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A story arc (also narrative arc) is the chronological construction of a plot in a novel or story. It can also mean an extended or continuing storyline in episodic storytelling media such as television, comic books, comic strips, board games, video games, and films with each episode following a dramatic arc. [1] On a television program, for example, the story would unfold over many episodes. In television, the use of the story arc is common in sitcoms, and even more so in soap operas. In a traditional Hollywood film, the story arc usually follows a three-act structure. Webcomics are more likely to use story arcs than newspaper comics, as most webcomics have readable archives online that a newcomer to the strip can read in order to understand what is going on. Although story arcs have existed for decades, one of the first appearances of the term was in 1973 by Time Magazine for a synopsis of the movie The Friends of Eddie Coyle : "He accomplishes this with no sacrifice to the pacing of his action sequences or the suspenseful development of his story's arc." [2]
Many American comic book series are now written in four- or six-issue arcs, within a continuing series. Short story arcs are easier to package as trade paperbacks for resale, and more accessible to the casual reader than the never-ending continuity that once characterized US comics. A corollary to the absence of continuity, however, is that, as exemplified in 1950s DC Superman comics, no permanent change to characters or situations occurs, meaning no growth can take place. Thus, storylines repeat over time in a loop.
The purpose of a story arc is to move a character or a situation from one state to another, in other words, to effect change. This change or transformation often takes the form of either a tragic fall from grace or a reversal of that pattern. One common form in which this reversal is found is a character going from a situation of weakness to one of strength. For example, a poor woman goes on adventures and in the end makes a fortune for herself, or a lonely man falls in love and marries.
Another form of storytelling that offers a change or transformation of character is that of the "hero's journey", as laid out in Joseph Campbell's theory of the monomyth in his work, The Hero with a Thousand Faces . Christopher Vogler's The Writer's Journey: Mythic Structure for Writers details the same theory specifically for western storytelling.
Many renowned novelists and writers claim to use a story arc to create characters, stories, and even curricula. Several have published their use of the story arc to create memorable tomes in record time.
Story arcs on television (and also on radio) have existed for decades (one notable (albeit, unusual) example, from the so-called "Golden Age of Radio", being the 1946 NBC Radio Summer-run docudrama serial, The Fifth Horseman, [3] which (in part) featured a four-episode arc regarding a hypothetical chain of events (spanning nearly two full "future" decades) surrounding a fictitious nuclear holocaust), and are common in many countries where multi-episode story lines are the norm (an example being the UK's Doctor Who ), as well as most anime series.
Many arc-based series in past decades, such as V , were often short-lived and found it difficult to attract new viewers; they also rarely appear in traditional syndication. However, the rise of DVD box sets of complete seasons, as well as streaming, has worked in arc-based productions' favor as the standard season collection format allows the viewer to have easy access to the relevant episodes. One area of television where story arcs have always thrived, however, is in the realm of the soap opera, and often episodic series have been derisively referred to as "soap operas" when they have adopted story arcs.
Arc-based series draw and reward dedicated viewers and fans of a particular show follow and discuss different story arcs independently from particular episodes. Story arcs are sometimes split into subarcs, if deemed significant by fans, making it easy to refer to certain episodes if their production order titles are unknown. Episodes not relevant to story arcs, such as "villain of the week" episodes) are sometimes dismissed as filler by fans, but might be referred to as self-contained or stand-alone episodes by producers.
Manga and anime are usually good examples of arc-based stories, to the point that most series shorter than twenty-six chapters are a single arc spanning all the chapters. This makes syndication difficult, as episodes watched in isolation often confuse viewers unless watched in conjunction with the series as a whole. Series of thirty chapters or longer usually have multiple arcs.
Neon Genesis Evangelion , for example, is a single story arc spanning twenty-six episodes. Other longer anime have multiple story arcs, such as Bleach , Gin Tama , One Piece , Naruto , Yu-Gi-Oh! and Fairy Tail . The anime Dragon Ball Z adapts four different story arcs from the Dragon Ball manga, each with its own ultimate antagonist, along with original story arcs created for the TV series.
A comic strip is a sequence of cartoons, arranged in interrelated panels to display brief humor or form a narrative, often serialized, with text in balloons and captions. Traditionally, throughout the 20th and into the 21st century, these have been published in newspapers and magazines, with daily horizontal strips printed in black-and-white in newspapers, while Sunday papers offered longer sequences in special color comics sections. With the advent of the internet, online comic strips began to appear as webcomics.
In fiction, continuity is the consistency of the characteristics of people, plot, objects, and places seen by the audience over some period of time. It is relevant to many genres and forms of storytelling, especially if it is long-running.
A soap opera, daytime drama, or soap for short, is typically a long-running radio or television serial, frequently characterized by melodrama, ensemble casts, and sentimentality. The term "soap opera" originated from radio dramas originally being sponsored by soap manufacturers. The term was preceded by "horse opera", a derogatory term for low-budget Westerns.
Sam & Max is an American media franchise about Sam and Max, a pair of anthropomorphic vigilante private investigators. The characters, who occupy a universe that parodies American popular culture, were created by Steve Purcell in his youth, and later debuted in a 1987 comic book series. The characters have since been the subject of a graphic adventure video game developed by LucasArts, a television series produced for Fox in cooperation with Nelvana Limited, and a series of episodic adventure games developed by Telltale Games. In addition, a variety of machinima and a webcomic have been produced for the series.
A cliffhanger or cliffhanger ending is a plot device in fiction which features a main character in a precarious or difficult dilemma or confronted with a shocking revelation at the end of an episode or a film of serialized fiction. A cliffhanger is hoped to incentivize the audience to return to see how the characters resolve the dilemma.
The reset button technique is a plot device for interrupting continuity in works of fiction. The reset button device is used to return all characters and situations to the statusquo prior to some major change. It can be employed in the middle of a program to negate some portion of what came before. It is often used in science fiction television series, animated series, soap operas, and comic books. The reset button technique accommodates dramatic changes to characters and the fictional universe that might otherwise invalidate the show's premise with respect to future episodes or other plot details. For example, writers may use the device to improve the audience's experience of the lead character's death, which is usually impossible without effectively ending the work or significantly altering its course.
A crossover is the placement of two or more otherwise discrete fictional characters, settings, or universes into the context of a single story. They can arise from legal agreements between the relevant copyright holders, common corporate ownership or unofficial efforts by fans.
Manhua are Chinese-language comics produced in Greater China. Chinese comics and narrated illustrations have existed in China throughout its history.
A recap sequence is a narrative device used by many television series to bring the viewer up to date with the current events of the stories' plot. It is usually a short montage of important scenes cut directly from previous episodes, usually short bursts of dialogue, which serve to lay the background for the following episode.
A flashforward is a scene that temporarily takes the narrative forward in time from the current point of the story in literature, film, television and other media. Flashforwards are often used to represent events expected, projected, or imagined to occur in the future. They may also reveal significant parts of the story that have not yet occurred, but soon will in greater detail. It is similar to foreshadowing, in which future events are not shown but rather implicitly hinted at. It is also similar to an ellipsis, which takes the narrative forward and is intended to skim over boring or uninteresting details, for example the aging of a character. It is primarily a postmodern narrative device, named by analogy to the more traditional flashback, which reveals events that occurred in the past.
In comics, decompression is a stylistic storytelling choice characterized by a strong emphasis on visuals or character interaction, which, in turn, usually leads to slower-moving plots.
A floating timeline is a device used in fiction, particularly in long-running comics and animation, to explain why characters age little or not at all while the setting around them remains contemporary to the real world. The term is used in the comics community to refer to series that take place in a "continuous present". Floating timelines are also used when creators do not need or want their characters to age, typically in children's books and animated television shows.
Quality television is a term used by television scholars, television critics, and broadcasting advocacy groups to describe a genre or style of television programming that they argue is of higher quality due to its subject matter, style, or content. For several decades after World War II, television that was deemed to be "quality television" was mostly associated with government-funded public television networks; however, with the development of cable TV network specialty channels in the 1980s and 1990s, US cable channels such as HBO made a number of television shows during the turn of the century that some television critics argued were "quality television", such as Angels in America, Sex and the City, The Sopranos, The Wire and Six Feet Under.
Transmedia storytelling is the technique of telling a single story or story experience across multiple platforms and formats using current digital technologies.
In television and radio programming, a serial is a show that has a continuing plot that unfolds in a sequential episode-by-episode fashion. Serials typically follow main story arcs that span entire television seasons or even the complete run of the series, and sometimes spinoffs, which distinguishes them from episodic television that relies on more stand-alone episodes. Worldwide, the soap opera is the most prominent form of serial dramatic programming. In the UK the first serials were direct adaptations of well known literary works, usually consisting of a small number of episodes.
The following outline is provided as an overview of and topical guide to fiction:
In film and television, drama is a category or genre of narrative fiction intended to be more serious than humorous in tone. The drama of this kind is usually qualified with additional terms that specify its particular super-genre, macro-genre, or micro-genre, such as soap opera, police crime drama, political drama, legal drama, historical drama, domestic drama, teen drama, and comedy-drama (dramedy). These terms tend to indicate a particular setting or subject matter, or they combine a drama's otherwise serious tone with elements that encourage a broader range of moods. To these ends, a primary element in a drama is the occurrence of conflict—emotional, social, or otherwise—and its resolution in the course of the storyline.
Comics has developed specialized terminology. Several attempts have been made to formalize and define the terminology of comics by authors such as Will Eisner, Scott McCloud, R. C. Harvey and Dylan Horrocks. Much of the terminology in English is under dispute, so this page will list and describe the most common terms used in comics.
"Loss", sometimes referred to as "loss.jpg", is a strip published on June 2, 2008, by Tim Buckley for his gaming-related webcomic Ctrl+Alt+Del. Set during a storyline in which the main character Ethan and his fiancée Lilah are expecting their first child. Presented as a four-panel comic with no dialogue, the strip shows Ethan entering a hospital where he sees Lilah weeping in a hospital bed after suffering a miscarriage. Buckley cited events in his life as inspiration for the comic.
Let's Play is a romantic comedy comic series by Leeanne M. Krecic, also known as Mongie, which is published by Rocketship Entertainment. Let's Play was published digitally on Webtoon from 2016 to 2022. It follows the romantic and professional life of Sam Young, who is discovering romance as she works on her video game development career.