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Military fiction is a subgenre of science fiction or alternate history, focusing on military activities, such as war, battles, combat, fighting; or military life. [1] [2] [3] [4] [5]
Types of military fiction include:
Subgenres of military fiction include:
Works of military fiction:
Elements of military fiction:
Cyberpunk is a subgenre of science fiction in a dystopian futuristic setting said to focus on a combination of "low-life and high tech". It features futuristic technological and scientific achievements, such as artificial intelligence and cyberware, juxtaposed with societal collapse, dystopia or decay. Much of cyberpunk is rooted in the New Wave science fiction movement of the 1960s and 1970s, when writers like Philip K. Dick, Michael Moorcock, Roger Zelazny, John Brunner, J. G. Ballard, Philip José Farmer and Harlan Ellison examined the impact of technology, drug culture, and the sexual revolution while avoiding the utopian tendencies of earlier science fiction.
Franklin Patrick Herbert Jr. was an American science-fiction author, best known for his 1965 novel Dune and its five sequels. He also wrote short stories and worked as a newspaper journalist, photographer, book reviewer, ecological consultant, and lecturer.
Science fiction is a genre of speculative fiction, which typically deals with imaginative and futuristic concepts such as advanced science and technology, space exploration, time travel, parallel universes, and extraterrestrial life. It often explores human responses to changes in science and technology.
Ender's Game is a 1985 military science fiction novel by American author Orson Scott Card. Set at an unspecified date in Earth's future, the novel presents an imperiled humankind after two conflicts with an insectoid alien species they dub "the buggers". In preparation for an anticipated third invasion, Earth's international military force recruits young children, including the novel's protagonist, Andrew "Ender" Wiggin, to be trained as elite officers. The children learn military strategy and leadership by playing increasingly difficult war games, including some in zero gravity, where Ender's tactical genius is revealed.
A techno-thriller or technothriller is a hybrid genre drawing from science fiction, thrillers, spy fiction, action, and war novels. They include a disproportionate amount of technical details on their subject matter ; only hard science fiction tends towards a comparable level of supporting detail on the technical side. The inner workings of technology and the mechanics of various disciplines are thoroughly explored, and the plot often turns on the particulars of that exploration. This genre began to exist and establish itself in the early 20th century with further developments and focus on the genre in the mid 20th century.
Military science fiction is a subgenre of science fiction and military fiction that depicts the use of science fiction technology, including spaceships and weapons, for military purposes and usually principal characters who are members of a military organization, usually during a war; occurring sometimes in outer space or on a different planet or planets. It exists in a range of media, including literature, comics, film, television and video games.
Since the advent of the cyberpunk genre, a number of cyberpunk derivatives have become recognized in their own right as distinct subgenres in speculative fiction, especially in science fiction. Rather than necessarily sharing the digitally and mechanically focused setting of cyberpunk, these derivatives can display other futuristic, or even retrofuturistic, qualities that are drawn from or analogous to cyberpunk: a world built on one particular technology that is extrapolated to a highly sophisticated level, a gritty transreal urban style, or a particular approach to social themes.
In literature, psychological fiction is a narrative genre that emphasizes interior characterization and motivation to explore the spiritual, emotional, and mental lives of its characters. The mode of narration examines the reasons for the behaviours of the character, which propel the plot and explain the story. Psychological realism is achieved with deep explorations and explanations of the mental states of the character's inner person, usually through narrative modes such as stream of consciousness and flashbacks.
Social science fiction is a subgenre of science fiction, usually soft science fiction, concerned less with technology or space opera and more with speculation about society. In other words, it "absorbs and discusses anthropology" and speculates about human behavior and interactions.
A science fiction Western is a subgenre or cross-genre that uses traditional Western plots and settings, while incorporating science fiction elements such as futuristic technology or aliens. The post-apocalyptic Western and steampunk Western fall within this subgenre.
Mundane science fiction (MSF) is a niche literary movement within science fiction that developed in the early 2000s, with principles codified by the "Mundane Manifesto" in 2004, signed by author Geoff Ryman and the "2004 class" of the Clarion West Writers Workshop. The movement proposes "mundane science fiction" as its own subgenre of science fiction, typically characterized by its setting on Earth or within the Solar System; a lack of interstellar travel, intergalactic travel or human contact with extraterrestrials; and a believable use of technology and science as it exists at the time the story is written or a plausible extension of existing technology. There is debate over the boundaries of MSF and over which works can be considered canonical. Rudy Rucker has noted MSF's similarities to hard science fiction and Ritch Calvin has pointed out MSF's similarities to cyberpunk. Some commentators have identified science fiction films and television series which embody the MSF ethos of near-future realism.
Black science fiction or black speculative fiction is an umbrella term that covers a variety of activities within the science fiction, fantasy, and horror genres where people of the African descent take part or are depicted. Some of its defining characteristics include a critique of the social structures leading to black oppression paired with an investment in social change. Black science fiction is "fed by technology but not led by it." This means that black science fiction often explores with human engagement with technology instead of technology as an innate good.
Chinese science fiction is genre of literature that concerns itself with hypothetical future social and technological developments in the Sinosphere.
The following outline is provided as an overview of and topical guide to science fiction:
Space opera is a subgenre of science fiction that emphasizes space warfare, with use of melodramatic, risk-taking space adventures, relationships, and chivalric romance. Set mainly or entirely in outer space, it features technological and social advancements in faster-than-light travel, futuristic weapons, and sophisticated technology, on a backdrop of galactic empires and interstellar wars with fictional aliens, often in fictional galaxies. The term does not refer to opera music, but instead originally referred to the melodrama, scope, and formulaic stories of operas, much as used in "horse opera", a 1930s phrase for a clichéd and formulaic Western film, and "soap opera", a melodramatic domestic drama. Space operas emerged in the 1930s and continue to be produced in literature, film, comics, television, video games and board games.
A fantasy podcast is a podcast related to or discussing the fantasy genre, which usually focuses on the magical, supernatural, mythical, or folkloric. Fantasy stories are set in fictional universes or fantasy worlds that are often reminiscent of the Middle Ages and the early modern period. Despite having a fictional setting, fantasy stories can contain or reference locations, events, or people from the real world. Characters in these stories often encounter fictional creatures such as dwarves, elves, dragons, and fairies. Common types of fantasy podcasts are audio dramas, narrated short stories, role-playing games, or discussions and reviews of fantasy topics such as fantasy films, books, games, and other media. The intended audience of a fantasy podcast can vary from young children to adults. Fantasy podcasts emerged from storytelling and the creation of the radio. Fantasy podcasts have often been adapted into television programs, graphic novels, and comics. Fantasy podcasts are a subgenre of fiction podcasts and are distinguished from science fiction podcasts and horror podcasts by the absence of scientific or macabre themes, respectively, though these subgenres regularly overlap.
A Science fiction podcast is a podcast belonging to the science fiction genre, which focuses on futuristic and imaginative advances in science and technology while exploring the impact of these imagined innovations. Characters in these stories often encounter scenarios that involve space exploration, extraterrestrials, time travel, parallel universes, artificial intelligence, robots, and human cloning. Despite the focus on fictional settings and time periods, science fiction podcasts regularly contain or reference locations, events, or people from the real world. The intended audience of a science fiction podcast can vary from young children to adults. Science fiction podcasts developed out of radio dramas. Science fiction podcasts are a subgenre of fiction podcasts and are distinguished from fantasy podcasts and horror podcasts by the absence of magical or macabre themes, respectively, though these subgenres regularly overlap. Science fiction podcasts have often been adapted into television programs, graphic novels, and comics.
Michael Moreci is an American comic author and novelist writing in the science fiction and horror genres. His original works include critically acclaimed military horror comic series Burning Fields and space comic series Roche Limit, which was included in Paste's "Required Reading: 50 of the Best Sci-Fi Comics". Moreci has written two Star Wars-inspired space opera novels - Black Star Renegades and We Are Mayhem.
