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"Rock The Joint" | |
---|---|
Single by Jimmy Preston & His Prestonians | |
B-side | "Drinking Woman" |
Released | 1949 |
Genre | |
Length | 2:37 |
Label | Gotham |
Songwriter(s) | Harold Crafton, Wendell Keane, Harold Bagby |
"Rock the Joint", also known as "We're Gonna Rock This Joint Tonight", is a 1949 boogie song recorded by various proto-rock and roll singers, notably Jimmy Preston and early rock and roll singers, most notably Bill Haley in 1952. Preston's version has been cited as a contender for being "the first rock and roll record", and Haley's is widely considered the first rockabilly record. [2]
The song's authorship is credited to Harry Crafton, Wendell "Don" Keane, and Harry "Doc" Bagby, who were musicians contracted to the Gotham label in New York, owned by Ivin Ballen (although a live version recorded by Haley in 1969 for Buddah Records was credited to James Bracken). The song was influenced by earlier R&B recordings such as Wynonie Harris' 1948 R&B hit "Good Rockin' Tonight". Ballen passed the song to Jimmy Preston, who had recently had a hit with "Hucklebuck Daddy". The version by Jimmy Preston and His Prestonians was recorded in Philadelphia in May 1949 and was released on the Gotham label, reaching #6 on the national R&B chart later that year.[ citation needed ] Chris Powell and the Five Blue Flames would cover their version in that same year. Jimmy Cavallo released a version of the Jimmy Preston recording in 1955.
Two years later, Bill Haley and the Saddlemen had already achieved some success with their cover of Jackie Brenston's "Rocket 88", but were looking for another hit. They were persuaded by their producer, Essex Records owner Dave Miller, to cover "Rock The Joint" - a song which, like "Rocket 88", had already been successful with R&B audiences. Haley recorded the song in February or March 1952. The exact location is unknown but it is believed the song was recorded in the band's hometown of Chester, Pennsylvania ). Haley made up verses of his own to appeal to his country music audience, naming a succession of hillbilly dances (such as the Sugarfoot Rag and Virginia Reel) in place of Preston's hucklebuck and jitterbug, and also used different instrumentation on the track, and more back echo. In particular, Haley's version used a prominent percussive slapped bass played by Marshall Lytle in lieu of drums [3] and electric guitar by Danny Cedrone, with a lick he duplicated two years later on "Rock Around The Clock". This version of "Rock the Joint" sold 75,000 copies. [4]
A 2012 article stated that "The Comets’ beefed-up arrangement of "Rock This Joint" in 1952 was what convinced Haley to move away from his western swing sound towards rock ‘n’ roll". [5]
Although Haley's version did not chart when released on Essex Records in 1952, it was enough of a hit in Chicago to win him a short residency in a jazz club there - although this was cut short after many of his black audiences walked out. Nevertheless, Haley's version of "Rock The Joint" - three years before "Rock Around The Clock" - was an important milestone in the development of rockabilly through the coming together of R&B and country styles.[ citation needed ]
The recording was remade in 1957 by Haley for Decca Records, by which time his band had been renamed Bill Haley & His Comets (it was released by Decca Records under the title "New Rock the Joint" as the original version was still in circulation). He later re-recorded the song for Sonet Records of Sweden in 1968 and numerous live versions were also recorded by him.[ citation needed ] One of these, recorded for Buddah Records in late 1969 for the live concert album Bill Haley's Scrapbook , carries both the alternate title "We're Gonna Rock This Joint Tonight" and an erroneous songwriting credit for James Bracken.
After Haley's death, members of the Comets who had served with Haley between 1951 and the early 1960s reunited and recorded several more versions of the song, such as for the 1994 Hydra Records album You're Never Too Old to Rock and again for the 1999 release on Rollin' Rock Records. Still Rockin' Around the Clock; the latter version acknowledges the song's influence on "Rock Around the Clock" by segueing into the final verse of the latter song. It was also covered and released by Reverend Horton Heat in 1996 on his album It's Martini Time.
The 1952 Bill Haley version with a different arrangement and new lyrics was covered by Ralph Marterie and Lola Ameche on Mercury Records in 1952. The Wild Angels recorded the Bill Haley version in 1979. Billy Swan and Reverend Horton Heat have also performed and recorded the Bill Haley version in 1996.
William John Clifton Haley was an American rock and roll musician. He is credited by many with first popularizing this form of music in the early 1950s with his group Bill Haley & His Comets and million-selling hits such as "Rock Around the Clock", "See You Later, Alligator", "Shake, Rattle and Roll", "Rocket 88", "Skinny Minnie", and "Razzle Dazzle". Haley has sold over 60 million records worldwide. In 1987, he was posthumously inducted into the Rock and Roll Hall of Fame.
"Rock Around the Clock" is a rock and roll song in the 12-bar blues format written by Max C. Freedman and James E. Myers in 1952. The best-known and most successful rendition was recorded by Bill Haley & His Comets in 1954 for American Decca. It was a number one single for two months and did well on the United Kingdom charts; the recording also reentered the UK Singles Chart in the 1960s and 1970s.
Bill Haley & His Comets was an American rock and roll band formed in 1947 and continuing until Haley's death in 1981. The band was also known as Bill Haley and the Comets and Bill Haley's Comets. From late 1954 to late 1956, the group recorded nine Top 20 singles, one of which was number one and three that were Top Ten. The single "Rock Around the Clock" was the best-selling rock single in the history of the genre and maintained that position for several years.
Rockabilly is one of the earliest styles of rock and roll music. It dates back to the early 1950s in the United States, especially the South. As a genre, it blends the sound of Western musical styles such as country with that of rhythm and blues, leading to what is considered "classic" rock and roll. Some have also described it as a blend of bluegrass with rock and roll. The term "rockabilly" itself is a portmanteau of "rock" and "hillbilly", the latter a reference to the country music that contributed strongly to the style. Other important influences on rockabilly include western swing, boogie-woogie, jump blues, and electric blues.
Don't Knock the Rock is a 1956 American musical film starring Alan Dale and Alan Freed. Directed by Fred F. Sears, the film also features performances by Bill Haley & His Comets, Little Richard, The Treniers, and Dave Appell and the Applejacks.
James Edward Myers was an American songwriter, music publisher, actor, director, producer, and raconteur.
Marshall Edward Lytle was an American rock and roll bassist, best known for his work with the groups Bill Haley & His Comets and The Jodimars in the 1950s. He played upright slap bass on the iconic 1950s rock and roll records "Crazy Man, Crazy", "Shake, Rattle and Roll", and "Rock Around the Clock".
"Crazy Man, Crazy" was the title of an early rock and roll song written by, and first recorded by Bill Haley & His Comets in April 1953. It is notable as the first recognized rock and roll recording to appear on the national American musical charts, peaking at #12 on the Billboard Juke Box chart for the week ending June 20, 1953, and #11 for two weeks on the Cash Box chart beginning for the week of June 13.
Donato Joseph "Danny" Cedrone was an American guitarist and bandleader, best known for his work with Bill Haley & His Comets on their epochal "Rock Around the Clock" in 1954.
"Good Rocking Tonight" is a jump blues song originally released in 1947 by its writer, Roy Brown and was covered by many recording artists. The song includes the memorable refrain, "Well I heard the news, there's good rocking tonight!" The song anticipated elements of rock and roll music.
James Alfred Smith Preston, was an American R&B bandleader, alto saxophonist, drummer and singer who made an important contribution to early rock and roll.
Shake, Rattle and Roll is an early rock and roll compilation album issued by Decca Records in 1955, and featuring music by Bill Haley & His Comets. The album, which was issued in a 10-inch format, consisted of recordings previously issued on singles in 1954 and 1955, including the title track, and "Rock Around the Clock", although at the time of this album's release in early 1955, "Rock Around the Clock" had not yet become a major hit. This was Haley's second album, and was one of the first album-length releases of the rock and roll era, predating the release of Elvis Presley's first album by a year.
Rock 'n Roll Stage Show is the first studio album and fourth overall album by rock and roll band Bill Haley and His Comets. Released by Decca Records in August 1956, it was the group's first album to include new, as opposed to previously released material. Although the album spawned several singles, it also featured several album-only tracks.
Bill Haley and His Comets is the title of the tenth album of rock and roll recordings by Bill Haley & His Comets. Released in April 1960, it was the band's first album release for Warner Bros. Records, following their departure from Decca Records at the end of 1959. The recordings were produced by George Avakian, who succeeded Haley's Decca producer, Milt Gabler.
The Stargazers are a British rock and roll band.
"Rock-A-Beatin' Boogie" is a 1952 song composed by Bill Haley and first recorded by the Esquire Boys in 1952. Bill Haley and the Comets recorded the song in 1955 for Decca. The song was featured in the 1956 movie Rock Around the Clock.
"Rudy's Rock" is a 1956 instrumental composed by Bill Haley and Rudy Pompilli and released as a Decca single. The song appeared in the 1956 Columbia Pictures movie Rock Around the Clock. The single peaked at #34 on Billboard and #26 in the UK on the Record Retailers chart.
Max Charles Freedman was an American songwriter and lyricist, best remembered for co-writing the song "Rock Around the Clock".
Bill Haley & His Comets recorded many singles and albums. The following list references only their original release and generally does not include compilation albums or single reissues. This list does not include releases on which the Comets worked as session musicians, and primarily focuses on releases during Haley's lifetime.
"R-O-C-K" is a 1956 rock and roll song recorded and co-written by Bill Haley and released as a Decca single. The song appeared in the 1956 Columbia Pictures movie Rock Around the Clock. The single peaked at #16 on Billboard.
the following are all leading contenders for the song that changed popular music forever
In the chorus of this song ("We're gonna rock, we're gonna rock"), you can clearly hear the inspiration for Bill Haley's recording of "Rock Around The Clock"