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Western fiction is a genre of literature set in the American Old West frontier and typically set from the late eighteenth to the late nineteenth century. [1] Well-known writers of Western fiction include Zane Grey from the early 20th century and Louis L'Amour from the mid-20th century. [2] [3] The genre peaked around the early 1960s, largely due to the popularity of televised Westerns such as Bonanza . Readership began to drop off in the mid- to late 1970s and reached a new low in the 2000s. Most bookstores, outside a few west American states, only carry a small number of Western fiction books.
The predecessor of the Western in American literature emerged early with tales of the frontier. The most famous of the early 19th-century frontier novels were James Fenimore Cooper's five novels comprising the Leatherstocking Tales . Cooper's novels were largely set in what was at the time the American frontier: the Appalachian Mountains and areas west of there. As did his novel The Prairie (1824), most later westerns would typically take place west of the Mississippi River. [4]
The notable writer Washington Irving was inspired by Cooper and wrote tales of the American frontier beginning with A Tour on the Prairies which related his recent travels on the frontier. In 1834, he was approached by fur magnate John Jacob Astor, who convinced him to write a history of his fur trading colony in Astoria, Oregon. Irving made quick work of Astor's project, shipping the fawning biographical account Astoria in February 1836.
The Western as a specialized genre got its start in the "penny dreadfuls" and later the "dime novels". [5] Published in June 1860, Malaeska; the Indian Wife of the White Hunter is considered the first dime novel. [6] These cheaply made books were hugely successful and capitalized on the many stories that were being told about the mountain men, outlaws, settlers, and lawmen who were taming the western frontier. Many of these novels were fictionalized stories based on actual people, such as Billy the Kid, Buffalo Bill, Wyatt Earp (who was still alive at the time), Wild Bill Hickok, and Jesse James.
By 1900, the new medium of pulp magazines helped to relate these adventures to easterners. Meanwhile, non-American authors, like the German Karl May, picked up the genre, went to full novel length, and made it hugely popular and successful in continental Europe from about 1880 on, though they were generally dismissed as trivial by the literary critics of the day. [7] One of the most famous pulp works of the era was Johnston McCulley's first Zorro novel, The Curse of Capistrano (1919).
Popularity grew with the publication of Owen Wister's novel The Virginian (1902) and especially Zane Grey's Riders of the Purple Sage (1912). The first Hopalong Cassidy stories by Clarence Mulford appeared in 1904, both as dime novels and in pulp magazines. When pulp magazines exploded in popularity in the 1920s, Western fiction greatly benefited (as did the author Max Brand, who excelled at the western short story). Pulp magazines that specialised in Westerns include Cowboy Stories , Ranch Romances , Star Western , West , and Western Story Magazine . [8] The simultaneous popularity of Western movies in the 1920s also helped the genre.
In the 1940s several seminal Westerns were published, including The Ox-Bow Incident (1940) by Walter van Tilburg Clark, The Big Sky (1947) and The Way West (1949) by A.B. Guthrie Jr., and Shane (1949) by Jack Schaefer. Many other Western authors gained readership in the 1950s, such as Ray Hogan, Louis L'Amour, and Luke Short.
The genre peaked around the early 1960s, largely due to the tremendous number of Westerns on television. The burnout of the American public on television Westerns in the late 1960s seemed to have an effect on the literature as well, and interest in Western literature began to wane.[ citation needed ] In 1968 Charles Portis published True Grit , which became the most successful work of the era.
Western novels, films and pulps gave birth to Western comics, which were very popular, particularly from the late 1940s until c. 1967, when the comics began to turn to reprints. This can particularly be seen at Marvel Comics, where Westerns began c. 1948 and thrived until 1967, when one of their flagship titles, Kid Colt Outlaw (1949–1979), ceased to have new stories and entered the reprint phase. Other notable long-running Marvel Western comics included Rawhide Kid (1955–1957, 1960–1979) Two-Gun Kid (1948–1962), and Marvel Wild Western (1948–1957).
DC Comics published the long-running series All-Star Western (1951–1961) and Western Comics (1948–1961), and Charlton Comics published Billy the Kid (1957–1983) and Cheyenne Kid (1957–1973). Magazine Enterprises' Straight Arrow ran from 1950 to 1956, and Prize Comics' Prize Comics Western ran from 1948 to 1956.
Fawcett Comics published a number of Western titles, including Hopalong Cassidy from 1948 to 1953. They also published comics starring actors known for their Western roles, including Tom Mix Western (1948–1953) and Gabby Hayes Western (1948–1953). Similarly, Dell Comics published Roy Rogers comics from 1948 to 1961, and Magazine Enterprises published Charles Starrett as the Durango Kid from 1949 to 1955.
The Franco-Belgian comic-series Lucky Luke by Morris (cartoonist) and René Goscinny is one of the most famous and estimated Western-comics in Europe.
The popular Western comic strip Red Ryder was syndicated in hundreds of American newspapers from 1938 to 1964.
In the 1970s, the work of Louis L'Amour began to catch hold of most western readers and he has dominated the western reader lists ever since.[ citation needed ] George G. Gilman also maintained a cult following for several years in the 1970s and 1980s.[ citation needed ] Larry McMurtry's and Cormac McCarthy's works remain notable. Specifically, McMurtry's Lonesome Dove and McCarthy's Blood Meridian (both published in 1985) are recognized as major masterpieces both within and beyond the genre. Elmer Kelton, mostly noted for his novels The Good Old Boys and The Time it Never Rained, was voted by the Western Writers of America as the "Best Western Writer of All Time". Early in the 1970s Indiana novelist Marilyn Durham wrote two popular Western novels, The Man Who Loved Cat Dancing and Dutch Uncle.
Western readership as a whole began to drop off in the mid- to late 1970s.[ citation needed ] A partial exception was an innovation,[ citation needed ] the so-called "adult western". As Robert J. Randisi puts it, "it's a western novel with sex in it. That's right, the cowboy has sex with women. A new idea? Probably not, but heretofore this had not been seen in western novels (certainly not by Max Brand, Zane Grey, Owen Wister or Louis L'Amour). What these books actually showed was that men and women really did have sex in the old west. (Back when I started the series a rigidly traditional western writer of my acquaintance insisted to me that "women did not have orgasms in the old west.")." [9]
Readership of western fiction reached a new low in the first decade of the twenty-first century, and most bookstores, outside a few western states, only carry a small number of Western fiction books. Nevertheless, several Western fiction series are published monthly, such as The Trailsman, Slocum, Longarm and The Gunsmith ; these are all "adult westerns". Canadian author Guy Vanderhaeghe wrote a trilogy of Western novels: The Englishman's Boy , The Last Crossing , and A Good Man. Other more recent Western authors include Ivan Doig and William Kittredge. The genre has seen the rumblings of a revival, and 2008 saw the publication of an all-Western short story magazine Great Western Fiction which was published by Dry River Publishing in Colorado. Nevertheless, the magazine was short-lived and folded after only two issues. [10] One of the most successful Western novels in recent times was The Sisters Brothers (2011) by Patrick deWitt.
Western authors are represented by the Western Writers of America, who present the annual Spur Awards and Owen Wister Award for Lifetime Achievement. The organization was founded in 1953 to promote the literature of the American West. While the founding members were mostly western fiction writers, the organization began getting a number of other members from other backgrounds such as historians, regional history buffs, and writers from other genres.
Western Fictioneers, founded in 2010, is a professional writers' group that encourages and promotes the traditional Westerns. It is the only professional writers' organization composed entirely of authors who have written Western fiction. Fans of the genre may join as patron members. The Western Fictioneers' annual Peacemakers competition awards prizes in many categories of Western writing. [11]
Pulp magazines were inexpensive fiction magazines that were published from 1896 until around 1955. The term "pulp" derives from the cheap wood pulp paper on which the magazines were printed. In contrast, magazines printed on higher-quality paper were called "glossies" or "slicks". The typical pulp magazine had 128 pages; it was 7 inches (18 cm) wide by 10 inches (25 cm) high, and 0.5 inches (1.3 cm) thick, with ragged, untrimmed edges. Pulps were the successors to the penny dreadfuls, dime novels, and short-fiction magazines of the 19th century.
The dime novel is a form of late 19th-century and early 20th-century U.S. popular fiction issued in series of inexpensive paperbound editions. The term dime novel has been used as a catchall term for several different but related forms, referring to story papers, five- and ten-cent weeklies, "thick book" reprints, and sometimes early pulp magazines. The term was used as a title as late as 1940, in the short-lived pulp magazine Western Dime Novels. In the modern age, the term dime novel has been used to refer to quickly written, lurid potboilers, usually as a pejorative to describe a sensationalized but superficial literary work.
The Western is a genre of fiction typically set in the American frontier between the California Gold Rush of 1849 and the closing of the frontier in 1890, and commonly associated with folk tales of the Western United States, particularly the Southwestern United States, as well as Northern Mexico and Western Canada.
Owen Wister was an American writer and historian, considered the "father" of western fiction. He is best remembered for writing The Virginian and a biography of Ulysses S. Grant.
Louis Dearborn L'Amour was an American novelist and short story writer. His books consisted primarily of Western novels, though he called his work "frontier stories". His most widely known Western fiction works include Last of the Breed, The Walking Drum, Hondo, Shalako, and the Sackett series. L'Amour also wrote historical fiction, science fiction, non-fiction (Frontier), and poetry and short-story collections. Many of his stories were made into films. His books remain popular and most have gone through multiple printings. At the time of his death, almost all of his 105 existing works were still in print, and he was "one of the world's most popular writers".
The Virginian is a 1902 novel by the American author Owen Wister (1860-1938), set in Wyoming Territory during the 1880s. It describes the life of a cowboy on a cattle ranch and is considered the first true fictional western ever written, aside from short stories and pulp dime novels, though modern scholars debate this. The Virginian paved the way for many more westerns by such authors as Zane Grey, Louis L'Amour and several others. The novel was adapted from several short stories published in Harper's Magazine and The Saturday Evening Post between Nov 1893 and May 1902.
Weird West is a term used for the hybrid genres of fantasy Western, horror Western and science fiction Western. The term originated with DC's Weird Western Tales in 1972, but the idea is older as the genres have been blended since the 1930s, possibly earlier, in B-movie Westerns, comic books, movie serials and pulp magazines. Individually, the hybrid genres combine elements of the Western genre with those of fantasy, horror and science fiction respectively.
Adventure fiction is a type of fiction that usually presents danger, or gives the reader a sense of excitement. Some adventure fiction also satisfies the literary definition of romance fiction.
Street & Smith or Street & Smith Publications, Inc., was a New York City publisher specializing in inexpensive paperbacks and magazines referred to as dime novels and pulp fiction. They also published comic books and sporting yearbooks. Among their many titles was the science fiction pulp magazine Astounding Stories, acquired from Clayton Magazines in 1933, and retained until 1961. Street & Smith was founded in 1855, and was bought out in 1959. The Street & Smith headquarters were at 79 Seventh Avenue in Manhattan; they were designed by Henry F. Kilburn.
Space Western is a subgenre of science fiction that uses the themes and tropes of Westerns within science-fiction stories in an outer space setting. Subtle influences may include exploration of new, lawless frontiers, while more overt influences may feature literal cowboys in outer space who use rayguns and ride robotic horses. Although initially popular, a strong backlash against perceived hack writing caused the genre to become a subtler influence until the 1980s, when it regained popularity. A further critical reappraisal occurred during the 2000s due to critical acclaim for Firefly.
Popular Publications was one of the largest publishers of pulp magazines during its existence, at one point publishing 42 different titles per month. Company titles included detective, adventure, romance, and Western fiction. They were also known for the several 'weird menace' titles. They also published several pulp hero or character pulps.
A dime Western is a modern term for Western-themed dime novels, which spanned the era of the 1860s–1900s. Most would hardly be recognizable as a modern western, having more in common with James Fennimore Cooper's Leatherstocking saga, but many of the standard elements originated here: a cool detached hero, a frontiersman, a fragile heroine in danger of the despicable outlaw, savage Indians, violence and gunplay, and the final outcome where Truth and Light wins over all. Often real characters — such as Buffalo Bill or the famous Kit Carson — were fictionalized, as were the exploits of notorious outlaws such as Billy the Kid and Jesse James. Buffalo Bill's literary incarnation provides the transition from the frontier tales to the cowboy story, as he straddles both of the genres.
Richard James Bleiler is an American bibliographer of science fiction, fantasy, horror, crime, and adventure fiction. He was nominated for the Bram Stoker Award for Best Non-Fiction in 2002 and for the Munsey Award in 2019–2022. He won the 2023 Munsey Award, given to “an individual or organization that has bettered the pulp community.” He is the son of bibliographer and publisher Everett F. Bleiler.
The Northern or Northwestern is a genre in various arts that tell stories set primarily in the late 19th or early 20th century in the north of North America, primarily in western Canada but also in Alaska. It is similar to the Western genre, but many elements are different, as appropriate to its setting. It is common for the central character to be a Mountie instead of a cowboy or sheriff. Other common characters include fur trappers and traders, lumberjacks, prospectors, First Nations people, settlers, and townsfolk.
Western comics is a comics genre usually depicting the American Old West frontier and typically set during the late nineteenth century. The term is generally associated with an American comic books genre published from the late 1940s through the 1950s. Western comics of the period typically featured dramatic scripts about cowboys, gunfighters, lawmen, bounty hunters, outlaws, and Native Americans. Accompanying artwork depicted a rural America populated with such iconic images as guns, cowboy hats, vests, horses, saloons, ranches, and deserts, contemporaneous with the setting.
Horwitz Publications is an Australian publisher primarily known for its publication of popular and pulp fiction. Established in 1920 in Sydney, Australia by Israel and Ruth Horwitz, the company was a family-owned and -run business until the early 21st century. The company is most associated with their son Stanley Horwitz, who took over publishing operations in 1956. Stanley was eventually succeeded by his son Peter and daughter Susan, who was the company's director in the years 1987-2016.
Thomas Albert Curry (1900–1976), was a 20th-century American pulp fiction writer who began writing crime and detective stories but went on to become one of the more prolific western writers in the genre.
Columbia Publications was an American publisher of pulp magazines featuring the genres of science fiction, westerns, detective stories, romance, and sports fiction. The company published such writers as Isaac Asimov, Louis L'Amour, Arthur C. Clarke, Randall Garrett, Edward D. Hoch, and William Tenn; Robert A. W. Lowndes was an important early editor for such writers as Carol Emshwiller, Edward D. Hoch and Kate Wilhelm.
Western Romance literature denotes a genre subset of Romance literature, sometimes referred to as cowboy romance. Works within this category typically adhere to the characteristics of Romance but take place in a western setting, frequently the American frontier. Though often historical, the genre is not restricted to romantic works set in the period of American settlement but extends to contemporary romantic works that centre around cowboys or other tropes of the western genre.
Dime Mystery Magazine was an American pulp magazine published from 1932 to 1950 by Popular Publications. Titled Dime Mystery Book Magazine during its first nine months, it contained ordinary mystery stories, including a full-length novel in each issue, but it was competing with Detective Novels Magazine and Detective Classics, two established magazines from a rival publisher, and failed to sell well. With the October 1933 issue the editorial policy changed, and it began publishing horror stories. Under the new policy, each story's protagonist had to struggle against something that appeared to be supernatural, but would eventually be revealed to have an everyday explanation. The new genre became known as "weird menace" fiction; the publisher, Harry Steeger, was inspired to create the new policy by the gory dramatizations he had seen at the Grand Guignol theater in Paris. Stories based on supernatural events were rare in Dime Mystery, but did occasionally appear.
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