| "Music! Music! Music!" | ||||
|---|---|---|---|---|
 | ||||
| Single by Teresa Brewer with the Dixieland All Stars | ||||
| A-side | "Copenhagen" | |||
| Released | 1950 | |||
| Genre | Traditional Pop | |||
| Length | 3:20 | |||
| Label | London Records | |||
| Songwriter(s) | Stephen Weiss, Bernie Baum | |||
| Teresa Brewersingles chronology | ||||
| ||||
"Music! Music! Music! (Put Another Nickel In)" is a popular song written by Stephen Weiss and Bernie Baum and published in 1950.
The first recording of the song was by Etienne Paree with Eddie "Piano" Miller, released by Rainbow Records in 1949 in the United States, titled "Put Another Nickel In - Music, Music, Music (The Nickelodeon Song)".
The biggest-selling version of the song was recorded by Teresa Brewer with the Dixieland All Stars on 20 December 1949, and released on December 26 by London Records as catalog number 604. New York morning radio host Gene Rayburn lobbied for Teresa Brewer to record it. He and Dee Finch played it regularly on WNEW, and it became a number 1 hit and a million-seller in 1950. [1] [2] It became Brewer's signature song and earned her the nickname "Miss Music". It was released as the B side to "Copenhagen" but eclipsed "Copenhagen" as a hit.
It was also recorded by many artists on various labels and other hit versions in 1950 were by Carmen Cavallaro (reached No. 5), Freddy Martin (No. 5), Ames Brothers (No. 14), Hugo Winterhalter (No. 17) and Mickey Katz (No. 18). [3]
Some radio stations refused to play the record because of the thought that the lyric "I'd do anything for you/Anything you'd want me to" might be construed as indecent.
A version recorded by British singer Petula Clark was popular in Australia the same year.
Bing Crosby sang a version for his Chesterfield radio show on 5 April 1950 which has since been released on CD. [4]
Joe Loss and his Orchestra recorded a version in London on 6 March 1950. It was released by EMI on the His Master's Voice label as catalogue numbers BD 6065, IM 1476 and HE 2793.
Light classical music composer Leroy Anderson based his piece "Classical Jukebox" on the song.
Peggy Lee included the song on her 1958 album Jump for Joy .
An instrumental version was recorded by Bill Haley & His Comets in 1959 and released as a single in 1960; it was the band's final release for Decca Records and was only a minor hit.
In 1961, Ray Charles recorded an instrumental version for his album The Genius After Hours .
The R&B group the Sensations released a rendition in 1961.
The song was covered by the Happenings in the late 1960s.
Melanie included the song in her 1972 hit "The Nickel Song", which was included on her 1976 album Photograph .
Guy Mitchell released a version that can be found on several of his greatest hits albums. [5]
Teresa Brewer recorded several renditions of the song during her career. In addition to the London version, the Coral label made a recording for their catalog, which had a larger orchestral arrangement, faster tempo, and stronger beat. When she moved to the Philips label in 1962, Brewer made a new recording in Nashville. In 1973, she recorded a rendition with a strong rock and roll beat on the Amsterdam label. It reached #84 in Canada. [6] When Brewer was with the RCA label in 1974–75, she recorded yet another new version. Finally, in 1976 she recorded a disco version for her husband Bob Thiele's Signature imprint. Only the original London release was a national chart hit, although the 1973 version was a regional hit in some markets, including Milwaukee (it charted on Top 40 station WOKY's survey). In 1977, she performed the song on The Muppet Show .
The tune was used in the most famous version of Nestlé Maggi advertisement, especially in India. [7]
The "Come closer" bridge is from Liszt's Hungarian Rhapsody No. 2.
An instrumental version was also used as the theme song for the network Nickelodeon from 1979 to 1981 that played during the Mime interstitials.
Teresa Brewer was an American singer whose style incorporated pop, country, jazz, R&B, musicals, and novelty songs. She was one of the most prolific and popular female singers of the 1950s, recording around 600 songs.
"Boulevard of Broken Dreams" is a 1933 hit song with lyrics by Al Dubin and music by Harry Warren. Deane Janis with Hal Kemp's Orchestra recorded the original version on October 31, 1933, in Chicago, which was issued by Brunswick Records. In 1934, a rendition sung by Constance Bennett appeared in the film Moulin Rouge, but was unreleased on record.
"Delta Dawn" is a song written by musician Larry Collins and country songwriter Alex Harvey. The first notable recording of the song was in 1971 by American singer and actress Bette Midler for her debut album "The Divine Miss M". However it is best known as a 1972 top ten country hit for Tanya Tucker and a 1973 US number one hit for Helen Reddy.
"How Important Can It Be?" is a popular song written by Bennie Benjamin and George David Weiss, and published in 1955.
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"Red Sails in the Sunset" is a popular song. Published in 1935, its music was written by Hugh Williams with lyrics by prolific songwriter Jimmy Kennedy. The song was inspired by the "red sails" of Kitty of Coleraine, a yacht Kennedy often saw off the northern coast of Northern Ireland and by his adopted town Portstewart, a seaside resort in County Londonderry.
"Pledging My Love" is a blues ballad. It was written by Ferdinand Washington and Don Robey and published in 1954.
"Harbor Lights", is a popular song with music by Hugh Williams and lyrics by Northern Irish songwriter Jimmy Kennedy. The song was originally recorded by Roy Fox & his Orchestra with vocal by Barry Gray in London January 29, 1937. Another famous early version was recorded by American singer Frances Langford in Los Angeles September 14, 1937, and was published again in 1950.
"Ac-Cent-Tchu-Ate the Positive" is a popular song which was published in 1944. The music was written by Harold Arlen and the lyrics by Johnny Mercer. The song was nominated for the Academy Award for Best Original Song at the 18th Academy Awards in 1945 after being used in the film Here Come the Waves.
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"Nevertheless I'm in Love with You" is a popular song written by Harry Ruby with lyrics by Bert Kalmar, first published in 1931. The song was a hit for Jack Denny in 1931, and was revisited in 1950 by The Mills Brothers, Paul Weston, Ray Anthony, Ralph Flanagan, Frankie Laine and Frank Sinatra, with perhaps the most compelling version being that of the McGuire Sisters.
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"Basin Street Blues" is a song often performed by Dixieland jazz bands, written by Spencer Williams in 1928 and recorded that year by Louis Armstrong. The verse with the lyric "Won't you come along with me / To the Mississippi..." was later added by Glenn Miller and Jack Teagarden.
Jack K. Pleis was an American jazz pianist, arranger, conductor, composer and producer. He recorded on London and Decca Records in the 1950s, and Columbia Records in the 1960s. During the course of his career, Pleis worked with many artists, including Louis Armstrong, Harry Belafonte, Bing Crosby, Sammy Davis Jr., Benny Goodman, Earl Grant, Brenda Lee, and Joe Williams. Between 1950 and 1976, more than 150 songs were arranged by Pleis. His surname is pronounced "Pleece".
