The Strange Love of Martha Ivers is a 1946 American film noir drama directed by Lewis Milestone and starring Barbara Stanwyck, Van Heflin, Lizabeth Scott, and Kirk Douglas in his film debut. It follows a man who is reunited with his childhood friend and her husband, whom he believes know the truth about the mysterious death of the woman's wealthy aunt years prior. The screenplay was written by Robert Rossen, adapted from the short story "Love Lies Bleeding" by playwright John Patrick.
Marin Sais was an American actress whose career was most prolific during the silent film era of the 1910s and 1920s. Sais' acting career spanned over four decades and she is possibly best recalled for appearing in Western themed films.
Madeleine is a 1950 British film noir directed by David Lean, based on a true story of Madeleine Smith, a young Glasgow woman from a wealthy family who was tried in 1857 for the murder of her lover, Emile L'Angelier. The trial was much publicised in the newspapers of the day and labelled "the trial of the century". Lean's adaptation of the story starred his wife, Ann Todd, with Ivan Desny as her character's French lover. Norman Wooland played the respectable suitor and Leslie Banks the authoritarian father, both of whom are unaware of Madeleine's secret life. Lean made the film primarily as a "wedding present" to Todd, who had previously played the role onstage. He was never satisfied with the film and cited it as his least favourite feature-length movie.
Genevieve Tobin was an American actress.
Dorothea "Dot" Farley was an American film actress who appeared in 280 motion pictures from 1910 to 1950. She was also known as Dorothy Farley.
Hessy Doris Lloyd was an English–American film and stage actress. She is perhaps best known for her roles in The Time Machine (1960) and The Sound of Music (1965). Lloyd appeared in two Academy Award winners and four other nominees.
Ex-Lady is a 1933 American pre-Code comedy/drama film directed by Robert Florey. The screenplay by David Boehm is a remake of the Barbara Stanwyck film Illicit (1931), both crediting a story by Edith Fitzgerald and Robert Riskin. The film focuses on a pair of lovers, commercial illustrator Helen Bauer and advertising writer Don Peterson, who have been living together quite happily for some time. One night, after hiding in Helen's bedroom until their party guests have all left, Don announces that he is tired of sneaking around. He wants marriage—and possibly children—and Helen finally agrees, although she is afraid that it will wreck their relationship. Her predictions of trouble—increased by the stresses of opening their own advertising agency—come true, but in the end, with the serendipitous intervention of their perpetually inebriated friend, Van, they reconcile and resume the mixed blessings of wedded bliss.
Julia Misbehaves is a 1948 American romantic comedy film starring Greer Garson and Walter Pidgeon as a married couple who are separated by the man's snobbish family. They meet again many years later, when the daughter whom the man has raised, played by Elizabeth Taylor, invites her mother to her wedding. The film also features Peter Lawford and Cesar Romero.
Beauty for Sale is a 1933 American pre-Code film about the romantic entanglements of three beauty salon employees. Based on the 1933 novel Beauty by Faith Baldwin, it stars Madge Evans, Alice Brady, Otto Kruger and Una Merkel.
Shopworn is a 1932 American pre-Code romantic drama film directed by Nick Grinde and starring Barbara Stanwyck and Regis Toomey. Written by Jo Swerling and Robert Riskin, based on a story by Sarah Y. Mason, the film is about a poor hardworking waitress who meets and falls in love with a wealthy college student. His mother objects to the union and frames the waitress for a crime she did not commit. After serving her time, the waitress enters show business and becomes a star.
Amarilly of Clothes-Line Alley is a 1918 American silent romantic comedy film starring Mary Pickford that was directed by Marshall Neilan and written by Frances Marion based upon a novel by Belle K. Maniates.
Ladies of Leisure is a 1930 American pre-Code romantic drama film directed by Frank Capra and starring Barbara Stanwyck and Ralph Graves. The screenplay by Jo Swerling is based on the 1924 play Ladies of the Evening by Milton Herbert Gropper, which ran for 159 performances on Broadway.
The Single Standard is a 1929 American romantic drama film from Metro-Goldwyn-Mayer directed by veteran John S. Robertson and starring Greta Garbo, Nils Asther, and Johnny Mack Brown.
Man-Proof is a 1938 American romantic comedy film directed by Richard Thorpe. The film is based on the 1937 novel The Four Marys written by Fannie Heaslip Lea.
Ten Cents a Dance is a 1931 American pre-Code romance-drama film directed by Lionel Barrymore and starring Barbara Stanwyck as a married taxi dancer who falls in love with one of her customers. The film was inspired by the popular song of the same name, which is sung over the title sequence. The film was also made in a Spanish language version, titled, Carne de Cabaret, directed by Christy Cabanne.
Five and Ten is a 1931 American pre-Code romantic drama film directed by an uncredited Robert Z. Leonard and starring Marion Davies, Leslie Howard and Irene Rich. Davies plays as an heiress and Howard the man she loves, though he marries someone else. The film was produced by William Randolph Hearst's Cosmopolitan Productions in partnership with Metro-Goldwyn-Mayer. It is based on the 1929 Fannie Hurst novel of the same name.
Cocktail Hour is a 1933 American Pre-Code romantic drama film produced and distributed by Columbia Pictures and starring Bebe Daniels. This film was directed by Victor Schertzinger.
The Folly of Vanity is a 1924 American silent drama film codirected by Maurice Elvey and Henry Otto and starring Billie Dove and Betty Blythe. It was produced and distributed by the Fox Film Corporation. The film is divided into two sections, the modern part which was directed by Elvey and the underwater fantasy section directed by Otto.
The Panther Woman is a 1918 American drama film directed by Ralph Ince and starring Olga Petrova. It was written by Mary Murillo based upon the 1895 novel Patience Sparhawk and Her Times by Gertrude Atherton and released in October 1918 by First National.
Taming the Wild, also known as Madcap, is a 1936 American Western film directed by Bob Hill for producer Sam Katzman's poverty row studio Victory Pictures and starring Rod La Rocque.
