Dirty blues

Last updated

Dirty blues (also known as bawdy blues) is a form of blues music that deals with socially taboo and obscene subjects, often referring to sexual acts and drug use. Because of the sometimes graphic subject matter, such music was often banned from radio and available only on jukeboxes. The style was most popular in the years before World War II, although it experienced a revival in the early 1950s. [1]

Contents

Many songs used innuendo, slang terms, or double entendres, such as Lil Johnson's [1] "Press My Button (Ring My Bell)" ("Come on baby, let's have some fun / Just put your hot dog in my bun"). [2] However, some were very explicit. The most extreme examples were rarely recorded at all, a notable exception being Lucille Bogan's obscene version of "Shave 'Em Dry" (1935), [3] which Elijah Wald has noted as "by far the most explicit blues song preserved at a commercial pre-war recording session". [4]

The noteworthy musicians who used the style included Bo Carter, Bull Moose Jackson, [1] Harlem Hamfats, Wynonie Harris, and Hank Ballard and The Midnighters. [5]

Compilation albums include The Copulatin' Blues (Stash Records: 1976, [6] re-released Mojo Records: 1996), [7] Them Dirty Blues (Jass Records: 1989) [8] and You Got to Give Me Some of It: 55 Risque Blues and R&B Classics 1928–1954 (Jasmine Records: 2015). [9]

Notable songs

YearTitleArtistReferences
1924"See See Rider" Ma Rainey [10] [11]
1927"Bow Wow Blues" The Allen Brothers [12] [13]
1928"It's Tight Like That" Tampa Red and Georgia Tom [14]
"The Duck's Yas-Yas-Yas" James "Stump" Johnson [15]
"Empty Bed Blues" Bessie Smith [16]
1929"I Had to Give Up Gym" The Hokum Boys [13]
"Rock That Thing" Lil Johnson [17]
"You'll Never Miss Your Jelly Until Your Jelly Roller Is Gone" Lil Johnson [18]
"Bumblebee" Memphis Minnie [13]
1930"Please Warm My Weiner" Bo Carter [19] [20]
"Good Grinding" Irene Scruggs [21]
"Must Get Mine in Front" Irene Scruggs [22]
"On the Wall" Louise Johnson [23] [24]
1931"Pin in Your Cushion" Bo Carter [19] [20]
"Banana in Your Fruit Basket" Bo Carter [19] [20]
"My Pencil Won't Write No More" Bo Carter [19] [20]
"My Girl's Pussy" Harry Roy [25]
"Need a Little Sugar in My Bowl" Bessie Smith [26]
"You've Got to Save That Thing" Ora Alexander [8]
1932"I Crave Your Lovin' Every Day" Ora Alexander [8]
1933"Tom Cat and Pussy Blues" Jimmie Davis [27]
1935"Shave 'Em Dry" Lucille Bogan [3]
"Let Me Roll Your Lemon" Bo Carter [19] [20]
"Get 'Em from the Peanut Man (Hot Nuts)" Lil Johnson [18] [28]
"Anybody Want to Buy My Cabbage?" Lil Johnson [18] [28]
"Press My Button (Ring My Bell)" Lil Johnson [1]
1936"Trucking My Blues Away" Blind Boy Fuller [29]
"Sam the Hot Dog Man" Lil Johnson [30]
"My Stove Is In Good Condition" Lil Johnson [21]
1937"They're Red Hot" Robert Johnson [31] [32] [33]
"Meat Balls" Lil Johnson [21]
"If It Don't Fit (Don't Force It)" Lil Johnson [21]
1938"Don't You Feel My Leg?" Blue Lu Barker [21]
1939"I Want Some of Your Pie" Blind Boy Fuller [34]
1941"Crosscut Saw" Tommy McClennan [35]
1942"Let Me Play With Your Poodle" Tampa Red [36]
1944"Salty Papa Blues" Dinah Washington [21]
1946"Gotta Gimme Whatcha Got" Julia Lee [37]
"Shaving Cream"Paul Wynn
1947"(Opportunity Knocks But Once) Snatch and Grab It" Julia Lee [37]
"Mother Fuyer" Dirty Red [38]
1948"Lolly Pop Mama" Wynonie Harris [39]
"King Size Papa" Julia Lee [37]
"I Want A Bowlegged Woman" Bull Moose Jackson [40]
1949"Long John Blues" Dinah Washington [41]
"Mountain Oysters" Eddie "Lockjaw" Davis [42]
1950"Butcher Pete" Roy Brown [42]
"My Man Stands Out" Julia Lee [37] [42]
"I Like My Baby's Pudding" Wynonie Harris [43]
"Sittin On It All The Time" Wynonie Harris [43]
"I'm a Hi-Ballin' Daddy" Tiny Bradshaw [44]
"Silent George" Lucky Millinder [45]
1951"Rocket 69" Todd Rhodes [42]
"Sixty Minute Man" Billy Ward and His Dominoes [43] [46]
"Lemon Squeezing Daddy"The Sultans [42]
"The Walkin' Blues (Walk Right In, Walk Right Out)"Fluffy Hunter [42]
"It Ain't the Meat (It's the Motion)" The Swallows [43]
1952"Keep On Churnin' (Till the Butter Comes)" Wynonie Harris [42]
"Big Ten Inch Record" Bull Moose Jackson [43]
"Nosey Joe" Bull Moose Jackson [47]
"Little Girl Sing Ding-A-Ling" Dave Bartholomew [48]
"Drill Daddy Drill" Dorothy Ellis [43]
1953"Wasn't That Good" Wynonie Harris [42]
"Laundromat Blues" The "5" Royales [42]
1954"Work with Me, Annie" The Midnighters [43]
"Shake, Rattle and Roll" Big Joe Turner [41]
"Big Long Slidin' Thing" Dinah Washington [43]
"Baby Let Me Bang Your Box"The Toppers [42]
"Mr Thrill"Mildred Jones [49]
"Rotten Cocksuckers' Ball" The Clovers [43]
"Toy Bell" The Bees [42]
"Sexy Ways" Hank Ballard [50]
1956"Salty Dog" Blind Willie McTell [5]

See also

Related Research Articles

<span class="mw-page-title-main">Robert Johnson</span> American blues musician (1911–1938)

Robert Leroy Johnson was an American blues musician and songwriter. His landmark recordings in 1936 and 1937 display a combination of singing, guitar skills, and songwriting talent that has influenced later generations of musicians. Although his recording career spanned only seven months, he is recognized as a master of the blues, particularly the Delta blues style, and as one of the most influential musicians of the 20th century. The Rock and Roll Hall of Fame describes him as perhaps "the first ever rock star".

<span class="mw-page-title-main">Lucille Bogan</span> American blues singer (1897–1948)

Lucille Bogan was an American classic female blues singer and songwriter, among the first to be recorded. She also recorded under the pseudonym Bessie Jackson. Music critic Ernest Borneman noted that Bogan was one of "the big three of the blues", along with Ma Rainey and Bessie Smith. Many of Bogan's songs have been recorded by later blues and jazz musicians.

Easy rider is an archaic United States slang expression whose meaning has varied with time.

<span class="mw-page-title-main">In My Time of Dying</span> 1928 single by Blind Willie Johnson

"In My Time of Dying" is a gospel music song by Blind Willie Johnson. The title line, closing each stanza of the song, refers to a deathbed and was inspired by a passage in the Bible from Psalms 41:3 "The Lord will strengthen him upon the bed of languishing, thou wilt make all his bed in his sickness". Numerous artists have recorded variations, including Bob Dylan and Led Zeppelin.

<span class="mw-page-title-main">Cross Road Blues</span> 1936 blues song by Robert Johnson

"Cross Road Blues" is a song written by the American blues artist Robert Johnson. He performed it solo with his vocal and acoustic slide guitar in the Delta blues style. The song has become part of the Robert Johnson mythology as referring to the place where he sold his soul to the Devil in exchange for musical genius. This is based largely on folklore of the American South that identifies a crossroads as the site where Faustian bargains can be made, as the lyrics do not contain any references to Satan.

<span class="mw-page-title-main">Hokum</span> Type of song in American blues

Hokum is a particular song type of American blues music—a song which uses extended analogies or euphemistic terms to make humorous, sexual innuendos. This trope goes back to early dirty blues recordings, enjoyed huge commercial success in the 1920s and 1930s, and is used from time to time in modern American blues and blues rock.

<span class="mw-page-title-main">Sweet Home Chicago</span> Blues standard first recorded by Robert Johnson

"Sweet Home Chicago" is a blues standard first recorded by Robert Johnson in 1936. Although he is often credited as the songwriter, several songs have been identified as precedents. The song has become a popular anthem for the city of Chicago despite ambiguity in Johnson's original lyrics. Numerous artists have interpreted the song in a variety of styles.

<i>The Black-Mans Burdon</i> 1970 studio album by Eric Burdon and War

The Black-Man's Burdon is a double album by American band Eric Burdon and War, released in December 1970 on MGM Records. It was the last album by the group before Burdon left and the remaining band continued as War.

Dirty rap is a subgenre of hip hop music that contains lyrical content revolving mainly around sexually explicit subjects.

"See See Rider", also known as "C.C. Rider", "See See Rider Blues" or "Easy Rider", is a popular American 12-bar blues song that became a standard in several genres. Gertrude "Ma" Rainey was the first to record it on October 16, 1924, at Paramount Records in New York. The song uses mostly traditional blues lyrics to tell the story of an unfaithful lover, commonly called an "easy rider": "See see rider, see what you have done", making a play on the word "see" and the sound of "easy".

Lil Johnson was an American singer who recorded dirty blues and hokum songs in the 1920s and 1930s.

Walter Roland was an American blues, boogie-woogie and jazz pianist, guitarist and singer, noted for his association with Lucille Bogan, Josh White and Sonny Scott. The music journalist Gérard Herzhaft stated that Roland was "a great piano player... as comfortable in boogie-woogies as in slow blues," adding that "Roland – with his manner of playing and his singing – was direct and rural."

"Shave 'Em Dry" is a dirty blues song, first recorded by Ma Rainey in August 1924 in Chicago. It was released on Paramount Records on September 6, 1924. Rainey was accompanied on the recording by two unknown guitarists. The record was advertised in The Chicago Defender on the same date as the record's release.

"Mother Fuyer" is a jump blues song, written and recorded by Dirty Red in 1947. The single was released by Aladdin Records on a 78 rpm, 10" shellac single record.

"Georgia Grind" is a jazz and dirty blues tune, written by Spencer Williams and copyrighted by him in 1926. The lyrics were added by Bud Allen. A recording was released by Louis Armstrong with his Hot Five by Okeh Records on a 78 rpm, mono 10" shellac single record in April 1926. The melody was the same as used in the song, "Shake That Thing", written in 1925 by Papa Charlie Jackson.

Sonny Scott was an American country blues guitarist, singer and songwriter, primarily noted for his association with Walter Roland and Lucille Bogan. In 1933, Scott recorded seventeen tracks in his own name, although only twelve were released at the time. AllMusic noted that his vocal and guitar styling was similar to Ed Bell, Blind Boy Fuller, Curley Weaver, Furry Lewis, and Buddy Moss.

"It Ain't the Meat (It's the Motion)", also known as "It Ain't the Meat", is a rhythm and blues song written by Henry Glover and Syd Nathan. It was first recorded in 1951 by the Swallows and released by King Records. It was later covered by Maria Muldaur in a 1974 version that has been credited with popularizing the song's title phrase as a proverb, referring to the importance of a man's sexual technique over the size of his penis.

Frank "Springback" James was an American blues and boogie-woogie pianist, singer, and songwriter. He recorded eighteen tracks released by four record labels between 1934 and 1938, as well as possibly providing accompaniment to several other blues musicians. Details of his life are sketchy, and some of his recording activity has been subject to historical guesswork, rather than hard evidence.

Charles Avery was an American blues and boogie-woogie pianist. Although he only recorded one commercially released track in his own name, Avery played piano accompaniment to a number of high-profile blues musicians in the 1920s and 1930s. Details of his life outside the recording studio are limited.

References

  1. 1 2 3 4 5 "Dirty Blues | Music Highlights". AllMusic . Retrieved 2016-05-07.
  2. "Press my button (ring my bell) - Lil Johnson lyrics". LyricsOfSong.com. Retrieved 2016-05-07.
  3. 1 2 Thom Jurek. "Shave 'Em Dry: The Best of Lucille Bogan - Lucille Bogan | Songs, Reviews, Credits". AllMusic . Retrieved 2016-05-07.
  4. Elijah Wald, The Dozens: A History of Rap's Mama, Oxford University Press, 2012, p. 60. ISBN   0-19-989540-6
  5. 1 2 "Risque Blues, Vol. 1 - Various Artists | Songs, Reviews, Credits". AllMusic. 1998-09-16. Retrieved 2016-05-06.
  6. "The Copulatin' Blues [Stash CD] - Various Artists - Songs, Reviews, Credits - AllMusic". AllMusic. Retrieved 15 September 2018.
  7. "Copulatin' Blues [Mojo] - Various Artists - Songs, Reviews, Credits - AllMusic". AllMusic. Retrieved 15 September 2018.
  8. 1 2 3 "Them Dirty Blues - Various Artists - Songs, Reviews, Credits - AllMusic". AllMusic. Retrieved 15 September 2018.
  9. "You Got to Give Me Some of It: 55 Risque Blues and R&B Classics 1928–1954 – Songs, Reviews, Credits – AllMusic". AllMusic. Retrieved 1 March 2019.
  10. "easy, a. and adv.", Oxford English Dictionary (2nd ed.), Oxford University Press, 1989, archived from the original on 2006-06-25, retrieved 2016-06-18, c. easy rider(U.S. slang): (a) a sexually satisfying lover (see also quot. 1926); (b) a guitar.
    1912–13 W. C. HANDY Memphis Blues, Mr. Crump don't 'low no easy riders here. 1926 in R. de Toledano Frontiers Jazz (1947) iii. 37 'Rider', 'easy rider', which term means both lover and (not either, or) procurer... Fidelity to his woman is expected of the easy rider. 1927 Jrnl. Abnormal & Social Psychol. XXII. 16 'Easy rider'. This apt expression is used to describe a man whose movements in coitus are easy and satisfying. It is frequently met both in Negro folk songs and in formal songs. 'I wonder where my easy rider's gone', is a sort of by-word with Southern negroes. 1949 R. BLESH Shining Trumpets vi. 128 In rural Negro parlance...easy rider meant the guitar...carried suspended by its cord. In the double meaning of Negro imagery, the femininely formed guitar...typifies also a woman companion. In Negro 'city talk', the term easy rider has come to mean either a sexually satisfying woman or a male lover who lives off a woman's earnings. 1958 P. OLIVER in P. Gammond Decca Bk. Jazz i. 24 For the blues singer, the most valuable instrument was the guitar,...and, as his 'easy rider', could be slung across his back when he wished to travel.
  11. Lighter, J.E. (1994), Random House Historical Dictionary of American Slang A-G, vol. I, Random House, p.  375, ISBN   0-394-54427-7, n Black E.1. a parasitical man usu. without a steady job who lives by gambling or sponging, (speicif.) a man who is supported by a woman, esp. a prostitute. [...] 2.a. a sexually satisfying lover. [...] b. a young woman who is sexually promiscious or easily seduced. Also easy ride. [...] c.a guitar [...] 4. a person who is not easily ruffled or provoked
  12. Larry Birnbaum (2013). Before Elvis: The Prehistory of Rock 'n' Roll. Rowman & Littlefield. p. 199. ISBN   9780810886384 . Retrieved 2016-05-07.
  13. 1 2 3 Seaton, William (2015-07-01). "Poetry on the Loose: The Imagery of Hokum Blues Songs". Williamseaton.blogspot.co.uk. Retrieved 2016-05-07.
  14. Laurence Staig (1993-01-26). "Obituary: Thomas Dorsey - People - News". The Independent. Retrieved 2014-06-14.
  15. Guido van, Rijn (1993). James "Stump" Johnson, 1929–1964 (CD booklet). James "Stump" Johnson. Document Records. p. 2.
  16. Hamilton, Marybeth (2000). "Sexuality, Authenticity and the Making of the Blues Tradition". Past & Present (169): 132–60. doi:10.1093/past/169.1.132. JSTOR   651266 . Retrieved 9 November 2022.
  17. Nick Tosches (2009-06-16). Unsung Heroes Of Rock 'n' Roll: The Birth Of Rock In The Wild Years Before Elvis. Hachette Books. p. 6. ISBN   9780786748372 . Retrieved 2016-05-07.
  18. 1 2 3 Eugene Chadbourne. "Lil Johnson | Biography & History". AllMusic . Retrieved 2016-05-07.
  19. 1 2 3 4 5 Russell, Tony (1997). The Blues: From Robert Johnson to Robert Cray. Dubai: Carlton Books. pp. 99–100. ISBN   1-85868-255-X.
  20. 1 2 3 4 5 "Harry's Blues Lyrics Online, Bo Carter Lyrics, page 1". Blueslyrics.tripod.com. Archived from the original on 2015-09-07. Retrieved 2015-08-30.
  21. 1 2 3 4 5 6 "On Dirty Blues — Kathryn Allyn". Archived from the original on 2016-06-01. Retrieved 2016-05-07.
  22. Chadbourne, Eugene. "Irene Scruggs". AllMusic . Retrieved October 22, 2010.
  23. Robert Palmer (1981). Deep Blues. Penguin Books. p.  79. ISBN   978-0-14-006223-6.
  24. Debra DeSalvo (2006). Language of the Blues : from Alcorub to Zuzu. Billboard Books. pp. 40–41. ISBN   0823083896.
  25. Chris Han (2013-08-16). "8 Sexually Explicit Songs From the 1930s - CollegeHumor Post". Collegehumor.com. Retrieved 2016-05-07.
  26. David Stubbs. "David Stubbs: Are we missing the many hidden meanings that are slipping through the net? | Culture". The Guardian . Retrieved 2016-05-07.
  27. Peter Stanfield (2002). Horse Opera: The Strange History of the 1930s Singing Cowboy. University of Illinois Press. p. 68. ISBN   9780252070495 . Retrieved 2016-05-07.
  28. 1 2 "Lil Johnson Discography". Discogs.com. Retrieved 2016-05-07.
  29. "Them Dirty Blues Done Got Me". Bluebullfrog.net. Retrieved 2016-05-12.
  30. Andy Lynes (2015-10-15). Hot Dog!: The wonderful world of the wiener. Pavilion Books. ISBN   9781911042068 . Retrieved 2016-05-07.
  31. "Dirty Blues". YouTube. 2014-06-05. Retrieved 2016-06-19.
  32. "Sessions for Robert J. and Me And Mr. Johnson | 12bar Blues Guitar". 12bar.de. Retrieved 2016-06-19.
  33. "Rocketship Weird Retro Captain's Blog". Weird Retro. 2014-10-04. Archived from the original on 2016-08-12. Retrieved 2016-06-19.
  34. "Various - Them Dirty Blues (A Double Disc Copulation Compilation) (CD)". Discogs.com. Retrieved 2016-06-19.
  35. Herzhaft, Gerard (1992). "Crosscut Saw". Encyclopedia of the Blues. University of Arkansas Press. p.  443. ISBN   1-55728-252-8.
  36. Berlatsky, Noah (2014-06-28). "19 Best Double-Entendre Songs That Are Really About Sex". Alternet. Retrieved 2016-05-12.
  37. 1 2 3 4 Yanow, Scott. "Julia Lee". AllMusic . Retrieved March 10, 2010.
  38. Peter Silverton (3 November 2011). Filthy English: The How, Why, When And What Of Everyday Swearing. p. 146. ISBN   9781846274527 . Retrieved 2016-11-02.
  39. Jon Stratton (2016-02-17). When Music Migrates: Crossing British and European Racial Faultlines, 1945–2010. Routledge. p. 53. ISBN   9781134762880 . Retrieved 2016-05-07.
  40. "Dirty Blues - The Ultimate Collection". Darkmp3.ru. Retrieved 2016-05-12.
  41. 1 2 "Dirty R&B — The Magazine". The-magazine.org. Retrieved 2016-05-07.
  42. 1 2 3 4 5 6 7 8 9 10 11 "Risque Rhythm (1950s)". Horntip.com. 2014-04-16. Retrieved 2016-05-07.
  43. 1 2 3 4 5 6 7 8 9 "10 Often-Censored Songs From the Early '50s". Rebeatmag.com. 2014-09-04. Retrieved 2016-05-07.
  44. "VA - He Got Out His Big Ten Inch [3CD] (2005) - IsraBox". Israbox.be. 2011-02-17. Retrieved 2016-05-12.
  45. Jacob Smith (7 February 2011). Spoken Word: Postwar American Phonograph Cultures. University of California Press. p. 108. ISBN   9780520948358 . Retrieved 2016-05-07.
  46. Gillett, Charlie (1996). The Sound of the City: The Rise of Rock and Roll (2nd ed.). New York, N.Y.: Da Capo Press. p. 156. ISBN   0-306-80683-5.
  47. "Tyler covered 'Big Ten-Inch' Record, but Bull Moose Jackson did it first". Goldminemag.com. 2015-01-22. Retrieved 2016-05-07.
  48. "Musikthemen - HitHistory Website". Hithistory.de. Retrieved 2016-06-19.
  49. "Living Blues". Living Blues Publications. 17 April 2004. Retrieved April 17, 2021 via Google Books.
  50. Nite, Norm N. Rock On: The Illustrated Encyclopedia of Rock n' Roll (The Solid Gold Years). Thomas Y. Crowell (1974), pp. 428–29. ISBN   0-690-00583-0.
  51. Gene Henry Anderson; Michael J. Budds (2007). The Original Hot Five Recordings of Louis Armstrong. Pendragon Press. pp. 48–50. ISBN   9781576471203 . Retrieved 2016-05-07.