"Rock Around the Clock" is a rock and roll song in the 12-bar blues format written by Max C. Freedman and James E. Myers in 1952. The best-known and most successful rendition was recorded by Bill Haley & His Comets in 1954 for American Decca. It was a number one single for two months and did well on the United Kingdom charts; the recording also reentered the UK Singles Chart in the 1960s and 1970s.
Bill Haley & His Comets were an American rock and roll band, founded in 1952 and continued until Haley's death in 1981. The band was also known as Bill Haley and the Comets and Bill Haley's Comets. From late 1954 to late 1956, the group placed nine singles in the top 20, one of those a number one and three more in the top ten. The single "Rock Around the Clock" became the biggest selling rock and roll single in the history of the genre and retained that position for some years.
John Andrew Grande was a member of Bill Haley's backing band, The Comets.
James Edward Myers was an American songwriter, music publisher, actor, director, producer, and raconteur.
Rudolph Clement Pompilii was an American musician best known for playing tenor saxophone with Bill Haley and His Comets. He was usually credited under the alternate spelling Rudy Pompilli and occasionally as Rudy Pell.
Rock Around the Clock is the third album of rock and roll music by Bill Haley and His Comets. Released by Decca Records in December 1955 it was, like the two albums that preceded it, a compilation album of previously issued singles. All of the album's contents had in fact been previously issued by Decca earlier in 1955 on the album Shake, Rattle and Roll. Unlike the previous release, which was in the 10-inch format, the new album was a full 12-inch release and included additional tracks from 1955. It was also the first Haley album to make the Billboard charts, and was one of the first album releases of the rock and roll genre to do so.
Rock with Bill Haley and the Comets is the title of an early rock and roll music compilation album issued by Essex Records in 1954, and featuring music by the titular group, Bill Haley & His Comets. The album features recordings made by Haley in 1952 and 1953, including his hits, "Rock the Joint", "Crazy Man Crazy", "Fractured", and "Live It Up". The album is the earliest known LP release of the rock and roll genre, predating similar releases by Elvis Presley and by Haley himself, as he and his band later went on to Decca Records and recorded "Rock Around the Clock".
Shake, Rattle and Roll is the title of an early rock and roll compilation album issued by Decca Records in 1955, and featuring music by Bill Haley & His Comets. The album, which was issued in a 10-inch format, consisted of recordings previously issued on singles in 1954 and 1955, including the title track, and "Rock Around the Clock", although at the time of this album's release in early 1955, "Rock Around the Clock" had not yet become a major hit. This was Haley's second album, and was one of the first album-length releases of the rock and roll era, predating the release of Elvis Presley's first album by a year.
Rock 'n Roll Stage Show is the first studio album and fourth overall album by rock and roll band Bill Haley and His Comets. Released by Decca Records in August 1956, it was the group's first album to include new, as opposed to previously released material. Although the album spawned several singles, it also featured several album-only tracks.
Rockin' Around the World was the sixth album of rock and roll music by Bill Haley and His Comets. Released in March 1958 on the Decca Records label, Decca 8692, the album was produced by Milt Gabler, who produced all of Haley's recordings for Decca. It was the second of three "themed" albums that Haley produced for the label. This album featured versions of well-known folk songs from around the world, rearranged in rock and roll style, including new lyrics, by Haley and his songwriting partners, Milt Gabler, Rusty Keefer, and Catherine Cafra. It is not known how much, if any, input Haley himself had into the writing process.
Rockin' the Joint is a compilation album of rock and roll music by Bill Haley & His Comets. Released on Decca Records in August 1958, it was the group's seventh album. The album consisted of recordings that, for the most part, had only been released previously as singles or on EPs; all of the recordings were produced by Milt Gabler. The title comes from the album's lead track, a 1957 re-recording of Haley's 1952 hit, "Rock the Joint", which was labelled "New Rock the Joint" on this release. Also included for the first time on album were the hits "See You Later Alligator", "Rip it Up", and "The Saints Rock and Roll". One track, "The Beak Speaks", was an instrumental featuring guitarist Franny Beecher, while "Rock Lomond" was a leftover from the recording sessions for the band's previous album, Rockin' the Oldies and is the only track on the album that had not previously been released. The only track copied from a previous Haley album is "Burn That Candle", which was also included on the Rock Around the Clock compilation.
Bill Haley's Chicks was the eighth album of rock and roll recordings by Bill Haley & His Comets for Decca Records, Decca 8821. Released in January 1959 and produced by Milt Gabler, the album was the third "theme" album Haley recorded for Decca, following Rockin' the Oldies and Rockin' Around the World. This album is built on the theme of women's names, with each song being about a different girl. Included on the album is "Skinny Minnie", which was a major hit for the band in 1958, reaching no.22 on Billboard and no.25 on Cashbox, along with a mixture of originals and cover versions of standards and jazz songs. "Lean Jean", a song musically and thematically almost identical to "Skinny Minnie", also charted in 1958, reaching no. 52 on Cashbox. The song "B.B. Betty", co-written by Bill Haley and released as a Decca 45 single, featured a solo vocal by Haley's steel guitar player, Billy Williamson.
Recorded over the span of more than 18 months, Strictly Instrumental was the ninth rock and roll album by Bill Haley & His Comets, and their final album of new material for Decca Records. Produced by Milt Gabler, the album collects instrumental recordings made by Haley and the Comets between June 1958 and their final Decca recording sessions in September 1959.
"Skinny Minnie" is a 1958 song co-written and recorded by Bill Haley and his Comets. The song was released as a Decca single which became a Top 40 chart hit in the U.S.
"Birth of the Boogie" is a 1955 song composed by Bill Haley with Billy Williamson and Johnny Grande. The song was released as a Decca single by Bill Haley and His Comets.
"Two Hound Dogs" is a 1955 rock and roll song composed by Bill Haley and Frank Pingatore. The song was released as a Decca single by Bill Haley and His Comets.
"Real Rock Drive" was the title of an early rock and roll song written by, and first recorded by Bill Haley & His Comets under the name Bill Haley with Haley's Comets in 1952. The song was released as an Essex Records 78 single.
"Fractured" was the title of an early rock and roll song written by Bill Haley and Marshall Lytle and first recorded by Bill Haley & His Comets, then going by the name Bill Haley with Haley's Comets, in 1953. The song was released as an Essex Records 78 single.
"Live It Up" was the title of an early rock and roll song written by Bill Haley and first recorded by Bill Haley & His Comets under the name Bill Haley with Haley's Comets in 1953. The song was released as an Essex Records 78 single.
"R-O-C-K" is a 1956 rock and roll song recorded and co-written by Bill Haley and released as a Decca single. The song appeared in the 1956 Columbia Pictures movie Rock Around the Clock.
