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Ribaldry or blue comedy is humorous entertainment that ranges from bordering on indelicacy to indecency. [1] Blue comedy is also referred to as "bawdiness" or being "bawdy". Like any humour, ribaldry may be read as conventional or subversive. Ribaldry typically depends on a shared background of sexual conventions and values, and its comedy generally depends on seeing those conventions broken.
The ritual taboo-breaking that is a usual counterpart of ribaldry underlies its controversial nature and explains why ribaldry is sometimes a subject of censorship. Ribaldry, whose usual aim is not "merely" to be sexually stimulating, often does address larger concerns than mere sexual appetite. However, being presented in the form of comedy, these larger concerns may be overlooked by censors.
Sex is presented in ribald material more for the purpose of poking fun at the foibles and weaknesses that manifest themselves in human sexuality, rather than to present sexual stimulation either overtly or artistically. Also, ribaldry may use sex as a metaphor to illustrate some non-sexual concern, in which case ribaldry borders satire.
Ribaldry differs from black comedy in that the latter deals with topics that would normally be considered painful or frightening, whereas ribaldry deals with topics that would only be considered offensive.
Ribaldry is present to some degree in every culture and has likely been around for all of human history. Works like Lysistrata by Aristophanes, Menaechmi by Plautus, Cena Trimalchionis by Petronius, and The Golden Ass of Apuleius are ribald classics from ancient Greece and Rome. Geoffrey Chaucer's "The Miller's Tale" from his Canterbury Tales and The Crabfish , one of the oldest English traditional ballads, are classic examples. The Frenchman François Rabelais showed himself to be a master of ribaldry (technically called grotesque body) in his Gargantua and other works. The Life and Opinions of Tristram Shandy, Gentleman by Laurence Sterne and The Lady's Dressing Room by Jonathan Swift are also in this genre; as is Mark Twain's long-suppressed 1601 .
Another example of ribaldry is "De Brevitate Vitae", a song which in many European-influenced universities is both a student beer-drinking song and an anthem sung by official university choirs at public graduation ceremonies. The private and public versions of the song contain vastly different words. More recent works like Candy , Barbarella , L'Infermiera , the comedic works of Russ Meyer, Little Annie Fanny and John Barth's The Sot-Weed Factor are probably better classified as ribaldry than as either pornography or erotica.[ citation needed ]
A bawdy song is a humorous song that emphasises sexual themes and is often rich with innuendo. Historically these songs tend to be confined to groups of young males, either as students or in an environment where alcohol is flowing freely. An early collection was Wit and Mirth, or Pills to Purge Melancholy , edited by Thomas D'Urfey and published between 1698 and 1720. Selected songs from Wit and Mirth have been recorded by the City Waites and other singers. Sailor's songs tend to be quite frank about the exploitative nature of the relationship between men and women. There are many examples of folk songs in which a man encounters a woman in the countryside. This is followed by a short conversation, and then sexual intercourse, e.g. "The Game of All Fours". Neither side demonstrates any shame or regret. If the woman becomes pregnant, the man will not be there anyway. Rugby songs are often bawdy. Examples of bawdy folk songs are: "Seventeen Come Sunday" and "The Ballad of Eskimo Nell". Robert Burns compiled The Merry Muses of Caledonia (the title is not Burns's), a collection of bawdy lyrics that were popular in the music halls of Scotland as late as the 20th century. In modern times Hash House Harriers have taken on the role of tradition-bearers for this kind of song. The Unexpurgated Folk Songs of Men (Arhoolie 4006) is a gramophone record containing a collection of American bawdy songs recorded in 1959. [2]
Blue comedy is comedy that is off-colour, risqué, indecent, or profane, largely about sex. It often contains profanity or sexual imagery that may shock and offend some audience members.[ citation needed ]
"Working blue" refers to the act of using swear words and discussing things that people would not discuss in "polite society". A "blue comedian" or "blue comic" is a comedian who usually performs risqué routines layered with curse words.
There is a common belief that comedian Max Miller (1894–1963) coined the phrase, after his stage act which involved telling jokes from either a white book or a blue book, chosen by audience preference (the blue book contained ribald jokes). This is not so, as the Oxford English Dictionary contains earlier references to the use of blue to mean ribald: 1890 Sporting Times 25 Jan. 1/1 "Shifter wondered whether the damsel knew any novel blue stories." and 1900 Bulletin (Sydney) 20 Oct. 12/4 "Let someone propose to celebrate Chaucer by publicly reading some of his bluest productions unexpurgated. The reader would probably be locked up."
Private events at show business clubs such as the Masquers often showed this blue side of otherwise clean-cut comedians; a recording survives of one Masquers roast from the 1950s with Jack Benny, George Jessel, George Burns, and Art Linkletter all using highly risqué material and obscenities. Many comedians who are normally family-friendly might choose to work blue when off-camera or in an adult-oriented environment; Bob Saget exemplified this dichotomy. Bill Cosby's 1969 record album 8:15 12:15 records both his family-friendly evening standup comedy show, and his blue midnight show, which included a joke about impregnating his wife "right through the old midnight trampoline" (her diaphragm) and other sexual references. [3]
Some comedians build their careers on blue comedy. Among the best known of these are Redd Foxx, Lawanda Page, and the team of Leroy and Skillet, all of whom later performed on the family-friendly television show Sanford and Son . Page, Leroy, and Skillet specialised in a particular African American form of blue spoken word recitation called signifying or toasting. Dave Attell has also been described by his peers as one of the greatest modern-day blue comics. [4]
On talk radio in the United States and elsewhere, blue comedy is a staple of the shock jock's repertoire. The use of blue comedy over American radio airwaves is severely restricted due to decency regulations; the Federal Communications Commission can levy fines against radio stations that air obscene content.
As a part of English literature, blue literature dates back to at least Middle English, while bawdy humor is a central element in works of such writers as Shakespeare and Chaucer. Examples of blue literature are also present in various cultures, among different social classes, and genders. [5] Until the 1940s, writers of English-language blue literature were almost exclusively men; since then it has become possible for women to build a commercial career on blue literature. [5] : 170 While no extensive cross-cultural study has been made in an attempt to prove the universality of blue literature, oral tradition around the world suggests that this may be the case. [5] : 169
The comedy film is a film genre that emphasizes humor. These films are designed to amuse audiences and make them laugh. Films in this genre typically have a happy ending, with dark comedy being an exception to this rule. Comedy is one of the oldest genres in film, and it is derived from classical comedy in theatre. Some of the earliest silent films were slapstick comedies, which often relied on visual depictions, such as sight gags and pratfalls, so they could be enjoyed without requiring sound. To provide drama and excitement to silent movies, live music was played in sync with the action on the screen, on pianos, organs, and other instruments. When sound films became more prevalent during the 1920s, comedy films grew in popularity, as laughter could result from both burlesque situations but also from humorous dialogue.
A limerick is a form of verse that appeared in England in the early years of the 18th century. In combination with a refrain, it forms a limerick song, a traditional humorous drinking song often with obscene verses. It is written in five-line, predominantly anapestic and amphibrach trimeter with a strict rhyme scheme of AABBA, in which the first, second and fifth line rhyme, while the third and fourth lines are shorter and share a different rhyme.
A double entendre is a figure of speech or a particular way of wording that is devised to have a double meaning, one of which is typically obvious, and the other often conveys a message that would be too socially unacceptable, or offensive to state directly.
William Henry Cosby Jr. is an American former comedian, actor, and media personality. He performed over a period of decades in film, television, and stand-up comedy, with his longest-running live-action role being that of Cliff Huxtable in the sitcom The Cosby Show (1984–1992). He also released several stand-up comedy albums and was a popular spokesperson in advertising for decades. Cosby was well known in the United States for his eccentric image and gained a reputation as "America's Dad". Since 2014, dozens of allegations of sexual assault have been made against him, which has effectively ended his career and tarnished his legacy. There had been previous allegations against Cosby, but they were dismissed and accusers were ignored or disbelieved.
A fabliau is a comic, often anonymous tale written by jongleurs in northeast France between c. 1150 and 1400. They are generally characterized by sexual and scatological obscenity, and by a set of contrary attitudes—contrary to the church and to the nobility. Several of them were reworked by Giovanni Boccaccio for the Decameron and by Geoffrey Chaucer for his Canterbury Tales. Some 150 French fabliaux are extant, the number depending on how narrowly fabliau is defined. According to R. Howard Bloch, fabliaux are the first expression of literary realism in Europe.
Off-color humor is humor that deals with topics that may be considered to be in poor taste or vulgar. Many comedic genres may incorporate "off-color" elements.
LaWanda Page was an American actress, comedian and dancer whose career spanned six decades. Crowned "The Queen of Comedy" or "The Black Queen of Comedy", Page melded blue humor, signifyin' and observational comedy with jokes about sexuality, race relations, African-American culture and religion. She released five solo albums, including the 1977 gold-selling Watch It, Sucker!, and collaborated on two albums with the comedy group Skillet, Leroy & Co. As an actress, Page is best known for portraying the Bible-toting and sharp-tongued Esther Anderson on the popular television sitcom Sanford and Son, which aired from 1972 until 1977. Page reprised the role in the short-lived television shows Sanford Arms (1976–1977) and Sanford (1980–1981). She also costarred in the 1979 short-lived series Detective School. Throughout her career, Page advocated for fair pay and equal opportunities for black performers.
Gershon Legman was an American cultural critic, folklorist, and author of The Rationale of the Dirty Joke (1968) and The Horn Book: Studies in Erotic Folklore and Bibliography (1964).
American humor refers collectively to the conventions and common threads that tie together humor in the United States. It is often defined in comparison to the humor of another country – for example, how it is different from British humor and Canadian humor. It is, however, difficult to say what makes a particular type or subject of humor particularly American. Humor usually concerns aspects of American culture, and depends on the historical and current development of the country's culture. The extent to which an individual will personally find something humorous obviously depends on a host of absolute and relative variables, including, but not limited to geographical location, culture, maturity, level of education, and context. People of different countries will therefore find different situations funny. Just as American culture has many aspects which differ from other nations, these cultural differences may be a barrier to how humor translates to other countries.
Hokum is a particular song type of American blues music—a song which uses extended analogies or euphemistic terms to make humorous, sexual innuendos. This trope goes back to early dirty blues recordings, enjoyed huge commercial success in the 1920s and 1930s, and is used from time to time in modern American blues and blues rock.
Sex comedy, erotic comedy or more broadly sexual comedy is a genre in which comedy is motivated by sexual situations and love affairs. Although "sex comedy" is primarily a description of dramatic forms such as theatre and film, literary works such as those of Ovid and Giovanni Boccaccio may be considered sex comedies.
"Good Ship Venus", also known as "Friggin' in the Riggin", is a bawdy drinking song devised to shock with ever increasingly lewd and debauched sexual descriptions of the eponymous ship's loose-moralled crew. The tune usually used is "Go In and Out the Window".
"Limerick" is a traditional humorous drinking song with many obscene verses. The tune usually used for sung limericks is traditionally "Cielito Lindo," with the words arranged in the form of a limerick.
A comedy album is an audio recording of comedic material from a comedian or group of comedians, usually performed either live or in a studio. Comedy albums may feature skits, humorous songs, and/or live recording of stand-up comedy performances, but the most common type of comedy albums are stand up, and are often made in conjunction with a DVD with recorded video of a particular comedy show.
Comedy is a genre that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term originated in ancient Greece: In Athenian democracy, the public opinion of voters was influenced by political satire performed by comic poets in theaters. The theatrical genre of Greek comedy can be described as a dramatic performance pitting two groups, ages, genders, or societies against each other in an amusing agon or conflict. Northrop Frye depicted these two opposing sides as a "Society of Youth" and a "Society of the Old". A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions posing obstacles to his hopes. In this struggle, the youth then becomes constrained by his lack of social authority, and is left with little choice but to resort to ruses which engender dramatic irony, which provokes laughter.
American burlesque is a genre of variety show derived from elements of Victorian burlesque, music hall, and minstrel shows. Burlesque became popular in the United States in the late 1860s and slowly evolved to feature ribald comedy and female nudity. By the late 1920s, the striptease element overshadowed the comedy and subjected burlesque to extensive local legislation. Burlesque gradually lost its popularity, beginning in the 1940s. A number of producers sought to capitalize on nostalgia for the entertainment by recreating burlesque on the stage and in Hollywood films from the 1930s to the 1960s. There has been a resurgence of interest in this format since the 1990s.
Sex to Sexty was a sexually-oriented humor magazine published in Arlington, Texas, by John W. Newbern, Jr. and Peggy Rodebaugh, with art direction by Lowell Davis ), under the respective pseudonyms of Richard or Dick Rodman, Goose Reardon, and Pierre Davis.
Clean comedy is a comedy genre that is generally free of ribaldry: racism, rape jokes, pejoratives, profanity, obscenity, incest, illicit drugs, off-color humor, toilet humor, explicitly sexual content, and similarly objectionable material. Comedians may try to circumvent clean-comedy restrictions by using innuendos, euphemisms, doublespeak, double entendres, and gender-neutral language. Clean comedy is not necessarily unprovocative.
The Merry Muses of Caledonia is a collection of bawdy songs said to have been collected or written by Robert Burns, the 18th-century Scottish poet.
Modern stand-up comedy began around the turn of the century, evolving from a variety of sources including minstrel shows and vaudeville. Early stand-up comedians spoke directly to the audience as themselves without props or costumes, which distinguished these acts from vaudeville performances. These comics stood in front of the curtain during their shows, like early 20th century "front cloth" stand-up comics in Britain and Ireland whose numbers allowed the stage behind them to be re-set for another act.