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Erotic literature comprises fictional and factual stories and accounts of eros (passionate, romantic or sexual relationships) intended to arouse similar feelings in readers. [1] This contrasts erotica, which focuses more specifically on sexual feelings. Other common elements are satire and social criticism. Much erotic literature features erotic art, illustrating the text.
Although cultural disapproval of erotic literature has always existed, its circulation was not seen as a major problem before the invention of printing, as the costs of producing individual manuscripts limited distribution to a very small group of wealthy and literate readers. The invention of printing, in the 15th century, brought with it both a greater market and increasing restrictions, including censorship and legal restraints on publication on the grounds of obscenity. [2] Because of this, much of the production of this type of material became clandestine. [3]
The oldest located love poem is Istanbul 2461, [4] an erotic monologue written by a female speaker directed to king Shu-Sin. [5] [6]
In ancient Sumer, a whole cycle of poems revolved around the erotic lovemaking between the goddess Inanna and her consort Dumuzid the Shepherd. [7] [8]
In the Hebrew Bible, the Song of Songs, found in the last section of the Tanakh, celebrates sexual love, giving "the voices of two lovers, praising each other, yearning for each other, proffering invitations to enjoy". [9]
Many erotic poems have survived from ancient Greece and Rome. The Greek poets Straton of Sardis and Sappho of Lesbos both wrote erotic lyric poems. [10] The poet Archilochus wrote numerous satirical poems filled with obscene and erotic imagery. [11] Erotic poems continued to be written in Hellenistic and Roman times by writers like Automedon (The Professional and Demetrius the Fortunate), Philodemus (Charito) and Marcus Argentarius. Notable Roman erotic poets included Catullus, Propertius, Tibullus, Ovid, Martial and Juvenal, and the anonymous Priapeia. [10] Some later Latin authors such as Joannes Secundus also wrote erotic verse.
Haft Peykar (Persian : هفت پیکر) also known as Bahramnameh (بهرامنامه, The Book of Bahram) is a romantic epic by the Persian poet Nizami Ganjavi written in 1197. This poem is a part of the Nizami's Khamsa. The original title Haft Peykar can be translated literally as "seven portraits" with the figurative meaning of "seven beauties." The poem is a masterpiece of erotic literature, but it is also a profoundly moralistic work. [12]
During the Renaissance period, many poems were not written for publication; instead, they were merely circulated in manuscript form among a relatively limited readership. This was the original method of circulation for the Sonnets of William Shakespeare, who also wrote the erotic poems Venus and Adonis and The Rape of Lucrece . [13]
The Perfumed Garden of Sensual Delight (Arabic: الروض العاطر في نزهة الخاطر) is a fifteenth-century Arabic sex manual and work of erotic literature by Muhammad ibn Muhammad al-Nefzawi, also known simply as "Nefzawi". The book presents opinions on what qualities men and women should have to be attractive and gives advice on sexual technique, warnings about sexual health, and recipes to remedy sexual maladies. It gives lists of names for the penis and vulva, and has a section on the interpretation of dreams. Interspersed with these there are a number of stories which are intended to give context and amusement.
In the 17th century, John Wilmot, Earl of Rochester (1647–80) was notorious for obscene verses, many of which were published posthumously in compendiums of poetry by him and other "Restoration rakes" such as Sir Charles Sedley, Charles Sackville, 6th Earl of Dorset, and George Etherege. Though many of the poems attributed to Rochester were actually by other authors, his reputation as a libertine was such that his name was used as a selling point by publishers of collections of erotic verse for centuries after. One poem definitely by him was "A Ramble in St. James's Park", in which the protagonist's quest for healthy exercise in the park uncovers instead "Bugg'ries, Rapes and Incest" on ground polluted by debauchery from the time when "Ancient Pict began to Whore". This poem was being censored from collections of Rochester's poetry as late as 1953, though, in line with the subsequent general change in attitudes to sexuality, it was dramatised as a scene in the film The Libertine about his life, based on an existing play. [14] [15]
English collections of erotic verse by various hands include the Drollery collections of the 17th century; Pills to Purge Melancholy (1698–1720); the Roxburghe Ballads ; Bishop Percy's Folio ; The Musical Miscellany; National Ballad and Song: Merry Songs and Ballads Prior to the Year AD 1800 (1895–97) edited by J. S. Farmer; the three volume Poetica Erotica (1921) and its more obscene supplement the Immortalia (1927) both edited by T. R. Smith. [16] French collections include Les Muses gaillardes (1606) Le Cabinet satyrique (1618) and La Parnasse des poetes satyriques (1622). [17]
In the 18th century, a famous collection of four erotic poems, was published in England in 1763, called An Essay on Woman. This included the title piece, an obscene parody of Alexander Pope's "An Essay on Man"; "Veni Creator: or, The Maid's Prayer", which is original; the "Universal Prayer", an obscene parody of Pope's poem of the same name, and "The Dying Lover to his Prick", which parodies "A Dying Christian to his Soul" by Pope. These poems have been attributed to John Wilkes and/or Thomas Potter and receive the distinction of being the only works of erotic literature ever read out loud and in their entirety in the House of Lords—before being declared obscene and blasphemous by that body and the supposed author, Wilkes, declared an outlaw. [18]
Robert Burns worked to collect and preserve Scottish folk songs, sometimes revising, expanding, and adapting them. One of the better known of these collections is The Merry Muses of Caledonia (the title is not by Burns), a collection of bawdy lyrics that were popular in the music halls of Scotland as late as the 20th century.
One of the 19th century's foremost poets—Algernon Charles Swinburne—devoted much of his considerable talent to erotic verse, producing, inter alia, twelve eclogues on flagellation titled The Flogging Block "by Rufus Rodworthy, annotated by Barebum Birchingly"; [19] more was published anonymously in The Whippingham Papers (c. 1888). [20] Another notorious anonymous 19th-century poem on the same subject is The Rodiad , ascribed (seemingly falsely and in jest [21] ) to George Colman the Younger. [22] John Camden Hotten even wrote a pornographic comic opera, Lady Bumtickler's Revels , on the theme of flagellation in 1872. [23]
Pierre Louÿs helped found a literary review, La Conque in 1891, [24] where he proceeded to publish Astarte —an early collection of erotic verse already marked by his distinctive elegance and refinement of style. He followed up in 1894 with another erotic collection in 143 prose poems— Songs of Bilitis (Les Chansons de Bilitis), this time with strong lesbian themes.
Although D. H. Lawrence could be regarded as a writer of love poems, he usually dealt in the less romantic aspects of love such as sexual frustration or the sex act itself. Ezra Pound, in his Literary Essays, complained of Lawrence's interest in his own "disagreeable sensations" but praised him for his "low-life narrative". This is a reference to Lawrence's dialect poems akin to the Scots poems of Robert Burns, in which he reproduced the language and concerns of the people of Nottinghamshire from his youth. He called one collection of poems Pansies partly for the simple ephemeral nature of the verse but also a pun on the French word panser, to dress or bandage a wound. "The Noble Englishman" and "Don't Look at Me" were removed from the official edition of Pansies on the grounds of obscenity; Lawrence felt wounded by this.[ citation needed ]
From the age of 17, Gavin Ewart acquired a reputation for wit and accomplishment through such works as "Phallus in Wonderland" and "Poems and Songs", which appeared in 1939 and was his first collection. The intelligence and casually flamboyant virtuosity with which he framed his often humorous commentaries on human behaviour made his work invariably entertaining and interesting. The irreverent eroticism for which his poetry is noted resulted in W H Smith's banning of his "The Pleasures of the Flesh" (1966) from their shops.[ citation needed ]
Canadian poet John Glassco wrote Squire Hardman (1967), a long poem in heroic couplets, purporting to be a reprint of an 18th-century poem by George Colman the Younger, on the theme of flagellation. [25]
Italian Una Chi distinguished herself among other publications for coldly analytical prose and for the crudeness of the stories.
Prostitution was the focus of much of the earliest erotic works. The term pornography is derived from the Greek pornographos meaning "writer about prostitutes", originally denoting descriptions of the lives and manners of prostitutes and their customers in Ancient Greece. According to Athenaeus in The Deipnosophists these constituted a considerable genre, with many lubricious treatises, stories and dramas on the subject. [26] A surviving example of this genre is Lucian of Samosata's Dialogues of the Courtesans. [27]
Accounts of prostitution have continued as a major part of the genre of erotic literature. In the 18th century, directories of prostitutes and their services, such as Harris's List of Covent Garden Ladies (1757–1795), provided both entertainment and instruction.
In the 19th century, the sensational journalism of W. T. Stead's The Maiden Tribute of Modern Babylon (1885) about the procuring of underage girls into the brothels of Victorian London provided a stimulus for the erotic imagination. Stead's account was widely translated and the revelation of "padded rooms for the purpose of stifling the cries of the tortured victims of lust and brutality" and the symbolic figure of "The Minotaur of London" confirmed European observers worst imaginings about "Le Sadisme anglais" and inspired erotic writers to write of similar scenes set in London or involving sadistic English gentlemen. Such writers include D'Annunzio in Il Piacere, Paul-Jean Toulet in Monsieur de Paur (1898), Octave Mirbeau in Jardin des Supplices (1899) and Jean Lorrain in Monsieur de Phocas (1901). [28]
Well-known recent works in this genre are The Happy Hooker: My Own Story (1971) by the Dutch madame Xaviera Hollander and The Intimate Adventures of a London Call Girl (2005) by Belle de Jour.
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In the 21st century, a new literary genre of student published journals at American universities was started. [29] The following is a partial list of publications:
Sex manuals are among the oldest forms of erotic literature. Three brief fragments of a sex manual written in the fourth century BC that is attributed to Philaenis of Samos have survived. Modern scholars generally regard it as a work of parody probably written by a man, and this was most likely Athenian sophist Polycrates. [41] [42] Other examples of the genre from the classical world include the lost works of Elephantis [43] and Ovid's Ars Amatoria . The Indian Kama Sutra is one of the world's best-known works of this type. The Ananga Ranga , a 12th-century collection of Indian erotic works, is a lesser known one. The Perfumed Garden for the Soul's Recreation , a 16th-century Arabic work by Sheikh Nefzaoui, is also well-known and is often reprinted and translated. There is anecdotal evidence that, as late as the mid-20th century, sex therapists and other physicians prescribed erotic literature as treatment for erectile dysfunction.[ citation needed ]
The ancient Chinese versions of the sex manual include the texts that contain the Taoist sexual practices. These include books that show illustrations of the ideal sexual behavior because sex in this religion is not considered taboo but a manifestation of the concept of the yin and yang, [44] wherein the male and female engage in an act of "joining of energy" or "joining of essences". The belief is that proper sexual practice is key to achieving good health. The manuals included the Ishinpo text, [45] which is a medical document that also included sections devoted to sexual hygiene and sexual manuals of the Tang and Han dynasties.
Qigong manuals include warming a wet towel and covering penis for a few minutes, then rubbing one direction away from base of penis hundreds of times daily, similar to qigong. Squeezing sphincter while semi-erect or fully erect dozens of times daily, particularly a few hours before intercourse will help delay orgasm or enhance non-ejaculatory pleasure. The Universal Tao system was developed by Mantak Chia to teach Taoist meditative and exercise techniques to balance the body and increase and refine one's vital energy, or qi . Front and back channel, the back channel is where the perineum is located between anus and scrotum moving up the tailbone to the crown, the front channel is moving down the front of your body down the midline. Breathing up the back channel and then breathing out from the front channel down to and from the abdomen moves chi. Many practices combined help chi to be transformed into spiritual energy or shen .
Not all sex manuals were produced to arouse or inform readers about sexual acts. Some were created as a form of satire or social criticism, as in the case of a mock-sex manual produced in the early sixteenth century by Pietro Aretino. It was in response to the clerical censorship of the nude engravings of the Roman artists Marcantonio Raimondi. [46] This was released in cheap wood, with a corresponding sonnet serving as the voice of the characters.
Erotic memoirs are a subgenre of erotic literature that blend personal experiences with sensual storytelling.
Erotic fiction is a genre of fiction that portrays sex or sexual themes, generally in a more literary way than the fiction seen in pornographic magazines. It sometimes includes elements of satire or social criticism. These type of fiction have frequently been banned by the government or religious authorities.
The examples and perspective in this deal primarily with England and the United States and do not represent a worldwide view of the subject.(November 2022) |
Erotic or pornographic works have often been prosecuted, censored and destroyed by the authorities on grounds of obscenity. [2] In Medieval England, erotic or pornographic publications were the concern of the ecclesiastical courts. After the Reformation the jurisdiction of these courts declined in favour of the Crown which licensed every printed book. Prosecutions of books for their erotic content alone were rare and works which attacked the church or state gave much more concern to the authorities than erotica or 'obscene libel' as it was then known. For instance the Licensing Act 1662 was aimed generally at "heretical, seditious, schismatical or offensive books of pamphlets" rather than just erotica per se. Even this Licensing Act was allowed to lapse in 1695 and no attempt made to renew it.
The first conviction for obscenity in England occurred in 1727, when Edmund Curll was fined for the publication of Venus in the Cloister or The Nun in her Smock under the common law offence of disturbing the King's peace. This set a legal precedent for other convictions. [47] The publication of other books by Curll, however, considered seditious and blasphemous, such as The Memoirs of John Ker, apparently most offended the authorities. Prosecutions of erotica later in the 18th century were rare and were most often taken because of the admixture of seditious and blasphemous material with the porn.
It was the Obscene Publications Act 1857 which made the sale of obscene material a statutory offense, giving the courts power to seize and destroy offending material. The origins of the act itself were in a trial for the sale of pornography presided over by the Lord Chief Justice, Lord Campbell, at the same time as a debate in the House of Lords over a bill aiming to restrict the sale of poisons. Campbell was taken by the analogy between the two situations, famously referring to the London pornography trade as "a sale of poison more deadly than prussic acid, strychnine or arsenic", [48] and proposed a bill to restrict the sale of pornography; giving statutory powers of destruction would allow for a much more effective degree of prosecution. The bill was controversial at the time, receiving strong opposition from both Houses of Parliament. It was passed on the assurance by the Lord Chief Justice that it was "intended to apply exclusively to works written for the single purpose of corrupting the morals of youth and of a nature calculated to shock the common feelings of decency in any well-regulated mind." The House of Commons successfully amended it so as not to apply to Scotland, on the grounds that Scottish common law was sufficiently stringent.
The Act provided for the seizure and destruction of any material deemed to be obscene, and held for sale or distribution, following information being laid before a "court of summary jurisdiction" (magistrates' court). The Act required that following evidence of a common-law offence being committed – for example, on the report of a plain-clothes policeman who had successfully purchased the material – the court could issue a warrant for the premises to be searched and the material seized. The proprietor then would be called upon to attend court and give reason why the material should not be destroyed. Critically, the Act did not define "obscene", leaving this to the will of the courts.
While the Act itself did not change, the scope of the work affected by it did. In 1868 Sir Alexander Cockburn, Campbell's successor as Lord Chief Justice, held in an appeal that the test of obscenity was "whether the tendency of the matter charged as obscenity is to deprave and corrupt those whose minds are open to such immoral influences and into whose hands a publication of this sort may fall." This was clearly a major change from Campbell's opinion only ten years before – the test now being the effect on someone open to corruption who obtained a copy, not whether the material was intended to corrupt or offend.
Cockburn's declaration remained in force for several decades, and most of the high profile seizures under the Act relied on this interpretation. Known as the Hicklin test no cognisance was taken of the literary merit of a book or on the extent of the offending text within the book in question. The widened scope of the original legislation led to the subsequent notorious targeting of now acknowledged classics of world literature by such authors as Zola, James Joyce and D.H. Lawrence plus medical textbooks by such as Havelock Ellis rather than the blatant erotica which was the original target of this law. [49]
In contrast to England, where actions against obscene literature were the preserve of the magistrates, such actions were the responsibility of the Postal Inspection Service in America. They were embodied in the federal and state Comstock laws and named after the postal officer and anti-obscenity crusader Anthony Comstock, who proved himself officious in the work of suppression both in his official capacity and through his New York Society for the Suppression of Vice. [50] The first such law was the Comstock Act, (ch. 258 17 Stat. 598 enacted March 3, 1873) which made it illegal to send any "obscene, lewd, and/or lascivious" materials through the mail. Twenty-four states passed similar prohibitions on materials distributed within the states. [51]
This question of whether a book had literary merit eventually prompted a change in the law in both America and the UK. In the United Kingdom the Obscene Publications Act 1959 provided for the protection of "literature" but conversely increased the penalties against pure "pornography." The law defined obscenity and separated it from serious works of art.
The new definition read:
[A]n article shall be deemed to be obscene if its effect or (where the article comprises two or more distinct items) the effect of any one of its items is, if taken as a whole, such as to tend to deprave and corrupt persons who are likely, having regard to all relevant circumstances, to read, see or hear the matter contained or embodied in it.
After this piece of legislation questions of the literary merit of the work in question were allowed to be put before the judge and jury as in the Lady Chatterley trial. The publishers of the latter book were found not guilty by the court on the grounds of the literary merit of the book. In later prosecutions of literary erotica under the provisions of the act, however, even purely pornographic works with no apparent literary merit escaped destruction by the authorities. Purely textual pornographic texts, with no hint of libel, ceased to be brought to trial following the collapse of the Inside Linda Lovelace trial in 1976. However, in October 2008, a man was unsuccessfully prosecuted under the Obscene Publications Act (the R v Walker trial) for posting fictional written material to the Internet allegedly describing the kidnap, rape and murder of the pop group Girls Aloud. [52]
The First Amendment to the United States Constitution gives protection to written fiction, although the legal presumption that it does not protect obscene literature has never been overcome. Instead, pornography has successfully been defined legally as non-obscene, or "obscene" been shown to be so vague a term as to be unenforceable. In 1998 Brian Dalton was charged with creation and possession of child pornography under an Ohio obscenity law. The stories were works of fiction concerning sexually abusing children which he wrote and kept, unpublished, in his private journal. He accepted a plea bargain, pleaded guilty and was convicted. [53] Five years later, the conviction was vacated.
Importing books and texts across national borders can sometimes be subject to more stringent laws than in the nations concerned. Customs officers are often permitted to seize even merely 'indecent' works that would be perfectly legal to sell and possess once one is inside the nations concerned. Canada has been implicated in such border seizures.[ citation needed ]
Although the Obscene Publications Act of 1857, as well as 1959 legislation, outlawed the publication, retail and trafficking of certain types of writings and images regarded as pornographic, and would order the destruction of shop and warehouse stock meant for sale, the private possession of and viewing of pornography was not prosecuted in those times. [54] In some nations, even purely textual erotic literature is still deemed illegal and is also prosecuted.[ citation needed ]
Erotica is art, literature or photography that deals substantively with subject matter that is erotic, sexually stimulating or sexually arousing. Some critics regard pornography as a type of erotica, but many consider it to be different. Erotic art may use any artistic form to depict erotic content, including painting, sculpture, drama, film or music. Erotic literature and erotic photography have become genres in their own right. Erotica also exists in a number of subgenres including gay, lesbian, women's, monster, tentacle erotica and bondage erotica.
Ribaldry or blue comedy is humorous entertainment that ranges from bordering on indelicacy to indecency. Blue comedy is also referred to as "bawdiness" or being "bawdy". Like any humour, ribaldry may be read as conventional or subversive. Ribaldry typically depends on a shared background of sexual conventions and values, and its comedy generally depends on seeing those conventions broken.
Hardcore pornography or hardcore porn is pornography that features detailed depictions of sexual organs or sexual acts such as vaginal, anal, oral or manual intercourse, ejaculation, and fetish play. The term is in contrast with less-explicit softcore pornography. Hardcore pornography usually takes the form of photographs, films, and cartoons. Since the mid-1990s, hardcore pornography has become widely available on the internet, making it more accessible than ever before.
Erotic art is a broad field of the visual arts that includes any artistic work intended to evoke arousal. It usually depicts human nudity or sexual activity, and has included works in various visual mediums, including drawings, engravings, films, paintings, photographs, and sculptures. Some of the earliest known works of art include erotic themes, which have recurred with varying prominence in different societies throughout history. However, it has also been widely considered taboo, with either social norms or laws restricting its creation, distribution, and possession. This is particularly the case when it is deemed pornographic, immoral, or obscene.
The Obscene Publications Act 1959 is an Act of Parliament of the United Kingdom Parliament, which significantly reformed the law related to obscenity in England and Wales. Before the passage of the Act, the law on publishing obscene materials was governed by the common-law case of R v Hicklin, which had no exceptions for artistic merit or the public good. During the 1950s, the Society of Authors formed a committee to recommend reform of the existing law, submitting a draft bill to the Home Office in February 1955. After several failed attempts to push a bill through Parliament, a committee wrote a viable bill, which was introduced to Parliament by Roy Jenkins and given royal assent on 29 July 1959, coming into force on 29 August 1959 as the Obscene Publications Act 1959. With the committee consisting of both censors and reformers, the actual reform of the law was limited, with several extensions of police powers included in the final version.
Venus in the Cloister or The Nun in her Smock, known in the original French as Vénus dans le cloître, ou la Religieuse en chemise (1683), is a work of erotic fiction by the Abbé du Prat, which is a pseudonym for an unknown author. Candidates for whom this might be include Jean Barrin and François de Chavigny de La Bretonnière.
Whore dialogues are a literary genre of the Renaissance and the Enlightenment and a type of erotic fiction. The first example was the Ragionamenti by Pietro Aretino, followed by such works as La Retorica delle Puttane (1642) by Ferrante Pallavicino; L'École des Filles (1655), attributed to Michel Millot and Jean L'Ange and also known as The School of Venus; The Dialogues of Luisa Sigea by Nicolas Chorier—known also as A Dialogue between a Married Woman and a Maid in various editions. Such works typically concerned the sexual education of a naïve young woman by an experienced older woman and often included elements of philosophising, medical folklore, satire and anti-clericalism. The later works in this genre, such as that by Chorier, indulge in a more sophisticated type of sexual fantasy and are the precursors of the more explicit pornography which followed in Europe.
The Lustful Turk, or Lascivious Scenes from a Harem is a pre-Victorian British exploitation erotic epistolary novel first published anonymously in 1828 by John Benjamin Brookes and reprinted by William Dugdale. However, it was not widely known or circulated until the 1893 edition.
Pornography is sexual subject material such as a picture, video, text, or audio that is intended for sexual arousal. Made for consumption by adults, pornographic depictions have evolved from cave paintings, some forty millennia ago, to modern virtual reality presentations. A general distinction of adults-only sexual content is made-classifying it as pornography or erotica.
The history of erotic depictions includes paintings, sculpture, photographs, dramatic arts, music and writings that show scenes of a sexual nature throughout time. They have been created by nearly every civilization, ancient and modern. Early cultures often associated the sexual act with supernatural forces and thus their religion is intertwined with such depictions. In Asian countries such as India, Nepal, Sri Lanka, Japan, Korea, and China, representations of sex and erotic art have specific spiritual meanings within native religions. The ancient Greeks and Romans produced much art and decoration of an erotic nature, much of it integrated with their religious beliefs and cultural practices.
Édouard-Henri Avril was a French painter and commercial artist. Under the pseudonym Paul Avril, he was an illustrator of erotic literature.
In the United Kingdom, pornography is regulated by a variety of laws, regulations, judicial processes and voluntary schemes. Pornographic material generally has to be assessed by regulators or courts to determine its legality. British censorship laws with regard to pornography have often been some of the most restrictive in Western Europe.
An obscenity is any utterance or act that strongly offends the prevalent morality of the time. It is derived from the Latin obscēnus, obscaenus, "boding ill; disgusting; indecent", of uncertain etymology. Generally, the term can be used to indicate strong moral repugnance and outrage in expressions such as "obscene profits" and "the obscenity of war". As a legal term, it usually refers to descriptions and depictions of people engaged in sexual and excretory activity.
William Lazenby was an English publisher of pornography active in the 1870s and 1880s. He used the aliases Duncan Cameron and Thomas Judd. His notable publications include magazines The Pearl, which published poems thought to have been written by Algernon Charles Swinburne, The Oyster, The Boudoir and The Cremorne He also published such books as The Romance of Lust, Randiana, or Excitable Tales, The Birchen Bouquet (1881), The Romance of Chastisement (1883), The Pleasures of Cruelty (1886) and The Sins of the Cities of the Plain. He was an associate of Edward Avery and Leonard Smithers. He was prosecuted in 1871 and again in 1881.
The Private Case is a collection of erotica and pornography held initially by the British Museum and then, from 1973, by the British Library. The collection began between 1836 and 1870 and grew from the receipt of books from legal deposit, from the acquisition of bequests and, in some cases, from requests made to the police following their seizures of obscene material.
In the Philippines, pornography is not specifically defined in Philippine law, but the Revised Penal Code of the Philippines considers certain acts to be obscene or indecent and these are prohibited as immoral doctrines, obscene publications, indecent shows, or other similar material or portrayals that advocate human immorality, obscenity, and indecency. Philippine legislation penalizes participation in these unlawful activities, and Republic Act No. 7610 extends punishment to those involved in child abuse, child exploitation, child prostitution and discrimination of children.
Herman Lynn Womack (1923–1985) was an American publisher, and the founder of Guild Press, a Washington, D.C., publishing house that catered almost exclusively to a gay male audience and played a major role in expanding the legal protections for gay publications against obscenity laws in the United States.
United States obscenity law deals with the regulation or suppression of what is considered obscenity and therefore not protected speech or expression under the First Amendment to the United States Constitution. In the United States, discussion of obscenity typically relates to defining what pornography is obscene. Issues of obscenity arise at federal and state levels. State laws operate only within the jurisdiction of each state, and state laws on obscenity differ. Federal statutes ban obscenity and child pornography produced with real children. Federal law also bans broadcasting of "indecent" material during specified hours.
Victorian erotica is a genre of sexual art and literature which emerged in the Victorian era of 19th-century Britain. Victorian erotica emerged as a product of a Victorian sexual culture. The Victorian era was characterized by paradox of rigid morality and anti-sensualism, but also by an obsession with sex. Sex was a main social topic, with progressive and enlightened thought pushing for sexual restriction and repression. Overpopulation was a societal concern for the Victorians, thought to be the cause of famine, disease, and war. To curb the threats of overpopulation and to solve other social issues that were arising at the time, sex was socially regulated and controlled. New sexual categories emerged as a response, defining normal and abnormal sex. Heterosexual sex between married couples became the only form of sex socially and morally permissible. Sexual pleasure and desire beyond heterosexual marriage was labelled as deviant, considered to be sinful and sinister. Such deviant forms included masturbation, homosexuality, prostitution and pornography. Procreation was the primary goal of sex, removing it from the public, and placing it in the domestic. Yet, Victorian anti-sexual attitudes were contradictory of genuine Victorian life, with sex underlying much of the cultural practice. Sex was simultaneously repressed and proliferated. Sex was featured in medical manuals such as The Sexual Impulse by Havelock Ellis and Functions and Disorders of Reproductive Organs by William Acton, and in cultural magazines like The Penny Magazine and The Rambler. Sex was popular in entertainment, with much of Victorian theatre, art and literature including and expressing sexual and sensual themes.
Erotic fiction is a part of erotic literature and a genre of fiction that portrays sex or sexual themes, generally in a more literary or serious way than the fiction seen in pornographic magazines. It sometimes includes elements of satire or social criticism. Such works have frequently been banned by the government or religious authorities. Non-fictional works that portray sex or sexual themes may contain fictional elements. Calling an erotic book 'a memoir' is a literary device that is common in this genre. For reasons similar to those that make pseudonyms both commonplace and often deviously set up, the boundary between fiction and non-fiction is broad.