Girls Will Be Boys | |
---|---|
Directed by | Marcel Varnel |
Written by | Curt Siodmak Roger Burford Clifford Grey |
Produced by | Walter C. Mycroft |
Starring | Dolly Haas Cyril Maude Esmond Knight |
Cinematography | Claude Friese-Greene Ronald Neame |
Edited by | Bert Bates |
Production company | |
Distributed by | Wardour Films |
Release date |
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Running time | 70 minutes |
Country | United Kingdom |
Language | English |
Girls Will Be Boys is a 1934 British comedy film by French director Marcel Varnel and starring Dolly Haas, Cyril Maude and Esmond Knight. [1] It is based on The Last Lord, a play by Kurt Siodmak. [2] The film was shot at Elstree Studios with sets designed by the art director Cedric Dawe. Haas made this, her first English-language film, following a Nazi-led riot at the premiere of her previous film Das häßliche Mädchen . The riots protested the male lead, Max Hansen, who was supposedly "too Jewish." In 1936, Haas fled Germany altogether. [3]
A young woman dresses up as a boy to fool a wealthy misogynist.
Dorothy Clara Louise Haas was a German-American actress and singer who played in German and American films. After moving to the United States, she often appeared in Broadway plays. She became a naturalized US citizen and married Al Hirschfeld, a noted portraitist and caricaturist in New York City.
Adorable Julia is a 1962 Austrian comedy film directed by Alfred Weidenmann and starring Lilli Palmer, Charles Boyer and Jean Sorel. It was entered into the 1962 Cannes Film Festival. It is based on the 1937 novel Theatre by W. Somerset Maugham, and the subsequent play that Guy Bolton and Marc-Gilbert Sauvajon adapted from the novel.
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Invitation to the Waltz is a 1935 British historical musical film directed by Paul Merzbach and starring Lilian Harvey, Wendy Toye and Carl Esmond. It was based on a play by Eric Maschwitz.
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Das häßliche Mädchen is a German comedy film made in early 1933, during the transition from the Weimar Republic to Nazi Germany, and premièred in September that year. It was the first or second film directed by Hermann Kosterlitz, who left Germany before the film was completed and later worked in the United States under the name Henry Koster, and the last German film in which Dolly Haas appeared; she also later emigrated to the US. A Nazi-led riot broke out at the première to protest the male lead, Max Hansen, who was supposedly "too Jewish." The film's representation of the "ugly girl" as an outsider has been described as a metaphorical way to explore the outsider existence of Jews.
Paul Kemp was a German stage and film actor. Kemp worked as a piano accompaniest for silent films, and then served as an ambulance driver on the Western Front during the First World War. Post-war he moved into acting on the stage in Düsseldorf and Hamburg. His career really took off when he moved to Berlin in 1929, appearing in the hit stage version of the novel Menschen im Hotel by Vicki Baum. He made his film debut in 1930, shortly after the introduction of sound film. He appeared prolifically in German and Austrian films until his death in 1953.
Robert Baberske was a German cinematographer. Although he worked briefly in Britain, Baberske spent most of his career in the German film industry. Baberske began as an assistant to Karl Freund. He became a prominent film technician during the silent era, and later during the Nazi years. Following the Second World War, he lived and worked in East Germany on a number of propaganda films for the state-controlled DEFA studio.
World in My Pocket is a 1961 European crime-drama film directed by Alvin Rakoff. The film was a co-production between West Germany, France and Italy.
Peter is a 1934 Austrian-Hungarian comedy film directed by Henry Koster and starring Franciska Gaal, Felix Bressart and Richard Eybner.
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Kurt Herlth (1896–1966) was a German art director known for his designs of film sets. His brother Robert Herlth was also an art director active in the German film industry, and the two men worked together a number of times.
Dolly Gets Ahead is a 1930 German musical film directed by Anatole Litvak and starring Dolly Haas, Oskar Karlweis, and Grete Natzler. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by Heinz Fenschel and Jacek Rotmil.
One Hour of Happiness is a 1931 German drama film directed by William Dieterle and starring Dieterle, Evelyn Holt, and Harald Paulsen.
Man by the Wayside is a 1923 German silent drama film directed by William Dieterle and starring Alexander Granach, Emilia Unda and Dieterle.
Little Girl, Great Fortune is a 1933 German comedy film directed by E. W. Emo and starring Dolly Haas, Carl Esmond, and Adele Sandrock. It was shot at the Johannisthal Studios in Berlin. The film's sets were designed by the art director Fritz Maurischat.A separate Italian version One Night with You was also made.
Romance is a 1936 Austrian drama film directed by Herbert Selpin and starring Christl Mardayn, Carl Esmond and Trude Marlen.
Southern Nights is a 1953 West German musical film directed by Robert A. Stemmle and starring Margit Saad, Erwin Strahl and Waltraut Haas. It was shot at the Bavaria Studios in Munich with extensive location shooting in Italy. The film's sets were designed by the art director Karl Weber.
Gypsy Blood is a 1934 German comedy film directed by Charles Klein and starring Adele Sandrock, Georg Alexander, and Erik Ode. It was released by the German subsidiary of Universal Pictures. In Austria it was known by the title Das Ungarmädel.
The False Adam is a 1955 West German comedy film directed by Géza von Cziffra and starring Waltraut Haas, Rudolf Platte and Doris Kirchner.