An oxymoron is a figure of speech that juxtaposes concepts with opposite meanings within a word or in a phrase that is a self-contradiction. As a rhetorical device, an oxymoron illustrates a point to communicate and reveal a paradox. A general meaning of "contradiction in terms" is recorded by the 1902 edition of the Oxford English Dictionary.
A pun, also known as a paronomasia in the context of linguistics, is a form of word play that exploits multiple meanings of a term, or of similar-sounding words, for an intended humorous or rhetorical effect. These ambiguities can arise from the intentional use of homophonic, homographic, metonymic, or figurative language. A pun differs from a malapropism in that a malapropism is an incorrect variation on a correct expression, while a pun involves expressions with multiple interpretations. Puns may be regarded as in-jokes or idiomatic constructions, especially as their usage and meaning are usually specific to a particular language or its culture.
Word games are spoken, board, card or video games often designed to test ability with language or to explore its properties.
A crossword is a word game consisting of a grid of black and white squares, into which solvers enter words or phrases ("entries") crossing each other horizontally ("across") and vertically ("down") according to a set of clues. Each white square is typically filled with one letter, while the black squares are used to separate entries. The first white square in each entry is typically numbered to correspond to its clue.
A cryptic crossword is a crossword puzzle in which each clue is a word puzzle. Cryptic crosswords are particularly popular in the United Kingdom, where they originated, as well as Ireland, the Netherlands, and in several Commonwealth nations, including Australia, Canada, India, Kenya, Malta, New Zealand, and South Africa. Compilers of cryptic crosswords are commonly called setters in the UK and constructors in the US. Particularly in the UK, a distinction may be made between cryptics and quick crosswords, and sometimes two sets of clues are given for a single puzzle grid.
A double entendre is a figure of speech or a particular way of wording that is devised to have a double meaning, one of which is typically obvious, and the other often conveys a message that would be too socially unacceptable, or offensive to state directly.
A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from straightforward language use or literal meaning to produce a rhetorical or intensified effect. In the distinction between literal and figurative language, figures of speech constitute the latter. Figures of speech are traditionally classified into schemes, which vary the ordinary sequence of words, and tropes, where words carry a meaning other than what they ordinarily signify.
Nonsense verse is a form of nonsense literature usually employing strong prosodic elements like rhythm and rhyme. It is often whimsical and humorous in tone and employs some of the techniques of nonsense literature.
A malapropism is the incorrect use of a word in place of a word with a similar sound, either unintentionally or for comedic effect, resulting in a nonsensical, often humorous utterance. An example is the statement attributed to baseball player Yogi Berra, regarding switch hitters, "He hits from both sides of the plate. He's amphibious", with the accidental use of amphibious rather than the intended ambidextrous. Malapropisms often occur as errors in natural speech and are sometimes the subject of media attention, especially when made by politicians or other prominent individuals.
A homophone is a word that is pronounced the same as another word but differs in meaning and sometimes also in spelling. The two words may be spelled the same, for example rose (flower) and rose, or spelled differently, as in rain, reign, and rein. The term homophone sometimes applies to units longer or shorter than words, for example a phrase, letter, or groups of letters which are pronounced the same as a counterpart. Any unit with this property is said to be homophonous.
In language, an archaism is a word, a sense of a word, or a style of speech or writing that belongs to a historical epoch beyond living memory, but that has survived in a few practical settings or affairs. Lexical archaisms are single archaic words or expressions used regularly in an affair or freely; literary archaism is the survival of archaic language in a traditional literary text such as a nursery rhyme or the deliberate use of a style characteristic of an earlier age—for example, in his 1960 novel The Sot-Weed Factor, John Barth writes in an 18th-century style. Archaic words or expressions may have distinctive emotional connotations—some can be humorous (forsooth), some highly formal, and some solemn. The word archaism is from the Ancient Greek: ἀρχαϊκός, archaïkós, 'old-fashioned, antiquated', ultimately ἀρχαῖος, archaîos, 'from the beginning, ancient'.
Untranslatability is the property of text or speech for which no equivalent can be found when translated into another (given) language. A text that is considered to be untranslatable is considered a lacuna, or lexical gap. The term arises when describing the difficulty of achieving the so-called perfect translation. It is based on the notion that there are certain concepts and words that are so interrelated that an accurate translation becomes an impossible task. Some writers have suggested that language carries sacred notions or is intrinsic to national identity. Brian James Baer posits that untranslatability is sometimes seen by nations as proof of the national genius. He quotes Alexandra Jaffe: "When translators talk about untranslatable, they often reinforce the notion that each language has its own 'genius', an 'essence' that naturally sets it apart from all other languages and reflects something of the 'soul' of its culture or people".
An eggcorn is the alteration of a phrase through the mishearing or reinterpretation of one or more of its elements, creating a new phrase having a different meaning from the original but which still makes sense and is plausible when used in the same context. Thus, an eggcorn is an unexpectedly fitting or creative malapropism. The autological word "eggcorn" is itself an eggcorn, derived from acorn. Eggcorns often arise as people attempt to make sense of a stock phrase that uses a term unfamiliar to them, as for example replacing "Alzheimer's disease" with "old-timers' disease", or William Shakespeare's "to the manner born" with "to the manor born".
Sananmuunnos, sometimes kääntösana, is a sort of verbal play in the Finnish language, similar to spoonerisms in English.
Holorime is a form of rhyme where two very similar sequences of sounds can form phrases composed of different words and with different meanings. For example, the two lines of Miles Kington's poem "A Lowlands Holiday Ends in Enjoyable Inactivity" are pronounced the same in some British English dialects:
Comedic device refers to a kind of device used to make a statement more humorous. In layman's terms, it is what makes things funny.
Prick is a vulgar word for penis as well as a pejorative term used to refer to a despicable or contemptible individual. It is generally considered offensive, though in the past it has been used as a term of endearment. Its history as a euphemism for penis goes back to the 1500s and has been used in wordplay by Shakespeare and other writers who have combined the vulgarism with the standard meaning of the noun, which means the act of piercing or puncturing. Most linguists believe it has been used as a direct insult only since 1929.
Shakespeare in Original Pronunciation (OP) is a movement dedicated to the examination and subsequent performance of Shakespeare's works in the phonology, or sound system, of Early Modern English.
Poetic devices are a form of literary device used in poetry. Poems are created out of poetic devices via a composite of: structural, grammatical, rhythmic, metrical, verbal, and visual elements. They are essential tools that a poet uses to create rhythm, enhance a poem's meaning, or intensify a mood or feeling.
