Sumerian literature

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Sumerian inscription on a ceramic stone plaque. Sumerian 26th c Adab.jpg
Sumerian inscription on a ceramic stone plaque.

Sumerian literature constitutes the earliest known corpus of recorded literature, including the religious writings and other traditional stories maintained by the Sumerian civilization and largely preserved by the later Akkadian and Babylonian empires. These records were written in the Sumerian language in the 3rd and 2nd millennia BC during the Middle Bronze Age. [1]

Contents

The Sumerians invented one of the first writing systems, developing Sumerian cuneiform writing out of earlier proto-writing systems by about the 30th century BC.[ citation needed ] The Sumerian language remained in official and literary use in the Akkadian and Babylonian empires, even after the spoken language disappeared from the population; literacy was widespread, and the Sumerian texts that students copied heavily influenced later Babylonian literature. [2] The basic genres of Sumerian literature were literary catalogues, narrative/mythological compositions, historical compositions, letters and legal documents, disputation poems, proverbs, and other texts which do not belong to these prior categories.

Poetry

Most Sumerian literature is written in left-justified lines, [1] and could contain line-based organization such as the couplet or the stanza, [3] but the Sumerian definition of poetry is unknown. It is not rhymed, although “comparable effects were sometimes exploited.” [1] Though rhymeless, the intricate patterns of similar and alternating sounds of vowels and consonants and the similar and alternating verb and noun endings give the language a musical resonance. [4] [5] It did not use syllabo-tonic versification, [6] and the writing system precludes detection of rhythm, metre, rhyme, or alliteration. [1] Quantitative analysis of other possible poetic features seems to be lacking, or has been intentionally hidden by the scribes who recorded the writing[ citation needed ].

Literary genres and topics

Genre is often the first judgement made of ancient literature; types of literature were not clearly defined, and all Sumerian literature incorporated poetic aspects. Sumerian poems demonstrate basic elements of poetry, including lines, imagery, and metaphor. Humans, gods, talking animals, and inanimate objects were all incorporated as characters. Suspense and humor were both incorporated into Sumerian stories. These stories were primarily shared orally, though they were also recorded by scribes. Some works were associated with specific musical instruments or contexts and may have been performed in specific settings. Sumerian literature did not use titles, instead being referred to by the work's first line. [7]

Based on the categorization work of Miguel Civil, Modern assyriologists have divided the extant corpus of Sumerian literature into broad categories [8] including "Literary Catalogs", "Narratives and Mythological Compositions", "Historical Compositions and Praise Poetry", "Letters, Letter Prayers and Laws", "Hymns and Songs", "Heterogenous Compositions" (including Wisdom literature), and "Proverbs".

Literary catalogs

Narrative and mythological compositions

Historical compositions

Letters and laws

Hymns

Disputation poems

Proverbs

Heterogeneous compositions

See also

Related Research Articles

<span class="mw-page-title-main">Enki</span> God in Sumerian mythology

Enki is the Sumerian god of water, knowledge (gestú), crafts (gašam), and creation (nudimmud), and one of the Anunnaki. He was later known as Ea or Ae in Akkadian (Assyrian-Babylonian) religion, and is identified by some scholars with Ia in Canaanite religion. The name was rendered Aos in Greek sources.

<span class="mw-page-title-main">Inanna</span> Ancient Mesopotamian goddess

Inanna is the ancient Mesopotamian goddess of love, war, and fertility. She is also associated with sensuality, procreation, divine law, and political power. Originally worshipped in Sumer, she was known by the Akkadian Empire, Babylonians, and Assyrians as Ishtar. Her primary title is "the Queen of Heaven".

<span class="mw-page-title-main">History of Sumer</span>

The history of Sumer spans the 5th to 3rd millennia BCE in southern Mesopotamia, and is taken to include the prehistoric Ubaid and Uruk periods. Sumer was the region's earliest known civilization and ended with the downfall of the Third Dynasty of Ur around 2004 BCE. It was followed by a transitional period of Amorite states before the rise of Babylonia in the 18th century BCE.

<span class="mw-page-title-main">Sin (mythology)</span> Mesopotamian lunar god

Sin or Suen (Akkadian: 𒀭𒂗𒍪, dEN.ZU) also known as Nanna (Sumerian: 𒀭𒋀𒆠DŠEŠ.KI, DNANNA) is the Mesopotamian god representing the moon. While these two names originate in two different languages, respectively Akkadian and Sumerian, they were already used interchangeably to refer to one deity in the Early Dynastic period. They were sometimes combined into the double name Nanna-Suen. A third well attested name is Dilimbabbar (𒀭𒀸𒁽𒌓). Additionally, the name of the moon god could be represented by logograms reflecting his lunar character, such as d30 (𒀭𒌍), referring to days in the lunar month or dU4.SAKAR (𒀭𒌓𒊬), derived from a term referring to the crescent. In addition to his astral role, Sin was also closely associated with cattle herding. Furthermore, there is some evidence that he could serve as a judge of the dead in the underworld. A distinct tradition in which he was regarded either as a god of equal status as the usual heads of the Mesopotamian pantheon, Enlil and Anu, or as a king of the gods in his own right, is also attested, though it only had limited recognition. In Mesopotamian art, his symbol was the crescent. When depicted anthropomorphically, he typically either wore headwear decorated with it or held a staff topped with it, though on kudurru the crescent alone serves as a representation of him. He was also associated with boats.

<span class="mw-page-title-main">Shamash</span> Mesopotamian sun god

Shamash, also known as Utu was the ancient Mesopotamian sun god. He was believed to see everything that happened in the world every day, and was therefore responsible for justice and protection of travelers. As a divine judge, he could be associated with the underworld. Additionally, he could serve as the god of divination, typically alongside the weather god Adad. While he was universally regarded as one of the primary gods, he was particularly venerated in Sippar and Larsa. The moon god Nanna (Sin) and his wife Ningal were regarded as his parents, while his twin sister was Inanna (Ishtar). Occasionally other goddesses, such as Manzat and Pinikir, could be regarded as his sisters too. The dawn goddess Aya (Sherida) was his wife, and multiple texts describe their daily reunions taking place on a mountain where the sun was believed to set. Among their children were Kittum, the personification of truth, dream deities such as Mamu, as well as the god Ishum. Utu's name could be used to write the names of many foreign solar deities logographically. The connection between him and the Hurrian solar god Shimige is particularly well attested, and the latter could be associated with Aya as well.

<span class="mw-page-title-main">Lugalbanda</span> Sumerian mythical King

Lugalbanda was a deified Sumerian king of Uruk who, according to various sources of Mesopotamian literature, was the father of Gilgamesh. Early sources mention his consort Ninsun and his heroic deeds in an expedition to Aratta by King Enmerkar.

<span class="mw-page-title-main">Ninsun</span> Mesopotamian goddess, mother of Gilgamesh

Ninsun was a Mesopotamian goddess. She is best known as the mother of the hero Gilgamesh and wife of deified legendary king Lugalbanda, and appears in this role in most versions of the Epic of Gilgamesh. She was associated with Uruk, where she lives in this composition, but she was also worshiped in other cities of ancient Mesopotamia, such as Nippur and Ur, and her main cult center was the settlement KI.KALki.

<span class="mw-page-title-main">Aratta</span> Land that appears in Sumerian myths

Aratta is a land that appears in Sumerian myths surrounding Enmerkar and Lugalbanda, two early and possibly mythical kings of Uruk also mentioned on the Sumerian king list.

<span class="mw-page-title-main">Enmerkar</span> Builder of Uruk in Sumer

Enmerkar was an ancient Sumerian ruler to whom the construction of the city of Uruk and a 420-year reign was attributed. According to literary sources, he led various campaigns against the land of Aratta.

<span class="mw-page-title-main">Nisaba</span> Mesopotamian goddess of writing

Nisaba was the Mesopotamian goddess of writing and grain. She is one of the oldest Sumerian deities attested in writing, and remained prominent through many periods of Mesopotamian history. She was commonly worshiped by scribes, and numerous Sumerian texts end with the doxology "praise to Nisaba" as a result. She declined after the Old Babylonian period due to the rise of the new scribe god, Nabu, though she did not fully vanish from Mesopotamian religion and attestations from as late as the neo-Babylonian period are known.

<span class="mw-page-title-main">Ninshubur</span> Mesopotamian messenger deity

Ninshubur, also spelled Ninšubura, was a Mesopotamian goddess whose primary role was that of the sukkal of the goddess Inanna. While it is agreed that in this context Ninshubur was regarded as female, in other cases the deity was considered male, possibly due to syncretism with other divine messengers, such as Ilabrat. No certain information about her genealogy is present in any known sources, and she was typically regarded as unmarried. As a sukkal, she functioned both as a messenger deity and as an intercessor between other members of the pantheon and human petitioners.

<span class="mw-page-title-main">Manungal</span> Mesopotamian goddess

Nungal, also known as Manungal and possibly Bēlet-balāṭi, was the Mesopotamian goddess of prisons, sometimes also associated with the underworld. She was worshiped especially in the Ur III period in cities such as Nippur, Lagash and Ur.

<i>Enmerkar and the Lord of Aratta</i> Text in Sumerian epic mythology

Enmerkar and the Lord of Aratta is a legendary Sumerian account, preserved in early post-Sumerian copies, composed in the Neo-Sumerian period . It is one of a series of accounts describing the conflicts between Enmerkar, king of Unug-Kulaba, and the unnamed king of Aratta.

<span class="mw-page-title-main">Anu</span> Ancient Mesopotamian god of the sky; god of all gods

Anu or Anum, originally An, was the divine personification of the sky, king of the gods, and ancestor of many of the deities in ancient Mesopotamian religion. He was regarded as a source of both divine and human kingship, and opens the enumerations of deities in many Mesopotamian texts. At the same time, his role was largely passive, and he was not commonly worshipped. It is sometimes proposed that the Eanna temple located in Uruk originally belonged to him, rather than Inanna, but while he is well attested as one of its divine inhabitants, there is no evidence that the main deity of the temple ever changed, and Inanna was already associated with it in the earliest sources. After it declined, a new theological system developed in the same city under Seleucid rule, resulting in Anu being redefined as an active deity. As a result he was actively worshipped by inhabitants of the city in the final centuries of the history of ancient Mesopotamia.

<span class="mw-page-title-main">Sumerian religion</span> First religion of the Mesopotamia region which is tangible by writing

Sumerian religion was the religion practiced by the people of Sumer, the first literate civilization found in recorded history and based in ancient Mesopotamia, and what is modern day Iraq. The Sumerians widely regarded their divinities as responsible for all matters pertaining to the natural and social orders of their society.

<span class="mw-page-title-main">Lugalbanda in the Mountain Cave</span> Story in Sumerian mythology

Lugalbanda in the Mountain Cave is a Sumerian mythological account. It is one of the four known stories that belong to the same cycle describing conflicts between Enmerkar, king of Unug (Uruk), and an unnamed king of Aratta. The story is followed by another known as Lugalbanda and the Anzu Bird, together forming the two parts of one story. The stories, from the composer’s point of view, take place in the distant past. The accounts are believed to be composed during the Ur III Period, although almost all extant copies come from Isin-Larsa period. Tablets containing these stories were found in various locations of southern Iraq, primarily in the city of Nippur, and were part of the curriculum of Sumerian scribal schools during the Old Babylonian period.

Lugalbanda and the Anzu Bird is a Sumerian mythological account. The story is the second of two about the hero Lugalbanda. The first story is known as Lugalbanda in the Mountain Cave, or sometimes Lugalbanda in the Wilderness. They are part of a four-story cycle that describes the conflicts between Enmerkar, king of Unug (Uruk), and the king of Aratta. The texts are believed to be composed during the Ur III Period, but almost all of the extant copies come from Isin-Larsa period. Nevertheless, a few fragmentary bilingual copies from Nineveh suggest that the texts were still known during the first millennium.

<span class="mw-page-title-main">Debate between Winter and Summer</span> Sumerian creation myth

The Debate between Winter and Summer or Myth of Emesh and Enten is a Sumerian creation myth belonging to the genre of Sumerian disputations, written on clay tablets in the mid to late 3rd millennium BC.

<span class="mw-page-title-main">Enamtila</span>

Enamtila is a Sumerian term meaning "house of life" or possibly "house of creation". It was a sanctuary dedicated to Enlil, likely to have been located within the Ekur at Nippur during the Akkadian Empire. It also referred to various other temples including those to later versions of Enlil; Marduk and Bel as well as one to Ea. It was likely another name for Ehursag, a temple dedicated to Shulgi in Ur. A hymn to Nanna suggests the link "To Ehursag, the house of the king, to the Enamtila of prince Shulgi we go!" Another reference in the Inanna - Dunmuzi text translated by Samuel Noah Kramer references the king's palace by this name and possibly makes references to the "sacred marriage": "In the Enamtila, the house of the king, his wife dwelt with him in joy, in the Enamtila, the house of the king, Inanna dwelt with him in joy. Inanna, rejoicing in his house ...". A fire is reported to have broken out next to the Enamtila in a Babylonian astronomical diary dated to the third century BC. The Enamtila is also referred to as a palace of Ibbi-Sin at Ur in the Lament for Sumer and Ur, "Its king sat immobilised in his own palace. Ibbi-Suen was sitting in anguish in his own palace. In E-namtila, his place of delight, he wept bitterly. The flood dashing a hoe on the ground was levelling everything."

Tummal (Tum-ma-alki) was an ancient Near East cult site of the goddess Ninlil, as Egi-Tummal, currently unlocated but known to be in the vicinity of Nippur and Drehem. E-Tummal was the temple to Ninlil located there.

References

  1. 1 2 3 4 Black et al. 2006, Introduction.
  2. Black et al. 2006, p. xlix.
  3. Michalowski p. 144
  4. Wolkstein 1983, p. 137.
  5. Wolkstein 1983 "Piotr Michalowski, "Carminative Magic: Towards an Understanding of Sumerian Poetics." Unpublished manuscript."
  6. Michalowski p. 146
  7. Black, Jeremy; Cunningham, Graham; Robson, Eleanor; Zólyomi, Gábor (2004-11-25). "Introduction". The Literature of Ancient Sumer. OUP Oxford. ISBN   978-0-19-155572-5.
  8. Cunningham, Graham. "ETCSLcatalogue". Electronic Text Corpus of Sumerian Literature . Retrieved 11 December 2021.

Sources

Further reading