Grimm, it is the first full-length cel animated feature film and the earliest Disney animated feature film. The story was adapted by storyboard artists Dorothy Ann Blank, Richard Creedon, Merrill De Maris, Otto Englander, Earl Hurd, Dick Rickard, Ted Sears and Webb Smith. David Hand was the supervising director, while William Cottrell, Wilfred Jackson, Larry Morey, Perce Pearce, and Ben Sharpsteen directed the film's individual sequences.
The first live-action musical film to have a commercially issued soundtrack album was MGM’s 1946 film biography of Show Boat composer Jerome Kern, Till the Clouds Roll By . The album was originally issued as a set of four 10-inch 78-rpm records. Only eight selections from the film were included in this first edition of the album. In order to fit the songs onto the record sides the musical material needed editing and manipulation. This was before tape existed, so the record producer needed to copy segments from the playback discs used on set, then copy and re-copy them from one disc to another adding transitions and cross-fades until the final master was created. Needless to say, it was several generations removed from the original and the sound quality suffered for it. The playback recordings were purposely recorded very "dry" (without reverberation); otherwise it would come across as too hollow sounding in large movie theatres. This made these albums sound flat and boxy.
Metro-Goldwyn-Mayer Studios Inc. is an American media company, involved primarily in the production and distribution of feature films and television programs. One of the world's oldest film studios, MGM's headquarters are located at 245 North Beverly Drive in Beverly Hills, California.
Show Boat is a musical in two acts, with music by Jerome Kern and book and lyrics by Oscar Hammerstein II, based on Edna Ferber's best-selling novel of the same name. The musical follows the lives of the performers, stagehands and dock workers on the Cotton Blossom, a Mississippi River show boat, over 40 years from 1887 to 1927. Its themes include racial prejudice and tragic, enduring love. The musical contributed such classic songs as "Ol' Man River", "Make Believe", and "Can't Help Lovin' Dat Man".
Jerome David Kern was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as "Ol' Man River", "Can't Help Lovin' Dat Man", "A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight", "Long Ago " and "Who?". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg.
MGM Records called these "original cast albums" in the style of Decca Broadway show cast albums mostly because the material on the discs would not lock to picture, thereby creating the largest distinction between `Original Motion Picture Soundtrack' which, in its strictest sense would contain music that would lock to picture if the home user would play one alongside the other and `Original Cast Soundtrack' which in its strictest sense would refer to studio recordings of film music by the original film cast, but which had been edited or rearranged for time and content and would not lock to picture.
MGM Records was a record label started by the Metro-Goldwyn-Mayer film studio in 1946 for the purpose of releasing soundtrack albums of their musical films. It soon transitioned to a pop music label which continued into the 1970s. The company also released soundtrack albums of the music for some of their non-musical films as well, and on rare occasions, cast albums of off-Broadway musicals such as The Fantasticks and the 1954 revival of The Threepenny Opera. In one instance, it even released the highly successful soundtrack album of a film made by a rival studio, Columbia Pictures's Born Free (1966).
Decca Broadway Records was an American record label specializing in musical theater recordings founded in 1999 by Decca Records and is a unit of Universal Music Group. Decca Broadway issued both new original cast albums as well as reissues of classic musical theater performances from the catalogues of record labels Universal Music and predecessor companies acquired over the years including Decca which pioneered the release of original cast albums. Decca Broadway was absorbed into UMG's Verve Records in 2013.
In reality, however, soundtrack producers remain ambiguous about this distinction, and titles in which the music on the album does lock to picture may be labeled as OCS and music from an album that does not lock to picture may be referred to as OMPS.
The phrase "recorded directly from the soundtrack" was used for a while in the 1970s, 1980s and 1990s to differentiate material that would lock to picture from that which would not (excluding alternate masters and alternate vocals or solos), but again, in part because many 'film takes' actually consisted of several different attempts at the song and edited together to form the master, that term as well became nebulous and vague over time when, in cases where the master take used in the film could not be found in its isolated form, (without the M&E) the aforementioned alternate masters and alternate vocal and solo performances which could be located were included in their place.
As a result of all this nebulosity, over the years the term "soundtrack" began to be commonly applied to any recording from a film, whether taken from the actual film soundtrack or re-recorded in the studio at an earlier or later time. The phrase is also sometimes incorrectly used for Broadway cast recordings. While it is correct in some instances to call a "soundtrack" a "cast recording" (since in most cases it contains performances recorded by the original film cast) it is never correct to call a "cast recording" a "soundtrack."
Contributing to the vagueness of the term are projects such as The Sound of Music Live! which was filmed live on the set for an NBC holiday season special first broadcast in 2013. The album released three days before the broadcast contained studio pre-recordings of all the songs used in the special, performed by the original cast therefrom, but because only the orchestral portion of the material from the album is the same as that used in the special, (i.e. the vocals were sung live over a prerecorded track), this creates a similar technicality because although the instrumental music bed from the CD will lock to picture, the vocal performances will not, although it IS possible to create a complete soundtrack recording by lifting the vocal performances from the DVD, erasing the alternate vocal masters from the CD and combining the two.
Among MGM's most notable soundtrack albums were those of the films Good News , Easter Parade , Annie Get Your Gun , Singin' in the Rain , Show Boat , The Band Wagon , Seven Brides for Seven Brothers , and Gigi .
Film score albums did not really become popular until the LP era, although a few were issued in 78-rpm albums. Alex North’s score for the 1951 film version of A Streetcar Named Desire was released on a 10-inch LP by Capitol Records and sold so well that the label later rereleased it on one side of a 12-inch LP with some of Max Steiner's film music on the reverse.
Steiner’s score for Gone with the Wind has been recorded many times, but when the film was reissued in 1967, MGM Records finally released an album of the famous score recorded directly from the soundtrack. Like the 1967 rerelease of the film, this version of the score was artificially "enhanced for stereo". In recent years, Rhino Records has released a 2-CD set of the complete Gone With the Wind score, restored to its original mono sound.
One of the biggest-selling film scores of all time was John Williams' music from the movie Star Wars . Many film score albums go out-of-print after the films finish their theatrical runs and some have become extremely rare collectors’ items.
In a few rare instances an entire film dialogue track was issued on records. The 1968 Franco Zeffirelli film of Romeo and Juliet was issued as a 4-LP set, as a single LP with musical and dialogue excerpts, and as an album containing only the film's musical score. The ground-breaking film Who's Afraid of Virginia Woolf? was issued by Warner Bros Records as a 2-LP set containing virtually all the dialogue from the film. RCA Victor also issued a double-album set what was virtually all the dialogue from the film soundtrack of A Man for All Seasons , Decca Records issued a double-album for Man of La Mancha and Disney Music Group (formerly Buena Vista Records) issued a similar double-album for its soundtrack for The Hobbit .
When a blockbuster film is released, or during and after a television series airs, an album in the form of a soundtrack is typically released alongside that.
A soundtrack typically contains instrumentation or alternatively a film score. But it can also feature songs that were sung or performed by characters in a scene (or a cover version of a song in the media, rerecorded by a popular artist), songs that were used as intentional or unintentional background music in important scenes, songs that were heard in the closing credits, or songs for no apparent reason related to the media other than for promotion, that were included in a soundtrack.
Soundtracks are usually released on major record labels (just as if they were released by a musical artist), and the songs and the soundtrack itself can also be on music charts, and win musical awards.
By convention, a soundtrack record can contain all kinds of music including music "inspired by" but not actually appearing in the movie; the score contains only music by the original film's composers.
Contemporaneously, a soundtrack can go against normality, (most typically used in popular culture franchises) and contains recently released and/or exclusive never before released original pop music selections, (some of which become high charting records on their own, which due to being released on another franchises title, peaked because of that) and is simply used for promotional purposes for well known artists, or new or unknown artists. These soundtracks contain music not at all heard in the film/television series, and any artistic or lyrical connection is purely coincidental.
However depending on the genre of the media the soundtrack of popular songs would have a set pattern; a lighthearted romance might feature easy listening love songs, whilst a more dark thriller would compose of hard rock or urban music.
In 1908, Camille Saint-Saëns composed the first music specifically for use in a motion picture (L'assasinat du duc de Guise), and releasing recordings of songs used in films became prevalent in the 1930s. Henry Mancini, who won an Emmy Award and two Grammys for his soundtrack to Peter Gunn , was the first composer to have a widespread hit with a song from a soundtrack.
Before the 1970s, soundtracks (with a few exceptions), accompanied towards musicals, and was an album that featured vocal and instrumental, (and instrumental versions of vocal songs) musical selections performed by cast members. Or cover versions of songs sung by another artist.
After the 1970s, soundtracks started to include more diversity, and music consumers would anticipate a motion picture or television soundtrack. Majority of top charting songs were those featured or released on a film or television soundtrack album.
Nowadays, the term "soundtrack" sort of subsided. It now mostly commonly refers to instrumental background music used in that media. Popular songs featured in a film or television series are instead highlighted and referenced in the credits, not apart of a "soundtrack".
Soundtrack may also refer to music used in video games. While sound effects were nearly universally used for action happening in the game, music to accompany the gameplay was a later development. Rob Hubbard and Martin Galway were early composers of music specifically for video games for the 1980s Commodore 64 computer. Koji Kondo was an early and important composer for Nintendo games. As the technology improved, polyphonic and often orchestral soundtracks replaced simple monophonic melodies starting in the late 1980s and the soundtracks to popular games such as the Dragon Quest and Final Fantasy series began to be released separately. In addition to compositions written specifically for video games, the advent of CD technology allowed developers to incorporate licensed songs into their soundtrack (the Grand Theft Auto series is a good example of this). Furthermore, when Microsoft released the Xbox in 2001, it featured an option allowing users to customize the soundtrack for certain games by ripping a CD to the hard-drive.
As in Sound of Music Live! the music or dialogue in question was prepared specifically for use in or at an event such as that described above.
In the case of theme parks, actors may be ensconced in large costumes where their faces may be obscured. They mime along to a prerecorded music, effects and narration track that may sound as if it was lifted from a movie, or may sound as if it had been overly dramatized for effect.
In the case of cruise ships, the small stage spaces do not allow for full orchestration, so that possibly the larger instruments may be pre-recorded onto a backing track and the remaining instruments may play live, or the reverse may occur in such instances as Elvis: The Concert or Sinatra: His Voice. His World. His Way both of which use isolated vocal and video performances accompanied by a live band.
In the case of event soundtracks, large public gatherings such as Hands Across America , The Live Aid Concert, the 200th Anniversary Celebration of the U.S. Constitution in Philadelphia, The MUSE Concerts or the various Greenpeace events (i.e. The First International Greenpeace Record Project, Rainbow Warriors and Alternative NRG) all had special music, effects and dialogue written especially for the event which later went on sale to the record and later video-buying public.
Only a few cases exist of an entire soundtrack being written specifically for a book.
‘Kaladin’, a book soundtrack to popular fantasy novelist Brandon Sanderson's book, ‘The Way of Kings’, was written by The Black Piper. The Black Piper, hailing from Provo, Utah, is a combined group of composers who share a love for fantasy literature. ‘Kaladin’ was funded through Kickstarter and raised over $112,000. It was released December 2017. [ citation needed ]
A soundtrack for J. R. R. Tolkien's The Hobbit and The Lord of the Rings was composed by Craig Russell for the San Luis Obispo Youth Symphony. Commissioned in 1995, it was finally put on disk in 2000 by the San Luis Obispo Symphony. [ citation needed ]
For the 1996 Star Wars novel Shadows of the Empire (written by author Steve Perry), Lucasfilm chose Joel McNeely to write a score. This was an eccentric, experimental project, in contrast to all other soundtracks, as the composer was allowed to convey general moods and themes, rather than having to write music to flow for specific scenes. A project called "Sine Fiction"has made some soundtracks to novels by science fiction writers like Isaac Asimov and Arthur C. Clarke, and has thus far released 19 soundtracks to science-fiction novels or short stories. All of them are available for free download.
Author L. Ron Hubbard composed and recorded a soundtrack album to his novel Battlefield Earth entitled Space Jazz . He marketed the concept album as "the only original sound track ever produced for a book before it becomes a movie". There are two other soundtracks to Hubbard novels, being Mission Earth by Edgar Winter and To the Stars by Chick Corea.
The 1985 novel Always Coming Home by Ursula K. Le Guin, originally came in a box set with an audiocassette entitled Music and Poetry of the Kesh, featuring three performances of poetry, and ten musical compositions by Todd Barton.
In comics, Daniel Clowes' graphic novel Like a Velvet Glove Cast in Iron had an official soundtrack album. The original black-and-white Nexus #3 from Capitol comics included the "Flexi-Nexi" which was a soundtrack flexi-disc for the issue. Trosper by Jim Woodring included a soundtrack album composed and performed by Bill Frisell,and the Absolute Edition of The League of Extraordinary Gentlemen: Black Dossier is planned to include an original vinyl record. The Crow released a soundtrack album called Fear and Bullets to coincide with the limited edition hardcover copy of the graphic novel. The comic book Hellblazer released an annual with a song called Venus of the Hardsell , which was then recorded and a music video to accompany with.
The Brazilian graphic novel Achados e Perdidos ("Lost and Found"), by Eduardo Damasceno and Luís Felipe Garrocho, had an original soundtrack composed by musician Bruno Ito. The book was self-published in 2011 after a crowdfunding campaign and was accompanied by a CD with the eight songs (one for each chapter of the story). In 2012, this graphic novel won the Troféu HQ Mix (Brazilian most important comic book award) in the category "Special Homage".
As Internet access became more widespread, a similar practice developed of accompanying a printed work with a downloadable theme song, rather than a complete and physically published album. The theme songs for Nextwave ,Runaways , Achewood , Dinosaur Comics and Killroy and Tina are examples of this.
In Japan, such examples of music inspired by a work and not intended to soundtrack a radio play or motion picture adaptation of it are known as an "image album" or "image song", though this definition also includes such things as film score demos inspired by concept art and songs inspired by a TV series but that are not featured in them. Many audiobooks have some form of musical accompaniment, but these are generally not extensive enough to be released as a separate soundtrack.
The 3rd Annual Grammy Awards were held on April 13, 1961, at Los Angeles and New York. They recognized musical accomplishments by the performers for the year 1960. Ray Charles won four awards and Bob Newhart and Henry Mancini each won three awards.
Vincent Louis "Vince" DiCola is an American composer, keyboardist and arranger. He has composed scores for films such as The Transformers: The Movie, Staying Alive and Rocky IV soundtracks. DiCola also pioneered the use of sequencers on his soundtrack recording for Rocky IV, one of the first to exploit the Fairlight CMI and Synclavier II's computer's sequencing capabilities.
Blade Runner is the soundtrack album for the 1982 film Blade Runner, composed by Greek electronic music composer Vangelis. It is mostly a dark, melodic combination of classical composition and synthesizers which mirrors the futuristic film noir envisioned by director Ridley Scott. The original soundtrack release was delayed for over a decade, until 1994, despite the music being well-received by fans and critically acclaimed—it was nominated in 1983 for a BAFTA and Golden Globe as best original score. The soundtrack is regarded as a historically important piece in the genre of electronic music.
Evita is the third soundtrack album by American singer Madonna. It was released on November 12, 1996, by Warner Bros. Records to promote the 1996 American musical drama film, Evita. The film was based on Tim Rice and Andrew Lloyd Webber's 1978 musical of the same name, about First Lady of Argentina, Eva Perón. Additional performers on Evita include Antonio Banderas, Jonathan Pryce and Jimmy Nail, but it is considered a Madonna album since she sang majority of the songs. After securing the title role in Evita, Madonna underwent vocal training in order to enhance her singing abilities. Director Alan Parker worked with Rice and Lloyd Webber to compose the soundtrack, reworking the original songs as well as write a new song, "You Must Love Me", for the film.
A soundtrack album is any album that incorporates music directly recorded from the soundtrack of a particular feature film or television show. The first such album to be commercially released was Walt Disney's Snow White and the Seven Dwarfs, the soundtrack to the film of the same name, in 1938. The first soundtrack album of a film's orchestral score was that for Alexander Korda's 1942 film Jungle Book, composed by Miklós Rózsa. However, this album added the voice of Sabu, the film's star, narrating the story in character as Mowgli.
Star Wars Episode III: Revenge of the Sith – Original Motion Picture Soundtrack is the film score to the 2005 film of the same name released by Sony Classical on May 3, 2005, more than two weeks before the film's release. The music was composed and conducted by John Williams, and performed by the London Symphony Orchestra and London Voices. The score was Williams' sixth score in the saga. Shawn Murphy recorded the score. Ramiro Belgardt and Kenneth Wannberg served as music editors; Wannberg served as music editor for the previous Star Wars scores. A remastered version of the soundtrack was released by Walt Disney Records on May 4, 2018.
Gustavo Alfredo Santaolalla is an Argentine musician, film composer and producer. He has won Academy Awards for Best Original Score in two consecutive years, for Brokeback Mountain in 2005, and Babel in 2006. More recently, he composed the original score for the video game The Last of Us (2013), and the theme music for The CW series Jane the Virgin (2014–present) and the Netflix series Making a Murderer (2015–present).
Grease: The Original Soundtrack from the Motion Picture is the original motion picture soundtrack for the 1978 film Grease. It was originally released by RSO Records and subsequently re-issued by Polydor Records in 1984 and 1991. The song "You're the One That I Want" was a US and UK No. 1 for stars John Travolta and Olivia Newton-John. It has sold over 38 million copies worldwide, making it one of the best selling albums of all time, also ranking amongst the biggest selling soundtrack albums of all time.
Beauty and the Beast: Original Motion Picture Soundtrack is the official soundtrack album to the 1991 Disney animated feature film, Beauty and the Beast. Originally released on October 24, 1991, by Walt Disney Records, the album's first half – tracks 2 to 9 – generally contains the film's musical numbers, all of which were written by composer Alan Menken and lyricist Howard Ashman, while its latter half – tracks 10 to 14 – features its musical score, composed solely by Menken. While the majority of the album's content remains within the musical theatre genre, its songs have also been influenced by French, classical, pop and Broadway music. Credited to Various Artists, Beauty and the Beast: Original Motion Picture Soundtrack features performances by the film's main cast – Paige O'Hara, Richard White, Jesse Corti, Jerry Orbach, Angela Lansbury and Robby Benson – in order of appearance. Additionally, the album features recording artists Celine Dion and Peabo Bryson, who perform a pop rendition of the film's title and theme song, "Beauty and the Beast", which simultaneously serves as the soundtrack's only single.
Hairspray: Soundtrack to the Motion Picture is the soundtrack album for the 2007 New Line Cinema musical film Hairspray. The film is an adaptation of the 2002 Broadway musical of the same name, itself adapted from John Waters's original 1988 film. It features performances from the film's cast, which includes John Travolta, Michelle Pfeiffer, Christopher Walken, Amanda Bynes, James Marsden, Queen Latifah, Brittany Snow, Zac Efron, Elijah Kelley, and Nikki Blonsky as the lead character of Tracy Turnblad.
Goldfinger is the soundtrack for the 1964 film of the same name, the third film in the James Bond film series, directed by Guy Hamilton. The album was composed by John Barry and distributed by EMI. Two versions were released initially, one in the United States and the United Kingdom, which varied in terms of length and which tracks were within the soundtrack. In 2003, Capitol-EMI records released a remastered version that contained all the tracks within the film.
Dean Pitchford is an American songwriter, screenwriter, director, actor, and novelist. His work has earned him an Oscar and a Golden Globe Award, as well as nominations for three additional Oscars, two more Golden Globes, eight Grammy Awards, and two Tony Awards.
Escape from New York is a soundtrack album composed and performed by John Carpenter, featuring the score to the 1981 film Escape from New York.
Mary Poppins: Original Cast Soundtrack is the soundtrack album of the 1964 film Mary Poppins, with music and lyrics written by songwriters Richard M. Sherman and Robert B. Sherman, and adapted and conducted by Irwin Kostal.
The Divergent Series: Insurgent – Original Motion Picture Soundtrack is the official soundtrack album of the 2015 American science-fiction action film The Divergent Series: Insurgent, based on the second book of the Divergent trilogy. The score of the film was composed by Joseph Trapanese, while Randall Poster reprised his role as music supervisor. The soundtrack album along with the film's score were released exclusively as digital albums by Interscope Records on March 17, 2015.
Marvel's Avengers: Age of Ultron is the film score for the Marvel Studios film, Avengers: Age of Ultron by Brian Tyler and Danny Elfman. Hollywood Records released the album digitally on April 28, 2015, and in physical formats on May 19, 2015.
Star Wars: The Force Awakens – Original Motion Picture Soundtrack is the film score to the 2015 film of the same name composed by John Williams with Williams and William Ross conducting, and Gustavo Dudamel appearing as a "special guest conductor". The album was released by Walt Disney Records on December 18, 2015, in both digipak CD and digital formats.
Game of Thrones: Season 1 is the soundtrack album for the first season of HBO series Game of Thrones. Composed by Ramin Djawadi, it was released on June 14, 2011 for digital download and on CD. Djawadi accepted the task 10 weeks before the show premiered, after Stephen Warbeck left the project. The soundtrack has received neutral to favorable reviews and peaked at #17 on the U.S. Soundtrack Albums chart. It was nominated for International Film Music Critics Association for "Best Original Score for a Television Series".
The soundtrack for the 2018 American superhero film Deadpool 2, based on the Marvel Comics character Deadpool and distributed by 20th Century Fox, consists of an original score composed by Tyler Bates and a series of songs featured in the film. This includes an original single "Ashes", performed by Celine Dion. Bates had worked on all of director David Leitch's previous films before being hired to compose the score for Deadpool 2. In addition to the initial theatrical release of the film, beginning on May 18 in the United States, an extended cut of the film was released on home media on August 21 that featured additional music.