The Debate between tree and reed (CSL 5.3.4) is a work of Sumerian literature belonging to the genre of disputations poem. It was written on clay tablets and dates to the Third Dynasty of Ur (ca. mid-3rd millennium BC). [1] The text was reconstructed by M. Civil in the 1960s from 24 manuscripts [2] but it is currently the least studied of the disputation poems and a full translation has not yet been published. [3] Some other Sumerian disputations include the dispute between bird and fish, cattle and grain, and Summer and Winter.
The poem begins with a cosmogonic prologue describing the copulation between Heaven (An) and Earth (Ki). Earth gives birth to vegetation, and the for the purpose of the poem, this prominently includes Tree and Reed. Though they are first in harmony, a disputation begins between the two as they enter into a shrine. Reed, who fails to respect the proper order of things, steps in front of Tree, causing the latter to be infuriated. The prologue covers the first 49 lines, after which the disputation proceeds for another two hundred lines. It is divided into four speeches: Tree speaking (lines 50–91), Reed speaking (96–137), Tree speaking again (144–191), Reed speaking again (197–228). The adjudication scene (230–254) begins with Tree invoking the judgement of Shulgi (a king), who declares that Tree has prevailed over Reed. The poem also mentions the king Puzrish-Dagan, suggesting its composition during his time. [4] [5]
The following translation of the introductory cosmogonic section of the Disputation, containing only the first 10 lines, is taken from Lisman 2013. [6] The first 25 lines were published by Van Dijk in 1965 [7] but a translation of the entire text has still not been made. [8]
1 The large surface of the earth introduced herself; then she has embellished herself as with a bardul-garment.
2 The vast earth has filled her exterior with precious metals and lapis lazuli.
3 With diorite, nir-stone, cornelian, and suduaga she has adorned herself.
4 The earth, the fragrant vegetation, covered herself with attractiveness. She stood in her magnificence.
5 The pure earth, the virgin earth, has beautified herself for the holy An.
6 An, the exalted heaven, had intercourse with the vast earth.
7 He poured the seed of the hero's Tree and Reed into her womb.
8 The whole earth, the fecund cow, took the good seed of An under her care.
9 The earth, life-giving vegetation, innerly happy, devoted herself to the production of it (i.e. the vegetation).
10 The earth, full of joy, bore abundance, while juice and syrup gave out their smell.
In Mesopotamian disputation literature, debates between trees is a recurring theme. In Akkadian disputations, examples include the Tamarisk and Palm , Palm and Vine , and Series of the Poplar . [9] A much later example from Aesop's fables is The Oak and the Reed . [10]
Akkadian literature is the ancient literature written in the Akkadian language in Mesopotamia during the period spanning the Middle Bronze Age to the Iron Age.
Disputation is a genre of literature involving two contenders who seek to establish a resolution to a problem or establish the superiority of something. An example of the latter is in Sumerian disputation poems.
Enkimdu (𒀭𒂗𒆠𒅎𒁺) was a Mesopotamian god associated with agriculture and irrigation. He is best known from the poem Dumuzi and Enkimdu, but in laments he was instead connected with the god Martu, who like Dumuzi could be described and depicted as a shepherd.
Sumerian literature constitutes the earliest known corpus of recorded literature, including the religious writings and other traditional stories maintained by the Sumerian civilization and largely preserved by the later Akkadian and Babylonian empires. These records were written in the Sumerian language in the 3rd and 2nd millennia BC during the Middle Bronze Age.
Dumuzid, titled the Fisherman, was a legendary Sumerian king of Uruk listed originating from Kuara. According to legend, in the one-hundredth year of his reign, he was captured by Enmebaragesi.
The "Debate between bird and fish" is an essay written in the Sumerian language on clay tablets, dating back to the mid to late 3rd millennium BC. It belongs to the genre of Sumerian disputation.
The Barton Cylinder, also known as CBS 8383, is a Sumerian creation myth, written on a clay cylinder in the mid to late 3rd millennium BCE, which is now in the University of Pennsylvania Museum of Archaeology and Anthropology. Joan Goodnick Westenholz suggests it dates to around 2400 BC.
The Oak and the Reed is one of Aesop's Fables and is numbered 70 in the Perry Index. It appears in many versions: in some it is with many reeds that the oak converses and in a late rewritten version it disputes with a willow.
The "Debate between sheep and grain" or "Myth of cattle and grain" is a Sumerian disputation and creation myth, written on clay tablets in the mid to late 3rd millennium BC.
The Debate between Winter and Summer or Myth of Emesh and Enten is a Sumerian creation myth belonging to the genre of Sumerian disputations, written on clay tablets in the mid to late 3rd millennium BC.
The Sumerian disputation poem or Sumerian debate is a genre of Sumerian literature in the form of a disputation. Extant compositions from this genre date to the middle-to-late 3rd millennium BC. There are six primary poems belonging to this genre. The genre of Sumerian disputations also differs from Aesopic disputations as the former contain only dialogue without narration. In their own language, the texts are described as adamin in the doxologies at the end of the poem, which literally means "contests (between) two".
Gilgamesh, Enkidu, and the Netherworld is one of five extant compositions of the Sumerian language about the deeds of the hero Gilgamesh. It was known to the ancients by its incipit, ud ri-a ud sud-rá ri-a or "In those days, in those faraway days". It spans 330 lines.
The "Series of the Poplar" is an Akkadian disputation poem containing a discussion between a Poplar, an Ash, and probably other trees, who each tries to establish his preeminence in the vegetal kingdom by listing their many uses and excellent qualities. Most of the surviving examples of the work are from the library of King Assurbanipal of Nineveh, "one of the most important repositories of texts from the entire ancient world".
Palm and Vine is an Akkadian disputation poem. It contains a disputation poem between two litigants, Palm and Vine, each of which praises its own merits and many uses, and discredits those of its rival. The text may have been composed in the second-millennium BCE, but only first-millennium manuscripts of it are known. Fifty-four lines from the middle section of the text are preserved, which begin in medias res with a long speech of Palm, immediately followed by Vine's rejoinder. Three library manuscripts of the poem are known, as well as an excerpt on a peculiar school tablet.
The Story of the Poor, Forlorn Wren is a work of Akkadian literature in the form of a disputation, preserved only in late manuscripts. It contains a fable featuring a wren and an eagle. It is an example of poetic expression in the literature of Iraq in the first millennium BCE.
Ancient near eastern (ANE) cosmology refers to the plurality of cosmological beliefs in the Ancient Near East covering the 4th millennium BC to the formation of the Macedonian Empire by Alexander the Great in the second half of the 1st millennium BC. These include the Mesopotamian cosmologies from Babylonia, Sumer, and Akkad; the Levantine or West Semitic cosmologies from Ugarit and ancient Israel and Judah ; the Egyptian cosmology from Ancient Egypt; and the Anatolian cosmologies as among the Hittites. This system of cosmology went on to have a profound influence on views in early Greek cosmology, later Jewish cosmology, patristic cosmology, and Islamic cosmology. Until the modern era, variations of ancient near eastern cosmology survived with Hellenistic cosmology as the main competing system.
The Debate between the hoe and the plough is a work of Sumerian literature and one of the six extant works belonging to this literature's genre of disputations poem. It was written on clay tablets and dates to the Third Dynasty of Ur and runs 196 lines in length. The text was reconstructed by M. Civil in the 1960s. The two protagonists, as in other disputation poems, are two inarticulate things: in this case, two pieces of agricultural equipment, the hoe and the plough. The debate is about which is the better tool.
The Debate between silver and copper is a work of Sumerian literature and one of the six extant works belonging to this literature's genre of disputations poem. It was written on clay tablets and dates to the Third Dynasty of Ur and runs 196 lines in length. The text was reconstructed by M. Civil in the 1960s. Like other Sumerian disputation poems, it features two typically inarticulate things debating over which one is superior.
Tamarisk and Palm is an Akkadian disputation poem written on clay tablets and dates to the 18th century BC from the reign of Hammurabi. The poem features an argument between a tamarisk and a date palm; the Tamarisk leads in the name of the poem because it presents the first speech during the debate, followed by a reply from Palm. The text is fragmentary but appears to have followed the typical structure of Sumerian disputation poems. It was the most famous Akkadian disputation poem of antiquity, with its manuscripts ranging from the 18th to 12th centuries BC, and it continues to be the best-known Akkadian disputation today.
The Akkadian disputation poem or Akkadian debate, also known as the Babylonian disputation poem, is a genre of Akkadian literature in the form of a disputation. They feature a dialogue or a debate involving two contenders, usually cast as inarticulate beings such as particular objects, plants, animals, and so forth. Extant compositions from this genre date from the early 2nd millennium BC, the earliest example being the Tamarisk and Palm, to the late 1st millennium BC. These poems occur in verse and follow a type of meter called 2||2 or Vierheber, which is the same meter found in some other Akkadian texts like the Enuma Elish.