Timothy Potts | |
---|---|
Director of the J. Paul Getty Museum | |
Assumed office 1 September 2012 | |
Preceded by | James Cuno (acting) |
Director of the Fitzwilliam Museum | |
In office 2007–2012 | |
Preceded by | Duncan Robinson |
Succeeded by | Tim Knox |
Director of the Kimbell Art Museum | |
In office 1998–2007 | |
Preceded by | Edmund P. Pillsbury |
Succeeded by | Eric McCauley Lee |
Director of the National Gallery of Victoria | |
In office 1994–1998 | |
Preceded by | James Mollison |
Succeeded by | Gerard Vaughan |
Personal details | |
Born | 1958 (age 65–66) Sydney,Australia |
Education | University of Sydney (BA) Christ Church,Oxford (DPhil) |
Occupation | Art historian,archaeologist,museum director |
Timothy Potts is an Australian art historian,archaeologist,and museum director. He became the director of the J. Paul Getty Museum on 1 September 2012. [1]
Timothy Potts was educated at the University of Sydney (BA Hons) and holds a DPhil in Near Eastern art and archaeology from the University of Oxford,where he was a research lecturer and British Academy Research Fellow in Near Eastern Archaeology and Art at Christ Church,Oxford (1985–90). [2] His research interests are Ancient Near Eastern art history,archaeology and history;museology;the classical tradition in western art.
Potts acted as co-director of the University of Sydney excavations at Pella,Jordan from 1982 to 1989. He worked at Lehman Brothers in New York from 1990 to 1994,after which he became director of the National Gallery of Victoria (1994–1998). In conjunction with his directorship at the National Gallery of Victoria,Timothy was an adjunct professor at La Trobe University,and a professorial fellow at the University of Melbourne. He was the director of the Kimbell Art Museum in Fort Worth,Texas from 1998 to 2007 and the director of the Fitzwilliam Museum in Cambridge,England from 2007 to 2012. [3]
Potts is a specialist in the art and archaeology of the ancient Near East and Mediterranean on which he has written widely. His works in the field include:
In 2007,Duncan Robinson (now CBE) retired,Potts took over as the Fitzwilliam Museum's 12th Director. [9] During his time at the Fitzwilliam (2007–12),Potts served as Chairman of the Art Committee,with Mr Donald Hearn as Bursar,at Clare College,Cambridge [10] Potts also directed studies in the History of Art for Clare College. Between his academic and museum positions,Potts had a corporate career with Lehman Brothers where he was Senior Vice President of the Media and Communications Group,Investment Banking Department,(New York and London) from 1990 to 1994.[ citation needed ]
During Potts' tenure as director of the Kimbell Art Museum he added many pieces of art to the Kimbell's permanent collection:in sculpture,St John the Baptist by Michelozzo,Virgin and Child by Donatello,Relief Head of Christ attributed to Tullio Lombardo,Isabella d’Este by Gian Cristoforo Roman o,Late Gothic Silver-Gilt Virgin and Child (anonymous),and Modello for the Fountain of the Moor by Bernini;in paintings,The Judgment of Paris by Lucas Cranach the Elder,and A Dentist by Candlelight by Gerrit Dou;in antiquities,Head of an Athlete (Apoxyomenos) after Lysippos,and The Death of Pentheus by Douris;in Precolumbian art,5th-century Maya Jade Belt Ornament,and Codex-Style Cup showing Scribal Training by the "Princeton Painter";and in Asian art,Bamboo and Rocks by Tan Zhirui. [11]
Exhibitions at The Kimbell Art Museum under Potts’s directorship included:
Georges Braque was a major 20th-century French painter,collagist,draughtsman,printmaker and sculptor. His most notable contributions were in his alliance with Fauvism from 1905,and the role he played in the development of Cubism. Braque's work between 1908 and 1912 is closely associated with that of his colleague Pablo Picasso. Their respective Cubist works were indistinguishable for many years,yet the quiet nature of Braque was partially eclipsed by the fame and notoriety of Picasso.
Pierre-Auguste Renoir was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality,it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau."
The National Gallery of Victoria,popularly known as the NGV,is an art museum in Melbourne,Victoria,Australia. Founded in 1861,it is Australia's oldest and most visited art museum.
The Fitzwilliam Museum is the art and antiquities museum of the University of Cambridge. It is located on Trumpington Street opposite Fitzwilliam Street in central Cambridge. It was founded in 1816 under the will of Richard FitzWilliam,7th Viscount FitzWilliam (1745–1816),and comprises one of the best collections of antiquities and modern art in western Europe. With over half a million objects and artworks in its collections,the displays in the museum explore world history and art from antiquity to the present. The treasures of the museum include artworks by Monet,Picasso,Rubens,Vincent van Gogh,Renoir,Rembrandt,Cézanne,Van Dyck,and Canaletto,as well as a winged bas-relief from Nimrud. Admission to the public is always free.
The Kimbell Art Museum in Fort Worth,Texas,hosts an art collection as well as traveling art exhibitions,educational programs and an extensive research library. Its initial artwork came from the private collection of Kay and Velma Kimbell,who also provided funds for a new building to house it.
The Musée Picasso is an art gallery located in the Hôtel Salé in rue de Thorigny,in the Marais district of Paris,France,dedicated to the work of the Spanish artist Pablo Picasso (1881–1973). The museum collection includes more than 5,000 works of art and tens of thousands of archived pieces from Picasso's personal repository,including the artist's photographic archive,personal papers,correspondence,and author manuscripts. A large portion of items were donated by Picasso's family after his death,in accord with the wishes of the artist,who lived in France from 1905 to 1973.
Musée Marmottan Monet is an art museum in Paris,France,dedicated to artist Claude Monet. The collection features over three hundred Impressionist and Post-Impressionist paintings by Claude Monet,including his 1872 Impression,Sunrise. The museum's fame is the result of a donation in 1966 by Michel Monet,Claude's second son and only heir.
The Musée de l'Orangerie is an art gallery of Impressionist and Post-Impressionist paintings located in the west corner of the Tuileries Garden next to the Place de la Concorde in Paris. The museum is most famous as the permanent home of eight large Water Lilies murals by Claude Monet,and also contains works by Paul Cézanne,Henri Matisse,Amedeo Modigliani,Pablo Picasso,Pierre-Auguste Renoir,Henri Rousseau,Alfred Sisley,Chaïm Soutine,Maurice Utrillo,and others.
Water Lilies is a series of approximately 250 oil paintings by French Impressionist Claude Monet (1840–1926). The paintings depict his flower garden at his home in Giverny,and were the main focus of his artistic production during the last thirty years of his life. Many of the works were painted while Monet suffered from cataracts.
The Museum of Fine Arts of Lyon is a municipal museum of fine arts in the French city of Lyon. Located near the Place des Terreaux,it is housed in a former Benedictine convent which was active during the 17th and 18th centuries. It was restored between 1988,and 1998,remaining open to visitors throughout this time despite the ongoing restoration works. Its collections range from ancient Egyptian antiquities to the Modern art period,making the museum one of the most important in Europe. It also hosts important exhibitions of art,for example the exhibitions of works by Georges Braque and Henri Laurens in the second half of 2005,and another on the work of Théodore Géricault from April to July 2006. It is one of the largest art museums in France.
The musée des Beaux-Arts et d'Archéologie in the French city of Besançon is the oldest public museum in France. It was set up in 1694,nearly a century before the Louvre became a public museum.
The Musée de Picardie is the main museum of Amiens and Picardy,in France. It is located at 48,rue de la République,Amiens. Its collections include artifacts ranging from prehistory to the 19th century,and form one of the largest regional museums in France.
Young Girls at the Piano is an oil-on-canvas painting by French artist Pierre-Auguste Renoir,a leading painter in the development of the Impressionist style. The painting represents his late work period (1892–1919). It was completed in 1892 as an informal commission for the Musée du Luxembourg. Renoir painted three other variations of this composition in oil and two sketches,one in oil and one in pastel. Known by the artist as repetitions,they were executed to fulfill commissions from dealers and collectors. The work is on public display at the Musée d'Orsay in Paris,Metropolitan Museum of Art in New York,and the Musée de l'Orangerie in Paris.
Extreme Unction is one of a set of seven scenes representing the sacraments of the Catholic Church,painted between 1638 and 1640 by the French artist Nicolas Poussin (1594–1665).
Yvonne and Christine Lerolle at the Piano is an 1897 oil painting by the French painter Pierre-Auguste Renoir representing his late work period (1892–1919). It is kept at the Musée de l'Orangerie in Paris.
Cécile Debray is a French museum director,art historian and curator,specializing in modern and contemporary art in painting. She is general heritage curator,director of the Musée de l'Orangerie since 2017. She has been awarded the medal of Officier des Arts et des Lettres by France in 2018.
A Couple also known as The Engaged Couple or Alfred Sisley and his Wife,is an oil-on-canvas painting by the French artist Pierre-Auguste Renoir (1841–1919),created around 1868 during his early Salon period at a time when he focused on thematic works about couples. It was acquired by the Wallraf–Richartz Museum in 1912.