Earth vs. the Flying Saucers | |
---|---|
Directed by | Fred F. Sears |
Written by | Curt Siodmak George Worthing Yates Bernard Gordon as Raymond T. Marcus |
Based on | Flying Saucers from Outer Space 1953 book by Donald Keyhoe |
Produced by | Charles H. Schneer Sam Katzman (executive) |
Starring | Hugh Marlowe Joan Taylor |
Cinematography | Fred Jackman. Jr. |
Edited by | Danny B. Landres |
Music by | Mischa Bakaleinikoff (uncredited) |
Color process | Black and white |
Production company | |
Distributed by | Columbia Pictures |
Release date |
|
Running time | 84 minutes |
Country | United States |
Language | English |
Box office | $1,250,000 (US rentals) [2] |
Earth vs. the Flying Saucers (a.k.a. Invasion of the Flying Saucers and Flying Saucers from Outer Space) [3] is a 1956 American science fiction film from Columbia Pictures. It was produced by Charles H. Schneer, directed by Fred F. Sears, and stars Hugh Marlowe and Joan Taylor. [4] The stop-motion animation special effects were created by Ray Harryhausen. The storyline was suggested by the bestselling 1953 non-fiction book Flying Saucers from Outer Space by Maj. Donald Keyhoe. [5] The film was released as a double feature with The Werewolf . [6]
Scientist Dr. Russell Marvin and his new bride Carol are driving to work when a flying saucer appears overhead. With no proof of the encounter other than a tape recording of the ship's sound, Dr. Marvin is hesitant to notify his superiors. He is in charge of Project Skyhook, an American space program that has already launched ten research satellites into orbit. General Hanley, Carol's father, informs Marvin that many of the satellites have since fallen back to Earth. Marvin admits that he has lost contact with all of them and privately suspects alien involvement. The Marvins then witness the 11th falling from the sky shortly after launch.
When a saucer lands at the Skyhook facility the next day in front of the main building, a group of aliens in metallic suits exit with one alien walking peacefully into the entrance of the building, being met with gunfire fired upon by the infantry guards, killing the one alien, while the remaining aliens and saucer are protected by a force field. After retrieving the body of the dead alien, the saucer lifts-off, returning the fire, spreading destruction across the facility, and killing everyone but the Marvins, who were trapped below ground. General Hanley is captured and taken away in the saucer. Too late, Russell discovers and decodes a message on his tape recorder. The aliens just wanted to meet with Dr. Marvin and for that purpose landed at Skyhook where they were met with violence ('Shoot first, ask questions later.').
Marvin contacts the aliens by radio and sneaks away to meet them, followed closely by Carol and Major Huglin. They and a pursuing motorcycle patrol officer are taken aboard a saucer, where the aliens have extracted knowledge directly from the general's brain. The aliens explain that they are the last of their species, having fled from their destroyed solar system. They are extremely aged and are kept alive only by their protective garments. They have shot down all the launched satellites, fearing them as weapons. As proof of their power, the aliens give Dr. Marvin the coordinates of a naval destroyer that opened fire on them, and which they have since destroyed. Horrified by the cold, unempathic nature of the aliens, Carol begins to break down, and the patrol officer, despite an attempt by Marvin to stop him, pulls his revolver and fires on the aliens; the aliens subject him to the same mind control process as General Hanley. The aliens state that they will eventually return Hanley and the patrol officer. As the interaction continues, Carol becomes increasingly irrational, while Marvin tries to remain calm. Major Huglin and the Marvins are released with the message that the aliens want to meet with the world's leaders in 56 days in Washington, D.C. to negotiate an occupation of Earth.
Dr. Marvin's later observations lead to the discovery that the aliens' protective suits are made of solidified electricity and grant them enhanced auditory perception. Marvin develops a counter-weapon against their flying saucers, which he later successfully tests against a single saucer. As they escape, the aliens jettison Hanley and the patrol officer, who fall to their deaths. Groups of alien saucers then attack Washington, Paris, London, and Moscow, and resistance by conventional weapons is futile. But they are destroyed by Dr. Marvin's sonic weapon. The defenders also discover that the aliens can be easily killed by small arms gunfire when they are outside the force fields of their saucers. Upon repelling the attack and no further threats anticipated, Project Skyhook is reestablished with Dr. Marvin once again placed in charge.
Ray Harryhausen used stop-motion animation to create the scenes of the flying spacecraft. For increased realism in the scenes depicting saucers crashing into monuments and government buildings, he also animated falling masonry. [7] Some animation of figures was used to show the aliens emerging from the saucers. Much stock footage was used, including the shots, during the invasion, of a missile launch and of batteries of 90 mm M3 guns firing. Film of the destruction of HMS Barham during World War II was used to depict the sinking of a destroyer. Scenes showing satellite launches use footage of a Viking rocket takeoff and a failed V-2 rocket launch. [8] A scene depicting planes crashing after being hit by an alien ray utilizes film of a 1944 accident at an airshow near Spokane, Washington involving military aircraft. [9]
The film's iconic flying saucer design—a stationary central cabin encircled by a rotating outer ring with slotted vanes in it—matches purported eyewitness descriptions recorded by Maj. Donald Keyhoe in his best-selling non-fiction book about UFOs. At a tribute to Harryhausen held in Sydney, Australia, the animator said that he consulted with well-known 1950s UFO "contactee" George Adamski about the depiction of the flying saucers in the film. He noted that Adamski had become quite paranoid by that time. [10]
The voice of the aliens was produced by recording Paul Frees—in an uncredited role—on reel-to-reel audio tape. The speed control was then rapidly turned up and down by hand while the tape was played back, which had the effect of causing Frees's voice to waver in pitch as well as speed. [11]
A reviewer for Variety commented that the special effects were the real stars of Earth vs. the Flying Saucers: "This exploitation program does a satisfactory job of entertaining in the science-fiction class. The technical effects created by Ray Harryhausen come off excellently in the Charles H. Schneer production, adding the required out-of-this-world visual touch to the screenplay, taken from a screen story by Curt Siodmak, suggested by Major Donald E. Keyhoe's Flying Saucers from Outer Space." [12] [13] The Los Angeles Times was also fairly positive, writing that although the saucers "look like art department concoctions", the film still "has a sort of pseudoscientific charm". [1] The Monthly Film Bulletin gave a negative review, stating that the "semi-documentary technique" was "pretentious" and the use of stock footage, "crude model-work", and most of the best-known science-fiction clichés made the movie "a long-winded and rather bleak invasion from outer space". [14] Bosley Crowther of The New York Times was also negative, calling it "utter nonsense that is childishly and humorlessly put forth". [15]
Earth vs. the Flying Saucers spawned a subgenre of subsequent flying saucer films, many of which incorporated elements contributed by Harryhausen to the seminal movie. [8] In an article for The New York Times , film reviewer Hal Erickson noted, "Anyone who's seen the 1996 science-fiction lampoon Mars Attacks! may have trouble watching Earth vs. the Flying Saucers with a straight face". The later film could be seen as a campy homage to the era, especially the innovations of Earth vs. the Flying Saucers. [16]
The four-issue comic book miniseries Flying Saucers vs. the Earth (2008), released by TidalWave Productions as part of their Ray Harryhausen Signature Series, reimagines the events of the film from the perspective of the alien invaders, identified in the comics as the Sons of Aberrann. [17] A preview of the first issue was included on the 50th-anniversary DVD release of the film. [18]
The film is partially featured in the Breaking Bad episode "Cancer Man".
Donald Edward Keyhoe was an American Marine Corps naval aviator, writer of aviation articles and stories in a variety of publications, and tour manager of aviation pioneer Charles Lindbergh.
UFO conspiracy theories are a subset of conspiracy theories which argue that various governments and politicians globally, in particular the United States government, are suppressing evidence that unidentified flying objects are controlled by a non-human intelligence or built using alien technology. Such conspiracy theories usually argue that Earth governments are in communication or cooperation with extraterrestrial visitors despite public disclaimers, and further that some of these theories claim that the governments are explicitly allowing alien abduction.
Raymond Frederick Harryhausen was an American-British animator and special effects creator who created a form of stop motion model animation known as "Dynamation". His works include the animation for Mighty Joe Young (1949) with his mentor Willis H. O'Brien ; his first color film, The 7th Voyage of Sinbad (1958); and Jason and the Argonauts (1963), which featured a sword fight with seven skeleton warriors. His last film was Clash of the Titans (1981), after which he retired from filmmaking.
The Flying Saucers Are Real, by Donald Keyhoe, was a book that investigated reports of UFOs by United States Air Force fighters, personnel, and other aircraft, between 1947 and 1950.
This Island Earth is a 1955 American science fiction film produced by William Alland, directed by Joseph M. Newman and Jack Arnold, and starring Jeff Morrow, Faith Domergue and Rex Reason. It is based on the 1952 novel of the same name by Raymond F. Jones. The film, distributed by Universal-International, was released in 1955 on a double feature with Abbott and Costello Meet the Mummy.
It Came from Beneath the Sea is a 1955 American science fiction monster horror film from Columbia Pictures, produced by Sam Katzman and Charles Schneer, directed by Robert Gordon, that stars Kenneth Tobey, Faith Domergue, and Donald Curtis. The screenplay by George Worthing Yates was designed to showcase the stop motion animation special effects of Ray Harryhausen.
First Men in the Moon is a 1964 British science fiction film, produced by Charles H. Schneer, directed by Nathan Juran, and starring Edward Judd, Martha Hyer and Lionel Jeffries. The film, distributed by Columbia Pictures, is an adaptation by screenwriter Nigel Kneale of H. G. Wells' 1901 novel The First Men in the Moon.
20 Million Miles to Earth is a 1957 American science-fiction monster film directed by Nathan Juran and featuring stop-motion animation by Ray Harryhausen. It stars William Hopper, Joan Taylor, and Frank Puglia. Set in Italy, the film centers on an alien lifeform from Venus that arrives via a crashed rocket, and begins rapidly growing.
Hangar 18 is a 1980 American science fiction action film directed by James L. Conway and written by Ken Pettus, from a story by Thomas C. Chapman and Conway. It stars Darren McGavin, Robert Vaughn, Gary Collins, James Hampton and Pamela Bellwood.
Many works of fiction have featured UFOs. In most cases, as the fictional story progresses, the Earth is being invaded by hostile alien forces from outer space, usually from Mars, as depicted in early science fiction, or the people are being destroyed by alien forces, as depicted in the film Independence Day. Some fictional UFO encounters may be based on real UFO reports, such as Night Skies. Night Skies is based on the 1997 Phoenix UFO Incident.
The Golden Voyage of Sinbad is a 1973 fantasy adventure film directed by Gordon Hessler, featuring stop-motion effects by Ray Harryhausen. The film stars John Phillip Law, Tom Baker, Takis Emmanuel, and Caroline Munro. Based on the Arabian Nights tales of Sinbad the Sailor, it is the second of three Sinbad films released by Columbia Pictures, following The 7th Voyage of Sinbad (1958) and preceding Sinbad and the Eye of the Tiger (1977).
The Strange World of Planet X is an independently made 1958 British science fiction horror film, produced by George Maynard and John Bash, directed by Gilbert Gunn, that stars Forrest Tucker and Gaby André. The film was distributed in the UK in February, 1958 by Eros Films. It was released in the US on July 7, 1958 by Distributors Corporation of America as a double feature with The Crawling Eye, also starring Tucker.
Mysterious Island is a 1961 science fiction adventure film about prisoners in the American Civil War who escape in a balloon and then find themselves stranded on a remote island populated by giant and tiny animals.
Battle in Outer Space is a 1959 Japanese science fiction film directed by Ishirō Honda, with special effects by Eiji Tsuburaya.
Warning from Space is a Japanese tokusatsu science fiction film directed by Koji Shima. Produced and distributed by Daiei Film, it was the first Japanese science fiction film to be produced in color and predates Daiei's most iconic tokusatsu characters, Gamera and Daimajin. In the film's plot, starfish-like aliens disguised as humans travel to Earth to warn of the imminent collision of a rogue planet and Earth. As the planet rapidly accelerates toward Earth, a nuclear device is created at the last minute and destroys the approaching world.
Flying Saucers from Outer Space is a non-fiction book by Donald Keyhoe about unidentified flying objects, aka UFOs.
Charles Hirsch Schneer was an American film producer, best known for working with Ray Harryhausen, the specialist known for his work in stop motion model animation.
A flying saucer, or flying disc, is a purported disc-shaped UFO. The term was coined in 1947 by the news media for the objects pilot Kenneth Arnold claimed flew alongside his airplane above Washington State. Newspapers reported Arnold's story with speed estimates implausible for airplanes of the period. The story spurred a wave of hundreds of sightings across the United States, including the Roswell incident and Flight 105 UFO sighting. The concept quickly spread to other countries. Early reports speculated about secret military technology, but flying saucers became synonymous with aliens by 1950. The term has gradually been supplanted by the more general military terms unidentified flying object (UFO) and unidentified anomalous phenomena (UAP).
A flying saucer is an unidentified flying object (UFO) that is saucer-shaped. The term may also generally refer to any UFO.
Fearful Attack of the Flying Saucers is a 1956 independent Japanese tokusatsu science fiction film directed and written by Shinichi Sekizawa, with special effects and cinematography by Sadao Uemura. Produced by Kokumotsu Films and distributed by Shintoho, it is Sekizawa's sole directorial credit and stars Tadao Takashima, Junko Ebata, Taiji Tonoyama, Hiroshi Sugi, Shigeru Amachi, and Junji Masuda. In the film, a group of Japanese scientists deal with a sudden alien invasion by inventing a rocket in order to save the planet.
... in a little over five minutes last night at the opening of this Columbia film...