Hadda Brooks was an American pianist, vocalist and composer, who was billed as "Queen of the Boogie". She was Inducted in the Rhythm and Blues Foundation Hall of Fame in 1993.
Boogie-woogie is a genre of blues music that became popular during the late 1920s, developed in African-American communities since the 1870s. It was eventually extended from piano to piano duo and trio, guitar, big band, country and western music, and gospel. While standard blues traditionally expresses a variety of emotions, boogie-woogie is mainly dance music. The genre had a significant influence on rhythm and blues and rock and roll.
Electric blues is blues music distinguished by the use of electric amplification for musical instruments. The guitar was the first instrument to be popularly amplified and used by early pioneers T-Bone Walker in the late 1930s and John Lee Hooker and Muddy Waters in the 1940s. Their styles developed into West Coast blues, Detroit blues, and post-World War II Chicago blues, which differed from earlier, predominantly acoustic-style blues. By the early 1950s, Little Walter was a featured soloist on blues harmonica using a small hand-held microphone fed into a guitar amplifier. Although it took a little longer, the electric bass guitar gradually replaced the stand-up bass by the early 1960s. Electric organs and especially keyboards later became widely used in electric blues.
Albert Clifton Ammons was an American pianist and player of boogie-woogie, a blues style popular from the late 1930s to the mid-1940s.
Kermit Holden "Pete" Johnson was an American boogie-woogie and jazz pianist.
Clarence "Pinetop" Smith, was an American boogie-woogie style blues pianist. His hit tune "Pinetop's Boogie Woogie" featured rhythmic "breaks" that were an essential ingredient of ragtime music, but also a fundamental foreshadowing of rock and roll. The song was also the first known use of the term "boogie woogie" on a record, and cemented that term as the moniker for the genre.
Joseph Amos Milburn was an American R&B singer and pianist, popular in the 1940s and 1950s. One commentator noted, "Milburn excelled at good-natured, upbeat romps about booze and partying, imbued with a vibrant sense of humour and double entendre, as well as vivid, down-home imagery in his lyrics."
"Boogie Chillen'" or "Boogie Chillun" is a blues song first recorded by John Lee Hooker in 1948. It is a solo performance featuring Hooker's vocal, electric guitar, and rhythmic foot stomps. The lyrics are partly autobiographical and alternate between spoken and sung verses. The song was his debut record release and in 1949, it became the first "down-home" electric blues song to reach number one in the R&B records chart.
Huey Pierce "Piano" Smith was an American R&B pianist and session musician whose sound was influential in the development of rock and roll.
Samuel Blythe Price was an American jazz, boogie-woogie and jump blues pianist and bandleader. Price's playing is dark, mellow, and relaxed rather than percussive, and he was a specialist at creating the appropriate mood and swing for blues and rhythm and blues recordings.
Willie Littlefield, Jr., billed as Little Willie Littlefield, was an American R&B and boogie-woogie pianist and singer whose early recordings "formed a vital link between boogie-woogie and rock and roll". Littlefield was regarded as a teenage wonder and overnight sensation when in 1949, at the age of 18, he popularized the triplet piano style on his Modern Records debut single, "It's Midnight". He also recorded the first version of the song "Kansas City", in 1952.
"Beat Me Daddy, Eight to the Bar" is a song written in 1940 by Don Raye, Hughie Prince, and Ray McKinley. It follows the American boogie-woogie tradition of syncopated piano music.
Dave Alexander, also known as Omar Sharriff, Omar Shariff, Omar Hakim Khayam, was an American West Coast blues singer and pianist.
Boogie rock is a style of blues rock music that developed in the late 1960s. Its key feature is a repetitive driving rhythm, which emphasizes the groove. Although inspired by earlier musical styles such as piano-based boogie-woogie, boogie rock has been described as "heavier" or "harder-edged" in its instrumental approach.
Little Willy can refer to:
"I Wonder" is a 1944 song written and originally performed by Pvt. Cecil Gant. The original version was released on the Bronze label, before Gant re-recorded it for the Gilt-Edge label in Los Angeles. The record made it to number one on the Juke Box Race Records chart and was Pvt. Gant's most successful release. In February 1945, pianist, Roosevelt Sykes hit number one with his version of the song. Sykes' version is notable in that it replaced Gant's version, at number one on the Juke Box Race Records chart.
Houseparty is a studio album by American R&B and boogie-woogie pianist and vocalist Little Willie Littlefield.
The Red One is a studio album by American R&B and Boogie-woogie pianist and vocalist Little Willie Littlefield.
"Drum Boogie" is a 1941 jazz "boogie-woogie" standard, composed by Gene Krupa and trumpeter Roy Eldridge and originally sung by Irene Daye, soon replaced by Anita O'Day.
