Jinx Dawson Alex Kercheval Chris Vaughn Colin Oakley Zayne Hutchison
Past members
Oz Osborne Steve Ross Rick Durrett John Hobbs Chris Neilsen David Wilkerson Wade Parish Christopher Thurmond Chris Wild
Coven is an American rock band formed in Chicago in the late 1960s. They had a top 40 hit in 1971 with the song "One Tin Soldier", the theme song of the movie Billy Jack.
Coven is composed of vocalist Jinx Dawson,[2] bassist Greg "Oz" Osborne, guitarist Chris Neilsen, keyboardist Rick Durrett (later replaced by John Hobbs), and drummer Steve Ross. In addition to pioneering occult rock with lyrics and aesthetics that explicitly deal in themes of Satanism and witchcraft, they are recognized by metal fans and metal historians as being the band that introduced the "sign of the horns" to rock, metal and pop culture, as seen on their 1969 debut album release Witchcraft Destroys Minds & Reaps Souls.[3][4]
The music on the album was considered underground rock; what made it distinctive was the heavy emphasis on diabolical subject matter, including songs such as "The White Witch of Rose Hall" (based on the story of Annie Palmer), "For Unlawful Carnal Knowledge", "Black Sabbath" and "Dignitaries of Hell". The album concluded with a 13-minute track of chanting and Satanic prayers called "Satanic Mass" (written by their producer, Bill Traut, of Dunwich Productions, and described as "the first Black Mass to be recorded, either in written words or in audio"). This Satanic Mass was also the first time Latin phrases such as "Ave Satanas" were used in occultrock music, a preceding influence to later Satanic metal and black metalsongs that include such lyrics. Also included inside the album was Coven's infamous Black Mass poster, showing members of the group displaying the sign of the horns as they prepared for a Satanic ritual over a nude Dawson lying on an altar.
Unwanted publicity came to the band in the form of a sensationalistic Esquire magazine issue entitled "Evil Lurks in California" (Esquire, March 1970), which linked counterculture interest in the occult to Charles Manson and the Tate-La Bianca murders, while also mentioning the Witchcraft Destroys Minds & Reaps Souls album and its Black Mass material. As a result, the album was pulled from circulation.[5]
Dawson recorded the vocals for "One Tin Soldier", the title theme for the 1971 film Billy Jack, which was credited as "sung by Coven". The song, which went on to reach number 26 on the Billboard Hot 100, was written by Dennis Lambert and Brian Potter and was originally released by the Original Caste in 1969. Coven's version also reached the top 10 in Cash Box and was named the Number 1 Most Requested Song in 1971 and 1973 by American Radio Broadcasters. It also peaked at number 45 in Australia.[6] In 1972, the band released a self-titled album that included "One Tin Soldier". Their third album, Blood on the Snow, was produced by Shel Talmy and released by Buddah Records in 1974. A music video for the title track was produced and released by Walt Disney Studios.[7]
After multiple unlicensed CD releases of the Witchcraft album over the years, it was officially released on the band's own Nevoc label in 2007. The following year, Coven released Metal Goth Queen: Out of the Vault 1976–2007 on Nevoc, an album composed of previously unreleased recordings. Jinx, an album of new recordings, was self-released on Nevoc in 2013. Jinx Dawson recruited a new line up of musicians in late 2016 – early 2017 in order to perform at Roadburn Festival in the Netherlands on April 20, 2017. This was Coven's first performance in Europe.[8]
Coven employed the sign of the horns in a musical context, shortly after which[when?] Black Sabbath bassist Geezer Butler used the same sign, and it would eventually be popularized in the heavy metal scene when Butler suggested Ronnie James Dio employ the sign.[9]
Lester Bangs of Rolling Stone described Black Sabbath's debut album as a "blend between Cream and Coven," further calling them "the English response to Coven."[10]
Sabbath guitarist Tony Iommi has denied any influence from Coven, claiming that the former only learned of the latter after the release of their debut self-titled album in 1970.[11]King Diamond, a metal band contemporary to Black Sabbath, assert that the former denied any influence to avoid being linked to the Tate-LaBianca murders perpetrated by the Manson Family. Media reporting on the murders overlapped with the first two years of Black Sabbath's development and the release of their first three albums (Black Sabbath, Paranoid, and Master of Reality).[12][13]
↑ "Have you heard this new album?" says a Strip hippie. "It's called Witchcraft. Destroys minds and reaps souls it says on the jacket...full of Black Mass stuff." Esquire, March 1970, page 119
↑ Kent, David (1993). Australian Chart Book 1970–1992 (illustrateded.). St Ives, N.S.W.: Australian Chart Book. p.74. ISBN0-646-11917-6.
↑ Bangs, Lester (September 11, 1970). "Black Sabbath". Rolling Stone (rollingstone.com). Rolling Stone magazine. Rolling Stone. Retrieved August 22, 2025.
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