An epic poem, or simply an epic, is a lengthy narrative poem typically about the extraordinary deeds of extraordinary characters who, in dealings with gods or other superhuman forces, gave shape to the mortal universe for their descendants.
The Ramayana is a smriti text from ancient India, one of the two important epics of Hinduism known as the Itihasas, the other being the Mahabharata. The epic, traditionally ascribed to the Maharishi Valmiki, narrates the life of Rama, a prince of Ayodhya in the kingdom of Kosala. The epic follows his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across forests in the Indian subcontinent with his wife Sita and brother Lakshmana; the kidnapping of Sita by Ravana, the king of Lanka, that resulted in war; and Rama's eventual return to Ayodhya along with Sita to be crowned king amidst jubilation and celebration.
Hindu mythology is the body of myths attributed to, and espoused by, the adherents of the Hindu religion, found in Sanskrit texts such as the Vedic literature, epics like Mahabharata and Ramayana, the Puranas, and mythological stories specific to a particular ethnolinguistic group like the Tamil Periya Puranam and Divya Prabandham, and the Mangal Kavya of Bengal. Hindu myths are also found in widely translated popular texts such as the fables of the Panchatantra and the Hitopadesha, as well as in Southeast Asian texts.
Indian epic poetry is the epic poetry written in the Indian subcontinent, traditionally called Kavya. The Ramayana and the Mahabharata, which were originally composed in Sanskrit and later translated into many other Indian languages, and the Five Great Epics of Tamil literature and Sangam literature are some of the oldest surviving epic poems ever written.
Indian literature refers to the literature produced on the Indian subcontinent until 1947 and in the Republic of India thereafter. The Eighth Schedule to the Constitution of India has 22 officially recognised languages. Sahitya Akademi, India's highest literary body, also has 24 recognised literary languages.
Sanskrit literature broadly comprises all literature in the Sanskrit language. This includes texts composed in the earliest attested descendant of the Proto-Indo-Aryan language known as Vedic Sanskrit, texts in Classical Sanskrit as well as some mixed and non-standard forms of Sanskrit. Literature in the older language begins with the composition of the Ṛg·veda between about 1500 and 1000 BCE, followed by other Vedic works right up to the time of the grammarian Pāṇini around 6th or 4th century BCE.
Thai literature is the literature of the Thai people, almost exclusively written in the Thai language. Most of imaginative literary works in Thai, before the 19th century, were composed in poetry. Prose was reserved for historical records, chronicles, and legal documents. Consequently, the poetical forms in the Thai language are both numerous and highly developed. The corpus of Thailand's pre-modern poetic works is large. Thus, although many literary works were lost with the sack of Ayutthaya in 1767, Thailand still possesses a large number of epic poems or long poetic tales —some with original stories and some with stories drawn from foreign sources. There is thus a sharp contrast between the Thai literary tradition and that of other East Asian literary traditions, such as Chinese and Japanese, where long poetic tales are rare and epic poems are almost non-existent. The Thai classical literature exerted a considerable influence on the literature of neighboring countries in mainland Southeast Asia, especially Cambodia and Burma.
Urvashi is the most prominent apsara mentioned in the Hindu scriptures like the Vedas, the epics Ramayana and Mahabharata, as well as the Puranas. She is regarded as the most beautiful of all the apsaras, and an expert dancer.
Garshāsp was, in Persian mythology, the last Shah of the Pishdadian dynasty of Persia according to Shahnameh. He was a descendant of Zaav, ruling over the Persian Empire for about nine years. His name is shared with a monster-slaying hero in Iranian mythology. The Avestan form of his name is Kərəsāspa and in Middle Persian his name is Kirsāsp.
Khun Chang Khun Phaen is a long Thai epic poem which originated from a legend of Thai folklore and is one of the most notable works in Thai literature. The work's entire length is over 20,000 couplets. Khun Chang and Khun Phaen are the leading male characters, where "Khun" was a junior feudal title given for male commoners. The story recounts the adventurous and amorous struggles of the three main protagonists. Much of their relationship can be described as a love triangle. Khun Phaen and Khun Chang compete for the lovely Wanthong from childhood for over fifty years. Their stories transpire amid the larger backdrop of national events, including two wars, several abductions, a suspected revolt, an idyllic sojourn in the forest, two court cases, trial by ordeal, jail, and treachery. Ultimately the King of Ayutthaya condemns Wanthong to death for failing to choose between the two men.
Mahākāvya, also known as sargabandha, is a genre of Indian epic poetry in Classical Sanskrit. The genre is characterised by ornate and elaborate descriptions of scenery, love, battles and so on — in short, everything that tests a poet's skill at description. Typical examples of mahākāvya are the Kumarasambhava and the Kiratarjuniya.
Elements of the supernatural and the fantastic were an element of literature from its beginning, though the idea of a distinct genre, in the modern sense, is less than two centuries old.
The Borzu Nama is a Persian epic poem of about 65,000 couplets recounting the exploits and adventures of the legendary hero Borzu, son of Sohrab and grandson of Rostam.
Faramarz-nama or Faramarz-nameh is a Persian epic recounting the adventures of the hero Faramarz who is the son of Rustam.
The Razmnāma is a Persian translation of the Sanskrit epic Mahabharata, commissioned by the Mughal Emperor Akbar. In 1574, Akbar started a Maktab Khana or "House of Translation" in his new capital at Fatehpur Sikri. He assigned a group to translate the Sanskrit books Rajatarangini, Ramayana and Mahabharata into the Persian language, the literary language of the Mughal court.
The Khamba Thoibi Sheireng, also spelled as the Khamba Thoibi Seireng, is a Classical Meitei language epic poem based on the ancient love story of Khuman prince Khamba and Moirang princess Thoibi of Ancient Moirang kingdom of Ancient Kangleipak. It is the magnum opus of Hijam Anganghal, the "Bard of Samurou". It is regarded as the national epic of the Manipuris. It is regarded as the greatest of all the epic poems in Meitei literature, with 39,000 verses, thereby being the third longest Indian epic poem, next to the Mahabharata and the Ramayana.
Khamba Thoibi Jagoi, also known as Khamba Thoibi classical dance or Khamba Thoibi ballet, is a traditional Meitei ritualistic and theatrical classical dance form, which is usually enacted as a part and parcel of the Lai Haraoba performances, dedicated to God Thangching, the national deity of Ancient Moirang realm. Notably, it is one of the cultural elements, giving inspirations to the development of the Manipuri Raas Leela classical dance drama form.