Phyllis (1929 - 2012) and Eberhard Kronhausen (1915 - 2009) were a husband-and-wife team of American sexologists, mainly active in the 1960s and 1970s. They wrote a number of books on sexuality and eroticism, and they also amassed a collection of erotic art, which traveled around Europe in 1968 as the "First International Exhibition of Erotic Art" and then found a home in San Francisco as the Museum of Erotic Art (1970-1973). [1] [2]
Eberhard Kronhausen was born on September 12, 1915. [3] He was brought up in Europe and “had firsthand experience of Nazi Germany”. [4] Phyllis was born on January 26, 1929 in Minnesota. The Kronhausens met in 1954 at the University of Minnesota, where Phyllis, then 25, was an undergraduate studying business, and Eberhard, at the relatively late age of 39, was getting a Masters in psychology. [1]
Upon graduating from Minnesota they moved together to New York, where Phyllis enrolled in the program in “Marriage and Family Life Education” at the Teachers’ College of Columbia University, which allowed her to take courses also at other New York universities. Eberhard followed suit two years later, and both graduated with Doctor of Education degrees in that program (Phyllis graduating in 1956 and Eberhard in 1958). They also studied psychoanalysis at the National Psychological Association for Psychoanalysis, founded by Dr. Theodor Reik to provide for analytic training of non-medical students. Upon graduation they moved to San Diego, where they were both licensed to practice psychotherapy. [1]
In 1959, they published their first book, Pornography and the law: The psychology of erotic realism and pornography. This would be the first of a long line of sex-related books. Pornography and the Law made a distinction between "frankly pornographic writings" and "serious" (but not necessarily less erotic) writings, such as the works of Henry Miller or D.H. Lawrence. In 1960 Phyllis Kronhausen testified in a California obscenity case, involving a series of soft core erotic writings. According to the Kronhausens, "her testimony resulted in an acquittal of the defense, saving the author and publisher of these truly harmless books many years in jail." [1]
Pornography and the Law was followed in 1960 by Sex Histories of American College Men, a book based on Phyllis Kronhausen's experience as a lecturer in "health education" at a men's college in the Northeastern U.S. (which is not named). One of Kronhausen's course requirements had been for her students to complete a "personal history" in which they described sexual memories and experiences. [5]
After publishing Pornography and the law, the Kronhausens began to acquire a collection of erotic art. This brought them to Europe, where they were active during the 1960s. As they reminisced in 1978:
It so happened that from 1960 on we came to spend more and more time in Europe, first on psychological consultation and later because we felt that we had both been spending too much time in the same cultural environment and needed a change for our own personal development.
In Europe we collected more erotic art, our most notable discoveries from the beginning of that period being the Dutch painter Melle in Amsterdam, the German painter Hans Bellmer, the Trieste-born artist Leonor Fini, and the French surrealist André Masson in Paris.
[...] We had occasion, in fact, to watch the transformation of pornography into art before our own eyes when Hans Bellmer one day worked in our presence, making a complicated and highly erotic engraving from a series of common pornographic photographs. [6]
Their books were translated into German and French starting in the late 1960s.
They organized the “First International Exhibition of Erotic Art" at a public museum in Lund, Sweden in 1968 – overcoming a lot of institutional resistance. They even succeeded in having the public poster for the show feature a graphic representation of sexual intercourse. [6]
In relation to that show they published the two-volume art book Erotic Art in 1968 and 1969, featuring illustrations of erotic art from different periods of time and different cultures. This would lead to other picture books such as Erotic Book Plates (1970), The International Museum of Erotic Art (1973), and Behind Closed Doors : A Marriage Manual (1979). The latter was not really a manual but rather a book of nearly 2,000 black and white photographs without text, featuring a real French husband & wife couple having sex in a variety of positions, in every room of their home including the hallway and stairs. (The photography was by Robin Schwartz, a woman who was a friend of the couple.)
The collection went on to find a home in San Francisco, as the Museum of Erotic Art, which existed from 1970 to 1973, on Powell Street in downtown. [2]
In 1978 the Kronhausens were featured in Hustler magazine, with a piece on the Bible's Book of Genesis, illustrated with a series of erotic paintings. [7] "What poor, sick, twisted guilt-ridden, neurotic mind first conjured up a sexless Garden of Eden?" the article begins. The Kronhausens then argue that the Bible has been misunderstood, and that the story of Adam and Eve is not about the discovery of sin, but about the loss of innocent enjoyment of sex - "and with it the appearance of false shame where none is called for, and needless guilt where no evil has been committed." The paintings that illustrate the article were said by the Kronhausens to be by an anonymous artist and dated to 1850-1900, but could well be 1970s imitations of 19th century art, and are not necessarily about the Garden of Eden.
On March 31, 1979 the Kronhausens sold their erotic art collection at an auction in New York City. [2] The collection fetched a fairly low price. "In general bidding wasn't feverish," reported New York Magazine. "On the evidence of other auction sales, it seems that New Yorkers harbor more lust for Sheffield silver than for images of other people lusting. [...] The Drs. Kronhausen were apparently drawn most often to a major style of the 1960s - the look of high-contrast black-and-white photography joined to hot, buzzing billboard colors. That was a liberated style for about two seasons. Now yesterday's liberation has been turned into the liquidity of today." [8]
One reason for the sale was that, starting in the late 1970s, the Kronhausens had turned to New Age spirituality. They were living at that time in California, and came into contact with the teachings of the Indian-born theosophist and spiritual director Jiddu Krishnamurti, at his American headquarters in the New Age hotspot of Ojai, near Los Angeles. They watched many of Krishnamurti's talks at the video library there. [1]
In the 1980s and 90s they became involved in nutrition, creating a diet called "Formula for Life" which they publicised through a book of that title (1989). They advocated abstinence from red meat and therapeutic megadoses of Vitamin C. They also advocated for nutritional supplements such as glutathione. [9]
At the turn of the millennium they became involved in Buddhist philosophy and psychology. They attempted to apply the result of these studies to the fields of history, politics, and psychotherapy in their last book, Staying Sane in a Crazy World (2008) – a print on demand book sold by Amazon.com.
Eberhard died at the age of 94 on December 5, 2009. [3] Phyllis died at the age of 83 on April 16, 2012.
Eberhard Kronhausen was thanked in the album "Freak Out!" (1966) by Frank Zappa and the Mothers of Invention.
Unless otherwise noted, all titles are by Eberhard and Phyllis Kronhausen.
Erotica is literature or art that deals substantively with subject matter that is erotic, sexually stimulating or sexually arousing. Some critics regard pornography as a type of erotica, but many consider it to be different. Erotic art may use any artistic form to depict erotic content, including painting, sculpture, drama, film or music. Erotic literature and erotic photography have become genres in their own right. Erotica also exists in a number of subgenres including gay, lesbian, women's, bondage, monster and tentacle erotica.
Hentai is a style of Japanese pornographic anime and manga. A loanword from Japanese, the original term ) does not describe a genre of media, but rather an abnormal sexual desire or act, as an abbreviation of hentai seiyoku, and is also used to refer to persons who hold or do such desires and acts, often translated to English as "pervert". In addition to anime and manga, hentai works exist in a variety of media, including artwork and video games.
Pornographic films (pornos), erotic films, sex films, 18+ films, or also known as blue movie or blue film, are films that present sexually explicit subject matter in order to arouse, fascinate, or satisfy the viewer. Pornographic films present sexual fantasies and usually include erotically stimulating material such as nudity (softcore) and sexual intercourse (hardcore). A distinction is sometimes made between "erotic" and "pornographic" films on the basis that the latter category contains more explicit sexuality, and focuses more on arousal than storytelling; the distinction is highly subjective.
Hardcore pornography or hardcore porn is pornography that features detailed depictions of sexual organs or sexual acts such as vaginal, anal, oral or manual intercourse, ejaculation, and fetish play. The term is in contrast with less-explicit softcore pornography. Hardcore pornography usually takes the form of photographs, films, and cartoons. Since the mid-1990s, hardcore pornography has become widely available on the internet, making it more accessible than ever before.
Erotic art is a broad field of the visual arts that includes any artistic work intended to evoke arousal. It usually depicts human nudity or sexual activity, and has included works in various visual mediums, including drawings, engravings, films, paintings, photographs, and sculptures. Some of the earliest known works of art include erotic themes, which have recurred with varying prominence in different societies throughout history. However, it has also been widely considered taboo, with either social norms or laws restricting its creation, distribution, and possession. This is particularly the case when it is deemed pornographic, immoral, or obscene.
Erotic literature comprises fictional and factual stories and accounts of eros intended to arouse similar feelings in readers. This contrasts erotica, which focuses more specifically on sexual feelings. Other common elements are satire and social criticism. Much erotic literature features erotic art, illustrating the text.
Sodom is an obscene Restoration closet drama, published in 1684. The work has been attributed to John Wilmot, 2nd Earl of Rochester, though its authorship is disputed. Determining the date of composition and attribution are complicated owing mostly to misattribution of evidence for and against Rochester's authorship in Restoration and later texts.
Lesbian erotica deals with depictions in the visual arts of lesbianism, which is the expression of female-on-female sexuality. Lesbianism has been a theme in erotic art since at least the time of ancient Rome, and many regard depictions of lesbianism to be erotic.
Venus in the Cloister or The Nun in her Smock, known in the original French as Vénus dans le cloître, ou la Religieuse en chemise (1683) is a work of erotic fiction by the Abbé du Prat, which is a pseudonym for an unknown author. Candidates for whom this might be include Jean Barrin and François de Chavigny de La Bretonnière.
Whore dialogues are a literary genre of the Renaissance and the Enlightenment and a type of erotic fiction. The first example was the Ragionamenti by Pietro Aretino, followed by such works as La Retorica delle Puttane (1642) by Ferrante Pallavicino; L'École des Filles (1655), attributed to Michel Millot and Jean L'Ange and also known as The School of Venus; The Dialogues of Luisa Sigea by Nicolas Chorier—known also as A Dialogue between a Married Woman and a Maid in various editions. Such works typically concerned the sexual education of a naïve young woman by an experienced older woman and often included elements of philosophising, medical folklore, satire and anti-clericalism. The later works in this genre, such as that by Chorier, indulge in a more sophisticated type of sexual fantasy and are the precursors of the more explicit pornography which followed in Europe.
The Merryland books were a genre of English 17th and 18th century erotic fiction in which the female body was described in terms of a topographical metaphor derived from a pun on Maryland. Four of the titles were published by 18th century controversialist Edmund Curll.
Pornography has been defined as sexual subject material "such as a picture, video, or text" that is intended for sexual arousal. Indicated for the consumption by adults, pornography depictions have evolved from cave paintings, some forty millennia ago, to virtual reality presentations. A general distinction of adult content is made classifying it as pornography or erotica.
The Romance of Lust, or Early Experiences is a Victorian erotic novel written anonymously in four volumes during the years 1873–1876 and published by William Lazenby. Henry Spencer Ashbee discusses this novel in one of his bibliographies of erotic literature. In addition the compilers of British Museum General Catalogue of Printed Books list this book.
The history of erotic depictions includes paintings, sculpture, photographs, dramatic arts, music and writings that show scenes of a sexual nature throughout time. They have been created by nearly every civilization, ancient and modern. Early cultures often associated the sexual act with supernatural forces and thus their religion is intertwined with such depictions. In Asian countries such as India, Nepal, Sri Lanka, Japan and China, representations of sex and erotic art have specific spiritual meanings within native religions. The ancient Greeks and Romans produced much art and decoration of an erotic nature, much of it integrated with their religious beliefs and cultural practices.
The term "Golden Age of Porn", or "porno chic", refers to a 15-year period (1969–1984) in commercial American pornography, in which sexually explicit films experienced positive attention from mainstream cinemas, movie critics, and the general public. This American period, which had subsequently spread internationally, and that began before the legalization of pornography in Denmark on July 1, 1969, started on June 12, 1969, with the theatrical release of the film Blue Movie directed by Andy Warhol, and, somewhat later, with the release of the 1970 film Mona produced by Bill Osco. These films were the first adult erotic films depicting explicit sex to receive wide theatrical release in the United States. Both influenced the making of films such as 1972's Deep Throat starring Linda Lovelace and directed by Gerard Damiano, Behind the Green Door starring Marilyn Chambers and directed by the Mitchell brothers, 1973's The Devil in Miss Jones also by Damiano, and 1976's The Opening of Misty Beethoven by Radley Metzger, the "crown jewel" of the Golden Age, according to award-winning author Toni Bentley. According to Andy Warhol, his Blue Movie film was a major influence in the making of Last Tango in Paris, an internationally controversial erotic drama film, starring Marlon Brando, and released a few years after Blue Movie was shown in theaters.
The sexual revolution in the 1960s United States was a social and cultural movement that resulted in liberalized attitudes toward sex and morality. In the 1960s, social norms were changing as sex became more widely discussed in society. Erotic media, such as films, magazines, and books, became more popular and gained widespread attention across the country. These changes reveal that sex was entering the public domain, and sex rates, especially among young people, could no longer be ignored.
My Secret Life, by "Walter", is the memoir of a gentleman describing the author's sexual development and experiences in Victorian England. It was first published in a private edition of eleven volumes, at the expense of the author, including an imperfect index, which appeared over seven years beginning around 1888.
The New Epicurean: The Delights of Sex, Facetiously and Philosophically Considered, in Graphic Letters Addressed to Young Ladies of Quality is a Victorian erotic novel published by William Dugdale in 1865 and attributed to Edward Sellon. The novel is falsely dated "1740", and is written as an eighteenth-century pastiche, composed of a series of letters addressed to various young ladies.
Thomas B. Hess was an American art editor and curator, perhaps best known for his over twenty years at the helm of ARTnews and his championing, mounting exhibitions of the works of, and writing on the artists Willem de Kooning and Barnett Newman.
Carlson Wade was an American alternative health writer who authored many books promoting detoxification, fasting, juicing, megavitamin therapy, natural foods and raw food dieting. He developed a fad diet known as the Enzyme-Catalyst Diet.