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Buddah Records | |
---|---|
Parent company | Sony Music Entertainment |
Founded | 1967 |
Founder | Art Kass Artie Ripp Hy Mizrahi Phil Steinberg |
Defunct | 2002 |
Status | Defunct |
Distributor(s) | Legacy Recordings (reissues) |
Genre | Various |
Country of origin | U.S. |
Location | New York City |
Buddah Records (later known as Buddha Records) was an American record label founded in 1967 in New York City. [1] The label was born out of Kama Sutra Records, an MGM Records-distributed label, which remained a key imprint following Buddah's founding. Buddah handled a variety of music genres, including bubblegum pop (the Ohio Express and the 1910 Fruitgum Company), [2] folk rock (Melanie), experimental music (Captain Beefheart and His Magic Band), [3] and soul (Gladys Knight & the Pips).
In addition to the Buddah imprint, the company distributed many other independent labels, including Kama Sutra Records (after Kama Sutra cut their distribution ties with MGM in 1969), Curtom Records (Curtis Mayfield), T-Neck Records (the Isley Brothers), Charisma Records (Genesis, Monty Python), Sussex Records (Bill Withers), Hot Wax Records (Holland-Dozier-Holland post-Motown productions) and smaller subsidiaries. [4]
Kama Sutra Records helped bolster MGM Records's profits during 1965 and 1966, primarily due to the success of Kama Sutra's flagship artists The Lovin' Spoonful. Kama Sutra's head, Art Kass, ultimately grew dissatisfied with his distribution deal with MGM and founded Buddah Records in 1967, with his Kama Sutra partners, Artie Ripp, Hy Mizrahi, Phil Steinberg, and (allegedly) [5] Italian mobster John "Sonny" Franzese.
Kass brought in 24-year-old Neil Bogart to oversee Buddah's daily operations. Bogart had been an MGM General Manager in the early 1960s before taking a VP/Sales Director position at Cameo-Parkway Records. Bogart quickly enlisted Cameo-Parkway producers Jerry Kasenetz and Jeffry Katz, the Ohio Express (a band signed to Kasenetz's and Katz's Super K Productions firm), and ex-Cameo artists the Five Stairsteps into the new label. [1] Buddah's first single was "Yes, We Have No Bananas"/"The Audition" by the Mulberry Fruit Band; the label's first album was Safe as Milk by Captain Beefheart & His Magic Band. Kass and Bogart also brought along the promotion department of Cameo-Parkway, which was shutting down. [6]
Buddah initially made its mark as a bubblegum pop music label, with Ohio Express, the 1910 Fruitgum Company and Kasenetz-Katz Singing Orchestral Circus. [1] However, it was The Lemon Pipers who gave Buddah its first No. 1 hit with "Green Tambourine", produced by Paul Leka, in February 1968.
The New York-area visual aids company Viewlex purchased a controlling interest in Buddah in 1968 with Ripp, Steinberg and Mizrahi departing the company at this time, leaving Kass and Bogart in charge. [7]
As bubblegum music's popularity declined at the turn of the decade, Buddah branched out into gospel, folk-country, and R&B. Bogart, a master promoter, went to great lengths to generate hit singles for "top 40" radio airplay, [8] and got results; music industry historian Bob Hyde has estimated that, during their heyday, Buddah and its associated labels charted over 100 singles, with about one in five singles issued by the company charting (vs. the ratio of one chart hit to 20 singles released that most "major labels" experienced in that time period). [4] Hit singles released by Buddah and its associated labels during 1969–1973 included:
While Buddah primarily focused on singles, several of its album releases, including Brewer & Shipley's Tarkio (1970), Bill Withers' Still Bill (1972), and Curtis Mayfield's Super Fly (1972), also charted well during this period.
Neil Bogart created and distributed Brut Records via Buddah Records for the Brut Fabergé company.
Bogart left Buddah in 1974 to start his own label, Casablanca Records. [1] Shortly before Bogart's departure, Gladys Knight & the Pips emerged as Buddah's biggest success. [1] Previously signed to Motown Records' Soul imprint, Knight and the Pips released their biggest hits, including "Midnight Train to Georgia" and "You're the Best Thing That Ever Happened to Me", for Buddah.
Jazz session drummer Norman Connors became Buddah's musical director in 1976 and helped to foster the label's move toward R&B and disco (e.g., the Andrea True Connection's "More, More, More" (1976) and Chic's "Dance, Dance, Dance (Yowsah, Yowsah, Yowsah)" (1977); Chic's song charted upon its subsequent re-issue by Atlantic Records). Viewlex declared bankruptcy in 1976 and Art Kass purchased Buddah back from them, but the debt [7] resulted in a substantial decline in the number of new releases. Arista Records took over distribution of Buddah from 1978 to 1983, with several artists, including Norman Connors and Phyllis Hyman, switching to Arista.
Buddah's final release of new product came in mid-1983, with Michael Henderson's R&B hit "Fickle" and the accompanying album of the same name. Kama Sutra's final issue came a year later, with the Fat Boys (formerly the Disco 3)'s self-titled single. Art Kass subsequently sold the label to Essex Entertainment, who managed the Buddah catalog until 1993, when they sold it to BMG. Kass formed another label, Casino Records, in partnership with former New York Dolls manager Marty Thau and concert promoter Terrell Braly, but this venture was not successful.
Buddah, now known as Buddha Records, was re-activated by BMG in September 1998 as a reissue label, which was subsequently reorganized as BMG Heritage Records on January 1, 2002. The Buddah/Buddha catalogue is now owned by Sony Music Entertainment and managed by Legacy Recordings.
Buddah distributed many labels during its history, including the following:
Other Buddah subsidiaries or associated labels included Radio Active Gold (for reissue singles), Team, Super K, Royal American, Symbolic, Eleuthera, Ember, Pace, Desert Moon, Pi Kappa, Southwind, April, Thomas, Harbour, Music Merchant, National General, and Brut.
The following artists released at least one recording for Buddah Records, or for one of Buddah's subsidiaries/distributed labels as noted in parentheses:
Bubblegum is pop music in a catchy and upbeat style that is marketed for children and adolescents. The term also refers to a more specific rock and pop subgenre, originating in the United States in the late 1960s, that evolved from garage rock, novelty songs, and the Brill Building sound, and which was also defined by its target demographic of preteens and young teenagers. The Archies' 1969 hit "Sugar, Sugar" was a representative example that led to cartoon rock, a short-lived trend of Saturday-morning cartoon series that heavily featured pop rock songs in the bubblegum vein.
Super K Productions was a 1960s American recording production company under Buddah Records, headed by producers Jerry Kasenetz and Jeffry Katz, whose groups specialized in bubblegum pop. Their biggest successes were The Ohio Express, The 1910 Fruitgum Company, Crazy Elephant and The Music Explosion. Super K also had its own label of the same name in 1969, operated under Buddah Records, but it did not last as the bubblegum genre had already started to decline in popularity.
The Ohio Express is an American bubblegum pop band formed in Mansfield, Ohio, in 1967. Though marketed as a band, it would be more accurate to say that the name "Ohio Express" served as a brand name used by Jerry Kasenetz's and Jeffry Katz's Super K Productions to release the music of a number of different musicians and acts. The best known songs of Ohio Express were actually the work of an assemblage of studio musicians working in New York, including singer/songwriter Joey Levine. Other recorded "Ohio Express" work included material recorded by an early group of Joe Walsh, as well as a later single written and sung by Graham Gouldman.
Blue Thumb Records was an American record label founded in 1968 by Bob Krasnow and former A&M Records executives Tommy LiPuma and Don Graham. Blue Thumb's last record was released in 1978. In 1995, the label was revived and remained active until 2005.
Kama Sutra Records was started in 1964 by Arthur "Artie" Ripp, Hy Mizrahi and Phil Steinberg as Kama Sutra Productions, a production house. The "Kama Sutra" is an ancient Sanskrit text.
The Lemon Pipers were a short-lived 1960s American rock band from Oxford, Ohio, United States, known chiefly for their song "Green Tambourine", which reached No. 1 in the United States in 1968. The song has been credited as being the first bubblegum pop chart-topper.
The Five Stairsteps, known as "The First Family of Soul" and later "The Invisible Man's Band", were an American Chicago soul group made up of five of Betty and Clarence Burke Sr.'s six children: Alohe Jean, Clarence Jr., James, Dennis, and Kenneth "Keni", and briefly, Cubie. They are best known for the 1970 song "O-o-h Child", listed at number 402 on Rolling Stone's 500 Greatest Songs of All Time.
Robert Bloom was an American singer-songwriter. He is known best for the upbeat 1970 hit, "Montego Bay", which was co-written with and produced by Jeff Barry.
Edwin Reuben Hawkins was an American gospel musician, pianist, vocalist, choir master, composer, and arranger. He was one of the originators of the urban contemporary gospel sound. As the leader of the Edwin Hawkins Singers, he was probably best known for his arrangement of "Oh Happy Day" (1968–69), which was included on the "Songs of the Century" list. In 1970, the Edwin Hawkins Singers made a second foray into the charts, backing folk singer Melanie on "Lay Down ".
The Kasenetz-Katz Singing Orchestral Circus was a bubblegum "supergroup" created by record producers Jerry Kasenetz and Jeffry Katz, consisting of various Super K Production groups.
Cecil Holmes is an American record executive who was a co-founder of Casablanca Records and a founder of Chocolate City Records. Born in New York, New York, Holmes began his career in the music businesses as a member of a Brooklyn "doo-wop" group in the early 1950s before transitioning to record promotion with Colpix Records, a division of Columbia Pictures. Holmes began a long-term relationship with Neil Bogart while working together at Cameo-Parkway Records, Kama Sutra Records, and Buddah Records before co-founding Casablanca. After Casablanca had been sold, Holmes moved to Columbia/CBS Records as Vice President of East Coast A&R and Executive Producer.
Jeffry Katz is an American music producer, one of the first exponents of bubblegum pop.
Jerry Kasenetz is an American bubblegum pop producer who worked with Jeffry Katz, the two working together as the Super K Productions company, to manufacture and produce bands such as Kasenetz-Katz Singing Orchestral Circus, The Music Explosion, 1910 Fruitgum Company, Crazy Elephant, and The Ohio Express.
Simon Says is the debut album by the American bubblegum pop group the 1910 Fruitgum Company on the Buddah Records label. Released in 1968, it included two songs that appeared on the Billboard Hot 100—the most from any of the group's albums—although it was not their highest-charting album. It's been debated whether or not the members of the band actually played on the album since the Ohio Express, another band put together by Super K Productions, actually consisted of two groups: one that produced the records and another that toured and promoted the name. This claim is disputed by original drummer Floyd Marcus, who has stated that all five men listed really were behind the instruments.
1, 2, 3 Red Light, the second album by American bubblegum pop group the 1910 Fruitgum Company, was released six months after their debut album, Simon Says. The title song written by Sal Trimachi and Bobbi Trimachi, was the albums' only hit single for the band, peaking at #5 on the Billboard Hot 100, with both the album and the single just barely missing the success of their first release.
"Simon Says" is a bubblegum pop song written by Elliot Chiprut and originally recorded in 1967 by the 1910 Fruitgum Company, becoming their most successful chart hit.
Indian Giver, the fourth studio album by American bubblegum pop group the 1910 Fruitgum Company, was released in 1969. The title song written by Bobby Bloom, Ritchie Cordell, and Bo Gentry peaked at #5 on the Billboard Hot 100. The song "Special Delivery" went to #38 on the Billboard Hot 100. The album went to 147 on the Billboard 200.
"Indian Giver" is a song written by Bobby Bloom, Ritchie Cordell, and Bo Gentry. It was first recorded by 1910 Fruitgum Company for their 1969 album, Indian Giver. Its B-Side, "Pow Wow", was actually a song called "Bring Back Howdy Doody" deliberately pressed backwards as a way of deterring radio stations from playing the B-Side, which was later recorded by another Buddah bubblegum music group produced by Jerry Kasenetz and Jeffry Katz called Flying Giraffe.
Arthur Marcus "Artie" Ripp is an American music industry executive and record producer.
"Moonflight" is a song written and originally recorded by Vik Venus in 1969. It is a 'break-in' song, with popular hits of the day interspersed at humorous points throughout the song in response to spoken-word prompts, in the style of Dickie Goodman, who had many such hits. "Moonflight" became a hit during the summer of '69, reaching #38 U.S. Billboard and #23 Cash Box. It also charted in Canada, where it reached #20. It did best in South Africa, however, where it reached #7.