The film follows the story of Captain Sinbad (Law) as he embarks on a dangerous quest to find the Fountain of Destiny after discovering a magical golden amulet. Joined by a vizier and a slave girl (Munro), he must battle the evil sorcerer Koura (Baker) and mythical creatures to unlock the amulet's powers before Koura can use them for evil.
The Golden Voyage of Sinbad premiered on 25 December 1973 and received generally positive reviews from critics, who praised its stop-motion effects and fantastical adventure elements; however, some critics noted flaws in the storyline and character development. Commercially, the film emerged as a box-office success, grossing over $11 million worldwide against a budget of approximately $982,351. Moreover, it also won the first Saturn Award for Best Fantasy Film.[2]
Plot
A mysterious flying creature soars over a ship at sea, clutching a shiny object. A crewman shoots an arrow at it, which causes the creature to drop the golden amulet. The crew wants to throw the object overboard, but when Sinbad, the captain, examines it, he sees a vision of a mysterious woman with an eye tattooed on the palm of her right hand. He fastens the amulet around his neck. That night, he dreams of a man dressed in black, repeatedly calling his name, along with the woman.
A sudden storm drives Sinbad's ship near a coastal town in the country of Marabia. The man from Sinbad's dream appears as a mirage on the shore. Sinbad swims ashore. The man, an evil magician named Koura, demands the amulet, claiming it is his. Sinbad narrowly escapes into the city and meets the Grand Vizier of Marabia, who has been ruling as regent since the sultan's death, as there was no heir. The Vizier, who wears a golden mask to hide his disfigured face, explains that Sinbad's amulet is one piece of a larger puzzle; the Vizier possesses another. He tells Sinbad of a legend: the three pieces are the key to finding the fabled Fountain of Destiny on the lost continent of Lemuria. Whoever brings the pieces to the Fountain will gain "youth, a shield of darkness, and a crown of untold riches." Sinbad realizes that the two pieces fit together to form a nautical chart.
Sinbad joins the Vizier on his quest to find the Fountain. Koura, who also desires the Fountain's gifts, caused the Vizier's disfigurement. The creature that dropped the amulet was Koura's minion, a magical homunculus, which spies on Sinbad and the Vizier. When they catch it, the creature destroys itself.
Soon after, Sinbad meets the woman from his dream, a slave girl named Margiana. Seeing Sinbad's interest in the girl, her master offers Sinbad 400 coins and Margiana in exchange for taking his lazy son Haroun on the journey to make a man out of him. Sinbad reluctantly agrees. Meanwhile, Koura hires a ship and crew to follow Sinbad, using his magic to try to stop him. However, each spell drains part of Koura's life force, causing him to age visibly with each attempt.
On their journey, Sinbad and his crew face numerous dangers, including the wooden siren figurehead of their ship, which Koura animates with magic to steal the map, allowing him to locate Lemuria. Koura sends another homunculus to spy on Sinbad, overhearing the Oracle of All Knowledge describe the perils Sinbad will face. Koura seals Sinbad and his men inside the Oracle's cave, but they escape using a makeshift rope. Haroun destroys the homunculus as it attacks Sinbad.
Captured by hostile natives, Koura animates a six-armed statue of Kali, which cows the natives. Sinbad and his men arrive shortly after and fight the statue. Haroun pushes the statue from behind, causing it to fall and shatter. They find the final piece of the puzzle among Kali's remains. The natives capture Sinbad and his crew, but upon seeing the eye tattoo on Margiana's hand, they decide to sacrifice her to a one-eyed centaur, their God of the Single Eye and the Fountain's Guardian of Evil.
Koura reaches the Fountain of Destiny and drops one piece of the amulet into the water, restoring his life force. He summons the centaur, which battles the Guardian of Good, a griffin. Sinbad and his crew arrive as the centaur, with Koura's help, kills the griffin. After Sinbad slays the centaur, Koura drops the second piece into the Fountain, which turns him invisible (the "shield of darkness"). Koura engages Sinbad in a sword fight, but when he steps into the Fountain, he becomes visible in silhouette, enabling Sinbad to fatally stab him. When Sinbad drops the third piece into the Fountain, a crown rises from the depths. Sinbad presents it to the Vizier, whose mask dissolves as he puts it on, revealing his restored face. When Margiana asks why Sinbad did not take the crown for himself, he replies that he values his freedom more.
Tom Baker as Prince Koura, the main antagonist of the film (Christopher Lee was a front-runner to play Koura). Baker's performance helped him get the lead role of the Fourth Doctor in the TV series Doctor Who, because the show's producer, Barry Letts, was impressed with his performance.)[3]
Takis Emmanuel as Achmed (Emmanuel was dubbed by Robert Rietti)
Producer Charles Schneer explained that he and Ray Harryhausen decided to make another Sinbad movie because they "felt it was time to return to the Arabian Nights," as no one else was exploring this material, and they had previously experienced great success with it in the late 1950s. Schneer believed there was a new audience ready for such a film and noted that other producers likely avoided this genre because they didn't know how to make it economically viable.[4] Harryhausen created a dozen master sketches that Schneer described as "intriguing, interesting, and characteristic of the period." These sketches served as the basis for the screenplay, which was written by Brian Clemens. To reflect Harryhausen's increased involvement in the writing, editing, and casting process, he was given a co-producer credit for the film.[4]
Schneer mentioned that John Phillip Law was cast in the lead role at Columbia's suggestion. He noted that Law "wasn't very athletic" and "didn't handle a sword as well as Kerwin did," referring to Kerwin Mathews, who played Sinbad in The 7th Voyage of Sinbad. Schneer also remarked that Law was "kind of flat-footed" but did his best in the role. Additionally, Schneer wasn't entirely satisfied with Law's decision to use a Middle Eastern accent in the film.[5]
Caroline Munro was cast in the female lead role. Producer Charles Schneer explained, "We wanted her to project that sex appeal, because that was what was happening at the time in the film business. But we were still making a G-rated picture, so we went for G-rated sex appeal."[5]
Producers Charles Schneer and Ray Harryhausen decided to base their production in Spain, specifically in Madrid and the island of Majorca, to take advantage of the region's rugged scenery. At one point, they considered filming some scenes at the famous Alhambra palace in Granada, but the rental fees demanded by the local authorities were too high, so they chose not to pursue it. Instead, they filmed at the Royal Palace of La Almudaina in Palma, Majorca. Additional scenes were shot in the Caves of Artà (used as the temple of the Oracle) and the Torrent de Pareis.[6]
The film was shot between June and August 1972.[7]
An early charcoal/pencil illustration depicted a one-eyed centaur battling a giant Neanderthal-like creature. However, this creature was eventually replaced by a griffin in the final version of the film. The idea of the Neanderthal was later used in Sinbad and the Sinbad and the Eye of the Tiger (1977).[8]
Reception
Critical reception
The Golden Voyage of Sinbad received generally favorable reviews from critics. On Rotten Tomatoes, it holds a rating of 75% based on 16 reviews, with an average rating of 5.6/10.[9]
Box office
In the United States and Canada, The Golden Voyage of Sinbad emerged as a commercial success at the box-office, earning a total revenue of $11,000,000, including $5,000,000 in rentals, bringing its total gross to $16,000,000—the equivalent of $78,227,342 in 2016 dollars.[10] The film was produced on a modest budget of $982,351, a small sum even for a film in the early 1970s.
Overseas, it sold 37 million tickets in the Soviet Union and 527,437 tickets in France, for a combined total of at least 37,527,437 tickets sold internationally.[11][12]
However, Columbia Pictures did not fully benefit from the film's success, as they had sold off all their interest in its 1974 slate to Bright-Persky Associates.[5]
Marvel Comics published a two-issue adaptation of The Golden Voyage of Sinbad in Worlds Unknown #7–8 (June & August 1974).[14] Titled The Golden Voyage of Sinbad: Land of the Lost, it was scripted by Len Wein, penciled by George Tuska, and inked by Vince Colletta.
Home media
The Golden Voyage of Sinbad was released in the United Kingdom on VHS in 1991.[citation needed]
Blu-ray ALL America – Twilight Time – The Limited Edition Series[15]
Jason and the Argonauts is a 1963 independent fantasy adventure film distributed by Columbia Pictures. It was produced by Charles H. Schneer, directed by Don Chaffey, and stars Todd Armstrong, while co-starring Nancy Kovack, Honor Blackman, and Gary Raymond.
The 7th Voyage of Sinbad is a 1958 American Technicolor heroic fantasy adventure film directed by Nathan H. Juran and starring Kerwin Mathews, Kathryn Grant, Torin Thatcher, Richard Eyer, and Alec Mango. It was distributed by Columbia Pictures and produced by Charles H. Schneer.
Raymond Frederick Harryhausen was an American-British animator and special effects creator who created a form of stop motion model animation known as "Dynamation". His works include the animation for Mighty Joe Young (1949) with his mentor Willis H. O'Brien ; his first color film, The 7th Voyage of Sinbad (1958); and Jason and the Argonauts (1963), which featured a sword fight with seven skeleton warriors. His last film was Clash of the Titans (1981), after which he retired from filmmaking.
Sinbad the Sailor is a fictional mariner and the hero of a story-cycle. He is described as hailing from Baghdad during the early Abbasid Caliphate. In the course of seven voyages throughout the seas east of Africa and south of Asia, he has fantastic adventures in magical realms, encountering monsters and witnessing supernatural phenomena.
It Came from Beneath the Sea is a 1955 American science fiction monster horror film from Columbia Pictures, produced by Sam Katzman and Charles Schneer, directed by Robert Gordon, that stars Kenneth Tobey, Faith Domergue, and Donald Curtis. The screenplay by George Worthing Yates was designed to showcase the stop motion animation special effects of Ray Harryhausen.
First Men in the Moon is a 1964 British science fiction film, produced by Charles H. Schneer, directed by Nathan Juran, and starring Edward Judd, Martha Hyer and Lionel Jeffries. The film, distributed by Columbia Pictures, is an adaptation by screenwriter Nigel Kneale of H. G. Wells' 1901 novel The First Men in the Moon.
The Beast from 20,000 Fathoms is a 1953 American independent monster film directed by Eugène Lourié, with stop motion animation by Ray Harryhausen. It is partly based on Ray Bradbury's 1951 short story of the same name, which was later reprinted as "The Fog Horn". In the film, the Rhedosaurus, a giant dinosaur is released from its frozen state in the Arctic by an atomic bomb test. Paul Christian stars as Thomas Nesbitt, the foremost surviving witness of the creature before it causes havoc while traveling toward New York. Paula Raymond, Cecil Kellaway, and Kenneth Tobey are featured in supporting roles.
The Valley of Gwangi is a 1969 American fantasy Western film produced by Charles H. Schneer and Ray Harryhausen, directed by Jim O'Connolly, written by William Bast, and starring James Franciscus, Richard Carlson, and Gila Golan.
20 Million Miles to Earth is a 1957 American science-fiction monster film directed by Nathan Juran and featuring stop-motion animation by Ray Harryhausen. It stars William Hopper, Joan Taylor, and Frank Puglia. Set in Italy, the film centers on an alien lifeform from Venus that arrives via a crashed rocket, and begins rapidly growing.
Clash of the Titans is a 1981 epic fantasy adventure film directed by Desmond Davis and written by Beverley Cross, loosely based on the Greek myth of Perseus. Starring Harry Hamlin, Judi Bowker, Burgess Meredith, Maggie Smith and Laurence Olivier, the film features the final work of stop-motion visual effects artist Ray Harryhausen.
Caroline Jane Munro is an English actress, model and singer known for her many appearances in horror, science fiction and action films of the 1970s and 1980s. She gained prominence within Hammer and horror circles, starring in Dracula AD 1972 and Captain Kronos – Vampire Hunter (1974), garnering a cult following for the numerous films that she starred in. She also acted in The Golden Voyage of Sinbad (1973), and in The Spy Who Loved Me (1977). In 2019, she was inducted into the Rondo Hatton Classic Horror Awards' Monster Kid Hall of Fame.
Sinbad and the Eye of the Tiger is a 1977 fantasy adventure film directed by Sam Wanamaker and featuring stop-motion effects by Ray Harryhausen. The film stars Patrick Wayne, Taryn Power, Jane Seymour and Patrick Troughton. The third and final Sinbad film released by Columbia Pictures, it follows The 7th Voyage of Sinbad (1958) and The Golden Voyage of Sinbad (1973).
The 3 Worlds of Gulliver is a 1960 American Eastmancolor fantasy adventure film loosely based upon the 1726 novel Gulliver's Travels by Jonathan Swift. The film stars Kerwin Mathews as the title character, June Thorburn as his fiancée Elizabeth, and child actress Sherry Alberoni as Glumdalclitch.
Mysterious Island is a 1961 science fiction adventure film about prisoners in the American Civil War who escape in a balloon and then find themselves stranded on a remote island populated by giant and tiny animals.
Model animation is a form of stop motion animation designed to merge with live-action footage to create the illusion of a real-world fantasy sequence.
Naftuli Hertz "Nathan" Juran was an Austro-Hungarian-born film art director, and later film and television director. As an art director, he won the Oscar for Best Art Direction in 1942 for How Green Was My Valley, along with Richard Day and Thomas Little. His work on The Razor's Edge in 1946 also received an Academy nomination. In the 1950s, he began to direct, and was known for science fiction and fantasy films such as Attack of the 50 Foot Woman. He was also the brother of quality guru Joseph M. Juran.
Kerwin Mathews was an American actor best known for playing the titular heroes in The 7th Voyage of Sinbad (1958), The Three Worlds of Gulliver (1960), and Jack the Giant Killer (1962).
Charles Hirsch Schneer was an American film producer, best known for working with Ray Harryhausen, the specialist known for his work in stop motion model animation.
TidalWave Productions is an independent production studio of comic books and graphic novels. Based in Portland, Oregon, United States, Bluewater publishes biographical comics, adaptations from films, and original titles with self-created characters.
Kurt Christian is an English actor. He is known for his main roles in two fantasy movies by Ray Harryhausen, as Haroun in The Golden Voyage of Sinbad (1973) and as Rafi in Sinbad and the Eye of the Tiger (1977).
↑ Howe, David J.; Stammers, Mark; Walker, Stephen James (1992). Doctor Who: The Fourth Doctor. Dr Who Handbooks. London: Carol Pub Group. p.43. ISBN978-0-426-20369-8. OCLC31709926.
1 2 3 Swires, Steve (March 1990). "Merchant of the Magicks Part Three". Starlog. New York, N.Y.: Starlog Group Inc.: 67. ISSN0191-4626. OCLC1191084949.
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