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Educational television or learning television is the use of television programs in the field of distance education. It may be in the form of individual television programs or dedicated specialty channels that is often associated with cable television in the United States as Public, educational, and government access (PEG) channel providers. There are also adult education programs for an older audience; many of these are instructional television or "telecourse" services that can be taken for college credit, such as the Open University programs on BBC television in the UK.
Many children's television series are educational, ranging from dedicated learning programs to those that indirectly teach the viewers. Some series are written to have a specific moral behind every episode, often explained at the end by the character that learned the lesson.
In the social aspects of television, several studies have found that educational television has many advantages. The Media Awareness Network [1] explains in its article "The Good Things about Television" that television can be a very powerful and effective learning tool for children if used wisely. The article states that television can help young people discover where they fit into society, develop closer relationships with peers and family, and teach them to understand complex social aspects of communication. [2]
Mexican TV producer Miguel Sabido pioneered in the 1970s the use of telenovela to disseminate the government's policy views to mass audiences. [3] [4] The "Sabido Method" has been adopted by a number of countries, including India, Kenya, Peru, and China. [5]
The television medium can and has been used for a multitude of educational purposes. Some television programs are explicitly educational, while others only incidentally so. Some formats blend the two in the attempt to amuse but also retain some educational value.
The time of "TV vs. radio", the early 1960s, were an era of change. Historian Michael Curtin recounted that then-FCC chair Jon Doerfor, and TV network heads, had come to an agreement that most television programming was based on commercialism and emphasized entertainment too much. To help counterbalance this, there was a plan organized to produce more serious news and documentary programs. This policy was placed just in time for networks to expand their news coverage on the Kennedy-Nixon campaigns and debates. This increase in coverage stirred up the polls as those who saw the debates, with Kennedy's good looks and camera confidence, decided he had won, whereas those who listened were more impressed with Nixon. [6]
By 1962, TV reform was in full swing, and 400 prime-time documentaries had been produced, as opposed to a total of zero back in 1957. Curtin noted that news programs were extended to full half-hour segments, and foreign and domestic issues were receiving heightened degrees of attention. [7]
Some television programs are designed with primarily educational purposes in mind, although they might rely heavily on entertainment to communicate their educational messages. In children's programming, edutainment becomes fun and interesting for the child but can still be educational.
Other television programs are designed to raise social awareness. One form of edutainment popular in Latin America is the educational telenovela. Miguel Sabido, a producer of telenovelas from the 1970s on, has combined communication theory with pro-health/education messages to educate audiences throughout Latin America about family planning, literacy, and other topics. He developed a model that incorporated the work of Albert Bandura and other theorists, as well as research to determine whether programs impacted audience behavior.
The first ever television series produced in the Pacific Island country of Vanuatu, entitled Love Patrol and launched in 2007, was praised as an edutainment series, as it aimed to educate viewers on the issue of AIDS, while simultaneously providing an entertaining story. [8]
The Hulu Original TV series East Los High is backed by a health initiative to teach healthy sexual behaviors (e.g. using protection, getting checked for sexually transmitted diseases). [9]
Some television shows incorporate a considerable degree of historical or factual information while attempting to make the presentation or framing of such content entertaining or exciting. By making learning seem "exciting" they can be said to stimulate curiosity, taking Elinor Wonders Why as an example. The presence of edutainment is especially evident in children's television series, such as Sesame Street , Teletubbies , and Barney and Friends. Discovery Channel is also known for its various shows that follow that theme, including MythBusters . Sometimes these programs may be more entertaining than educational and may replace educational shows in the television program lineup. The History Channel has transitioned from producing primarily factual and historical documentaries to more sensational, dramatic, and supposedly entertaining programs, with educational content a secondary concern.
Television series notable for negative reception, from around the world, either by published critics, by network executives or by audience response, can be judged based on poor quality, the lack of a budget, rapid cancellation, very low viewership, offensive content, and/or negative impact on other series on the same channel. In some cases, a show that is acceptable on its own merits can be put in a position where it does not belong and be judged "worst ever." In many cases, "worst television series ever" lists are slanted toward more contemporary shows, in recent memory.
The Children's Television Act of 1990, which was first fully enforced in 1996, requires broadcast television stations in the United States to carry a minimum of three hours of "educational/informational" programming geared directly at children. The move prompted an exodus of non-educational children's programming to cable television and largely failed in its efforts to expand the amount of educational television on the airwaves (in fact, children's television in general has declined significantly on broadcast television since the act was imposed, although it can be argued that the E/I regulations could very well be the only thing keeping children's television on broadcast airwaves in the 2010s).
Some programs are primarily aimed at entertainment, but may contain an incidental amount of educational content. Educational content may be inherent to the design of the show, such as with medical dramas where the plot invariably explores anatomical and biological issues. The Sentinel Award, which is administered by the University of Southern California's Annenberg Center for Communication, the CDC and the National Cancer Institute (NCI), is given each year to programs that address health and medical issues in their storylines. 2006's nominees/winners included:
While some programs are typically "pure" entertainment, they may foray into educational content at select times. For older viewers, individual situation comedy episodes also occasionally serve as educational entertainment vehicles. These episodes are sometimes described in United States television commercial parlance as very special episodes. As early as the 1950s, children-aimed shows like Watch Mr Wizard were made which could be considered edutainment.
On the other hand, some programs may seem for the lay public to contain educational content, but are actually completely fictional. It is up to experts to figure out if a specific TV program uses realistic or fictional plots. One example for only seemingly real programs are mockumentaries.
Children's television series are television programs designed specifically for children. They are typically characterised by easy-going content devoid of sensitive or adult-facing themes and are normally scheduled for broadcast during the morning and afternoon when children are awake, immediately before and after school schedules generally start country-by-country. Educational themes are also prevalent, as well as the transmission of cautionary tales and narratives which teach problem-solving methods in some fashion or another, such as social disputes.
"Saturday-morning cartoon" is a colloquial term for the original animated series and live-action programming that was typically scheduled on Saturday and Sunday mornings in the United States on the "Big Three" television networks. The genre's popularity had a broad peak from the mid-1960s through the mid-2000s; over time it declined, in the face of changing cultural norms, increased competition from formats available at all times, and heavier regulations. In the last two decades of the genre's existence, Saturday-morning and Sunday-morning cartoons were primarily created and aired to meet regulations on children's television programming in the United States, or E/I. Minor television networks, in addition to the non-commercial PBS in some markets, continue to air animated programming on Saturday and Sunday while partially meeting those mandates.
Educational entertainment, also referred to by the portmanteau edutainment, is media designed to educate through entertainment. The term was used as early as 1954 by Walt Disney. Most often it includes content intended to teach but has incidental entertainment value. It has been used by academia, corporations, governments, and other entities in various countries to disseminate information in classrooms and/or via television, radio, and other media to influence viewers' opinions and behaviors.
TLC is an American cable television channel owned by Warner Bros. Discovery. First established in 1980 as The Learning Channel, it initially focused on educational and instructional programming. By the late 1990s, after an acquisition by the owners of Discovery Channel earlier in the decade, the network began to pivot towards reality television programming—predominantly focusing on programming involving lifestyles and personal stories—to the point that the previous initialism of "The Learning Channel" was phased out.
SABC 3 is a South African free-to-air television channel owned by the South African Broadcasting Corporation (SABC). It carries programming in English and, few in other South African languages. It has a number of its own reality and talk shows and had lately introduced a new series called “The Estate”.
Television is one of the major mass media outlets in the United States. In 2011, 96.7% of households owned television sets; about 114,200,000 American households owned at least one television set each in August 2013. Most households have more than one set. The percentage of households owning at least one television set peaked at 98.4%, in the 1996–1997 season. In 1948, 1 percent of U.S. households owned at least one television; in 1955, 75 percent did. In 1992, 60 percent of all U.S. households had cable television subscriptions.
Television content rating systems are systems for evaluating the content and reporting the suitability of television programmes for minors. Many countries have their own television rating system and countries' rating processes vary by local priorities. Programmes are rated by the organization that manages the system, the broadcaster, or the content producers.
In broadcast programming, dayparting is the practice of dividing the broadcast day into several parts, in which a different type of radio programming or television show appropriate for that time period is aired. Television programs are most often geared toward a particular demography, and what the target audience typically engages in at that time.
Entertainment-Education (EE) is a communication strategy that aims to alleviate a social issue or educate the public through a custom-tailored piece of entertainment. It is defined by a set of techniques and methodologies which all aim to use various levels of mass media to communicate social and behavior change.
The TV Parental Guidelines are a television content rating system in the United States that was first proposed on December 19, 1996, by the United States Congress, the American television industry, and the Federal Communications Commission (FCC). The guidelines went into effect by January 1, 1997, on most major broadcast and cable networks in response to public concerns about increasing amounts of mature content in television programs. It was established as a voluntary-participation system, with ratings to be determined by the individual participating broadcast and cable networks.
RCN Televisión, branded as Canal RCN is a Colombian free-to-air television network. It is a Colombian open television channel, belonging to the Ardila Lülle Organization. It was founded as a television content production company on March 23, 1967, and found its broadcasts as an independent channel on July 10, 1998. Its main shareholder is Carlos Ardila Lülle. It produced Yo soy Betty, la fea, one of the most successful Colombian telenovelas.
Telemundo is an American Spanish-language terrestrial television network owned by NBCUniversal Telemundo Enterprises, a division of NBCUniversal, which in turn is a wholly owned subsidiary of Comcast. It provides content nationally with programming syndicated worldwide to more than 100 countries in over 35 languages.
Television is a popular form of entertainment in Mexico, with mass entertainment playing an important role in creating a national, unified culture. The telenovelas are very traditional in Mexico and are translated to many languages and seen all over the world with renowned names like Lucero, Thalía, Verónica Castro, Itati, Leticia Calderón and Victoria Ruffo.
Univision is an American Spanish-language free-to-air television network owned by TelevisaUnivision. It is the United States' largest provider of Spanish-language content. The network's programming is aimed at the Latino public and includes telenovelas and other drama series, sports, sitcoms, reality and variety series, news programming, and imported Spanish-language feature films. Univision is headquartered in Midtown Manhattan, New York City, and has its major studios, production facilities, and business operations based in Doral, Florida.
Channel drift or network decay is the gradual shift of a television network away from its original programming, to either target a newer and more profitable audience, or to broaden its viewership by including less niche programming. Often, this results in a shift from informative or artistic quality programming aimed at cultured and educated viewers toward sensational, ratings-based or reality-formatted programming designed solely for the entertainment of a mass audience. Channel drift frequently features the incorporation of infotainment, reality television and heavy advertising into the channel's lineup.
A telenovela is a type of a television serial drama or soap opera produced primarily in Latin America. The word combines tele and novela. Similar drama genres around the world include diziler (Turkey), serial (India), teleserye (Philippines), lakorn (Thailand), téléroman, K-drama, J-drama (Japan), C-drama (China) and sinetron (Indonesia).
The broadcast of educational children's programming by terrestrial television stations in the United States is mandated by the Federal Communications Commission (FCC), under regulations colloquially referred to as the Children's Television Act (CTA), the E/I rules, or the Kid Vid rules. Since 1997, all full-power and Class A low-power broadcast television stations have been required to broadcast at least three hours per-week of programs that are specifically designed to meet the educational and informative (E/I) needs of children aged 16 and younger. There are also regulations on advertising in broadcast and cable television programming targeting children 12 and younger, including limits on ad time, and prohibiting the airing of advertising for products related to the program currently airing.
MundoMax was an American Spanish-language terrestrial television network that was owned by RCN Televisión. The network broadcast programs aimed at Hispanic and Latino American audiences throughout the United States – featuring a mix of telenovelas and other serialized dramas, reality television series, game shows, and feature films.
Miguel Sabido is a producer, writer, researcher, and theorist, known for pioneering Entertainment-Education, developing the "Theory of the Tone", and producing a number of commercially successful telenovelas for Televisa in the 1970s.