Hotel Imperial | |
---|---|
Directed by | Robert Florey |
Written by | Gilbert Gabriel Robert Thoeren |
Based on | Hotel Imperial by Lajos Bíró |
Starring | Isa Miranda Ray Milland |
Cinematography | William C. Mellor |
Edited by | Chandler House |
Distributed by | Paramount Pictures |
Release date |
|
Running time | 67 minutes |
Country | United States |
Language | English |
Budget | >$1,000,000 |
Hotel Imperial is a 1939 American dramatic film directed by Robert Florey. It stars Isa Miranda and Ray Milland. [1]
Lajos Bíró's play Hotel Imperial was adapted into a silent film in 1927. Paramount Pictures started production on an adaption of the play in the 1930s under the title Invitation to Happiness, to please its lead actor Marlene Dietrich. Lewis Milestone was meant to direct the film, but production on Anything Goes took too long resulting in Henry Hathaway being selected. [2] [3] Fritz Lang and Richard Boleslawski were considered for the directorial role. The script was written by Arnold Belgard and Franz Schulz. Melchior Lengyel and John Van Druten also worked on the script. [4] [5] [6] [7]
Dietrich refused to perform unless the script was changed due to its negative depiction of her role. The film's producer, Benjamin Glazer, left after four days of shooting in protest of Dietrich's control over the film and was replaced by Ernst Lubitsch. The script was edited by Hathaway and Grover Jones and retitled the film to I Loved a Soldier. Lubitsch was removed from his position at Paramount during production causing further disagreements between Dietrich and Hathaway, who stated that she became "a monster of her own making", before she left the film. [7] [8]
Merle Oberon was offered Dietrich's role, but declined the offer. [9] Margaret Sullavan was selected to replace Dietrich and the film was retitled to Hotel Imperial. Hathaway supported her selection, stating that "She didn't care how ugly she looked", due to her acceptance of the negative role. However, Paramount wanted to use footage of Dietrich and have Sullavan attempt to resemble her in order to have the footage match. Hathaway left the film after Sullavan injured herself while flirting with Stuart Erwin and needed months to recover. Bette Davis, Elissa Landi, and Claudette Colbert were offered to replace Sullavan, but declined causing Paramount to end production on the film. [10]
In 1938, Walter Wanger offered to restart production on the film with Dietrich as the lead. Dietrich, who appeared in multiple box office failures and was declared box office poison, accepted the proposal. Wanger brought Hathaway back after telling him of Dietrich's return. However, Dietrich demanded that Josef von Sternberg be selected to direct the film. Hathaway stated "Tell her to fuck off". [11]
Isa Miranda was hired to replace Dietrich and the script was significantly altered, including changing Anna Warschawska from a maid to a famous actor. Robert Florey was selected to direct the film. [12] Filming using a script written by Gilbert Gabriel and Robert Thoeren began in November 1938. [13] Ray Milland suffered a concussion and lacerations to his left hand after an accident during a scene with a cavalry charge and needed nine stitches. [12]
$900,000 was spent on the film while Dietrich was the lead [7] and $100,000 was spent while Sullavan was the lead. [14] Dietrich was paid $150,000. [15]
The Boston Evening Transcript's review of the film stated that "We daringly predict today that the next screen actress imported from Europe will be greeted by some rather blasé audiences", but praised the singing in the film. Robert W. Dana, writing in New York Herald Tribune , stated that the film was "another World War side show" and had "little real excitement". The Film Daily stated that the film was "Mild melodrama" and "unable to make up its mind where to go". Variety stated that the film was "a weak sister to be slotted on lower brackets of the dualers where a filler is needed" and that its plot was "dated and inconclusive". [16]
B.R. Crisler, writing in The New York Times , stated that "the picture scarcely measures up to its cast, it is a good average melodrama, with rather handsomer than average costumes and settings. [17]
Ray Milland was a Welsh-American actor and film director. He is often remembered for his portrayal of an alcoholic writer in Billy Wilder's The Lost Weekend (1945), which won him Best Actor at Cannes, a Golden Globe Award, and ultimately an Academy Award—the first such accolades for any Welsh actor.
Ernst Lubitsch was a German-born American film director, producer, writer, and actor. His urbane comedies of manners gave him the reputation of being Hollywood's most elegant and sophisticated director; as his prestige grew, his films were promoted as having "the Lubitsch touch". Among his best known works are Trouble in Paradise (1932), Design for Living (1933), Ninotchka (1939), The Shop Around the Corner (1940), To Be or Not to Be (1942) and Heaven Can Wait (1943).
Charles Boyer was a French-American actor who appeared in more than 80 films between 1920 and 1976. After receiving an education in drama, Boyer started on the stage, but he found his success in American films during the 1930s. His memorable performances were among the era's most highly praised, in romantic dramas such as The Garden of Allah (1936), Algiers (1938), and Love Affair (1939), as well as the mystery-thriller Gaslight (1944). He received four Oscar nominations for Best Actor. He also appeared as himself on the CBS sitcom I Love Lucy.
Robert Florey was a French-American director, screenwriter, film journalist and actor.
Margaret Brooke Sullavan was an American stage and film actress.
Susan Hayward was an American actress best known for her film portrayals of women that were based on true stories.
The Cocoanuts is a 1929 pre-Code musical comedy film starring the Marx Brothers. Produced for Paramount Pictures by Walter Wanger, who is not credited, the film also stars Mary Eaton, Oscar Shaw, Margaret Dumont and Kay Francis. The first sound film to credit more than one director, it was adapted to the screen by Morrie Ryskind from the George S. Kaufman Broadway musical play. Five of the film's tunes were composed by Irving Berlin, including "When My Dreams Come True", sung by Oscar Shaw and Mary Eaton.
Wendell Reid Corey was an American stage, film, and television actor. He was President of the Academy of Motion Picture Arts and Sciences and a board member of the Screen Actors Guild, and also served on the Santa Monica City Council.
Henry Hathaway was an American film director and producer. He is best known as a director of Westerns, especially starring Randolph Scott and John Wayne. He directed Gary Cooper in seven films.
Walter Wanger was an American film producer active from the 1910s, his career concluding with the turbulent production of Cleopatra, his last film, in 1963. He began at Paramount Pictures in the 1920s and eventually worked at virtually every major studio as either a contract producer or an independent. He also served as President of the Academy of Motion Picture Arts and Sciences from 1939 to October 1941 and from December 1941 to 1945. Strongly influenced by European films, Wanger developed a reputation as an intellectual and a socially conscious movie executive who produced provocative message movies and glittering romantic melodramas. He achieved notoriety when, in 1951, he shot and wounded the agent of his wife, Joan Bennett, because he suspected they were having an affair. He was convicted of the crime and served a four-month sentence, then returned to making movies.
Cleopatra is a 1963 American epic historical drama film directed by Joseph L. Mankiewicz, with a screenplay adapted by Mankiewicz, Ranald MacDougall and Sidney Buchman from the 1957 book The Life and Times of Cleopatra by Carlo Maria Franzero, and from histories by Plutarch, Suetonius, and Appian. The film stars Elizabeth Taylor in the eponymous role. Richard Burton, Rex Harrison, Roddy McDowall, and Martin Landau also appear in major roles. It chronicles the struggles of Cleopatra, the young queen of Egypt, to resist the imperial ambitions of Rome.
Circus World is a 1964 American Drama Western film starring John Wayne, Claudia Cardinale and Rita Hayworth. It was directed by Henry Hathaway and produced by Samuel Bronston, with a screenplay by Ben Hecht, Julian Zimet, and James Edward Grant, from a story by Bernard Gordon and Nicholas Ray.
Isa Miranda was an Italian actress with an international film career.
Bluebeard's Eighth Wife is a 1938 Paramount Pictures American romantic comedy film directed and produced by Ernst Lubitsch and starring Claudette Colbert and Gary Cooper. The film is based on the 1921 French play La huitième femme de Barbe-Bleue by Alfred Savoir and the English translation of the play by Charlton Andrews. The screenplay was the first of many collaborations between Charles Brackett and Billy Wilder. The film is a remake of the 1923 silent version directed by Sam Wood and starring Gloria Swanson.
Next Time We Love is a 1936 American melodrama film directed by Edward H. Griffith and starring Margaret Sullavan, James Stewart and Ray Milland. The adapted screenplay was by Melville Baker, with an uncredited Preston Sturges and Doris Anderson, based on Ursula Parrott's 1935 novel Next Time We Live, which was serialized before publication as Say Goodbye Again. The film is also known as Next Time We Live in the U.K.
Captain Fury is a 1939 American Western film directed by Hal Roach. It is set in colonial Australia as one of Hollywood's few attempts to depict Australian history.
I Loved a Soldier is an unfinished 1936 American romantic-comedy-drama film directed by Henry Hathaway and produced by Paramount Pictures. It stars Marlene Dietrich, Charles Boyer, Walter Catlett, Lionel Stander, and Margaret Sullavan.
Design for Living is a 1933 American pre-Code romantic comedy film directed by Ernst Lubitsch from a screenplay by Ben Hecht, based on the 1932 play of the same name by Noël Coward. Starring Fredric March, Gary Cooper, and Miriam Hopkins, the film is about a woman who cannot decide between two men who love her, and the trio agree to try living together in a platonic friendly relationship.
Ebb Tide is a 1937 American Technicolor adventure film directed by James P. Hogan and starring Oscar Homolka, Frances Farmer and Ray Milland.
Scipio Africanus: The Defeat of Hannibal (Italian title: Scipione l'africano is a 1937 Italian historical propaganda film directed by Carmine Gallone about Scipio Africanus from the time of his election as proconsul until his defeat of Hannibal at the Battle of Zama. The film received financial backing from Benito Mussolini's dictatorship and its production was overseen by Vittorio Mussolini.
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