"Empty Bed Blues" | |
---|---|
Single by Bessie Smith | |
Recorded | March 20, 1928 |
Genre | Blues |
Length | 6:19 (Parts 1 & 2) |
Label | Columbia |
Songwriter(s) | J. C. Johnson |
"Empty Bed Blues" is a 1928 "dirty blues" song written by J. C. Johnson and first recorded by Bessie Smith.
Bessie Smith recorded the song in New York on March 20, 1928. The accompanying musicians were Porter Grainger (piano) and Charlie Green (trombone). The recording was issued by Columbia Records. [1] In 1983, Smith's recording was inducted to the Grammy Hall of Fame. [2]
The song was "the most notorious recording of [Smith's] career". [3] The lyrics are "full of sexual innuendos", [3] and contain numerous oblique references to penetrative sex, in its references to "grinding" coffee, as well as to "bacon" and "cabbage"; and to cunnilingus ("He's a deep-sea diver, with a stroke that can't go wrong/ He can touch the bottom, and his wind holds out so long").
The song was later recorded by artists including Della Reese (1959), Judy Henske (1963), Bette Midler (1977), and Maria Muldaur (2007).[ importance? ]
The original lyrics and music of the song entered the public domain in the United States in 2024. [4]
Bessie Smith was an African-American blues singer widely renowned during the Jazz Age. Nicknamed the "Empress of the Blues", she was the most popular female blues singer of the 1930s. Inducted into the Rock and Roll Hall of Fame in 1989, she is often regarded as one of the greatest singers of her era and was a major influence on fellow blues singers, as well as jazz vocalists.
Gertrude "Ma" Rainey was an American blues singer and influential early-blues recording artist. Dubbed the "Mother of the Blues", she bridged earlier vaudeville and the authentic expression of southern blues, influencing a generation of blues singers. Rainey was known for her powerful vocal abilities, energetic disposition, majestic phrasing, and a "moaning" style of singing. Her qualities are present and most evident in her early recordings "Bo-Weevil Blues" and "Moonshine Blues".
Robert Calvin Bland, known professionally as Bobby "Blue" Bland, was an American blues singer.
Dinah Washington was an American singer and pianist, one of the most popular black female recording artists of the 1950s. Primarily a jazz vocalist, she performed and recorded in a wide variety of styles including blues, R&B, and traditional pop music, and gave herself the title of "Queen of the Blues". She was a 1986 inductee of the Alabama Jazz Hall of Fame, and was inducted into the Rock and Roll Hall of Fame in 1993.
Joseph Russel Robinson was an American ragtime, dixieland, and blues pianist and composer. He was a member of the Original Dixieland Jass Band.
"Mack the Knife" or "The Ballad of Mack the Knife" is a song composed by Kurt Weill with lyrics by Bertolt Brecht for their 1928 music drama The Threepenny Opera. The song tells of a knife-wielding criminal of the London underworld from the musical named Macheath, the "Mack the Knife" of the title.
Lucille Bogan was an American classic female blues singer and songwriter, among the first to be recorded. She also recorded under the pseudonym Bessie Jackson. Music critic Ernest Borneman noted that Bogan was one of "the big three of the blues", along with Ma Rainey and Bessie Smith. Many of Bogan's songs have been recorded by later blues and jazz musicians.
"The Saint Louis Blues" is a popular American song composed by W. C. Handy in the blues style and published in September 1914. It was one of the first blues songs to succeed as a pop song and remains a fundamental part of jazz musicians' repertoire. Benny Goodman, Louis Armstrong, Cab Calloway, Bing Crosby, Bessie Smith, Eartha Kitt, Count Basie, Glenn Miller, Guy Lombardo, Peanuts Hucko, and the Boston Pops Orchestra are among the artists who have recorded it. The song has been called "the jazzman's Hamlet". Composer William Grant Still arranged a version of the song in 1916 while working with Handy.
Christiern Gunnar Albertson was a New York City-based jazz journalist, writer and record producer.
"You're the Cream in My Coffee" is a popular song published in 1928. Hit recordings were by Annette Hanshaw, Ben Selvin, Ted Weems and Ruth Etting.
"Sweet Home Chicago" is a blues standard first recorded by Robert Johnson in 1936. Although he is often credited as the songwriter, several songs have been identified as precedents. The song has become a popular anthem for the city of Chicago despite ambiguity in Johnson's original lyrics. Numerous artists have interpreted the song in a variety of styles.
"God Bless the Child" is a song written by Billie Holiday and Arthur Herzog Jr. in 1939. It was first recorded on May 9, 1941, by Billie Holiday and released by the Okeh Records in 1942.
"Ain't Nobody's Business" is a 1920s blues song that became one of the first blues standards. It was published in 1922 by Porter Grainger and Everett Robbins. The song features a lyrical theme of freedom of choice and a vaudeville jazz–style musical arrangement. It was first recorded, as "'Tain't Nobody's Biz-ness if I Do", in 1922 by Anna Meyers, backed by the Original Memphis Five.
"Down Hearted Blues" is a blues song composed by musician Lovie Austin, with lyrics by American jazz singer Alberta Hunter. The first line sets the theme for the song: "Gee but it's hard to love someone when that someone don't love you." Hunter sang it during her engagement at the Dreamland Cafe, in Chicago, where she performed with Joe "King" Oliver's band.
"(In My) Solitude" is a 1934 composition by Duke Ellington, with lyrics by Eddie DeLange and Irving Mills. It has been recorded numerous times and is considered a jazz standard.
"Ramona" is a 1928 song with lyrics by L. Wolfe Gilbert and music by Mabel Wayne. Composed for the 1928 feature film Ramona, it was the first theme song written for the movies.
Isaac Daniel (Dan) Hornsby was an American singer-songwriter, musician, recording artist, producer and arranger, studio engineer, band leader, artists and repertoire (A&R) man with Columbia Records, and radio personality.
The song "Backwater Blues" is a blues and jazz standard written by Bessie Smith. Smith recorded it as "Back-water Blues" on February 17, 1927, in New York City. Its musical composition entered the public domain on January 1, 2023.
"Need a Little Sugar in My Bowl" is a dirty blues song first recorded in 1931 by Bessie Smith and released by Columbia Records. It was written by Clarence Williams, J. Tim Brymn, and Dally Small. Owing to its sexually suggestive lyrics, it has been rated as one of the best double entendre songs of all time. In 1967, Nina Simone released "I Want a Little Sugar in My Bowl", which referenced lyrics from the original 1931 song.
Under the Copyright Term Extension Act, books published in 1928, films released in 1928, and other works published in 1928, enter the public domain in 2024. Sound recordings that were published in 1923 enter the public domain.