The Climax (1944 film)

Last updated
The Climax
The-climax-movie-poster-md.jpg
Theatrical release poster
Directed by George Waggner
Screenplay by
Story byCurt Siodmak
Based onThe Climax
by Edward Locke
Produced byGeorge Waggner
Starring
Music by Edward Ward
Distributed by Universal Pictures
Release date
  • October 20, 1944 (1944-10-20)
Running time
86 min.
LanguageEnglish
Budget$750,000 [1]

The Climax is a horror film produced by Universal Pictures, first released in the United States in 1944. The credits state this is based on the 1909 play of the same name by Edward Locke, although the plot has little connection to Locke's play. Originally intended to be a sequel to Universal's remake of the Phantom of the Opera (1943), it featured new characters and a new plot.

Contents

Plot

The physician at the Vienna Royal Theatre, Dr. Hohner (Karloff) murders his fiancée, a prima donna, out of obsession and jealousy. Ten years later, he hears another young singer (Foster) who reminds him of the late diva, and is determined to make her sing only for him, even if it means silencing her forever.

Cast

Production

The film was originally conceived as a sequel to Phantom of the Opera (1943). [2] The Climax was made using the sets of the Phantom of the Opera remake, which in turn used Universal's opera house set for the original Phantom of the Opera (1925). Choreography was by Lester Horton. The film was also nominated for an Academy Award in 1944 for Best Art Direction (John B. Goodman, Alexander Golitzen, Russell A. Gausman, Ira S. Webb).

Reception

The Climax was a box office disappointment. [1]

Home media

This film, along with Night Key , Tower of London , The Strange Door and The Black Castle , was released on DVD in 2006 by Universal Studios as part of The Boris Karloff Collection.

In 2020, it was released in high definition as part of Scream Factory’s Universal Horror Collection, Vol. 4 blu ray set.

See also

Related Research Articles

<span class="mw-page-title-main">Boris Karloff</span> English actor (1887–1969)

William Henry Pratt, known professionally as Boris Karloff and occasionally billed as Karloff the Uncanny, was an English actor. His portrayal of Frankenstein's monster in the horror film Frankenstein (1931) established him as a horror icon, and he reprised the role for the sequels Bride of Frankenstein (1935) and Son of Frankenstein (1939). He also appeared as Imhotep in The Mummy (1932), and voiced the Grinch in, as well as narrating, the animated television special of Dr. Seuss' How the Grinch Stole Christmas! (1966), which won him a Grammy Award.

<i>Bride of Frankenstein</i> 1935 film by James Whale

Bride of Frankenstein is a 1935 American science fiction horror film, and the first sequel to Universal Pictures' 1931 film Frankenstein. As with the first film, Bride of Frankenstein was directed by James Whale starring Boris Karloff as the Monster and Colin Clive as Dr. Frankenstein. The sequel features Elsa Lanchester in the dual role of Mary Shelley and the bride. Colin Clive reprises his role as Henry Frankenstein, and Ernest Thesiger plays the role of Doctor Septimus Pretorius. Oliver Peters Heggie plays the role of the old blind hermit.

<i>Frankenstein</i> (1931 film) 1931 film by James Whale

Frankenstein is a 1931 American pre-Code science fiction horror film directed by James Whale, produced by Carl Laemmle Jr., and adapted from a 1927 play by Peggy Webling, which in turn was based on Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus. The Webling play was adapted by John L. Balderston and the screenplay written by Francis Edward Faragoh and Garrett Fort, with uncredited contributions from Robert Florey and John Russell.

<i>The Mummy</i> (1932 film) 1932 film

The Mummy is a 1932 American pre-Code supernatural horror film directed by Karl Freund. The screenplay by John L. Balderston was adapted from a treatment written by Nina Wilcox Putnam and Richard Schayer. Released by Universal Studios as a part of the Universal Classic Monsters franchise, the film stars Boris Karloff, Zita Johann, David Manners, Edward Van Sloan and Arthur Byron.

<i>The Wolf Man</i> (1941 film) American horror film

The Wolf Man is a 1941 American gothic horror film written by Curt Siodmak and produced and directed by George Waggner. The film stars Lon Chaney Jr. in the title role. Claude Rains, Warren William, Ralph Bellamy, Patric Knowles, Bela Lugosi, Evelyn Ankers, and Maria Ouspenskaya star in supporting roles. The title character has had a great deal of influence on Hollywood's depictions of the legend of the werewolf. The film is the second Universal Pictures werewolf film, preceded six years earlier by the less commercially successful Werewolf of London (1935). This film is part of the Universal Monsters movies and is of great cinematic acclaim for its production.

<i>Phantom of the Opera</i> (1943 film) 1943 horror film directed by Arthur Lubin

Phantom of the Opera is a 1943 American romantic horror film directed by Arthur Lubin, loosely based on Gaston Leroux's 1910 novel The Phantom of the Opera and its 1925 film adaptation starring Lon Chaney. Produced and distributed by Universal Pictures, the film stars Nelson Eddy, Susanna Foster and Claude Rains, and was composed by Edward Ward.

<i>The Invisible Man</i> (1933 film) 1933 film by James Whale

The Invisible Man is a 1933 American science fiction horror film directed by James Whale based on H. G. Wells' 1897 novel, The Invisible Man, produced by Universal Pictures, and starring Gloria Stuart, Claude Rains and William Harrigan. The film involves a Dr. Jack Griffin (Rains) who is covered in bandages and has his eyes obscured by dark glasses, the result of a secret experiment that makes him invisible, taking lodging in the village of Iping. Never leaving his quarters, the stranger demands that the staff leave him completely alone until his landlady and the villagers discover he is invisible. Griffin goes to the house of his colleague, Dr. Kemp and tells him of his plans to create a reign of terror. His fiancée Flora Cranley, the daughter of his employer Dr. Cranley, soon learn that Griffin's discovery has driven him insane, leading him to prove his superiority over other people by performing harmless pranks at first and eventually turning to murder.

<i>Black Friday</i> (1940 film) 1940 American science fiction film directed by Arthur Lubin

Black Friday is a 1940 American science fiction horror film starring Boris Karloff and Bela Lugosi.

<i>The Invisible Ray</i> (1936 film) 1936 film

The Invisible Ray is a 1936 American science-fiction horror film directed by Lambert Hillyer. It stars Boris Karloff as Dr. Janos Rukh, a scientist who comes in contact with a meteorite composed of an element known as "Radium X". After exposure to its rays begins to make him glow in the dark, his touch becomes deadly, and he begins to be slowly driven mad. Alongside Karloff, the film's cast includes Bela Lugosi, Frances Drake, Frank Lawton, Walter Kingsford, Beulah Bondi, Violet Kemble Cooper, and Nydia Westman.

<i>House of Frankenstein</i> (film) 1944 film

House of Frankenstein is a 1944 American horror film starring Boris Karloff, Lon Chaney Jr. and John Carradine. Based on a story by Curt Siodmak, it was directed by Erle C. Kenton and produced by Universal Pictures. The film is about Dr. Gustav Niemann, who escapes from prison and promises to create a new body for his assistant Daniel. Over the course of the film, they encounter Count Dracula, Larry Talbot, the Wolf Man, and Frankenstein's Monster.

<i>House of Dracula</i> 1945 film by Erle C. Kenton

House of Dracula is a 1945 American horror film released and distributed by Universal Pictures. Directed by Erle C. Kenton, the film features several Universal Horror properties meeting as they had done in the 1944 film House of Frankenstein. The film is set at the castle home of Dr. Franz Edelmann, who is visited first by Count Dracula and later by Larry Talbot, the Wolf Man, who are trying to cure their vampirism and lycanthropy, respectively. Talbot is eventually cured, which leads him to discover the body of Frankenstein's monster in a cave below the base of the castle. Edelemann takes the monster's body back to his laboratory but finds Count Dracula has awakened and by attacking his assistants, he captures Edelmann and forces a reverse blood transfusion, which gives Edelmann a split personality and makes him a killer.

<i>The Mummys Hand</i> 1940 film directed by Christy Cabanne

The Mummy's Hand is a 1940 American horror film directed by Christy Cabanne and produced by Ben Pivar for Universal Studios. Shot in black-and-white, the film is about the ancient Egyptian mummy of Kharis, who is kept alive with a brew of tana leaves by The High Priest and his successor Andoheb. Meanwhile, archeologists Steve Banning and Babe Jenson persuade magician Solvani to finance an expedition in search of the tomb of Princess Ananka. They are joined by Solvani's daughter Marta, and followed by Andoheb who is also the professor of Egyptology at the Cairo Museum. Kharis is ordered to kill off expedition members Dr. Petrie and Ali, while Andoheb becomes attracted to Marta who he plans to kidnap and make immortal.

<i>Tower of London</i> (1939 film) 1939 film by Rowland V. Lee

Tower of London is a 1939 black-and-white historical film directed and produced by Rowland V. Lee. It stars Basil Rathbone as the future King Richard III of England, and Boris Karloff as his fictitious club-footed executioner Mord. The film is based on the traditional depiction of Richard rising to become King of England in 1483 by eliminating everyone ahead of him. Each time Richard accomplishes a murder, he removes one figurine from a dollhouse resembling a throneroom. Once he has completed his task, he now needs to defeat the exiled Henry Tudor to retain the throne.

<i>The Ape</i> (1940 film) 1940 film by William Nigh

The Ape is a 1940 American horror film directed by William Nigh. The film is based on Adam Hull Shirk's play The Ape, which was previously adapted by Nigh as The House of Mystery (1934). The film stars Boris Karloff as Dr. Bernard Adrian who is seeking to cure a young woman's polio through experiments involving spinal fluid. Meanwhile, a vicious ape has been terrorising the towns locals, and breaking into Adrian's lab. A battle ensues between the two leading to Adrian deciding to skin the ape and disguise himself as the beast in order to get more spinal fluid which was destroyed in the battle.

<i>Man-Made Monster</i> 1941 film by George Waggner

Man-Made Monster is a 1941 American science-fiction horror film directed by George Waggner and produced by Jack Bernhard for Universal Pictures. Filmed in black-and-white, it stars Lon Chaney Jr. and Lionel Atwill. Man-Made Monster was re-released under various titles including Electric Man and The Mysterious Dr. R. Realart Pictures re-released the film in 1953 under the title The Atomic Monster as a double feature with The Flying Saucer (1950). On the film's original main title, there is no hyphen; it's simply Man Made Monster.

<i>The Black Castle</i> 1952 film by Nathan H. Juran

The Black Castle is a 1952 American gothic horror film directed by Nathan H. Juran and starring Richard Greene, Boris Karloff, Stephen McNally, Rita Corday and Lon Chaney Jr. It was produced by William Alland. The film was made in the United States but premiered in Sweden.

<i>The Strange Door</i> 1951 film by Joseph Pevney

The Strange Door is a 1951 American horror film, released by Universal Pictures, and starring Charles Laughton, Boris Karloff, Sally Forrest and Richard Stapley. Karloff's role is actually a supporting one but his name carried significant weight in the billing. The picture was directed by Joseph Pevney and was based on the short story "The Sire de Maletroit's Door" by Robert Louis Stevenson. Its alternative title was Robert Louis Stevenson's The Strange Door.

The Witch's Dungeon Classic Movie Museum in Plainville, Connecticut, USA, is a collection of figures of classic movie monsters.

<i>Frankenstein</i> (Universal film series) American horror film series

Frankenstein is a film series of horror films from Universal Pictures based on the play version by Peggy Webling and the 1818 novel Frankenstein; or, The Modern Prometheus by Mary Shelley. The series follow the story of a monster created by Henry Frankenstein who is made from body parts of corpses and brought back to life. The rest of the series generally follows the monster continuously being revived and eventually focuses on a series of cross overs with other Universal horror film characters such as The Wolf Man. The series consists of the following films: Frankenstein (1931), Bride of Frankenstein (1935), Son of Frankenstein (1939), The Ghost of Frankenstein (1942), Frankenstein Meets the Wolf Man (1943), House of Frankenstein (1944), House of Dracula (1945) and Abbott and Costello Meet Frankenstein (1948).

<span class="mw-page-title-main">History of horror films</span>

The history of horror films was described by author Siegbert Solomon Prawer as difficult to read as a linear historical path, with the genre changing throughout the decades, based on the state of cinema, audience tastes and contemporary world events.

References

  1. 1 2 Stephen Jacobs, Boris Karloff: More Than a Monster, Tomahawk Press 2011 p 290-291
  2. Scott McQueen, audio commentary on Phantom of the Opera DVD (Universal)