William John Clifton Haley was an American rock and roll musician. He is credited by many with first popularizing this form of music in the early 1950s with his group Bill Haley & His Comets and million-selling hits such as "Rock Around the Clock", "See You Later, Alligator", "Shake, Rattle and Roll", "Rocket 88", "Skinny Minnie", and "Razzle Dazzle". Haley has sold over 60 million records worldwide. In 1987, he was posthumously inducted into the Rock and Roll Hall of Fame.
"Rock Around the Clock" is a rock and roll song in the 12-bar blues format written by Max C. Freedman and James E. Myers in 1952. The best-known and most successful rendition was recorded by Bill Haley & His Comets in 1954 for American Decca. It was a number one single for two months and did well on the United Kingdom charts; the recording also reentered the UK Singles Chart in the 1960s and 1970s.
Bill Haley & His Comets was an American rock and roll band formed in 1947 and continuing until Haley's death in 1981. The band was also known as Bill Haley and the Comets and Bill Haley's Comets. From late 1954 to late 1956, the group recorded nine Top 20 singles, one of which was number one and three that were Top Ten. The single "Rock Around the Clock" was the best-selling rock single in the history of the genre and maintained that position for several years.
Francis Eugene Beecher was the lead guitarist for Bill Haley & His Comets from 1954 to 1962, and is best remembered for his innovative guitar solos that incorporated elements of jazz. He composed the classics "Blue Comet Blues", "Goofin' Around", "Week End", "The Catwalk", and "Shaky" when he was the lead guitarist for Bill Haley and the Comets. He continued to perform with surviving members of the Comets into 2006. In 2012, the Rock and Roll Hall of Fame inducted Beecher as a member of the Comets by a special committee, aimed at correcting the previous mistake of not inducting the Comets with Bill Haley.
William Famous Williamson was the American steel guitar player for Bill Haley and His Saddlemen, and its successor group Bill Haley & His Comets, from 1949 to 1963.
Don't Knock the Rock is a 1956 American musical film starring Alan Dale and Alan Freed. Directed by Fred F. Sears, the film also features performances by Bill Haley & His Comets, Little Richard, The Treniers, and Dave Appell and the Applejacks.
Rudolph Clement Pompilii was an American musician best known for playing tenor saxophone with Bill Haley and His Comets. He was usually credited under the alternate spelling Rudy Pompilli and occasionally as Rudy Pell.
"See You Later, Alligator" is a 1950s rock and roll song written and first recorded by American singer-songwriter Bobby Charles. The song was a Top Ten hit for Bill Haley and His Comets in 1956 in the United States, reaching no. 6 on Billboard and CashBox. In the UK, the single peaked at no. 7.
Donato Joseph "Danny" Cedrone was an American guitarist and bandleader, best known for his work with Bill Haley & His Comets on their epochal "Rock Around the Clock" in 1954.
Freddie Bell and the Bellboys were an American vocal group, influential in the development of rock and roll in the 1950s. Their recordings include "Hound Dog", "The Hucklebuck" and "Giddy Up a Ding Dong".
Twist Around the Clock is an American musical film released in 1961. It was a remake of Sam Katzman and Robert E. Kent's Rock Around the Clock. Like Rock Around the Clock, which was followed by a sequel titled Don't Knock the Rock, the film was followed by a sequel titled Don't Knock the Twist.
Shake, Rattle and Roll is an early rock and roll compilation album issued by Decca Records in 1955, and featuring music by Bill Haley & His Comets. The album, which was issued in a 10-inch format, consisted of recordings previously issued on singles in 1954 and 1955, including the title track, and "Rock Around the Clock", although at the time of this album's release in early 1955, "Rock Around the Clock" had not yet become a major hit. This was Haley's second album, and was one of the first album-length releases of the rock and roll era, predating the release of Elvis Presley's first album by a year.
Rock 'n Roll Stage Show is the first studio album and fourth overall album by rock and roll band Bill Haley and His Comets. Released by Decca Records in August 1956, it was the group's first album to include new, as opposed to previously released material. Although the album spawned several singles, it also featured several album-only tracks.
"Giddy Up a Ding Dong" is a rock and roll song which rose to prominence in 1956, when it was featured in the film Rock Around the Clock, starring Bill Haley. It became a hit in several countries for the group Freddie Bell and the Bellboys, and is perhaps their best known recording.
"Rock-A-Beatin' Boogie" is a 1952 song composed by Bill Haley and first recorded by the Esquire Boys in 1952. Bill Haley and the Comets recorded the song in 1955 for Decca. The song was featured in the 1956 movie Rock Around the Clock.
Bill Haley & His Comets recorded many singles and albums. The following list references only their original release and generally does not include compilation albums or single reissues. This list does not include releases on which the Comets worked as session musicians, and primarily focuses on releases during Haley's lifetime.
Albert Floyd Piccirilli, also known by his stage name Al Rex, was an American bass player for Bill Haley & His Comets and its predecessor Bill Haley and the Saddlemen.
"Hot Dog Buddy Buddy" is a 1956 rock and roll song composed by Bill Haley and released as a Decca single and also on Brunswick. The song appeared in the 1956 Columbia Pictures movie Don't Knock the Rock. The single peaked at #36 on the Cash Box pop singles chart.
"R-O-C-K" is a 1956 rock and roll song recorded and co-written by Bill Haley and released as a Decca single. The song appeared in the 1956 Columbia Pictures movie Rock Around the Clock. The single peaked at #16 on Billboard.
Ralph Jones was an American drummer, best known for his work with Bill Haley & His Comets. Jones was ultimately Haley's fifth, joining The Comets at their peak in 1955 and ultimately staying until 1960. Jones played on many of Haley's hit records on Decca, including "See You Later, Alligator".
