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A television show (often simply TV show) is any content produced for broadcast via over-the-air, satellite, cable, or internet and typically viewed on a television set, excluding breaking news, advertisements, or trailers that are typically placed between shows. Television shows are most often scheduled well ahead of time and appear on electronic guides or other TV listings.
A television show might also be called a television program (British English : programme), especially if it lacks a narrative structure. A television series is usually released in episodes that follow a narrative, and are usually divided into seasons (US and Canada) or series (UK) – yearly or semiannual sets of new episodes. A show with a limited number of episodes may be called a miniseries, serial, or limited series. A one-time show may be called a "special". A television film ("made-for-TV movie" or "television movie") is a film that is initially broadcast on television rather than released in theaters or direct-to-video.
Television shows can be viewed as they are broadcast in real time (live), be recorded on home video or a digital video recorder for later viewing, or be viewed on demand via a set-top box or streamed over the internet.
The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 1930s. Televised events such as the 1936 Summer Olympics in Germany, the 1937 coronation of King George VI in the UK, and David Sarnoff's famous introduction at the 1939 New York World's Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 1947 World Series inspired many Americans to buy their first television set and then in 1948, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name "Mr Television" and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 4, 1951 when President Harry Truman's speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T's transcontinental cable and microwave radio relay system to broadcast stations in local markets.
The first national color broadcast (the 1954 Tournament of Roses Parade) in the US occurred on January 1, 1954. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 1965, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 1972, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season.
Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional series). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.[ citation needed ]
A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little.[ citation needed ] If some change happened to the characters' lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order.[ citation needed ] Since the 1980s, many series feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television series to have this kind of dramatic structure, [ better source needed ] while the later series Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intended five-season run.[ citation needed ]
In 2012, it was reported that television was growing into a larger component of major media companies' revenues than film.Some also noted the increase in quality of some television programs. In 2012, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: "I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television."
When a person or company decides to create a new series, they develop the show's elements, consisting of the concept, the characters, the crew, and cast. Then they often "pitch" it to the various networks in an attempt to find one interested enough to order a prototype first episode of the series, known as a pilot.[ citation needed ] Eric Coleman, an animation executive at Disney, told an interviewer, "One misconception is that it's very difficult to get in and pitch your show, when the truth is that development executives at networks want very much to hear ideas. They want very much to get the word out on what types of shows they're looking for."
To create the pilot, the structure and team of the whole series must be put together. If audiences respond well to the pilot, the network will pick up the show to air it the next season (usually Fall).[ citation needed ] Sometimes they save it for mid-season, or request rewrites and additional review (known in the industry as development hell ).[ citation needed ] Other times, they pass entirely, forcing the show's creator to "shop it around" to other networks. Many shows never make it past the pilot stage.[ citation needed ]
The show hires a stable of writers, who usually work in parallel: the first writer works on the first episode, the second on the second episode, etc.[ citation needed ] When all the writers have been used, episode assignment starts again with the first writer.[ citation needed ] On other shows, however, the writers work as a team. Sometimes they develop story ideas individually, and pitch them to the show's creator, who folds them together into a script and rewrites them.[ citation needed ]
If the show is picked up, the network orders a "run" of episodes—usually only six or 13 episodes at first, though a season typically consists of at least 22 episodes.[ citation needed ] The midseason seven and last nine episodes are sometimes called the "mid-seven" and "back nine"—borrowing the colloquial terms from bowling and golf.[ citation needed ]
The method of "team writing" is employed on some longer dramatic series (usually running up to a maximum of around 13 episodes). The idea for such a program may be generated "in-house" by one of the networks; it could originate from an independent production company (sometimes a product of both). For example, the BBC's long-running soap opera EastEnders is wholly a BBC production, whereas its popular drama Life on Mars was developed by Kudos in association with the broadcaster.
There are still a significant number of programs (usually sitcoms), however, that are built by just one or two writers and a small, close-knit production team. These are "pitched" in the traditional way, but since the creators handle all the writing requirements, there is a run of six or seven episodes per series once approval has been given. Many of the most popular British comedies have been made this way, including Monty Python's Flying Circus (albeit with an exclusive team of six writer-performers), Fawlty Towers , Blackadder and The Office .
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The production company is often separate from the broadcaster. The executive producer, often the show's creator, is in charge of running the show. They pick the crew and help cast the actors, approve and sometimes write series plots—some even write or direct major episodes—while various other producers help to ensure that the show runs smoothly. Very occasionally, the executive producer will cast themselves in the show. As with filmmaking or other electronic media production, producing of an individual episode can be divided into three parts: pre-production, principal photography, and post-production.
Pre-production begins when a script is approved. A director is chosen to plan the episode's final look.
Pre-production tasks include storyboarding; construction of sets, props, and costumes; casting guest stars; budgeting; acquiring resources like lighting, special effects, stunts, etc. Once the show is planned, it must then be scheduled: scenes are often filmed out of sequence, guest actors or even regulars may only be available at certain times. Sometimes the principal photography of different episodes must be done at the same time, complicating the schedule (a guest star might shoot scenes from two episodes on the same afternoon). Complex scenes are translated from storyboard to animatics to further clarify the action. Scripts are adjusted to meet altering requirements.
Some shows have a small stable of directors, but also usually rely on outside directors. Given the time constraints of broadcasting, a single show might have two or three episodes in pre-production, one or two episodes in principal photography, and a few more in various stages of post-production. The task of directing is complex enough that a single director can usually not work on more than one episode or show at a time, hence the need for multiple directors.
Principal photography is the actual filming of the episode. Director, actors and crew gather at a television studio or on location for filming or videoing a scene. A scene is further divided into shots, which should be planned during pre-production. Depending on scheduling, a scene may be shot in non-sequential order of the story. Conversations may be filmed twice from different camera angles, often using stand-ins, so one actor might perform all their lines in one set of shots, and then the other side of the conversation is filmed from the opposite perspective. To complete a production on time, a second unit may be filming a different scene on another set or location at the same time, using a different set of actors, an assistant director, and a second unit crew. A director of photography supervises the lighting of each shot to ensure consistency.
Live events are usually covered by Outside Broadcast crews using mobile television studios, known as scanners or OB trucks. Although varying greatly depending on the era and subject covered, these trucks were normally crewed by up to 15 skilled operators and production personnel. In the UK for most of the 20th century, the BBC was the preeminent provider of outside broadcast coverage. BBC crews worked on almost every major event, including Royal weddings and funerals, major political and sporting events, and even drama programmes.
Once principal photography is complete, producers coordinate tasks to begin the video editing. Visual and digital video effects are added to the film; this is often outsourced to companies specializing in these areas. Often music is performed with the conductor using the film as a time reference (other musical elements may be previously recorded). An editor cuts the various pieces of film together, adds the musical score and effects, determines scene transitions, and assembles the completed show.
Most television networks throughout the world are 'commercial', dependent on selling advertising time or acquiring sponsors.[ citation needed ] Broadcasting executives' main concern over their programming is on audience size.[ citation needed ] Once the number of 'free to air' stations was restricted by the availability of channel frequencies, but cable TV (outside the United States, satellite television) technology has allowed an expansion in the number of channels available to viewers (sometimes at premium rates) in a much more competitive environment.[ citation needed ]
In the United States, the average broadcast network drama costs $3 million an episode to produce, while cable dramas cost $2 million on average. The pilot episode may be more expensive than a regular episode.[ citation needed ] In 2004, Lost's two-hour pilot cost $10 to$14 million, in 2008 Fringe's two-hour pilot cost $10 million, and in 2010, Boardwalk Empire was $18 million for the first episode. In 2011, Game of Thrones was $5 to $10 million, Pan Am cost an estimated $10 million, while Terra Nova's two-hour pilot was between $10 to $20 million.
Many scripted network television shows in the United States are financed through deficit financing: a studio finances the production cost of a show and a network pays a license fee to the studio for the right to air the show. This license fee does not cover the show's production costs, leading to the deficit. Although the studio does not make its money back in the original airing of the show, it retains ownership of the show. This ownership retention allows the studio to make its money back and earn a profit through syndication and sales of DVDs and Blu-ray discs. This system places most of the financial risk on the studios, however a show that is a hit in the syndication and home video markets can more than make up for the misses. Although the deficit financing system places minimal financial risk on the networks, they lose out on the future profits of big hits since they are only licensing the shows.
Costs are recouped mainly by advertising revenues for broadcast networks and some cable channels, while other cable channels depend on subscription revenues. In general, advertisers, and consequently networks that depend on advertising revenues, are more interested in the number of viewers within the 18–49 age range than the total number of viewers.Advertisers are willing to pay more to advertise on shows successful with young adults because they watch less television and are harder to reach than older adults. According to Advertising Age, during the 2007–08 season, Grey's Anatomy was able to charge $419,000 per commercial, compared to only $248,000 for a commercial during CSI , despite CSI having almost five million more viewers on average. Due to its strength in young demos, Friends was able to charge almost three times as much for a commercial as Murder, She Wrote , even though the two series had similar total viewer numbers during the seasons they were on the air together. Glee and The Office drew fewer total viewers than NCIS during the 2009–10 season, but earned an average of $272,694 and $213,617 respectively, compared to $150,708 for NCIS.
After production, the show is handed over to the television network, which sends it out to its affiliate stations, which broadcast it in the specified broadcast programming time slot. If the Nielsen ratings are good, the show is kept alive as long as possible. If not, the show is usually canceled. The show's creators are then left to shop around remaining episodes, and the possibility of future episodes, to other networks. On especially successful series, the producers sometimes call a halt to a series on their own like Seinfeld , The Cosby Show , Corner Gas , and M*A*S*H and end it with a concluding episode, which sometimes is a big series finale.
On rare occasions, a series that has not attracted particularly high ratings and has been canceled can be given a reprieve if home video viewership has been particularly strong. This has happened in the cases of Family Guy in the US and Peep Show in the UK.
In the United States, if the show is popular or lucrative, and a minimum number of episodes (usually 100) have been made, it can go into broadcast syndication, where rights to broadcast the program are then resold for cash or put into a barter exchange (offered to an outlet for free in exchange for airing additional commercials elsewhere in the station's broadcast day).
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The terminology used to define a set of episodes produced by a television series varies from country to country.
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In North American television, a series is a connected set of television program episodes that run under the same title, possibly spanning many seasons. Since the late 1960s, this broadcast programming schedule typically includes between 20 and 26 episodes. Before then, a regular television season could average at least 30 episodes, and some TV series may have had as many as 39 episodes in a season.
Until the 1980s, most (but certainly not all) new programs for the American broadcast networks debuted in the "fall season", which ran from September through March and nominally contained from 24 to 26 episodes. These episodes were rebroadcast during the spring (or summer) season, from April through August. Because of cable television and the Nielsen sweeps, the "fall" season now normally extends to May. Thus, a "full season" on a broadcast network now usually runs from September through May for at least 22 episodes.
A full season is sometimes split into two separate units with a hiatus around the end of the calendar year, such as the first season of Jericho on CBS. When this split occurs, the last half of the episodes sometimes are referred to with the letter B as in "The last nine episodes (of The Sopranos ) will be part of what is being called either "Season 6, Part 2" or "Season 6B",or in " Futurama is splitting its seasons similar to how South Park does, doing half a season at a time, so this is season 6B for them." Since the 1990s, these shorter seasons also have been referred to as ".5" or half seasons, where the run of shows between September and December is labeled "Season X", and the second run between January and May labeled "Season X.5". Examples of this include the 2004 incarnation of Battlestar Galactica , ABC's FlashForward , and ABC Family's Make It or Break It .
Since at least the 2000s, new broadcast television series are often ordered (funded) for just the first 10 to 13 episodes, to gauge audience interest. If a series is popular, the network places a "back nine order" and the season is completed to the regular 20 to 26 episodes. An established series which is already popular, however, will typically receive an immediate full-season order at the outset of the season. A midseason replacement is a less-expensive short-run show of generally 10 to 13 episodes designed to take the place of an original series that failed to garner an audience and has not been picked up. A "series finale" is the last show of the series before the show is no longer produced. (In the UK, it means the end of a season, what is known in the United States as a "season finale").
A standard television season in the United States runs predominantly across the fall and winter, from late September to May. During the summer months of June through roughly mid-September, network schedules typically feature reruns of their flagship programs, first-run series with lower ratings expectations, and other specials. First-run scripted series are typically shorter and of a lower profile than those aired during the main season and can also include limited series events. Reality and game shows have also been a fixture of the schedule.
In Canada, the commercial networks air most US programming in tandem with the US television season, but their original Canadian shows follow a model closer to British than American television production. Due to the smaller production budgets available in Canada, a Canadian show's season normally runs to a maximum of 13 episodes rather than 20 or more, although an exceptionally popular series such as Corner Gas or Murdoch Mysteries might receive 20-episode orders in later seasons. Canadian shows do not normally receive "back nine" extensions within the same season, however; even a popular series simply ends for the year when the original production order has finished airing, and an expanded order of more than 13 episodes is applied to the next season's renewal order rather than an extension of the current season. Only the public CBC Television normally schedules Canadian-produced programming throughout the year; the commercial networks typically now avoid scheduling Canadian productions to air in the fall, as such shows commonly get lost amid the publicity onslaught of the US fall season. Instead, Canadian-produced shows on the commercial networks typically air either in the winter as mid-season replacements for cancelled US shows or in the summer (which may also improve their chances of being picked up by a US network for a summer run).
While network orders for 13- or 22-episode seasons are still pervasive in the television industry, several shows have deviated from this traditional trend. Written to be closed-ended and of shorter length than other shows, they are marketed with a variety of terms.
In India, the shows are particularly referred to as serials, wherein the production is complex as well. The shows usually amount to at least 200 episodes, of 20 to 25 minutes each. On special episodes, referred to as Maha-Episodes, the duration last up to about 45 to 50 minutes. The show airs till the TRP (television rating point) is a little less than decent. The rating points depend on various criteria. Usually, shows which fail to attract TRP for a long time are shut down.
In the United Kingdom and other countries, these sets of episodes are referred to as a "series". In Australia, the broadcasting may be different from North American usage. The terms series and season are both used and are the same. For example, Battlestar Galactica has an original series as well as a remake, both are considered a different series each with their own number of individual seasons.
Australian television does not follow "seasons" in the way that US television does; for example, there is no "fall season" or "fall schedule". For many years, popular night-time dramas in Australia would run for much of the year, and would only go into recess during the summer period (December to February, as Australia is in the Southern Hemisphere), when ratings are not taken. Therefore, popular dramas would usually run from February through November each year. This schedule was used in the 1970s for popular dramas including Number 96 . Many drama series, such as McLeod's Daughters , have received between 22 and 32 episodes per season. Typically, soap operas, which have always run in season format in Australia, such as Home and Away , would usually begin a new season in late January, while the season finale would air in late November, as the show is off air for two months, or sometimes longer, depending on the schedule. In recent years, a new season would begin in early February, and the season finale would broadcast in early December. Since Home and Away's inception, it normally receives 230 episodes per season. Some seasons have seen between 205 and 235 episodes commissioned. During the Olympics, Home and Away would often go on hiatus, which was referred to as an "Olympic cliffhanger". Therefore, the number of episodes would decrease. Australian situation comedy series' seasons are approximately 13 episodes long and premiere any time between February and November.
British shows have tended toward shorter series in recent years. For example, the first series of long-running science fiction show Doctor Who in 1963 featured forty-two 25‑minute episodes, this dropped to twenty-five by 1970 to accommodate changes in production and continued to 1984. For 1985 fewer but longer episodes were shown, but even after a return to shorter episodes in 1986, lack of support within the BBC meant fewer episodes were commissioned leading to only fourteen 25‑minute episodes up to those in 1989 after which it was cancelled. The revival of Doctor Who from 2005 has comprised thirteen 45‑minute installments. There are some series in the UK that have a larger number of episodes, for example Waterloo Road started with 8 to 12 episodes, but from series three onward it increased to twenty episodes and series seven will contain 30 episodes. Recently, American non-cable networks have also begun to experiment with shorter series for some programs, particularly reality shows, such as Survivor . They often air two series per year, resulting in roughly the same number of episodes per year as a drama.
This is a reduction from the 1950s, in which many American shows (e.g. Gunsmoke ) had between 29 and 39 episodes per season. Actual storytelling time within a commercial television hour has also gradually reduced over the years, from 50 minutes out of every 60 to the current 44 (and even less on some networks), beginning in the early 21st century.
The usage of "season" and "series" differ for DVD and Blu-ray releases in both Australia and the UK. In Australia, many locally produced shows are termed differently on home video releases. For example, a set of the television drama series Packed to the Rafters or Wentworth is referred to as "season" ("The Complete First Season", etc.), whereas drama series such as Tangle are known as a "series" ("Series 1", etc.). British-produced shows such as Mrs. Brown's Boys are referred to as "season" in Australia for the DVD and Blu-ray releases.
In the UK and Ireland, most programmes are referred to as 'series' while 'season' is starting to be used for some American and international releases.
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In the United States, dramas produced for hour-long time slots typically are 39 to 42 minutes in length (excluding advertisements), while sitcoms produced for 30-minute time slots typically are 18 to 21 minutes long. There are exceptions as subscription-based TV channels (such as HBO, Starz, Cinemax, and Showtime) have episodes with 45 to 48 minutes of program, similar to Britain.
In Britain dramas typically run from 46 to 48 minutes on commercial channels, and 57 to 59 minutes on the BBC. Half-hour programmes are around 22 minutes on commercial channels, and around 28 minutes on the BBC. The longer duration on the BBC is due to the lack of advertising breaks.
In France most television shows (whether dramas, game shows or documentaries) have a duration of 52 minutes. This is the same on nearly all French networks (TF1, France 2, France 5, M6, Canal+, etc.).
A rerun or repeat is a rebroadcast of an episode of a radio or television program. There are two types of reruns – those that occur during a hiatus, and those that occur when a program is syndicated. Reruns can also be, as the case with more popular shows, when a show is aired outside its timeslot.
TNT is an American subscription television network that is owned by WarnerMedia Entertainment, a unit of AT&T's WarnerMedia. When TNT launched in October 1988, the channel's original purpose was to air classic films and television series to which Turner Broadcasting maintained spillover rights through its sister channel SuperStation TBS ; however, since June 2001, its programming consists of television series and feature films with a focus on drama, along with some sports.
Original video animation, abbreviated as OVA and sometimes as OAV, are Japanese animated films and miniseries made specially for release in home video formats without prior showings on television or in theatres, though the first part of an OVA series may be broadcast for promotional purposes. OVA titles were originally made available on VHS, later becoming more popular on LaserDisc and eventually DVD. Starting in 2008, the term OAD began to refer to DVD releases published bundled with their source-material manga.
A television film is a feature-length motion picture that is produced and originally distributed by or to a television network, in contrast to theatrical films made explicitly for initial showing in movie theaters.
Broadcasting syndication is the license to broadcast television programs and radio programs by multiple television stations and radio stations, without going through a broadcast network. It is common in the United States where broadcast programming is scheduled by television networks with local independent affiliates. Syndication is less of a practice in the rest of the world, as most countries have centralized networks or television stations without local affiliates; shows can be syndicated internationally, although this is less common. The three main types of syndication are "first-run syndication", which is programming that is broadcast for the first time as a syndicated show and is made specifically to sell directly into syndication; "off-network syndication", which is the licensing of a program that was originally run on network TV or in some cases, first-run syndication; and "public broadcasting syndication".
Closing credits or end credits are a list of the cast and crew of a particular motion picture, television program, or video game. Where opening credits appear at the beginning of a work, closing credits appear close to, or at the very end of a work. A full set of credits can include the cast and crew, but also production sponsors, distribution companies, works of music licensed or written for the work, various legal disclaimers, such as copyright and more. Some long-running productions list "production babies".
Television is one of the major mass media of the United States. As of 2011, household ownership of television sets in the country is 96.7%, with approximately 114,200,000 American households owning at least one television set as of August 2013. The majority of households have more than one set. The peak ownership percentage of households with at least one television set occurred during the 1996–97 season, with 98.4% ownership.
In the U.S. television industry, 100 episodes is the traditional threshold for a television series to enter syndicated reruns. One hundred episodes are advantageous for stripped syndication because it allows for 20 weeks of weekday reruns without repeating an episode, and such shows can be sold for higher per-episode pricing.
Soapnet was an American pay television channel owned by the Disney–ABC Television Group division of The Walt Disney Company.
Nick at Nite is an American programming block that broadcasts nightly over the channel space of Nickelodeon. It broadcasts usually from 9:00 p.m. to 7:00 a.m on Mondays to Saturdays and Sundays from 8:00 p.m. to 7:00 a.m.. The block is marketed as a separate channel from Nickelodeon for ratings purposes, similar to Adult Swim, the nighttime branding of Cartoon Network.
ABC1 was a British television channel owned by the Disney-ABC Television Group division of The Walt Disney Company, available to the viewers in the United Kingdom and the Republic of Ireland. It used the branding of the Disney-owned American network, ABC.
Broadcast programming is the practice of organizing and/or ordering (scheduling) of broadcast media shows, typically radio and television, in a daily, weekly, monthly, quarterly or season-long schedule. Modern broadcasters use broadcast automation to regularly change the scheduling of their shows to build an audience for a new show, retain that audience, or compete with other broadcasters' shows. Most broadcast television shows are presented weekly in prime time or daily in other dayparts, though exceptions are not rare.
A Country Practice is a multi-Logie award-winning Australian television soap opera/serial. It ran on the Seven Network for 1,058 episodes at 7.30 pm Monday and Tuesday nights, from 18 November 1981 to 22 November 1993. It was produced at both ATN-7's production facility at Epping, New South Wales with exterior locations filmed in Pitt Town and Oakville in the outskirts of Northwest Sydney. Several of the regular cast members became highly popular celebrities through their roles in the series. It also featured a number of native Australian animals, particularly the iconic Fatso, the Wombat adding to its enduring appeal both domestically and internationally. After the series was cancelled by the Seven Network in 1993, a reworked version of the series ran briefly on Network Ten in 1994. At the time of its cancellation, A Country Practice was the longest running Australian TV drama; however, it was soon surpassed by Neighbours. At its height, the show attracted 8–10 million viewers weekly, when the population of the time was a mere 15 million, and was sold to 48 countries.
Hallmark Hall of Fame, originally called Hallmark Television Playhouse, is an anthology program on American television, sponsored by Hallmark Cards, a Kansas City-based greeting card company. The longest-running primetime series in the history of television, it first aired in 1951 and continues into the present day. From 1954 onward, all of its productions have been broadcast in color. It is one of the first video productions to telecast in color, a rarity in the 1950s. Many television movies have been shown on the program since its debut, though the program began with live telecasts of dramas and then changed to videotaped productions before finally changing to filmed ones.
In broadcast programming, burning off is the airing of otherwise-abandoned television programs, usually by scheduling in far less important time slots, moving shows to lower-rated sister networks, or taking long hiatuses.
In television, cancellation refers to the termination of a program by a network, typically because of low viewership, financial losses, low ratings, or unfavourable critical reviews. Other potential reasons for canceling television programs include controversies involving the program's cast, conflicts among the show's staff members or to make room for new programming.
Antenna TV is an American digital multicast television network that is owned by Nexstar Media Group. The network's programming consists of classic television series from the 1950s to the early 2000s, most of which are sourced from the content library of Sony Pictures Entertainment, along with a selection of series from Universal Studios, Metro-Goldwyn-Mayer and Carson Entertainment. Antenna TV's programming and advertising operations are headquartered in the Tribune Tower in Chicago, Illinois. The network's operations are overseen by Sean Compton, who serves as the president of strategic programming and acquisitions for Tribune Broadcasting.
A telenovela is a type of a limited-run television serial drama or soap opera produced primarily in Latin America. The word combines tele and novela. Similar genres around the world include teleserye (Philippines), dorama (Japan), téléroman, or simply dramas.
A marathon is an event in which viewers or readers engage many hours' worth of media in a condensed time period. This phrase represents a two-fold shift from binge-watch in that it incorporates other media and it reduces the negative connotations associated with bingeing. In the 2014 book Media Marathoning: Immersions in Morality, Lisa Perks describes media marathoning as a "comprehensive and complimentary phrase" that "connotes a conjoined triumph of commitment and stamina. This phrase also captures viewers' or readers' engrossment, effort, and sense of accomplishment surrounding their media interaction." Netflix executive Todd Yellin is quoted as saying "I don't like the term 'binge,' because it sounds almost pathological. 'Marathon' sounds more celebratory."
Tamil television soap opera or Tamil serials are a popular genre of Tamil language television produced in India, Sri Lanka, Malaysia and Singapore. All major [TV networks in India produce a variety of drama series including family, comedy, romance, history stories, horror, devotional, fantasy stories and many others.