The Debate between silver and copper (CSL 5.3.6) is a work of Sumerian literature and one of the six extant works belonging to this literature's genre of disputations poem. It was written on clay tablets and dates to the Third Dynasty of Ur (ca. mid-3rd millennium BC) and runs 196 lines in length. The text was reconstructed by M. Civil in the 1960s. [1] Like other Sumerian disputation poems, it features two typically inarticulate things (in this case, two metals) debating over which one is superior.
Silver and Copper, so far as can be indicated from the manuscripts, was the least popular of the known disputation poems: only nine manuscripts are known, compared to 60–70 of Hoe and Plough and Sheep and Grain (the most popular) and 20–30 for the rest. In addition, manuscripts attest two recensions (versions) of the disputation. [2] Recently, an important new manuscript of the text was published by Peterson in 2010. [3]
The prologue is largely lost, although it appears that at some point during it, silver and copper bring Enlil offerings. The first to raise an argument is Silver (though some find this reconstruction contentious [4] ), followed by a rebuttal by Copper, followed by a final response by Silver. Although the adjudication scene is almost entirely lost, enough survives that it is clear that Copper won the debate (making it the only Sumerian disputation poem where the contender who does not give the first speech goes on to win). [5] The cause of Copper's victory is that Copper has been demonstrated to be useful for all sorts of purposes, whereas Silver is merely for show or decoration. [6]
The poem also praises Ur-Namma, indicating its composition in the Ur III period. [5] Two of the other six disputation poems ( Bird and Fish , Tree and Reed ) also mention and praise a particular king from this era, which supports the contention by some historians that the Sumerian disputation poems were courtly compositions of the Ur III era, although some of them might have been earlier and simply underwent additional recensions in the Ur III era. [7]
The Sumerian King List or Chronicle of the One Monarchy is an ancient literary composition written in Sumerian that was likely created and redacted to legitimize the claims to power of various city-states and kingdoms in southern Mesopotamia during the late third and early second millennium BC. It does so by repetitively listing Sumerian cities, the kings that ruled there, and the lengths of their reigns. Especially in the early part of the list, these reigns often span thousands of years. In the oldest known version, dated to the Ur III period but probably based on Akkadian source material, the SKL reflected a more linear transition of power from Kish, the first city to receive kingship, to Akkad. In later versions from the Old Babylonian period, the list consisted of a large number of cities between which kingship was transferred, reflecting a more cyclical view of how kingship came to a city, only to be inevitably replaced by the next. In its best-known and best-preserved version, as recorded on the Weld-Blundell Prism, the SKL begins with a number of antediluvian kings, who ruled before a flood swept over the land, after which kingship went to Kish. It ends with a dynasty from Isin, which is well-known from other contemporary sources.
Akkadian literature is the ancient literature written in the Akkadian language in Mesopotamia during the period spanning the Middle Bronze Age to the Iron Age.
Disputation is a genre of literature involving two contenders who seek to establish a resolution to a problem or establish the superiority of something. An example of the latter is in Sumerian disputation poems.
Lugalbanda was a deified Sumerian king of Uruk who, according to various sources of Mesopotamian literature, was the father of Gilgamesh. Early sources mention his consort Ninsun and his heroic deeds in an expedition to Aratta by King Enmerkar.
Enkimdu (𒀭𒂗𒆠𒅎𒁺) was a Mesopotamian god associated with agriculture and irrigation. He is best known from the poem Dumuzi and Enkimdu, but in laments he was instead connected with the god Martu, who like Dumuzi could be described and depicted as a shepherd.
Sumerian literature constitutes the earliest known corpus of recorded literature, including the religious writings and other traditional stories maintained by the Sumerian civilization and largely preserved by the later Akkadian and Babylonian empires. These records were written in the Sumerian language in the 3rd and 2nd millennia BC during the Middle Bronze Age.
Dumuzid, titled the Fisherman, was a legendary Sumerian king of Uruk listed originating from Kuara. According to legend, in the one-hundredth year of his reign, he was captured by Enmebaragesi.
Aga commonly known as Aga of Kish, was the twenty-third and last king in the first dynasty of Kish during the Early Dynastic I period. He is listed in the Sumerian King List and many sources as the son of Enmebaragesi. The Kishite king ruled the city at its peak, probably reaching beyond the territory of Kish, including Umma and Zabala.
The "Debate between bird and fish" is an essay written in the Sumerian language on clay tablets, dating back to the mid to late 3rd millennium BC. It belongs to the genre of Sumerian disputation.
The "Debate between sheep and grain" or "Myth of cattle and grain" is a Sumerian disputation and creation myth, written on clay tablets in the mid to late 3rd millennium BC.
The Debate between Winter and Summer or Myth of Emesh and Enten is a Sumerian creation myth belonging to the genre of Sumerian disputations, written on clay tablets in the mid to late 3rd millennium BC.
Self-praise of Shulgi is a Sumerian hymn dedicated to the Third Dynasty of Ur ruler Shulgi, written on clay tablets dated to between 2100 and 2000 BC.
The Song of the hoe, sometimes also known as the Creation of the pickaxe or the Praise of the pickaxe, is a Sumerian creation myth, written on clay tablets from the last century of the 3rd millennium BCE.
The Sumerian disputation poem or Sumerian debate is a genre of Sumerian literature in the form of a disputation. Extant compositions from this genre date to the middle-to-late 3rd millennium BC. There are six primary poems belonging to this genre. The genre of Sumerian disputations also differs from Aesopic disputations as the former contain only dialogue without narration. In their own language, the texts are described as adamin in the doxologies at the end of the poem, which literally means "contests (between) two".
The "Series of the Poplar" is an Akkadian disputation poem containing a discussion between a Poplar, an Ash, and probably other trees, who each tries to establish his preeminence in the vegetal kingdom by listing their many uses and excellent qualities. Most of the surviving examples of the work are from the library of King Assurbanipal of Nineveh, "one of the most important repositories of texts from the entire ancient world".
Palm and Vine is an Akkadian disputation poem. It contains a disputation poem between two litigants, Palm and Vine, each of which praises its own merits and many uses, and discredits those of its rival. The text may have been composed in the second-millennium BCE, but only first-millennium manuscripts of it are known. Fifty-four lines from the middle section of the text are preserved, which begin in medias res with a long speech of Palm, immediately followed by Vine's rejoinder. Three library manuscripts of the poem are known, as well as an excerpt on a peculiar school tablet.
The Debate between tree and reed is a work of Sumerian literature belonging to the genre of disputations poem. It was written on clay tablets and dates to the Third Dynasty of Ur. The text was reconstructed by M. Civil in the 1960s from 24 manuscripts but it is currently the least studied of the disputation poems and a full translation has not yet been published. Some other Sumerian disputations include the dispute between bird and fish, cattle and grain, and Summer and Winter.
The Debate between the hoe and the plough is a work of Sumerian literature and one of the six extant works belonging to this literature's genre of disputations poem. It was written on clay tablets and dates to the Third Dynasty of Ur and runs 196 lines in length. The text was reconstructed by M. Civil in the 1960s. The two protagonists, as in other disputation poems, are two inarticulate things: in this case, two pieces of agricultural equipment, the hoe and the plough. The debate is about which is the better tool.
Tamarisk and Palm is an Akkadian disputation poem written on clay tablets and dates to the 18th century BC from the reign of Hammurabi. The poem features an argument between a tamarisk and a date palm; the Tamarisk leads in the name of the poem because it presents the first speech during the debate, followed by a reply from Palm. The text is fragmentary but appears to have followed the typical structure of Sumerian disputation poems. It was the most famous Akkadian disputation poem of antiquity, with its manuscripts ranging from the 18th to 12th centuries BC, and it continues to be the best-known Akkadian disputation today.
The Akkadian disputation poem or Akkadian debate, also known as the Babylonian disputation poem, is a genre of Akkadian literature in the form of a disputation. They feature a dialogue or a debate involving two contenders, usually cast as inarticulate beings such as particular objects, plants, animals, and so forth. Extant compositions from this genre date from the early 2nd millennium BC, the earliest example being the Tamarisk and Palm, to the late 1st millennium BC. These poems occur in verse and follow a type of meter called 2||2 or Vierheber, which is the same meter found in some other Akkadian texts like the Enuma Elish.