| "Music! Music! Music!" | ||||
|---|---|---|---|---|
 | ||||
| Single by Teresa Brewer with the Dixieland All Stars | ||||
| A-side | "Copenhagen" | |||
| Released | 1950 | |||
| Genre | Traditional Pop | |||
| Length | 3:20 | |||
| Label | London Records | |||
| Songwriter(s) | Stephen Weiss, Bernie Baum | |||
| Teresa Brewersingles chronology | ||||
| ||||
"Music! Music! Music! (Put Another Nickel In)" is a popular song written by Stephen Weiss and Bernie Baum and published in 1950.
The first recording of the song was by Etienne Paree with Eddie "Piano" Miller, released by Rainbow Records in 1949 in the United States, titled "Put Another Nickel In - Music, Music, Music (The Nickelodeon Song)".
The biggest-selling version of the song was recorded by Teresa Brewer with the Dixieland All Stars on 20 December 1949, and released on December 26 by London Records as catalog number 604. New York morning radio host Gene Rayburn lobbied for Teresa Brewer to record it. He and Dee Finch played it regularly on WNEW, and it became a number 1 hit and a million-seller in 1950. [1] [2] It became Brewer's signature song and earned her the nickname "Miss Music". It was released as the B side to "Copenhagen" but eclipsed "Copenhagen" as a hit.
It was also recorded by many artists on various labels and other hit versions in 1950 were by Carmen Cavallaro (reached No. 5), Freddy Martin (No. 5), Ames Brothers (No. 14), Hugo Winterhalter (No. 17) and Mickey Katz (No. 18). [3]
Some radio stations refused to play the record because of the thought that the lyric "I'd do anything for you/Anything you'd want me to" might be construed as indecent.
A version recorded by British singer Petula Clark was popular in Australia the same year.
Bing Crosby sang a version for his Chesterfield radio show on 5 April 1950 which has since been released on CD. [4]
Joe Loss and his Orchestra recorded a version in London on 6 March 1950. It was released by EMI on the His Master's Voice label as catalogue numbers BD 6065, IM 1476 and HE 2793.
Light classical music composer Leroy Anderson based his piece "Classical Jukebox" on the song.
Peggy Lee included the song on her 1958 album Jump for Joy .
An instrumental version was recorded by Bill Haley & His Comets in 1959 and released as a single in 1960; it was the band's final release for Decca Records and was only a minor hit.
In 1961, Ray Charles recorded an instrumental version for his album The Genius After Hours .
The R&B group the Sensations released a rendition in 1961.
The song was covered by the Happenings in the late 1960s.
Melanie included the song in her 1972 hit "The Nickel Song", which was included on her 1976 album Photograph .
Guy Mitchell released a version that can be found on several of his greatest hits albums. [5]
Teresa Brewer recorded several renditions of the song during her career. In addition to the London version, the Coral label made a recording for their catalog, which had a larger orchestral arrangement, faster tempo, and stronger beat. When she moved to the Philips label in 1962, Brewer made a new recording in Nashville. In 1973, she recorded a rendition with a strong rock and roll beat on the Amsterdam label. It reached #84 in Canada. [6] When Brewer was with the RCA label in 1974–75, she recorded yet another new version. Finally, in 1976 she recorded a disco version for her husband Bob Thiele's Signature imprint. Only the original London release was a national chart hit, although the 1973 version was a regional hit in some markets, including Milwaukee (it charted on Top 40 station WOKY's survey). In 1977, she performed the song on The Muppet Show .
The tune was used in the most famous version of Nestlé Maggi advertisement, especially in India. [7]
The "Come closer" bridge is from Liszt's Hungarian Rhapsody No. 2.
An instrumental version was also used as the theme song for the network Nickelodeon from 1979 to 1981 that played during the Mime interstitials.
Teresa Brewer was an American singer whose style incorporated pop, country, jazz, R&B, musicals, and novelty songs. She was one of the most prolific and popular female singers of the 1950s, recording nearly 600 songs.
"Boulevard of Broken Dreams" is a 1933 hit song with lyrics by Al Dubin and music by Harry Warren. Deane Janis with Hal Kemp's Orchestra recorded the original version on October 31, 1933, in Chicago, which was issued by Brunswick Records. In 1934, a rendition sung by Constance Bennett appeared in the film Moulin Rouge, but was unreleased on record.
"Delta Dawn" is a song written by musician Larry Collins and country songwriter Alex Harvey. The first notable recording of the song was in 1971 by American singer and actress Bette Midler for her debut album. However it is best known as a 1972 top ten country hit for Tanya Tucker and a 1973 US number one hit for Helen Reddy.
"Let Me Go, Lover!", a popular song, was written by Jenny Lou Carson and Al Hill, a pen name used by Fred Wise, Kathleen Twomey, and Ben Weisman. It is based on an earlier song called "Let Me Go, Devil", about alcoholism.
"How Important Can It Be?" is a popular song written by Bennie Benjamin and George David Weiss, and published in 1955.
"Ricochet" is a popular song. The credits show it to be written by Larry Coleman, Joe Darion, and Norman Gimbel, without apportioning the work on the lyrics and music, in 1953. In fact, since Coleman and Darion wrote "Changing Partners" the same year, with Darion as lyricist and Coleman as composer, while Gimbel wrote the English lyric for "Sway" the same year, it can be concluded that Coleman wrote the music and Darion and Gimbel the lyrics.
"Lullaby of Broadway" is a popular song with music written by Harry Warren and lyrics by Al Dubin, published in 1935. The lyrics salute the nightlife of Broadway and its denizens, who "don't sleep tight until the dawn."
"Born to Be with You" is a song by the American female vocal quartet The Chordettes. Written by Don Robertson, the song was released in 1956. The song reached a position of number five on the pop charts in the United States. In Ireland, Butch Moore & The Capitol Showband took it to No. 1 in 1965.
"Gonna Get Along Without Ya Now" is a popular song written by Milton Kellem and published in 1951. Originally written in English, the first known recorded version was released in 1951, by Roy Hogsed. Since then has been done in several styles and tempos.
"Red Sails in the Sunset" is a popular song. Published in 1935, its music was written by Hugh Williams with lyrics by prolific songwriter Jimmy Kennedy. The song was inspired by the "red sails" of Kitty of Coleraine, a yacht Kennedy often saw off the northern coast of Northern Ireland and by his adopted town Portstewart, a seaside resort in County Londonderry.
"Pledging My Love" is a blues ballad. It was written by Ferdinand Washington and Don Robey and published in 1954.
"Dear Hearts and Gentle People" is a popular song published in 1949 with music by Sammy Fain and lyrics by Bob Hilliard. The song refers to the singer's hometown, and different versions allude to a range of U.S. states.
"Harbor Lights", is a popular song with music by Hugh Williams and lyrics by Northern Irish songwriter Jimmy Kennedy. The song was originally recorded by Roy Fox & his Orchestra with vocal by Barry Gray in London January 29, 1937. Another famous early version was recorded by American singer Frances Langford in Los Angeles September 14, 1937, and was published again in 1950.
"Sentimental Journey" is a popular song published in 1944. The music was written by Les Brown and Ben Homer, and the lyrics were written by Bud Green.
"Mule Train" is a popular song written by Johnny Lange, Hy Heath, Ramblin' Tommy Scott and Fred Glickman. It is a cowboy song, with the singer filling the role of an Old West wagon driver, spurring on his team of mules pulling a delivery wagon. As he goes about his work, the driver mentions the various mail-order goods he is delivering to far-flung customers. "Mule Train" was originally recorded by Ellis "Buz" Butler Jr. in 1947. Butler was the original writer of the song along with Fred Glickman. The original recording was released by Buz Butler on Decca Records.
"Melody of Love" is a popular song. The music was originally written by Hans Engelmann in 1903. The lyrics were added by Tom Glazer in 1954.
"You Made Me Love You (I Didn't Want to Do It)" is a popular song from 1913 composed by James V. Monaco with lyrics by Joseph McCarthy. It was introduced by Al Jolson in the Broadway revue The Honeymoon Express (1913), and used in the 1973 revival of the musical Irene.
"Manhattan" is a popular song and part of the Great American Songbook. It has been performed by the Supremes, Lee Wiley, Oscar Peterson, Blossom Dearie, Tony Martin, Dinah Washington, Ella Fitzgerald, and Mel Torme, among many others. It is often known as "We'll Have Manhattan" based on the opening line. The music was written by Richard Rodgers and the lyrics by Lorenz Hart for the 1925 revue Garrick Gaieties. It was introduced by Sterling Holloway and June Cochran.
"Basin Street Blues" is a song often performed by Dixieland jazz bands, written by Spencer Williams in 1928 and recorded that year by Louis Armstrong. The verse with the lyric "Won't you come along with me / To the Mississippi..." was later added by Glenn Miller and Jack Teagarden.
"One Way Ticket" is a 1967 song co-written by American composer Stephen J. Lawrence, which became Helen Reddy's first single. The lyrics were written by Bruce Hart. It was introduced by Gloria Loring on her 1968 MGM Records album, Today, produced by Bob Morgan. Loring's original rendition was not, however, released as a single.
