Gilgamesh was a hero in ancient Mesopotamian mythology and the protagonist of the Epic of Gilgamesh, an epic poem written in Akkadian during the late 2nd millennium BC. He was possibly a historical king of the Sumerian city-state of Uruk, who was posthumously deified. His rule probably would have taken place sometime in the beginning of the Early Dynastic Period, c. 2900–2350 BC, though he became a major figure in Sumerian legend during the Third Dynasty of Ur.
Inanna is the ancient Mesopotamian goddess of love, war, and fertility. She is also associated with sensuality, procreation, divine law, and political power. Originally worshipped in Sumer, she was known by the Akkadian Empire, Babylonians, and Assyrians as Ishtar. Her primary title is "the Queen of Heaven".
Shamash, also known as Utu was the ancient Mesopotamian sun god. He was believed to see everything that happened in the world every day, and was therefore responsible for justice and protection of travelers. As a divine judge, he could be associated with the underworld. Additionally, he could serve as the god of divination, typically alongside the weather god Adad. While he was universally regarded as one of the primary gods, he was particularly venerated in Sippar and Larsa. The moon god Nanna (Sin) and his wife Ningal were regarded as his parents, while his twin sister was Inanna (Ishtar). Occasionally other goddesses, such as Manzat and Pinikir, could be regarded as his sisters too. The dawn goddess Aya (Sherida) was his wife, and multiple texts describe their daily reunions taking place on a mountain where the sun was believed to set. Among their children were Kittum, the personification of truth, dream deities such as Mamu, as well as the god Ishum. Utu's name could be used to write the names of many foreign solar deities logographically. The connection between him and the Hurrian solar god Shimige is particularly well attested, and the latter could be associated with Aya as well.
Humbaba, originally known as Ḫuwawa in Sumerian, was a figure in Mesopotamian mythology. The origin and meaning of his name are unknown. He was portrayed as an anthropomorphic figure comparable to an ogre or giant. He is best known from Sumerian and Akkadian narratives focused on the hero Gilgamesh, including short compositions belonging to the curriculum of scribal schools, various versions of the Epic of Gilgamesh, and several Hurrian and Hittite adaptations. He is invariably portrayed as the inhabitant or guardian of the cedar forest, to which Gilgamesh ventures with his companion Enkidu. The subsequent encounter leads to the death of Humbaba, which provokes the anger of the gods. Humbaba is also attested in other works of Mesopotamian literature. Multiple depictions of him have also been identified, including combat scenes and apotropaic clay heads.
Ninsun was a Mesopotamian goddess. She is best known as the mother of the hero Gilgamesh and wife of deified legendary king Lugalbanda, and appears in this role in most versions of the Epic of Gilgamesh. She was associated with Uruk, where she lives in this composition, but she was also worshiped in other cities of ancient Mesopotamia, such as Nippur and Ur, and her main cult center was the settlement KI.KALki.
Aratta is a land that appears in Sumerian myths surrounding Enmerkar and Lugalbanda, two early and possibly mythical kings of Uruk also mentioned on the Sumerian king list.
Enmerkar was an ancient Sumerian ruler to whom the construction of the city of Uruk and a 420-year reign was attributed. According to literary sources, he led various campaigns against the land of Aratta.
Enmebaragesi (Sumerian: 𒂗𒈨𒁈𒄄𒋛Enmebárgisi [EN-ME-BARA2-GI4-SE]) originally Mebarasi (𒈨𒁈𒋛) was the penultimate king of the first dynasty of Kish and is recorded as having reigned 900 years in the Sumerian King List. Like his son and successor Aga he reigned during a period when Kish had hegemony over Sumer.a Enmebaragesi signals a momentous documentary leap from mytho-history to history, since he is the earliest ruler on the king list whose name is attested directly from archaeology.
Nanshe was a Mesopotamian goddess in various contexts associated with the sea, marshlands, the animals inhabiting these biomes, namely bird and fish, as well as divination, dream interpretation, justice, social welfare, and certain administrative tasks. She was regarded as a daughter of Enki and sister of Ningirsu, while her husband was Nindara, who is otherwise little known. Other deities who belonged to her circle included her daughter Nin-MAR.KI, as well as Hendursaga, Dumuzi-abzu and Shul-utula. In Ur she was incorporated into the circle of Ningal, while in incantations she appears alongside Ningirima or Nammu.
Gatumdug was a Mesopotamian goddess regarded as the tutelary deity of Lagash and closely associated with its kings. She was initially worshiped only in this city and in NINA, but during the reign of Gudea a temple was built for her in Girsu. She appears in a number of literary compositions, including the hymn inscribed on the Gudea cylinders and Lament for Sumer and Ur.
Nungal, also known as Manungal and possibly Bēlet-balāṭi, was the Mesopotamian goddess of prisons, sometimes also associated with the underworld. She was worshiped especially in the Ur III period in cities such as Nippur, Lagash and Ur.
Duttur was a Mesopotamian goddess best known as the mother of Dumuzid. She frequently appears in texts mourning his death, either on her own or alongside Geshtinanna and Inanna. It is often assumed that she was associated with sheep.
Hamazi or Khamazi was an ancient kingdom or city-state which became prominent during the Early Dynastic period. Its exact location is unknown.
Sumerian literature constitutes the earliest known corpus of recorded literature, including the religious writings and other traditional stories maintained by the Sumerian civilization and largely preserved by the later Akkadian and Babylonian empires. These records were written in the Sumerian language in the 3rd and 2nd millennia BC during the Middle Bronze Age.
Dumuzid, titled the Fisherman, was a legendary Sumerian king of Uruk listed originating from Kuara. According to legend, in the one-hundredth year of his reign, he was captured by Enmebaragesi.
Lugalbanda in the Mountain Cave is a Sumerian mythological account. It is one of the four known stories that belong to the same cycle describing conflicts between Enmerkar, king of Unug (Uruk), and an unnamed king of Aratta. The story is followed by another known as Lugalbanda and the Anzu Bird, together forming the two parts of one story. The stories, from the composer’s point of view, take place in the distant past. The accounts are believed to be composed during the Ur III Period, although almost all extant copies come from Isin-Larsa period. Tablets containing these stories were found in various locations of southern Iraq, primarily in the city of Nippur, and were part of the curriculum of Sumerian scribal schools during the Old Babylonian period.
Lugalbanda and the Anzu Bird is a Sumerian mythological account. The story is the second of two about the hero Lugalbanda. The first story is known as Lugalbanda in the Mountain Cave, or sometimes Lugalbanda in the Wilderness. They are part of a four-story cycle that describes the conflicts between Enmerkar, king of Unug (Uruk), and the king of Aratta. The texts are believed to be composed during the Ur III Period, but almost all of the extant copies come from Isin-Larsa period. Nevertheless, a few fragmentary bilingual copies from Nineveh suggest that the texts were still known during the first millennium.
The Debate between Winter and Summer or Myth of Emesh and Enten is a Sumerian creation myth belonging to the genre of Sumerian disputations, written on clay tablets in the mid to late 3rd millennium BC.
Mes-sanga-Unug was a Mesopotamian god closely associated with the city of Uruk, and especially with one of its districts, Kullaba. He was regarded as a warrior deity. In early sources he was described as the "great ensi of Inanna," but later on he was seemingly associated with Anu instead. He belonged to the earliest pantheon of Uruk, though he ceased to be worshiped there in the Ur III period, and the attestations in documents from the reign of the Seleucids are assumed to be a result of a late reintroduction. He was also venerated in Babylon, where he had two temples. Further attestations from outside Uruk come from various god lists.
Tale of Gudam, also known as the Gudam Epic or Inanna and Gudam, is a Mesopotamian myth known from two Old Babylonian copies from Nippur. It tells the tale of Gudam, an otherwise unknown character, who goes on a rampage in Uruk. The minstrel Lugalgabagal criticizes his behavior, but his remarks only enrage him more. He is finally stopped by a fisherman of Inanna. The goddess herself subsequently decides to spare his life when he starts pleading, and sends him to live in a ditch near Zabalam. Many aspects of the story are a subject of debate in Assyriology, including the nature of Gudam and the identity of the fisherman. Possible connections between the Tale of Gudam and other texts have also been noted. In particular, Gilgamesh and the Bull of Heaven is considered a close parallel, with some authors outright considering the two texts to be variants of one narrative.
