Scriptment

Last updated

A scriptment is a written work by a movie or television screenwriter that combines elements of a script and treatment, especially the dialogue elements, which are formatted the same as in a screenplay. It is a more elaborate document than a standard draft treatment. Some films have been shot using only a scriptment.[ citation needed ]

Contents

Origin

The term scriptment was originally coined by filmmaker James Cameron, possibly during his early involvement in the development of the Spider-Man film series. In that effort, after the success of his 1984 film The Terminator , Cameron wrote a 57-page scriptment for the first proposed Spider-Man film, which was used by screenwriter David Koepp to write the first draft, incorporating it nearly word for word. [1]

Cameron's scriptment for Titanic (1997) was 131 pages. [2] The term became more widely known when Cameron's 1994 scriptment for the 2009 film Avatar was leaked on the internet during pre-production, although other directors, such as John Hughes and Zak Penn, had written scriptments before. The scriptment for Avatar and its notoriety caused the spread of the term. [3]

Elements

A scriptment borrows characteristics from both a regular screenplay and a film treatment and is comparable to a step outline: the main text body is similar to an elaborate draft treatment, while usually only major sequences receive scene location headings (slug lines), which is different from the extensive slug line formatting in standard screenplays, where every new scene or shot begins with an INT./EXT. DAY/NIGHT slug line set above the description or dialogue. However, just as a treatment can be short or long, a scriptment can exist in various degrees of completion depending on how much time the writer has devoted to it and a more fully developed one could have all slug lines in place, a great deal of dialogue, and only require the producer's (or a writing partner's) okay on the direction the finished script should take before proceeding further.

In a scriptment, scenes and shots may be separated as paragraphs or sentences and, if it is the writer's style, can also include an occasional explanatory note, such as might be important in an adaptation or a sequel. As with standard treatments, much of the dialogue is summarized in action. The longer the scriptment, however, the more likely it contains dialog scenes that are fully developed. Single words or brief phrases of dialogue can be included within the description and lengthier exchanges are formatted exactly as a regular screenplay, which is the main reason for the "script" part of the term.

The longer the scriptment, the more likely it is written shot to shot as opposed to scene by scene; thus, a long, detailed scriptment does not necessarily equate to a longer movie, as a typical 90-120 page screenplay written with master scenes contains many more individual shots than are immediately apparent.

A scriptment can begin with FADE IN: top left and conclude with a centered THE END. It can have a title page like a script and lengthier treatment. It is written single spaced with an empty space between paragraphs and other elements and the pages are numbered in the upper right corner, just as in a screenplay.

Work-in-progress manuscript

Directors and screenwriters write scriptments as an intermediate stage in development from the draft treatment to the first draft of the screenplay. Like a draft treatment, a scriptment can be anywhere from 20 to 80 or more pages, while regular presentation treatments or outlines only summarize the plot, typically in not more than 30 pages.

Presentation manuscript

A scriptment can also be a presentation document; that is, one that is sold or handed in as the finished work.

Related Research Articles

<span class="mw-page-title-main">Screenwriter</span> Writer who writes for films, TV shows, comics and games

A screenplay writer is a writer who practices the craft of screenwriting, writing screenplays on which mass media, such as films, television programs and video games, are based.

A screenplay, or script, is a written work by screenwriters for a film, television show, or video game. A screenplay written for television is also known as a teleplay. Screenplays can be original works or adaptations from existing pieces of writing. A screenplay is a form of narration in which the movements, actions, expressions and dialogue of the characters are described in a certain format. Visual or cinematographic cues may be given, as well as scene descriptions and scene changes.

<span class="mw-page-title-main">Herman J. Mankiewicz</span> American screenwriter (1897–1953)

Herman Jacob Mankiewicz was an American screenwriter who, with Orson Welles, wrote the screenplay for Citizen Kane (1941). Both Mankiewicz and Welles would go on to receive the Academy Award for Best Original Screenplay for the film. He was previously a Berlin correspondent for Women’s Wear Daily, assistant theater editor at The New York Times, and the first regular drama critic at The New Yorker. Alexander Woollcott said that Mankiewicz was the "funniest man in New York".

<span class="mw-page-title-main">Lawrence Kasdan</span> American filmmaker (born 1949)

Lawrence Edward Kasdan is an American filmmaker. He is the co-writer of the Star Wars films The Empire Strikes Back (1980), Return of the Jedi (1983), The Force Awakens (2015), and Solo: A Star Wars Story (2018). He also co-wrote Raiders of the Lost Ark (1981) and The Bodyguard (1992), and is the writer-director of Body Heat (1981), The Big Chill (1983), Silverado (1985), The Accidental Tourist (1988), and Dreamcatcher (2003). He is known for updating old Hollywood genres—film noir, science-fiction, westerns—in a classical dramatic style with quick-witted dialogue, but dealing with contemporary social themes. As a director, he has made various personal films that examine characters and generations.

The Saturn Awards for Best Writing is a Saturn Award presented by the Academy of Science Fiction, Fantasy & Horror Films.

<span class="mw-page-title-main">David Koepp</span> American screenwriter (born 1963)

David Koepp is an American screenwriter. He is the ninth most successful screenwriter of all time in terms of U.S. box office receipts with a total gross of over $2.3 billion. Koepp has achieved both critical and commercial success in a wide variety of genres: thriller, science fiction, comedy, action, drama, crime, superhero, horror, adventure, and fantasy.

A film treatment is a piece of prose, typically the step between scene cards and the first draft of a screenplay for a motion picture, television program, or radio play. It is generally longer and more detailed than an outline, and it may include details of directorial style that an outline omits. Treatments read like a short story, but are told in the present tense and describe events as they happen. A treatment may also be created in the process of adapting a novel, play, or other pre-existing work into a screenplay.

<span class="mw-page-title-main">Screenwriting</span> Art and craft of writing screenplays

Screenwriting or scriptwriting is the art and craft of writing scripts for mass media such as feature films, television productions or video games. It is often a freelance profession.

Andrew Kevin Walker is an American screenwriter. He is known for having written Seven (1995), for which he earned a nomination for the BAFTA Award for Best Original Screenplay, as well as several other films, including 8mm (1999), Sleepy Hollow (1999) and many uncredited script rewrites.

A script doctor is a writer or playwright hired by a film, television, or theatre production company to rewrite an existing script or improve specific aspects of it, including structure, characterization, dialogue, pacing, themes, and other elements.

<span class="mw-page-title-main">Kevin Jarre</span> American actor, screenwriter, film producer (1954–2011)

Kevin Noel Jarre was an American screenwriter, actor, and film producer. He adopted the last name of his adoptive father, Maurice Jarre.

<span class="mw-page-title-main">Jeffrey Boam</span> American screenwriter and film producer

Jeffrey David Boam was an American screenwriter and film producer. He is known for writing the screenplays for The Dead Zone, Indiana Jones and the Last Crusade, Innerspace, The Lost Boys, and Lethal Weapon 2 and 3. Boam's films had a cumulative gross of over US$1 billion. He was educated at Sacramento State College and UCLA. Boam died of heart failure on January 26, 2000, at age 53.

Chris Terrio is an American screenwriter and film director. He is best known for writing the screenplay for the 2012 film Argo, for which he won the Academy Award for Best Adapted Screenplay. Terrio also won the Writers Guild Award for Best Adapted Screenplay of 2012 and was nominated for Golden Globe Award for Best Screenplay, a BAFTA, and the 2013 Los Angeles Film Critics Award for Best Adapted Screenplay for this work.

A spec script, also known as a speculative screenplay, is a non-commissioned and unsolicited screenplay. It is usually written by a screenwriter who hopes to have the script optioned and eventually purchased by a producer, production company, or studio.

<span class="mw-page-title-main">Michael Arndt</span> American screenwriter

Michael Arndt is an American screenwriter. He is best known as the writer of the films Little Miss Sunshine (2006), Toy Story 3 (2010), and Star Wars: The Force Awakens (2015).

Screenwriting software are word processors specialized to the task of writing screenplays.

<span class="mw-page-title-main">Abbas Tyrewala</span> Indian screenwriter and director

Abbas Tyrewala is an Indian film screenwriter, lyricist and director. After making his mark as a screenwriter and dialogue writer in the early 2000s, with award-winning films like Maqbool (2003), Munnabhai M.B.B.S. (2003), he made his debut as a director in 2008 with a romantic comedy Jaane Tu Ya Jaane Na which turned out to be a critical and commercial hit and also featured an acclaimed soundtrack by A. R. Rahman.

Blake Snyder was an American screenwriter, consultant, author and educator based in Los Angeles. His screenplays include the comedies Stop! Or My Mom Will Shoot (1992) and Blank Check (1994).

Ken Nolan is an American screenwriter and novelist best known for adapting the 2001 biographical war film Black Hawk Down from the non-fiction book of the same name.

<span class="mw-page-title-main">James Cameron's unrealized projects</span> Unrealized projects by Canadian filmmaker

The following is a list of unproduced James Cameron projects in roughly chronological order. During his long career, Canadian film director James Cameron has worked on a number of projects which never progressed beyond the pre-production stage under his direction. Some of these projects fell into development hell or are officially cancelled.

References

  1. 1 2 "King of the World: The Complete Works of James Cameron". Total Film (Special Supplement). London UK: Future Publishing Ltd: 30. January 2010. "After the success of The Terminator, Cameron was announced as writer and director of a $60 m big-screen adaptation of the comic book classic. But thanks to a tangled web of litigation, studio bankrupticies, and wrangling over screenplay credits, that movie never saw light. . . . What remains, however, is Cameron's tantalising 57-page Spidey 'scriptment', a compacted screenplay-cum-narrative that mapped out his entire film in brief. . . . Koepp's first draft is taken often word-for-word from Cameron's story, though later versions were heavily rewritten by numerous screenwriters. Despite this—and much to Cameron's chagrin—Koepp's name is the only one on the screenplay."
  2. Jermyn, Deborah; Redmond, Sean (2003). The Cinema of Kathryn Bigelow: Hollywood Transgressor. London UK: Wallflower Press. p. 190. ISBN   1-903364-42-6. Cocks (Last Temptation of Christ, Age of Innocence, [uncredited] Titanic) entered into the writing process when Cameron finished his 131-page 'scriptment' and turned his attention to True Lies.
  3. "Revolution 09: Avatar". Total Film magazine. London UK: Future Publishing Ltd. January 2010. p. 74. This 80-page scriptment was about a paralysed man who can control an alien body with his mind. It flowed out of him, wrote itself in just two weeks.
  4. "Two-Face Not Necessarily in the Dark Knight" . Retrieved May 9, 2009.
  5. "Revenge of the Fallen Transformers" . Retrieved May 9, 2009.
  6. "Algernon Blackwood's The Willows by Wayne Spitzer" . Retrieved April 18, 2009.
  7. "Gravel: Scriptment Writing" . Retrieved April 17, 2009.
  8. Brodesser, Claude (August 23, 2005). "Sony ponies up 'Gray' pay: Little green men means big green for Nolan". Variety. Retrieved April 17, 2009.Variety, August 23, 2005, reported by Claude Brodesser. "Sony Pictures will pay Black Hawk Down screenwriter Ken Nolan $3 million for his 75-page 'script-ment' (less than a script but more than a treatment) of Whitley Strieber's as-yet-unpublished alien sci-fi novel The Grays, marking one of the studio's largest payments for a treatment."
  9. Cohen, David S. (2008). Screenplays . New York: HarperCollins. p.  82. ISBN   978-0-06-143157-9. He'd heard that James Cameron would write detailed fifty- to sixty-page treatments he called 'scriptlets [sic],' including dialogue and action. ... He [Nolan] did three drafts of the [Black Hawk Down] scriptlet [sic], taking notes from Jerry Bruckheimer and his lieutenants Mike Stenson and Chad Oman on each draft, before actually turning it into a screenplay.
  10. "Boxing Day Scriptment, Stenders & Green" . Retrieved April 17, 2009.
  11. Cieply, Michael (January 13, 2008). "Remaking Paramount by the Seat of His Pants". The New York Times. Retrieved April 18, 2009.New York Times, January 13, 2008; interview with Brad Grey, the Chairman of Paramount Pictures discussing the film Cloverfield. Quote: "What do you mean, you're going to greenlight the movie with a kid named Matt directing?" Mr. Grey said, according to Mr. Weston. Yet with just a 65-page "scriptment" (more than a treatment, less than a script) laying out a film about a bunch of friends who happen to capture on camera the utter destruction of New York by a monster, he went with Mr. Weston's judgment, hedged by Mr. Abrams's assurance that he would be closely involved with the film.
  12. "The New Masters of Hollywood" . Retrieved December 10, 2009. Portfolio.com interview with Producer and director J.J. Abrams. February 21, 2008. Quote: "Abrams hired a relative unknown, Matt Reeves, to direct the film, which was shot handheld from a 'scriptment,' an outline around which dialogue was improvised."
  13. "Moving Pictures Magazine - A Sure Bet" . Retrieved May 9, 2009.Quote: "Now that we had assembled our leads, Zak and I actually sat down to write the scriptment."
  14. Grove, Martin (March 12, 2008). "In 'Grand' scheme of things we improvise". Hollywood Reporter. Archived from the original on January 25, 2013. Retrieved August 6, 2010.
  15. "Reno: 911!'s Carlos Alazraqui". 22 February 2007. Retrieved May 9, 2009. Cracked.com, February 22, 2007 article. Quote: "With the movie there was something they called a scriptment, a combination of a script and a treatment, which was to please both the Fox and Paramount executives."
  16. "Seems There's A New SPEED Project Zooming Around Out There..." Retrieved May 9, 2009.
  17. "Owen Wilson is Drillbit Taylor" . Retrieved May 9, 2009.EmpireMovies.com June 20, 2006. Quote: "The story is based on an original idea by John Hughes who wrote a 70-page scriptment a couple of years ago."
  18. "Seth Rogan Bio - movies.yahoo.com". Archived from the original on May 3, 2009. Retrieved May 9, 2009.Quote excerpt: "...co-wrote the screenplay based on a John Hughes scriptment of the high school comedy, "Drillbit Taylor" (2008)..."
  19. Stoval, Adam (July–August 2009). "Now Playing: I Love You, Beth Cooper, Screenplay by Larry Doyle". Creative Screenwriting. Los Angeles: 63. "Doyle quickly had his theme, characters and obviously his inciting event—which led him to write an 85-page combination script and outline that everyone passed on. ... In between meetings [with New York publishers], his film agent called to tell him that Hollywood had read the hundred pages as well and wanted to make the movie."
  20. "Chicago Reader - Review: I Love You, Beth Cooper" . Retrieved July 16, 2009. "Ironically, I Love You, Beth Cooper had its origin in a 'scriptment' by Larry Doyle that an LA talent agency rejected as uncastable. Now it's been optioned by Chris Columbus and picked up by a studio;"

Wiktionary-logo-en-v2.svg The dictionary definition of scriptment at Wiktionary