Ribaldry

Last updated
A urinal in Thailand with a ribald depiction Urinal in the Bangkok airport.jpg
A urinal in Thailand with a ribald depiction

Ribaldry or blue comedy is humorous entertainment that ranges from bordering on indelicacy to indecency. [1] Blue comedy is also referred to as "bawdiness" or being "bawdy". Like any humour, ribaldry may be read as conventional or subversive. Ribaldry typically depends on a shared background of sexual conventions and values, and its comedy generally depends on seeing those conventions broken.

Contents

The ritual taboo-breaking that is a usual counterpart of ribaldry underlies its controversial nature and explains why ribaldry is sometimes a subject of censorship. Ribaldry, whose usual aim is not "merely" to be sexually stimulating, often does address larger concerns than mere sexual appetite. However, being presented in the form of comedy, these larger concerns may be overlooked by censors.

Sex is presented in ribald material more for the purpose of poking fun at the foibles and weaknesses that manifest themselves in human sexuality, rather than to present sexual stimulation either overtly or artistically. Also, ribaldry may use sex as a metaphor to illustrate some non-sexual concern, in which case ribaldry borders satire.

Ribaldry differs from black comedy in that the latter deals with topics which would normally be considered painful or frightening, whereas ribaldry deals with topics that would only be considered offensive.

Examples

A sexual joke about attraction, based on sexual stereotypes Womens-love-vs-mens-love-joke.svg
A sexual joke about attraction, based on sexual stereotypes

Ribaldry is present to some degree in every culture and has likely been around for all of human history. Works like Lysistrata by Aristophanes, Menaechmi by Plautus, Cena Trimalchionis by Petronius, and The Golden Ass of Apuleius are ribald classics from ancient Greece and Rome. Geoffrey Chaucer's "The Miller's Tale" from his Canterbury Tales and The Crabfish , one of the oldest English traditional ballads, are classic examples. The Frenchman François Rabelais showed himself to be a master of ribaldry (technically called grotesque body) in his Gargantua and other works. The Life and Opinions of Tristram Shandy, Gentleman by Laurence Sterne and The Lady's Dressing Room by Jonathan Swift are also in this genre; as is Mark Twain's long-suppressed 1601 .

Another example of ribaldry is "De Brevitate Vitae", a song which in many European-influenced universities is both a student beer-drinking song and an anthem sung by official university choirs at public graduation ceremonies. The private and public versions of the song contain vastly different words. More recent works like Candy , Barbarella , L'Infermiera , the comedic works of Russ Meyer, Little Annie Fanny and John Barth's The Sot-Weed Factor are probably better classified as ribaldry than as either pornography or erotica.[ citation needed ]

Bawdy song

A bawdy song is a humorous song that emphasises sexual themes and is often rich with innuendo. Historically these songs tend to be confined to groups of young males, either as students or in an environment where alcohol is flowing freely. An early collection was Wit and Mirth, or Pills to Purge Melancholy , edited by Thomas D'Urfey and published between 1698 and 1720. Selected songs from Wit and Mirth have been recorded by the City Waites and other singers. Sailor's songs tend to be quite frank about the exploitative nature of the relationship between men and women. There are many examples of folk songs in which a man encounters a woman in the countryside. This is followed by a short conversation, and then sexual intercourse, e.g. "The Game of All Fours". Neither side demonstrates any shame or regret. If the woman becomes pregnant, the man will not be there anyway. Rugby songs are often bawdy. Examples of bawdy folk songs are: "Seventeen Come Sunday" and "The Ballad of Eskimo Nell". Robert Burns compiled The Merry Muses of Caledonia (the title is not Burns's), a collection of bawdy lyrics that were popular in the music halls of Scotland as late as the 20th century. In modern times Hash House Harriers have taken on the role of tradition-bearers for this kind of song. The Unexpurgated Folk Songs of Men (Arhoolie 4006) is a gramophone record containing a collection of American bawdy songs recorded in 1959. [2]

Blue comedy

Dave Attell has been described as a blue comic by his peers. Dave Attell 2009.jpg
Dave Attell has been described as a blue comic by his peers.

Blue comedy is comedy that is off-colour, risqué, indecent, or profane, largely about sex. It often contains profanity or sexual imagery that may shock and offend some audience members.[ citation needed ]

"Working blue" refers to the act of using swear words and discussing things that people would not discuss in "polite society". A "blue comedian" or "blue comic" is a comedian who usually performs risqué routines layered with curse words.

There is a common belief that comedian Max Miller (1894–1963) coined the phrase, after his stage act which involved telling jokes from either a white book or a blue book, chosen by audience preference (the blue book contained ribald jokes). This is not so, as the Oxford English Dictionary contains earlier references to the use of blue to mean ribald: 1890 Sporting Times 25 Jan. 1/1 "Shifter wondered whether the damsel knew any novel blue stories." and 1900 Bulletin (Sydney) 20 Oct. 12/4 "Let someone propose to celebrate Chaucer by publicly reading some of his bluest productions unexpurgated. The reader would probably be locked up."

Private events at show business clubs such as the Masquers often showed this blue side of otherwise clean-cut comedians; a recording survives of one Masquers roast from the 1950s with Jack Benny, George Jessel, George Burns, and Art Linkletter all using highly risqué material and obscenities. Many comedians who are normally family-friendly might choose to work blue when off-camera or in an adult-oriented environment; Bob Saget exemplified this dichotomy. Bill Cosby's 1969 record album 8:15 12:15 records both his family-friendly evening standup comedy show, and his blue midnight show, which included a joke about impregnating his wife "right through the old midnight trampoline" (her diaphragm) and other sexual references. [3]

Some comedians build their careers on blue comedy. Among the best known of these are Redd Foxx, Lawanda Page, and the team of Leroy and Skillet, all of whom later performed on the family-friendly television show Sanford and Son . Page, Leroy, and Skillet specialised in a particular African American form of blue spoken word recitation called signifying or toasting. Dave Attell has also been described by his peers as one of the greatest modern-day blue comics. [4]

On talk radio in the United States and elsewhere, blue comedy is a staple of the shock jock's repertoire. The use of blue comedy over American radio airwaves is severely restricted due to decency regulations; the Federal Communications Commission can levy fines against radio stations that air obscene content.

Blue literature

As a part of English literature, blue literature dates back to at least Middle English, while bawdy humor is a central element in works of such writers as Shakespeare and Chaucer. Examples of blue literature are also present in various cultures, among different social classes, and genders. [5] Until the 1940s, writers of English-language blue literature were almost exclusively men; since then it has become possible for women to build a commercial career on blue literature. [5] :170 While no extensive cross-cultural study has been made in an attempt to prove the universality of blue literature, oral tradition around the world suggests that this may be the case. [5] :169

See also

Related Research Articles

<span class="mw-page-title-main">Limerick (poetry)</span> Form of poetry

A limerick is a form of verse that appeared in England in the early years of the 18th century. In combination with a refrain, it forms a limerick song, a traditional humorous drinking song often with obscene verses. It is written in five-line, predominantly anapestic trimeter with a strict rhyme scheme of AABBA, in which the first, second and fifth line rhyme, while the third and fourth lines are shorter and share a different rhyme.

<span class="mw-page-title-main">Double entendre</span> Wording that is devised to be understood in two ways

A double entendre is a figure of speech or a particular way of wording that is devised to have a double meaning, one of which is typically obvious, and the other often conveys a message that would be too socially unacceptable, or offensive to state directly.

<span class="mw-page-title-main">Black comedy</span> Comedic work based on taboo subject matter

Black comedy, also known as dark comedy, morbid humor, gallows humor, black humor, or dark humor, is a style of comedy that makes light of subject matter that is generally considered taboo, particularly subjects that are normally considered serious or painful to discuss. Writers and comedians often use it as a tool for exploring vulgar issues by provoking discomfort, serious thought, and amusement for their audience. Thus, in fiction, for example, the term black comedy can also refer to a genre in which dark humor is a core component.

<span class="mw-page-title-main">British humour</span>

British humour carries a strong element of satire aimed at the absurdity of everyday life. Common themes include sarcasm, tongue-in-cheek, banter, insults, self-deprecation, taboo subjects, puns, innuendo, wit, and the British class system. These are often accompanied by a deadpan delivery which is present throughout the British sense of humour. It may be used to bury emotions in a way that seems unkind in the eyes of other cultures. Jokes are told about everything and almost no subject is off-limits, though a lack of subtlety when discussing controversial issues is sometimes considered insensitive. Many British comedy series have become successful internationally, serving as a representation of British culture to overseas audiences.

<span class="mw-page-title-main">Robert Schimmel</span> American comedian (1950–2010)

Robert George Schimmel was an American stand-up comedian who was known for his blue comedy. While the extremely profane nature of his act limited his commercial appeal, he had a reputation as a "comic's comic" due to his relentless touring, comedy albums and frequent appearances on HBO and The Howard Stern Show. Schimmel is number 76 on the 2004 program Comedy Central Presents: 100 Greatest Stand-Ups of All Time.

<span class="mw-page-title-main">Off-color humor</span> Americanism used to describe jokes of a vulgar nature

Off-color humor is humor that deals with topics that may be considered to be in poor taste or vulgar. Many comedic genres may incorporate "off-color" elements.

<span class="mw-page-title-main">LaWanda Page</span> American actress and comedian (1920–2002)

LaWanda Page was an American actress, comedian, and dancer whose career spanned six decades. Crowned "The Queen of Comedy" or "The Black Queen of Comedy", Page melded blue humor, signifyin', and observational comedy to jokes about sexuality, race relations, African-American culture, and religion. She released five solo albums, including the 1977 gold-selling Watch It, Sucker!. She also collaborated on two albums with comedy group Skillet, Leroy & Co. As an actress, Page is best known for portraying the Bible-toting and sharp-tongued "Aunt" Esther Anderson in the popular television sitcom Sanford and Son, which originally aired from 1972 until 1977. Page later reprised this role in the short-lived television shows Sanford Arms (1976–1977) and Sanford (1980–1981). She also co-starred in the 1979 short-lived series Detective School. Throughout her career, Page advocated for fair pay and equal opportunities for Black performers.

<span class="mw-page-title-main">Gershon Legman</span> American author, forklorist and cultural critic

Gershon Legman was an American cultural critic, folklorist, and author of The Rationale of the Dirty Joke (1968) and The Horn Book: Studies in Erotic Folklore and Bibliography (1964).

American humor refers collectively to the conventions and common threads that tie together humor in the United States. It is often defined in comparison to the humor of another country – for example, how it is different from British humor and Canadian humor. It is, however, difficult to say what makes a particular type or subject of humor particularly American. Humor usually concerns aspects of American culture, and depends on the historical and current development of the country's culture. The extent to which an individual will personally find something humorous obviously depends on a host of absolute and relative variables, including, but not limited to geographical location, culture, maturity, level of education, and context. People of different countries will therefore find different situations funny. Just as American culture has many aspects which differ from other nations, these cultural differences may be a barrier to how humor translates to other countries.

<span class="mw-page-title-main">Hokum</span> Type of song in American blues

Hokum is a particular song type of American blues music—a song which uses extended analogies or euphemistic terms to make humorous, sexual innuendos. This trope goes back to early dirty blues recordings, enjoyed a huge commercial success in 1920s and 1930s, and is used from time to time in modern American blues and blues rock.

<span class="mw-page-title-main">Jeff Ross</span> American stand-up comedian

Jeffrey Ross Lifschultz is an American stand-up comedian and actor. He is best known as the "Roastmaster General" for his insult comedy, his multiple appearances at celebrity roasts held by the New York Friars Club, the Comedy Central Roast television series, and the Netflix historical comedy series Historical Roasts. In 2009 the Chicago Tribune called Ross "the new millennium Don Rickles." His directorial debut, the 2006 documentary Patriot Act: A Jeffrey Ross Home Movie, won the prize for Best Film at the Comedia film festival held at the Just for Laughs comedy festival in Montreal.

Sex comedy, erotic comedy or more broadly sexual comedy is a genre in which comedy is motivated by sexual situations and love affairs. Although "sex comedy" is primarily a description of dramatic forms such as theatre and film, literary works such as those of Ovid and Geoffrey Chaucer may be considered sex comedies.

"Good Ship Venus", also known as "Friggin' in the Riggin", is a bawdy drinking song devised to shock with ever increasingly lewd and debauched sexual descriptions of the eponymous ship's loose-moralled crew. The tune usually used is "Go In and Out the Window".

"Limerick" is a traditional humorous drinking song with many obscene verses. The tune usually used for sung limericks is traditionally "Cielito Lindo," with the words arranged in the form of a limerick.

Rationale of the Dirty Joke: An Analysis of Sexual Humor is a book by American social critic and folklorist Gershon Legman. The book analyzes more than 2000 jokes and folk tales in terms of social, psychological, and historical significance. It was first published by Grove Press in 1968, was later reprinted in hard-cover by Indiana University, and was years out of print until reissued by Simon & Schuster in 2006. The second volume, No Laughing Matter: Rationale of the Dirty Joke: An Analysis of Sexual Humor, 2nd Series, had to be paid for by subscription to support publishing, as it was the "dirty dirties".

<span class="mw-page-title-main">Comedy</span> Genre of dramatic works intended to be humorous

Comedy is a genre of fiction that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term originated in ancient Greece: In Athenian democracy, the public opinion of voters was influenced by political satire performed by comic poets in theaters. The theatrical genre of Greek comedy can be described as a dramatic performance pitting two groups, ages, genders, or societies against each other in an amusing agon or conflict. Northrop Frye depicted these two opposing sides as a "Society of Youth" and a "Society of the Old". A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions posing obstacles to his hopes. In this struggle, the youth then becomes constrained by his lack of social authority, and is left with little choice but to resort to ruses which engender dramatic irony, which provokes laughter.

<span class="mw-page-title-main">American burlesque</span> Genre of variety show

American burlesque is a genre of variety show derived from elements of Victorian burlesque, music hall, and minstrel shows. Burlesque became popular in the United States in the late 1860s and slowly evolved to feature ribald comedy and female nudity. By the late 1920s, the striptease element overshadowed the comedy and subjected burlesque to extensive local legislation. Burlesque gradually lost popularity beginning in the 1940s. A number of producers sought to capitalize on nostalgia for the entertainment by recreating burlesque on the stage and in Hollywood films from the 1930s to the 1960s. There has been a resurgence of interest in this format since the 1990s.

<i>Sex to Sexty</i>

Sex to Sexty was a sexually-oriented humor magazine published in Arlington, Texas, by John W. Newbern, Jr. and Peggy Rodebaugh, with art direction by Lowell Davis ), under the respective pseudonyms of Richard or Dick Rodman, Goose Reardon, and Pierre Davis.

Clean comedy is a comedy genre that is generally free of ribaldry: racism, rape jokes, pejoratives, profanity, obscenity, incest, illicit drugs, off-color humor, toilet humor, explicitly sexual content, and similarly objectionable material. Comedians may try to circumvent clean-comedy restrictions by using innuendos, euphemisms, doublespeak, double entendres, and gender-neutral language. Clean comedy is not necessarily unprovocative.

The roots of modern stand-up comedy began in 1840s minstrel shows that perpetuated racist stereotypes in the United States. There were, however, African-American and other all-black minstrel groups which formed and toured. American vaudeville emerged around the same time and along with the later developed Chitlin' Circuit, produced the founders of this form of entertainment. Early stand-up comedians spoke directly to the audience as themselves without props or costumes, which distinguished these acts from vaudeville performances. These comics stood in front of the curtain during their shows, like early 20th century "front cloth" stand-up comics in Britain and Ireland whose numbers allowed the stage behind them to be re-set for another act.

References

  1. "Why is it called blue comedy anyways?". Under The Moonlight. 2020-04-11. Retrieved 2020-10-16.
  2. Sandberg, L. & Weissman, D. (1976) The Folk Music Sourcebook. New York: Knopf; p. 134
  3. Carruthers, Sean (2011). "Bill Cosby: 8:15 12:15 - Bill Cosby | AllMusic". allmusic.com. Retrieved 29 April 2018.
  4. MMPC (2016-03-04), Bill Burr - Christopher Cross / Go See Dave Attell, archived from the original on 2021-11-17, retrieved 2018-04-23
  5. 1 2 3 Szwed, John (2006-10-19). Crossovers: Essays on Race, Music, and American Culture. University of Pennsylvania Press. p. 168. ISBN   978-0-8122-1972-2.

Further reading