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The Beast with Five Fingers | |
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Directed by | Robert Florey |
Screenplay by | Curt Siodmak Harold Goldman |
Based on | "The Beast with Five Fingers" 1919 short story in The New Decameron by William Fryer Harvey |
Produced by | William Jacobs |
Starring | Robert Alda Andrea King Peter Lorre Victor Francen J. Carrol Naish |
Cinematography | Wesley Anderson |
Edited by | Frank Magee |
Music by | Max Steiner |
Production company | |
Distributed by | Warner Bros. |
Release date |
|
Running time | 88 minutes |
Country | United States |
Language | English |
The Beast with Five Fingers is a 1946 American mystery horror film directed by Robert Florey from a screenplay by Curt Siodmak, based on the 1919 short story of the same name by W. F. Harvey. The film stars Robert Alda, Victor Francen, Andrea King, and Peter Lorre. The film's score was composed by Max Steiner.
Francis Ingram is a noted pianist who lives in a large manor house in turn-of-the-century Italy. Ingram suffered a stroke which left his right side immobile, and he has to use a wheelchair to get around. He has retreated to the manor house for the past few years, where he lives with his nurse, Julie Holden; his secretary and astrologist Hilary Cummins; a friend, Bruce Conrad; and his sister's son, Donald Arlington. Holden and Conrad are secretly in love. Holden plans to leave Ingram's service and return to America, but wants to talk it over with Ingram first. Conrad wants her to instead leave immediately, feeling that caring for Ingram is sapping her vitality, while Cummins opposes her leaving at all, saying he will be left with no time to do his work without her to take care of Ingram's needs. After witnessing Holden and Conrad kissing, Cummins tells Ingram of the affair. Ingram, unwilling to believe it, starts to choke Cummins. Holden's intervention saves him, but Ingram orders him out of the manor.
That night, Ingram is awakened by a storm outside. He climbs into his wheelchair and, disoriented by hallucinations, falls down the stairs, breaking his neck. Commissario Ovidio Castanio of the local police investigates the death, and finds no sign of foul play.
Holden, Cummins, Conrad, Donald and his father Raymond Arlington, and Duprex, Ingram's attorney, gather for the reading of Ingram's will and testament. The Arlingtons assume they will get everything, and gloat to Cummins that they plan to have his cherished books shipped off and sold. Instead, Ingram's will grants all he owns to Holden. The Arlingtons threaten to have the will annulled by having Holden found culpable in Ingram's death, as his nurse. Duprex tells the Arlingtons that Ingram wrote an older will which gave everything to Donald, and offers to help overturn the new will in favor of the old one in exchange for a third of the estate. That night, while forging the "older will", Duprex is strangled to death. Only the assailant's left hand (which has Ingram's ring) is seen.
Castanio investigates. Everyone hears Ingram playing the piano in the main hall, but when they go to check no one is there. Castanio witnesses Donald attacked and almost choked to death by the hand with Ingram's ring. He checks Ingram's coffin in the mausoleum and finds that Ingram's left hand has been cut off; and that a hand-sized hole has been broken out of a window---from the inside! Outside, leading away from the hole is a trail of handprints. Castanio begins to believe Ingram's severed hand may have killed Duprex.
Cummins sees the disembodied hand while working in the library. He grabs the hand and locks it in a desk drawer. When he summons Conrad and Holden to show them, the hand is gone, and they assume it to have been a figment of his imagination. Donald remembers the combination and location of a safe in the house, and Castanio and his father accompany him to the room where it is located. Inside is the disembodied hand. In a panic, Donald flees the house with Conrad in pursuit. Holden realizes that Cummins is the killer, having acted to safeguard his books, but his conscience is driving him mad, making him insist that the hand did it all. She urges him to turn himself in, promising to speak on his behalf. He instead tries to kill her to keep her from telling anyone else. To stay his hand, she claims to believe the hand is responsible, and begs Cummins to protect her from it. Completely convinced by his delusion, Cummins seizes the hand and throws it in the fire, but the burning hand crawls out and chokes him, fading out of existence after he collapses.
Castanio and Conrad discover a hidden record player with a recording of Ingram's piano playing which Cummins remotely triggered from his desk. Castanio theorizes that Cummins cut off the hand, which he kept in his desk or the safe whenever not using it in an attack.
The film was Warner Bros.' only foray into the horror genre in the 1940s and was Peter Lorre's last film with the studio.[ citation needed ]
Graham Baker was reported as working on a script for Warner Bros in 1945. [1] Robert Florey was assigned to direct with Andrea King and Paul Henreid to star. [2] The screenwriter Curt Siodmak had originally written the film for Henreid, who turned it down. [3] Robert Alda was cast instead.[ citation needed ]
Filming started November 27, 1945. [4] The piece much played throughout the film is a slightly modified version of Brahms' transcription for left hand of the chaconne from Johann Sebastian Bach's Violin Partita in D minor, performed by Warner Bros. pianist Victor Aller. His hand is shown playing the piano and throughout the movie.[ citation needed ]
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The film was released on Laser Disc by MGM/UA Home Video on March 16, 1999 and released on DVD by Warner Brothers on October 1, 2013. [5]
Shown on the MeTV show Svengoolie on March 26, 2022.
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On Rotten Tomatoes, the film holds an approval rating of 89% based on 18 reviews, with a weighted average rating of 6.6/10. [6] Author and film critic Leonard Maltin awarded the film two and a half out of a possible four stars, calling it "[an] Intriguing, if not entirely successful mood piece". [7] Bob Mastrangelo from Allmovie gave the film a positive review, calling it "effectively eerie", and praised the film's special effects. [8]
[[Category:American black-and-white films]
Peter Lorre was a Hungarian and American actor, active first in Europe and later in the United States. He began his stage career in Vienna, in the Austro-Hungarian Empire, before moving to Germany, where he worked first on the stage, then in film, in Berlin during the late 1920s and early 1930s. Lorre caused an international sensation in the Weimar Republic–era film M (1931). Directed by Fritz Lang, Lorre portrayed a serial killer who preys on little girls.
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Robert Florey was a French-American director, screenwriter, film journalist and actor.
The Mask of Dimitrios is a 1944 American film noir starring Sydney Greenstreet, Zachary Scott, Faye Emerson, Peter Lorre, and Victor Francen. Directed by Jean Negulesco, it was written by Frank Gruber, based on the 1939 novel of the same title written by Eric Ambler. Scott played the title role, of Dimitrios Makropoulos, in his film debut.
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The Killers is a 1946 American film noir directed by Robert Siodmak and starring Burt Lancaster in his film debut, along with Ava Gardner, Edmond O'Brien and Sam Levene. Based in part on the 1927 short story of the same name by Ernest Hemingway, it focuses on an insurance detective's investigation into the execution by two professional killers of a former boxer who was unresistant to his own murder. The screenplay was written by Anthony Veiller, with uncredited contributions by John Huston and Richard Brooks.
Curt Siodmak was a German-American novelist, screenwriter and director. He is known for his work in the horror and science fiction film genres, with such films as The Wolf Man and Donovan's Brain. He was the younger brother of noir director Robert Siodmak.
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Mad Love is a 1935 American body horror film, an adaptation of Maurice Renard's novel The Hands of Orlac. It was directed by German-émigré film maker Karl Freund, and stars Peter Lorre as Dr. Gogol, Frances Drake as Yvonne Orlac and Colin Clive as Stephen Orlac. The plot revolves around Doctor Gogol's obsession with actress Yvonne Orlac. When Stephen Orlac's hands are destroyed in a train accident, Yvonne brings them to Gogol, who claims to be able to repair them. As Gogol becomes obsessed to the point that he will do anything to have Yvonne, Stephen finds that his new hands have made him into an expert knife thrower.
Invisible Agent is a 1942 American action and spy film directed by Edwin L. Marin with a screenplay written by Curt Siodmak. The invisible agent is played by Jon Hall, with Peter Lorre and Sir Cedric Hardwicke as members of the Axis, and Ilona Massey and Albert Basserman as Allied spies. The film is inspired by the 1897 H. G. Wells novel The Invisible Man.
William Fryer Harvey AM, known as W. F. Harvey, was an English writer of short stories, most notably in the macabre and horror genres. Among his best-known stories are "August Heat" (1910) and "The Beast with Five Fingers" (1919), described by horror historian Les Daniels as "minor masterpieces".
Rhapsody in Blue, subtitled The story of George Gershwin is a 1945 American biographical film about composer and musician George Gershwin, released by Warner Brothers. Robert Alda stars as Gershwin. Joan Leslie, Alexis Smith, Hazel Scott, and Anne Brown also star, while Irving Rapper directs. The film was released in the United States on September 22, 1945.
The Hand is a 1981 American psychological horror film written and directed by Oliver Stone, based on the novel The Lizard's Tail by Marc Brandel. The film stars Michael Caine and Andrea Marcovicci. Caine plays Jon Lansdale, a comic book artist who loses his hand, which in turn takes on a murderous life of its own. The original film score is by James Horner, in one of his earliest projects. Warner Bros. released the movie on DVD on September 25, 2007.
Victor Francen was a Belgian-born actor with a long career in French cinema and in Hollywood.
Victor Aller was an American pianist.
The Hands of Orlac is a 1924 Austrian silent film directed by Robert Wiene and starring Conrad Veidt, Alexandra Sorina and Fritz Kortner. It is based on the novel Les Mains d'Orlac by Maurice Renard.
The Conspirators is a 1944 American film noir, World War II, drama, spy, and thriller film directed by Jean Negulesco. It stars Hedy Lamarr and Paul Henreid, features Sydney Greenstreet and Peter Lorre in supporting roles, and has a cameo of Aurora Miranda singing a Fado. The Conspirators reunites several performers who appeared in Casablanca (1942).
The Hands of Orlac is a 1960 horror film directed by Edmond T. Gréville, starring Mel Ferrer, Christopher Lee and Dany Carrel. It was written by Gréville, John V. Baines with additional dialogue by Donald Taylor. It was based on the novel Les Mains d'Orlac by Maurice Renard, which had previously adapted into silent film and as a Hollywood film production.
Les Mains d'Orlac is a French science fiction novel written by Maurice Renard. The plot involves a celebrated pianist who loses his hands in a track crash and has them surgically replaced with those of an executed murderer. Soon, the transplanted hands assume the personality of its psychopathic donor.