Enlil, later known as Elil, is an ancient Mesopotamian god associated with wind, air, earth, and storms. He is first attested as the chief deity of the Sumerian pantheon, but he was later worshipped by the Akkadians, Babylonians, Assyrians, and Hurrians. Enlil's primary center of worship was the Ekur temple in the city of Nippur, which was believed to have been built by Enlil himself and was regarded as the "mooring-rope" of heaven and earth. He is also sometimes referred to in Sumerian texts as Nunamnir. According to one Sumerian hymn, Enlil himself was so holy that not even the other gods could look upon him. Enlil rose to prominence during the twenty-fourth century BC with the rise of Nippur. His cult fell into decline after Nippur was sacked by the Elamites in 1230 BC and he was eventually supplanted as the chief god of the Mesopotamian pantheon by the Babylonian national god Marduk.
Mesopotamian religion refers to the religious beliefs and practices of the civilizations of ancient Mesopotamia, particularly Sumer, Akkad, Assyria and Babylonia between circa 6000 BC and 400 AD, after which they largely gave way to Syriac Christianity practiced by today's Assyrians. The religious development of Mesopotamia and Mesopotamian culture in general, especially in the south, was not particularly influenced by the movements of the various peoples into and throughout the area. Rather, Mesopotamian religion was a consistent and coherent tradition which adapted to the internal needs of its adherents over millennia of development.
Akkadian literature is the ancient literature written in the Akkadian language in Mesopotamia during the period spanning the Middle Bronze Age to the Iron Age.
Nanna, Sīn or Suen, and in Aramaic syn, syn’, or even shr 'moon', or Nannar was the god of the moon in the Mesopotamian religions of Sumer, Akkad, Assyria, Babylonia and Aram. He was also associated with cattle, perhaps due to the perceived similarity between bull horns and the crescent moon. He was always described as a major deity, though only a few sources, mostly these from the reign of Nabonidus, consider him to be the head of the Mesopotamian pantheon.
Dagon, or more accurately Dagan, was a god worshiped in ancient Syria across the middle of the Euphrates, with primary temples located in Tuttul and Terqa, though many attestations of his cult come from cities such as Mari and Emar as well. In settlements situated in the upper Euphrates area he was regarded as the "father of gods" similar to Mesopotamian Enlil or Hurrian Kumarbi, as well as a lord of the land, a god of prosperity, and a source of royal legitimacy. A large number of theophoric names, both masculine and feminine, attests that he was a popular deity. He was also worshiped further east, in Mesopotamia, where many rulers regarded him as the god capable of granting them kingship over the western areas.
In Akkadian mythology the Rabisu, or possibly Rabasa, are vampiric spirits, daimons, or demons. The Rabisu are associated in mythology with the Curse of Akkad. A consistent translation of "Rabisu" is “Lingerers”. The Rabisu, whether intending malicious actions or not, linger around those who have been found wayward or to be rewarded by the deity Enlil.
Nabu is the ancient Mesopotamian patron god of literacy, the rational arts, scribes, and wisdom.
Music was ubiquitous throughout Mesopotamian history, playing important roles in both religious and secular contexts. Mesopotamia is of particular interest to scholars because evidence from the region—which includes artifacts, artistic depictions and written records—places it among the earliest well-documented cultures in the history of music. The discovery of a bone wind instrument dating to the 5th millennium BCE provides the earliest evidence of music culture in Mesopotamia; depictions of music and musicians appear in the 4th millennium BCE; and later, in the city of Uruk, the pictograms for ‘harp’ and ‘musician’ are present among the earliest known examples of writing.
Ancient Semitic religion encompasses the polytheistic religions of the Semitic peoples from the ancient Near East and Northeast Africa. Since the term Semitic itself represents a rough category when referring to cultures, as opposed to languages, the definitive bounds of the term "ancient Semitic religion" are only approximate.
The religions of the ancient Near East were mostly polytheistic, with some examples of monolatry. Some scholars believe that the similarities between these religions indicate that the religions are related, a belief known as patternism.
Ishara (Išḫara) was the tutelary goddess of the ancient Syrian city of Ebla. The origin of her name is unknown. Both Hurrian and West Semitic etymologies have been proposed, but they found no broad support and today it is often assumed that her name belongs to an unknown linguistic substrate.
Damgalnuna, also known as Damkina, was a Mesopotamian goddess regarded as the wife of the god Enki. Her character is poorly defined in known sources, though it is known that like her husband she was associated with ritual purification and that she was believed to intercede with him on behalf of supplicants. Among the deities regarded as their children were Nanshe and Asalluhi. While the myth Enki and Ninhursag treats her as interchangeable with the goddess metioned in its title, they were usually separate from each other. The cities of Eridu and Malgium were regarded as Damgalnuna's cult center. She was also worshiped in other settlements, such as Nippur, Sippar and Kalhu, and possibly as early as in the third millennium BCE was incorporated into the Hurrian pantheon. She appears in a number of myths, including the Enūma Eliš, though only a single composition, Damkina's Bond, is focused on her.
Babylonian religion is the religious practice of Babylonia. Babylonian mythology was greatly influenced by their Sumerian counterparts and was written on clay tablets inscribed with the cuneiform script derived from Sumerian cuneiform. The myths were usually either written in Sumerian or Akkadian. Some Babylonian texts were translations into Akkadian from the Sumerian language of earlier texts, although the names of some deities were changed.
Kulullû, inscribed ku6-lú-u18/19-lu, "Fish-Man", an ancient Mesopotamian mythical monster possibly inherited by Marduk from his father Ea. In later Assyrian mythology he was associated with kuliltu, "Fish-Woman", and statues of them were apparently located in the Nabû temple in Nimrud, ancient Kalhu, as referenced on a contemporary administrative text.
The Bārûtu, the “art of the diviner,” is a monumental ancient Mesopotamian compendium of the science of extispicy or sacrificial omens stretching over around a hundred cuneiform tablets which was assembled in the Neo-Assyrian/Babylonian period based upon earlier recensions. At the Assyrian court, the term extended to encompass sacrificial prayers and rituals, commentaries and organ models. The ikribu was the name of collections of incantations to accompany the extispicy. The bārûtu's extant predecessors date back to Old Babylonian times with the liver models from Mari and where the order of the exta were largely fixed.
Bīt mēseri, inscribed bit me-se-rimeš and meaning “House of Confinement” or “Detention,” is an ancient Mesopotamian ritual incantation text complete on four cuneiform tablets for the protection of the house against invading evil. The earliest extant copies are neo-Assyrian, from the library of Ashurbanipal, where, according to its ritual tablet, it was to be conducted regularly in the months of Tašrītu and Araḫsamna, but there is also a late Babylonian rescension recovered from the house of a priest in Uruk and copied by Anu-ikṣur, kalû, or incantation priest, son of Šamaš-iddin, descendant of Šangû-Ninurta. It is one of the works cited in the Exorcists Manual as forming part of the curriculum of the āšipu, or exorcist.
Bīt rimki, “House of Ablution” or "Bath-house", is an ancient Mesopotamian prophylactic ritual and accompanying incantation series, recorded on seven or more tablets, the first of which describes the actual performance of the ritual. Its purpose was to cleanse the person of the Assyrian king, and his household, of the evils portended by the inauspicious sign of a lunar eclipse, witchcraft, ritual abuse, etc. The correspondence of Esarhaddon with his priests Adad-šumu-uṣur, Urad-Ea, Marduk-šākin-šumi, and Nabû-nāṣir shows that he was subjected to this ceremony on four separate occasions, while masquerading as a "farmer", in an elaborate substitute-king ritual. The Assyrian king of Babylon, Šamaš-šum-ukin, endured two such rituals where fresh copies of the incantation tablets were laboriously prepared. It seems likely that the ceremony lasted seven days.
Zisurrû, meaning “magic circle drawn with flour,” and inscribed ZÌ-SUR-RA-a, was an ancient Mesopotamian means of delineating, purifying and protecting from evil by the enclosing of a ritual space in a circle of flour. It involved ritual drawings with a variety of powdered cereals to counter different threats and is accompanied by the gloss: SAG.BA SAG.BA, Akkadian: māmīt māmīt, the curse from a broken oath, in The Exorcists Manual, where it refers to a specific ritual on two tablets the first of which is extant.
Mesopotamian divination was divination within the Mesopotamian period.
Latarak (Lātarāk) was a Mesopotamian god. He was most likely depicted as a figure clad in a lion's skin, or perhaps as a lion-like monster. He was regarded as a protective deity, invoked to defend doorways and ward off diseases. He was closely associated with Lulal, though the relationship between them varies between available primary sources, with some equating them and other treating them as a pair of similar, but not identical deities. He was worshiped in Mesopotamian cities such as Uruk, Nippur and Assur. It is also possible that a city named after him, Bāb-Lātarāk, existed, but the reading of this toponym is not certain. Outside Mesopotamia, he is attested in religious texts from Emar and in a trilingual god list from Ugarit.