Lawdy Miss Clawdy

Last updated
"Lawdy Miss Clawdy"
Specialty price.jpg
Single by Lloyd Price and His Orchestra
B-side "Mailman Blues"
ReleasedApril 1952 (1952-04)
RecordedMarch 13, 1952
Studio J&M Recording Studio, New Orleans, Louisiana
Genre
Length2:30
Label Specialty
Songwriter(s) Lloyd Price
Producer(s) Dave Bartholomew
Lloyd Price and His Orchestra singles chronology
"Lawdy Miss Clawdy"
(1952)
"Oooh, Oooh, Oooh"
(1952)

"Lawdy Miss Clawdy" is a song by New Orleans singer-songwriter Lloyd Price that "grandly introduced The New Orleans Sound ". [1] It was first recorded by Price in 1952 with Fats Domino and Dave Bartholomew during his first session for Art Rupe and Specialty Records. The song became one of the biggest selling R&B records of 1952 and crossed over to other audiences. "Lawdy Miss Clawdy" inspired many songs and has been recorded by a variety of artists.

Contents

Background

While still in high school, Lloyd Price was working for New Orleans radio station WBOK. [2] He provided jingles (music for radio advertisements) for various products, including those hawked by disc jockey James "Okey Dokey" Smith. One of Smith's catch phrases was "Lawdy Miss Clawdy", [3] which he used in ad slogans such as "Lawdy Miss Clawdy, eat Mother's Homemade Pies and drink Maxwell House coffee!" [4] Price's accompanying tune proved popular with the radio audience and he developed it into a full-length song. [2]

In 1952, Art Rupe, founder of Specialty Records in Los Angeles, came to New Orleans in search of new talent. [5] Local recording studio owner Cosimo Matassa introduced him to Dave Bartholomew, who co-wrote and produced many of Fats Domino's early hit records. [1] Bartholomew invited nineteen-year-old Lloyd Price to audition for Rupe at Matassa's J&M Studio.

The accounts differ on what happened next. [6] According to Rupe, Price spent too much time rehearsing and Rupe threatened to leave if he did not get it together; Rupe then relented and Price turned out an emotional performance of "Lawdy Miss Clawdy", prompting Rupe to cancel his return flight and arrange for a recording session. [5] Price remembered that he auditioned the song for Rupe and although he apparently liked it, he left for New York without arranging to record it; however, two months later Price recalled receiving a call "Art Rupe's back in town and he wants to record you". [7]

Recording and composition

"Lawdy Miss Clawdy" was recorded March 13, 1952 at Cosimo Matassa's J&M Studios in New Orleans. [4] Producer Dave Bartholomew used his backing band for the session, which consisted of pianist Salvador Doucette, guitarist Ernest McLean, bassist Frank Fields, drummer Earl Palmer, and saxophonists Herbert Hardesty (tenor) and Joe Harris (alto). [1] The first attempts at performing the song were not successful, reportedly because Bartholomew was dissatisfied with Doucette's piano part. [1] When Fats Domino arrived at the studio, he was persuaded by Bartholomew to sit in on the recording. [1] After one run through, Bartholomew announced "OK, that's it" and Matassa started the tape recorder. [1]

"Lawdy Miss Clawdy" opens with Fats Domino's "rolling trills ... in a cascading, horn-like procession". [1] Although Domino had recorded several songs using his trade-mark piano triplets style, [8] Price's hit provided it with its greatest exposure up to that time. [1] Domino repeats his intro for the piano solo. [1] Another key element of the song is Earl Palmer's drumming, described as "loping, midtempo shuffle beats with their busy ride cymbal". [6] This is anchored by Palmer's emphasis on the snare of the second and fourth beats of each bar, which led him to be referred to as "the father of the backbeat". [1] In characteristic New Orleans-style, the rest of the backing instrumentation also contributes to the song's rhythmic drive by "providing different elements of rhythm, in several different patterns ... This complex, layered beat might also be compared to African polyrhythms". [1]

"Lawdy Miss Clawdy" follows an eight-bar blues progression and has been notated in 12/8 time in the key of A. [9] The song's melody is derived from Fats Domino's 1950 hit "The Fat Man", [10] which he explained "came from an ol' blues tune called "Junkers Blues". [11] Price's song also features most of the same backing musicians as Domino's song. [12]

Price's vocals have been described as "heartbroken wails", [6] "expressive, wailing", [5] and "gritty". [7] His lyrics deal with teenage angst over a relationship. A previous take of the song opens: [7]

Oh now lawdy lawdy lawdy Miss Clawdy, girl who can your lover be
Well please don't excite me baby, no it can't be me

On the take that was released, Price confusingly uses a line from a later verse, "girl you sho' look good to me", but it stuck. [7]

Releases and charts

Specialty Records released "Lawdy Miss Clawdy" in April 1952 and on May 17, 1952, it entered Billboard's R&B chart, staying there a total of 26 weeks. [13] The song reached number one, where it spent seven weeks. [13] According to Art Rupe, the single sold nearly one million copies and record distributors reported that it was selling well outside of the usual R&B market, [5] but it did not appear in Billboard's pop charts. [13] "Lawdy Miss Clawdy" was also one of the top records for 1952 and the 1950s decade. [14]

Recognition and influence

"Lawdy Miss Clawdy" became "R&B Record of the Year" for 1952 in both Billboard and Cashbox magazines; it also earned Price Cashbox's "Best New R&B Singer of 1952" designation. [5] In 1995, it was added to the Rock and Roll Hall of Fame's list of the "500 Songs That Shaped Rock and Roll". [15] Authors Dawson and Propes discussed "Lawdy Miss Clawdy" among the first rock and roll songs. [7]

"Lawdy Miss Clawdy" "set the pattern for the rock and roll years in New Orleans" [6] and its success led many to try to emulate it; one author suggests "for a time, every new R&B song coming out of New Orleans sounded suspiciously like "Lawdy Miss Clawdy". [7] In 1953, singer Tommy Ridgley, a friend of Price's who nearly recorded "Lawdy Miss Clawdy" first, recorded a follow-up tune "Oh, Lawdy, My Baby". [7] In 1958, Larry Williams, who had been Lloyd Price's valet, reworked the song to become "Dizzy Miss Lizzy". [2]

Price's song has also been identified as "one of the first rhythm and blues records to attract the attention of white Southern teenagers, among them Elvis Presley, who cut his own version four years later" [16] and "becom[ing] a repertoire staple of local country bands". [7] A variety of artists have recorded "Lawdy Miss Clawdy". [17]

The song is included as a full-length performance by Price and Allen Toussaint in the 2005 documentary film Make It Funky! , which presents a history of New Orleans music and its influence on rhythm and blues, rock and roll, funk and jazz. [18] [19]

Related Research Articles

<span class="mw-page-title-main">Rhythm and blues</span> Music genre originated in the 1940s

Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated within African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking, jazz based music ... [with a] heavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of a piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American history and experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of societal racism, oppression, relationships, economics, and aspirations.

<span class="mw-page-title-main">Lloyd Price</span> American rock and roll singer (1933–2021)

Lloyd Price was an American R&B and rock 'n' roll singer, known as "Mr. Personality", after his 1959 million-selling hit, "Personality". His first recording, "Lawdy Miss Clawdy", was a hit for Specialty Records in 1952. He continued to release records, but none were as popular until several years later, when he refined the New Orleans beat and achieved a series of national hits. He was inducted into the Rock and Roll Hall of Fame in 1998.

<span class="mw-page-title-main">Fats Domino</span> American pianist and singer (1928–2017)

Antoine Dominique Domino Jr., known as Fats Domino, was an American pianist, singer and songwriter. One of the pioneers of rock and roll music, Domino sold more than 65 million records. Born in New Orleans to a French Creole family, Domino signed to Imperial Records in 1949. His first single "The Fat Man" is cited by some historians as the first rock and roll single and the first to sell more than 1 million copies. Domino continued to work with the song's co-writer Dave Bartholomew, contributing his distinctive rolling piano style to Lloyd Price's "Lawdy Miss Clawdy" (1952) and scoring a string of mainstream hits beginning with "Ain't That a Shame" (1955). Between 1955 and 1960, he had eleven Top 10 US pop hits. By 1955, five of his records had sold more than a million copies, being certified gold.

<span class="mw-page-title-main">Earl Palmer</span> American drummer (1924–2008)

Earl Cyril Palmer was an American drummer. Considered one of the inventors of rock and roll, he is a member of the Rock and Roll Hall of Fame.

<span class="mw-page-title-main">New Orleans rhythm and blues</span> Style of R&B music originating in New Orleans

New Orleans rhythm and blues is a style of rhythm and blues that originated in New Orleans. It was a direct precursor to rock and roll and strongly influenced ska. Instrumentation typically includes drums, bass, piano, horns, electric guitar, and vocals. The style is characterized by syncopated "second line" rhythms, a strong backbeat, and soulful vocals. Artists such as Roy Brown, Dave Bartholomew, and Fats Domino are representative of the New Orleans R&B sound.

Willie Hall, best known by his nickname Drive 'Em Down, was a New Orleans blues and boogie woogie piano player. He never recorded, but has had a great influence on blues and rock and roll.

<span class="mw-page-title-main">Dave Bartholomew</span> American musician, producer, and composer (1918–2019)

David Louis Bartholomew was an American musician, bandleader, composer, arranger, and record producer. He was prominent in the music of New Orleans throughout the second half of the 20th century. Originally a trumpeter, he was active in many musical genres, including rhythm and blues, big band, swing music, rock and roll, New Orleans jazz, and Dixieland. In his induction into the Rock and Roll Hall of Fame, he was cited as a key figure in the transition from jump blues and swing to R&B and as "one of the Crescent City's greatest musicians and a true pioneer in the rock and roll revolution".

Swamp pop is a music genre indigenous to the Acadiana region of south Louisiana and an adjoining section of southeast Texas. Created in the 1950s by young Cajuns and Creoles, it combines New Orleans–style rhythm and blues, country and western, and traditional French Louisiana musical influences. Although a fairly obscure genre, swamp pop maintains a large audience in its south Louisiana and southeast Texas homeland, and it has acquired a small but passionate cult following in the United Kingdom, and Northern Europe

<span class="mw-page-title-main">I Hear You Knocking</span> Song first recorded by Smiley Lewis

"I Hear You Knocking" is a rhythm and blues song written by Dave Bartholomew. New Orleans rhythm and blues singer Smiley Lewis first recorded the song in 1955. The lyrics tell of the return of a former lover who is rebuffed.

Arthur Newton Rupe was an American music executive and record producer. He founded Specialty Records, known for its rhythm and blues, blues, gospel and early rock and roll music recordings, in Los Angeles in 1946.

"The Fat Man" is a song by American rhythm and blues recording artist Fats Domino. It was written by Domino and Dave Bartholomew, and recorded on December 10, 1949. It is often cited as one of the first rock and roll records or at least a strong influence on the genre. This was a "rollicking" song, according to The Guardian "but what made it a rocker was Fats's barrelling piano triplets, combined with a solid big beat".

"Walking to New Orleans" is a 1960 song by Bobby Charles, written for and recorded by Fats Domino. The record was a hit, released on Imperial Records, reaching #6 on the pop chart and #2 on the R&B chart.

<span class="mw-page-title-main">Cosimo Matassa</span> American recording engineer and studio owner

Cosimo Vincent Matassa was an American recording engineer and studio owner, responsible for many R&B and early rock and roll recordings.

<span class="mw-page-title-main">Junker Blues</span> 1941 song by Champion Jack Dupree

Junker Blues is a piano blues song first recorded in 1940 by Champion Jack Dupree. It formed the basis of several later songs including the 1949 "The Fat Man" by Fats Domino and the 1952 "Lawdy Miss Clawdy" by Lloyd Price. The song is about a drug user's conflict with life and the law, makes references to cocaine, "needles", "reefers", and life in the penitentiary, and contains admonishments against the use of hard drugs.

<span class="mw-page-title-main">Herbert Hardesty</span> American musician and Tuskegee Airman (1925–2016)

Herbert Hardesty was an American musician who played tenor saxophone and trumpet. He is best known for his association with the New Orleans pianist Fats Domino and the producer Dave Bartholomew, beginning in 1948. He released six 45-rpm records as Herb Hardesty between 1959 and 1962. His first CD of these recordings, together with others made but not issued in 1958, were released worldwide in July 2012 by Ace Records as The Domino Effect.

<span class="mw-page-title-main">Archibald (musician)</span> American musician

John Leon Gross, who performed and recorded as Archibald, was an American rhythm and blues pianist and singer who had a hit in 1950 with "Stack-A-Lee", a version of "Stagger Lee".

Ernest J. McLean was an American rhythm and blues and jazz guitarist.

Frank Nomer Fields was an American double bass player who was involved in many R&B, rock and roll and jazz recordings made in New Orleans.

<i>The Exciting Lloyd Price</i> 1959 studio album by Lloyd Price

The Exciting Lloyd Price is the 1959 debut album by American singer Lloyd Price.

References

  1. 1 2 3 4 5 6 7 8 9 10 11 Coleman, Rick (2006). Blue Monday: Fats Domino and the Lost Dawn of Rock 'n' Roll . Da Capo Press. pp.  72–74. ISBN   978-0-306-81491-4.
  2. 1 2 3 Bronson, Fred (2003). The Billboard Book of Number One Hits. Billboard Books. p. 49. ISBN   978-0-8230-7677-2.
  3. Dawson, Propes 1992, p. 110. "Lawdy" phonetically approximates the pronunciation of "Lordy" in New Orleans patois.
  4. 1 2 Dahl, Bill. "Lawdy Miss Clawdy – Song Review". AllMusic . Retrieved October 6, 2013.
  5. 1 2 3 4 5 Broven, John (1978). Rhythm and Blues in New Orleans. Pelican Publishing. pp.  37–38. ISBN   978-0-88289-433-1.
  6. 1 2 3 4 Marsh, Dave (1999). The Heart of Rock & Soul: The 1001 Greatest Singles Ever Made. Da Capo Press. p. 306. ISBN   978-0-306-80901-9.
  7. 1 2 3 4 5 6 7 8 Dawson, Jim; Propes, Steve (1992). What Was the First Rock 'n' Roll Record?. Faber & Faber. pp. 108–111. ISBN   0-571-12939-0.
  8. According to Producer Bartholomew, "That triplet piano came from a guy out of California—Little Willie Littlefield". Hannush, Block 1991, p. 18.
  9. Ripani, Richard J. (2006). The New Blue Music: Changes in Rhythm & Blues, 1950–1999. University Press of Mississippi. p. 67. ISBN   978-1-57806-862-3.
  10. Birnbaum, Larry (2012). Before Elvis: The Prehistory of Rock 'n' Roll. Lanham, Massachusetts: Scarecrow Press. p. 329. ISBN   978-0-8108-8629-2.
  11. Hannusch, Jeff; Block, Adam (1991). "They Call Me the Fat Man ..." Antoine "Fats" Domino The Legendary Imperial (Album notes). Fats Domino. Imperial Records/Capitol EMI Records. p. 17. E2-7-96784-2.
  12. Dawson, Propes 1992, p. 63
  13. 1 2 3 Whitburn, Joel (1988). Top R&B Singles 1942–1988. Menomonee Falls, Wisconsin: Record Research. p.  335. ISBN   0-89820-068-7.
  14. Whitburn 1988, pp. 587, 598.
  15. "500 Songs That Shaped Rock and Roll". Exhibit Highlights. Rock and Roll Hall of Fame. 1995. Archived from the original on May 2, 2007. Retrieved October 7, 2013.
  16. Hildebrand, Lee (1991). Superblues – All Time Classic Blues Hits, Vol. 2 (Album notes). Various artists. Stax Records. p. 1. SCD–8559–2.
  17. "Lloyd Price: Lawdy Miss Clawdy – Also Performed By". AllMusic . Retrieved September 5, 2019.
  18. "IAJE What's Going On". Jazz Education Journal. Manhattan, Kansas: International Association of Jazz Educators. 37 (5): 87. April 2005. ISSN   1540-2886. ProQuest   1370090.
  19. Make It Funky! (DVD). Culver City, California: Sony Pictures Home Entertainment. 2005. ISBN   9781404991583. OCLC   61207781. 11952.