Persuasive writing

Last updated

Persuasive writing is a form of writing intended to convince or influence readers to accept a particular idea or opinion and to inspire action. [1] A wide variety of writings, such as criticisms, reviews, reaction papers, editorials, proposals, advertisements, and brochures, utilize different persuasion techniques to influence readers. Persuasive writing can also be employed in indoctrination. It is often confused with opinion writing; however, while both may share similar themes, persuasive writing is backed by facts, whereas opinion writing is supported by emotions. [2]

Contents

Persuasive writing is non-fiction writing where writers utilize logical arguments, and carefully chosen words and phrases. Some pieces of literature rooted in the fiction genre can also be categorized as persuasive writings. [3]

Techniques

To establish credibility and authenticity, strong evidence, such as facts and statistics, statements of expert authorities, and research findings, is presented. Readers are more likely to side with the writer's position or agree with their opinion if it is backed up by verifiable evidence.[ citation needed ] Concrete, relevant, and reasonable examples or anecdotes can enhance the writer's idea or opinion. They can be based on observations or the writer's personal experience. Accurate, current, and balanced information adds to the credibility of persuasive writing. The writer not only presents evidence that favors their ideas but also acknowledges some evidence that opposes their own. In the writing, though, their ideas would be sounder.

Categories

Persuasive writing can be categorized into five types: rhetoric, craftsmanship, authenticity, reflexivity, and imagination. [4] Rhetoric refers to the various techniques used to appeal to the audience such as ethos, logos, and pathos. Craftsmanship involves the skillful use of language, such as the proper use of grammar, vocabulary, and sentence structure, to effectively convey the intended message. Authenticity refers to the credibility and trustworthiness of the writer's arguments. Reflexivity involves the writer's reflection on their own biases and perspectives to ensure the objectivity and fairness of their argument. Lastly, imagination entails the use of creative and innovative ideas to make the argument more compelling and engaging.

Rhetoric

The art of persuasion lies at the core of rhetorical writing. Three principal rhetorical appeals: ethos, pathos, and logos, play crucial roles in constructing a persuasive argument.

Ethos refers to the credibility or ethical appeal of the writer. It is achieved by presenting the author's qualifications, reputation, or experiences that make them an authority on the subject. Pathos appeals to the reader's emotions, values, or desires. It includes creating an emotional response or motivating the audience to act by eliciting feelings such as fear, pity, or joy. Logos is the logical appeal, relying on reasoning and evidence. It involves presenting a clear, rational argument supported by facts, statistics, or expert testimony.

Craftsmanship

Craftsmanship in persuasive writing involves employing language effectively. This includes the use of appropriate vocabulary and grammar, clarity in expressing ideas, and creating a logical flow of ideas. The writer also makes use of rhetorical devices like repetition, analogy, and metaphor to enhance the persuasiveness of their argument.

Authenticity

In persuasive writing, authenticity is established when the writer's arguments are credible and believable. This is achieved by using sound reasoning, presenting well-researched and verifiable evidence, and addressing counterarguments. It also involves the writer's honesty and transparency about their stance and the limitations of their argument.

Reflexivity

Reflexivity in persuasive writing involves the writer's critical self-reflection on their own perspectives and potential biases. By acknowledging and addressing their biases, the writer can make their argument more objective and credible. Reflexivity also includes considering the perspectives of the audience and how they might perceive the argument.

Imagination

Imagination plays a key role in persuasive writing, especially in creating engaging and compelling arguments. The writer can use creative approaches to present their argument, including storytelling, metaphor, and vivid imagery. This can make the argument more relatable and memorable, thereby increasing its persuasiveness.

Criticism

Persuasive writing is a widely used and accepted form of communication, but it is not without its critics. These criticisms range from its potential for manipulation to its inherent bias.

Manipulation and Misinformation: Critics often draw parallels between persuasive writing and propaganda, expressing concerns about its potential misuse for spreading misinformation. Instead of fostering critical thinking, persuasive writing may lead the reader to a predetermined conclusion, particularly through the use of emotional appeals (pathos). The Oxford English Dictionary defines propaganda as "information, especially of a biased or misleading nature, used to promote a particular political cause or point of view." [5]

Oversimplification and Lack of Objectivity: In an attempt to make an argument compelling and clear, persuasive writing can oversimplify complex issues, resulting in a biased presentation of an issue that leaves out critical nuances and perspectives. Critics argue that persuasive writing, by its nature, is designed to convince the reader of a specific point of view, which may not always represent a balanced or objective viewpoint.

Education Practices: Specific criticism is aimed at the educational practice of teaching the "persuasive essay format" in schools. This format often encourages students to remove hedge words and make definitive assertions, fostering a sense of absolute certainty. For instance, students might be advised to replace subjective phrases like “I think that this character is confused,” with more definitive assertions such as “This character is confused,” ostensibly to convey confidence. [6]

Countermeasures: In response to these criticisms, some advocate for a more holistic approach, akin to the dispassionate methodologies of scouts, scientists, or judges, rather than the zealous advocacy often associated with lawyers or warriors. They promote strategies to eliminate internal bias and encourage the pursuit of evidence dispassionately, fostering a more nuanced understanding of complex issues and equipping readers to critically engage with the information presented.

See also

Related Research Articles

<span class="mw-page-title-main">Essay</span> Written work often reflecting the authors personal point of view

An essay is, generally, a piece of writing that gives the author's own argument, but the definition is vague, overlapping with those of a letter, a paper, an article, a pamphlet, and a short story. Essays have been sub-classified as formal and informal: formal essays are characterized by "serious purpose, dignity, logical organization, length," whereas the informal essay is characterized by "the personal element, humor, graceful style, rambling structure, unconventionality or novelty of theme," etc.

<span class="mw-page-title-main">Persuasion</span> Umbrella term of influence and mode of communication

Persuasion or persuasion arts is an umbrella term for influence. Persuasion can influence a person's beliefs, attitudes, intentions, motivations, or behaviours.

<span class="mw-page-title-main">Rhetoric</span> Art of persuasion

Rhetoric is the art of persuasion. It is one of the three ancient arts of discourse (trivium) along with grammar and logic/dialectic. As an academic discipline within the humanities, rhetoric aims to study the techniques that speakers or writers use to inform, persuade, and motivate their audiences. Rhetoric also provides heuristics for understanding, discovering, and developing arguments for particular situations.

<i>Kairos</i> Right or opportune moment

Kairos is an ancient Greek word meaning 'the right or critical moment'. In modern Greek, kairos also means 'weather' or 'time'.

<span class="mw-page-title-main">Visual rhetoric</span> Communication through visual elements

Visual rhetoric is the art of effective communication through visual elements such as images, typography, and texts. Visual rhetoric encompasses the skill of visual literacy and the ability to analyze images for their form and meaning. Drawing on techniques from semiotics and rhetorical analysis, visual rhetoric expands on visual literacy as it examines the structure of an image with the focus on its persuasive effects on an audience.

<span class="mw-page-title-main">Ethos</span> Greek word meaning character

Ethos is a Greek word meaning 'character' that is used to describe the guiding beliefs or ideals that characterize a community, nation, or ideology; and the balance between caution, and passion. The Greeks also used this word to refer to the power of music to influence emotions, behaviors, and even morals. Early Greek stories of Orpheus exhibit this idea in a compelling way. The word's use in rhetoric is closely based on the Greek terminology used by Aristotle in his concept of the three artistic proofs or modes of persuasion alongside pathos and logos. It gives credit to the speaker, or the speaker is taking credit.

Pathos appeals to the emotions and ideals of the audience and elicits feelings that already reside in them. Pathos is a term used most often in rhetoric, as well as in literature, film and other narrative art.

<i>Inventio</i> Canon of rhetoric

Inventio, one of the five canons of rhetoric, is the method used for the discovery of arguments in Western rhetoric and comes from the Latin word, meaning "invention" or "discovery". Inventio is the central, indispensable canon of rhetoric, and traditionally means a systematic search for arguments.

<span class="mw-page-title-main">Rhetoric (Aristotle)</span> Work of literature by Aristotle

Aristotle's Rhetoric is an ancient Greek treatise on the art of persuasion, dating from the 4th century BCE. The English title varies: typically it is Rhetoric, the Art of Rhetoric, On Rhetoric, or a Treatise on Rhetoric.

Narrative paradigm is a communication theory conceptualized by 20th-century communication scholar Walter Fisher. The paradigm claims that all meaningful communication occurs via storytelling or reporting of events. Humans participate as storytellers and observers of narratives. This theory further claims that stories are more persuasive than arguments. Essentially the narrative paradigm helps us to explain how humans are able to understand complex information through narrative.

<span class="mw-page-title-main">Composition (language)</span> Assembling words and sentences into a work

The term composition as it refers to writing, can describe authors' decisions about, processes for designing, and sometimes the final product of, a composed linguistic work. In original use, it tended to describe practices concerning the development of oratorical performances, and eventually essays, narratives, or genres of imaginative literature, but since the mid-20th century emergence of the field of composition studies, its use has broadened to apply to any composed work: print or digital, alphanumeric or multimodal. As such, the composition of linguistic works goes beyond the exclusivity of written and oral documents to visual and digital arenas.

<span class="mw-page-title-main">Modes of persuasion</span> Strategies of rhetoric

The modes of persuasion, modes of appeal or rhetorical appeals are strategies of rhetoric that classify a speaker's or writer's appeal to their audience. These include ethos, pathos, and logos, all three of which appear in Aristotle's Rhetoric.

<span class="mw-page-title-main">Glossary of rhetorical terms</span>

Owing to its origin in ancient Greece and Rome, English rhetorical theory frequently employs Greek and Latin words as terms of art. This page explains commonly used rhetorical terms in alphabetical order. The brief definitions here are intended to serve as a quick reference rather than an in-depth discussion. For more information, click the terms.

<span class="mw-page-title-main">Rhetoric of science</span>

Rhetoric of science is a body of scholarly literature exploring the notion that the practice of science is a rhetorical activity. It emerged after a number of similarly oriented topics of research and discussion during the late 20th century, including the sociology of scientific knowledge, history of science, and philosophy of science, but it is practiced most typically by rhetoricians in academic departments of English, speech, and communication.

<span class="mw-page-title-main">Rhetorical modes</span> Major types of writing and speaking

The rhetorical modes are a broad traditional classification of the major kinds of formal and academic writing by their rhetorical (persuasive) purpose: narration, description, exposition, and argumentation. First attempted by Samuel P. Newman in A Practical System of Rhetoric in 1827, the modes of discourse have long influenced US writing instruction and particularly the design of mass-market writing assessments, despite critiques of the explanatory power of these classifications for non-school writing.

Logic is the formal science of using reason and is considered a branch of both philosophy and mathematics and to a lesser extent computer science. Logic investigates and classifies the structure of statements and arguments, both through the study of formal systems of inference and the study of arguments in natural language. The scope of logic can therefore be very large, ranging from core topics such as the study of fallacies and paradoxes, to specialized analyses of reasoning such as probability, correct reasoning, and arguments involving causality. One of the aims of logic is to identify the correct and incorrect inferences. Logicians study the criteria for the evaluation of arguments.

Rhetorical stance refers to the deliberate choices made by a communicator in shaping and presenting their message. It encompasses the strategic decisions regarding language, style, and tone that are employed to achieve a specific communicative purpose. This concept is deeply rooted in rhetorical theory and is a fundamental aspect of effective communication across various disciplines, including literature, public speaking, and academic writing.

<span class="mw-page-title-main">Rhetorical situation</span> Context of a rhetorical event

The rhetorical situation is an event that consists of an issue, an audience, and a set of constraints. A rhetorical situation arises from a given context or exigence. An article by Lloyd Bitzer introduced the model of the rhetorical situation in 1968, which was later challenged and modified by Richard E. Vatz (1973) and Scott Consigny (1974). More recent scholarship has further redefined the model to include more expansive views of rhetorical operations and ecologies.

Ethopoeia (ee-tho-po-EE-ya) is the ancient Greek term for the creation of a character. Ethopoeia was a technique used by early students of rhetoric in order to create a successful speech or oration by impersonating a subject or client. Ethopoeia contains elements of both ethos and pathos and this is noticeable in the three divisions of ethopoeia. These three divisions are pathetical, ethical and mixed. It is essential to impersonation, one of the fourteen progymnasmata exercises created for the early schools of rhetoric.

<span class="mw-page-title-main">Rhetoric of health and medicine</span>

The rhetoric of health and medicine is an academic discipline concerning language and symbols in health and medicine. Rhetoric most commonly refers to the persuasive element in human interactions and is often best studied in the specific situations in which it occurs. As a subfield of rhetoric, medical rhetoric specifically analyzes and evaluates the structure, delivery, and intention of communications messages in medicine- and health-related contexts. Primary topics of focus includes patient-physician communication, health literacy, language that constructs disease knowledge, and pharmaceutical advertising. The general research areas are described below. Medical rhetoric is a more focused subfield of the rhetoric of science.

References

  1. Guillain, Charlotte (2016). What is Persuasive Writing?. Raintree. ISBN   9781406296891.
  2. Isma, Amy. "LibGuides: Persuasive Writing: Persuasive Writing". materchristi.libguides.com. Retrieved 2023-03-16.
  3. Frederick, Peter (2012). Persuasive Writing: How to harness the power of words. Pearson UK. ISBN   9780273746164.
  4. Jonsen, Karsten; Fendt, Jacqueline; Point, Sébastien (January 2018). "Convincing Qualitative Research: What Constitutes Persuasive Writing?". Organizational Research Methods. 21 (1): 30–67. doi: 10.1177/1094428117706533 . ISSN   1094-4281. S2CID   149398715.
  5. "Propaganda: Definition of Propaganda by Oxford Dictionary on Lexico.com". Lexico Dictionaries.
  6. "Julia Galef: Why you think you're right -- even if you're wrong". Ted Talks.