"Shake, Rattle and Roll" | ||||
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Single by Big Joe Turner | ||||
B-side | "You Know I Love You" | |||
Released | April 1954 [1] | |||
Recorded | New York City, February 15, 1954 | |||
Genre | ||||
Length | 2:57 | |||
Label | Atlantic | |||
Songwriter(s) | Jesse Stone (as "Charles Calhoun") | |||
Big Joe Turner singles chronology | ||||
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"Shake, Rattle and Roll" is a song written in 1954 by Jesse Stone (usually credited as "Charles Calhoun", his songwriting name) and first recorded that year by Big Joe Turner, whose version ranked No. 127 on the Rolling Stone magazine list of The 500 Greatest Songs of All Time.
In early 1954, Ahmet Ertegun [5] of Atlantic Records suggested to Jesse Stone that he write an up-tempo blues for Big Joe Turner, a blues shouter whose career had begun in Kansas City before World War II. Stone played around with various phrases before coming up with "shake, rattle and roll". [6] (Stone used his real name for ASCAP songs, while using the pseudonym "Charles Calhoun" for BMI-registered songs, such as "Shake, Rattle and Roll").
However, the phrase had been used in earlier songs. In 1910, vaudeville performer Baby Franklin Seals published "You Got to Shake, Rattle and Roll", a ragtime tune about gambling with dice, in New Orleans; [7] in 1919, Al Bernard recorded a version of the song. [8] [9]
Turner recorded "Shake, Rattle and Roll" in New York City on February 15, 1954. Atlantic released it as a single in April 1954, that reached number one on the U.S. Billboard R&B chart and number 22 on the Billboard singles chart. [10]
"Shake, Rattle and Roll" | ||||
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Single by Bill Haley | ||||
B-side | "A.B.C. Boogie" | |||
Released | August 1954 | |||
Recorded | New York City, June 7, 1954 | |||
Genre | Rock and roll | |||
Length | 2:26 | |||
Label | Decca | |||
Songwriter(s) | Charles F. Calhoun | |||
Bill Haley singles chronology | ||||
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Bill Haley & His Comets recorded a cover version of the song on June 7, 1954, [11] the same week Turner's version first topped the R&B chart. The Comets provided the instrumental accompaniment: Johnny Grande on piano, Billy Williamson on rhythm guitar, Marshall Lytle on bass, and Joey Ambrose on saxophone.[ citation needed ] Haley's version was released in August and reached number seven on the Billboard singles chart, spending a total of twenty-seven weeks in the Top 40. [11] In the UK, it peaked at number four. [12]
Elvis Presley recorded the song twice in a studio setting: a demo recorded at radio station KDAV in Lubbock, Texas in January 1955 [13] while under contract with Sun Records (this recording was not released until the 1990s) and as a 1956 single for RCA Victor.
Introduced by Cleveland disc jockey Bill Randle, rhythm guitar Presley, guitarist Scotty Moore, bassist Bill Black, and drummer D. J. Fontana performed the song in medley with the similar "Flip, Flop and Fly" on the January 28, 1956, broadcast of the Dorsey Brothers Stage Show (Haley's "kitchen" opening verse was sung). [14]
William John Clifton Haley was an American rock and roll musician. He is credited by many with first popularizing this form of music in the early 1950s with his group Bill Haley & His Comets and million-selling hits such as "Rock Around the Clock", "See You Later, Alligator", "Shake, Rattle and Roll", "Rocket 88", "Skinny Minnie", and "Razzle Dazzle". Haley has sold over 60 million records worldwide. In 1987, he was posthumously inducted into the Rock and Roll Hall of Fame.
"Rock Around the Clock" is a rock and roll song in the 12-bar blues format written by Max C. Freedman and James E. Myers in 1952. The best-known and most successful rendition was recorded by Bill Haley & His Comets in 1954 for American Decca. It was a number one single for two months and did well on the United Kingdom charts; the recording also reentered the UK Singles Chart in the 1960s and 1970s.
Bill Haley & His Comets was an American rock and roll band formed in 1947 and continuing until Haley's death in 1981. The band was also known as Bill Haley and the Comets and Bill Haley's Comets. From late 1954 to late 1956, the group recorded nine Top 20 singles, one of which was number one and three that were Top Ten. The single "Rock Around the Clock" was the best-selling rock single in the history of the genre and maintained that position for several years.
Joseph Vernon "Big Joe" Turner Jr. was an American blues shouter from Kansas City, Missouri. According to songwriter Doc Pomus, "Rock and roll would have never happened without him". Turner's greatest fame was due to his rock and roll recordings in the 1950s, particularly "Shake, Rattle and Roll", but his career as a performer endured from the 1920s into the 1980s.
Rockabilly is one of the earliest styles of rock and roll music. It dates back to the early 1950s in the United States, especially the South. As a genre, it blends the sound of Western musical styles such as country with that of rhythm and blues, leading to what is considered "classic" rock and roll. Some have also described it as a blend of bluegrass with rock and roll. The term "rockabilly" itself is a portmanteau of "rock" and "hillbilly", the latter a reference to the country music that contributed strongly to the style. Other important influences on rockabilly include western swing, boogie-woogie, jump blues, and electric blues.
The origins of rock and roll are complex. Rock and roll emerged as a defined musical style in the United States in the early to mid-1950s. It derived most directly from the rhythm and blues music of the 1940s, which itself developed from earlier blues, the beat-heavy jump blues, boogie woogie, up-tempo jazz, and swing music. It was also influenced by gospel, country and western, and traditional folk music. Rock and roll in turn provided the main basis for the music that, since the mid-1960s, has been generally known simply as rock music.
"That's All Right" is a song written and originally performed by the American blues singer Arthur Crudup, and recorded in 1946. It was rereleased in early March 1949 by RCA Victor under the title "That's All Right, Mama", which was issued as RCA's first rhythm and blues record on its new 45 rpm single format.
The Pied Piper of Cleveland: A Day in the Life of a Famous Disc Jockey is an American musical documentary film produced in the fall of 1955 documenting the career of disc jockey Bill Randle. Arthur Cohen directed the film, which was produced by Bill Randle himself.
"Tweedlee Dee" is a rhythm and blues novelty song with a Latin-influenced riff written by Winfield Scott for LaVern Baker and recorded by her at Atlantic Records' studio in New York City in 1954. It was her first hit, reaching number 4 on Billboard magazine's R&B chart and number 14 on its pop chart. It was Scott's first commercially successful song.
"See You Later, Alligator" is a 1950s rock and roll song written and first recorded by American singer-songwriter Bobby Charles. The song was a Top Ten hit for Bill Haley and His Comets in 1956 in the United States, reaching no. 6 on Billboard and CashBox. In the UK, the single peaked at no. 7.
Jesse Albert Stone was an American rhythm and blues musician and songwriter whose influence spanned a wide range of genres. He also used the pseudonyms Charles Calhoun and Chuck Calhoun. His best-known composition as Calhoun was "Shake, Rattle and Roll".
Bill Randle was an American disc jockey, lawyer and university professor.
Rudolph Toombs was an American performer and songwriter. He wrote "Teardrops from My Eyes", Ruth Brown's first number one R&B song, and other hit songs for her, including "5-10-15 Hours". He also wrote "One Mint Julep" for The Clovers.
"Honey Hush", is a blues song, written by Big Joe Turner, recorded in May 1953 in New Orleans, Louisiana, and released that August by Atlantic Records. It was a number-one song on Billboard's Rhythm and Blues chart for eight weeks.
Sunrise is a two-disc compilation of Elvis Presley's studio recordings at Sun Studio from 1953 to 1955, released in 1999, RCA 67675-2. This set features all of the surviving master recordings made by Presley and his accompanists, Scotty Moore and Bill Black, occasionally augmented by other musicians, prior to his arrival on RCA Records in 1956.
"Rip It Up" is a rock and roll song written by Robert Blackwell and John Marascalco. In June 1956, Specialty Records released it as a single by Little Richard with "Ready Teddy" as the B-side. The song reached the top position on the Billboard Rhythm & Blues Records chart as well as number 17 on the magazine's broader Billboard Hot 100. The version peaked at number 30 in the UK Singles Chart. The song was also recorded by Elvis Presley in 1956.
Shake, Rattle and Roll is an early rock and roll compilation album issued by Decca Records in 1955, and featuring music by Bill Haley & His Comets. The album, which was issued in a 10-inch format, consisted of recordings previously issued on singles in 1954 and 1955, including the title track, and "Rock Around the Clock", although at the time of this album's release in early 1955, "Rock Around the Clock" had not yet become a major hit. This was Haley's second album, and was one of the first album-length releases of the rock and roll era, predating the release of Elvis Presley's first album by a year.
"Flip, Flop and Fly" is a song recorded by Big Joe Turner in 1955. Called a "prototypical rocker", it was recorded by several early rock and roll performers. In 1973, a version by the Downchild Blues Band reached the record singles chart in Canada.
Bill Haley & His Comets recorded many singles and albums. The following list references only their original release and generally does not include compilation albums or single reissues. This list does not include releases on which the Comets worked as session musicians, and primarily focuses on releases during Haley's lifetime.