Big Ten Inch Record

Last updated

"Big Ten Inch Record"
Single by Bull Moose Jackson
B-side "I Needed You"
Released1952
Genre Rhythm and blues, dirty blues
Label King
Songwriter(s) Fred Weismantel

"Big Ten Inch Record", also known as "Big Ten-Inch (Record of the Blues)", [1] is a rhythm and blues song written by Fred Weismantel. It was first recorded in 1952 by Bull Moose Jackson and released by King Records, originally on 10" vinyl, the most popular format at the time. The song was later covered by Aerosmith and released as part of the 1975 album, Toys in the Attic . It has been rated as one of the best double entendre songs of all time. [2]

Contents

Versions

Bull Moose Jackson

The original version of the song was performed by Bull Moose Jackson. It was released in 1952 on King Records as disc 4580. [3] [4] Jackson was backed on the recording by Tiny Bradshaw's Orchestra. [5] The song was not a hit, reportedly due to the fact that it was "too suggestive" and "radio stations wouldn't touch it". [6] [1]

Jackson stopped performing in the 1960s and worked as a food service worker in Washington, D.C. In the 1980s, his popularity was revived after a Pennsylvania band, The Flashcats, began playing "Big Ten Inch Record" at their shows and invited Jackson to perform with them. [1] [7]

Jackson's version of the song has been re-issued on multiple compilation discs, including Badman Jackson That's Me (1991), [8] Ride, Daddy, Ride and Other Songs of Love (1991), [9] Risque Blues: The King Anthology (2002), [10] The Very Best of Bull Moose Jackson: Big Ten-Inch Record (2004), [11] and The Bull Moose Jackson Collection 1945–55 (2013). [12]

Aerosmith

The rock band Aerosmith covered the song on its 1975 album, Toys in the Attic . [13] The recording was Aerosmith's second cover of rhythm and blues songs from the early 1950s, having covered "Train Kept A-Rollin'" on its 1974 album, Get Your Wings . [14] They also covered an r&b hit from 1963, "Walking the Dog" by Rufus Thomas on their eponymous debut in 1973.

The song received mixed reviews. One critic predicted that it would be "the only Aerosmith song hoary historians and earnest teen-agers will be playing 100 years from now." [15] On the other hand, Mark Simmons of The Austin American-Statesman called it "low humor" and opined that "the double entendre 'Big Ten Inch' goes deservedly limp." [16]

While it was omitted from Greatest Hits in 1980, [15] the song has since been re-issued on multiple Aerosmith compilations, including Pandora's Box (1991), [17] Aerosmith's Greatest Hits 1973–1988 (2001), [18] O, Yeah! Ultimate Aerosmith Hits (2002), [19] and The Essential Aerosmith (2011). [20]

Additional covers

In addition to Aerosmith, the song has also been covered by other artists, including Sugar Blue and Marshall Crenshaw, [21] Al Copley, [22] Blerta, The Roadrunners, [23] Dana Gillespie, [24] and Candye Kane. [25]

Lyrics and double entendre

On its face, the song describes the reaction of the singer's girlfriend when he plays his latest ten-inch record. However, by the repeated use of a pregnant pause prior to the word "record", the song suggests that the woman is excited not by the record but by the narrator's endowment. The following passage is typical:

Got me the strangest woman
Believe it, this chick's no cinch
But I really get her goin'
When I take out my Big Ten Inch
Record of the band that plays the blues [26]

In The History of Rock & Roll, Ed Ward called the song "a masterpiece of double entendre and timing". [27] Although the song's lyrics are written in the form of an "extended sexual metaphor", they have been cited as part of a trend toward more "open sexuality" in rhythm and blues music of the early 1950s. [28]

In 2014, Salon rated Aerosmith's "Big Ten Inch Record'" as one of the 19 greatest double entendre songs of all time. [29]

Related Research Articles

Hard rock or heavy rock is a heavier subgenre of rock music typified by aggressive vocals and distorted electric guitars. Hard rock began in the mid-1960s with the garage, psychedelic and blues rock movements. Some of the earliest hard rock music was produced by the Kinks, the Who, the Rolling Stones, Cream, Vanilla Fudge, and the Jimi Hendrix Experience. In the late 1960s, bands such as Blue Cheer, the Jeff Beck Group, Iron Butterfly, Led Zeppelin, Golden Earring, Steppenwolf, and Deep Purple also produced hard rock.

<span class="mw-page-title-main">Aerosmith</span> American rock band

Aerosmith is an American rock band formed in Boston in 1970. The group consists of Steven Tyler (vocals), Joe Perry (guitar), Tom Hamilton (bass), Joey Kramer (drums), and Brad Whitford (guitar). Their style, which is rooted in blues-based hard rock, has also incorporated elements of pop rock, heavy metal, glam metal, and rhythm and blues, and has inspired many subsequent rock artists. Aerosmith is sometimes referred to as "the Bad Boys from Boston" and "America's Greatest Rock and Roll Band". The primary songwriting team of Tyler and Perry is sometimes referred to as the "Toxic Twins".

<i>Toys in the Attic</i> (album) 1975 album by Aerosmith

Toys in the Attic is the third studio album by American rock band Aerosmith, released on April 8, 1975, by Columbia Records. Its first single, "Sweet Emotion", was released on May 19 and the original version of "Walk This Way" followed on August 28 in the same year. The album is the band's most commercially successful studio LP in the United States, with nine million copies sold, according to the RIAA. In 2003, the album was ranked No. 228 on Rolling Stone's list of The 500 Greatest Albums of All Time. The album's title track and their collaboration with Run-DMC on a cover version of "Walk This Way" are included on the Rock and Roll Hall of Fame list of the "500 Songs that Shaped Rock and Roll".

<span class="mw-page-title-main">Bull Moose Jackson</span> American singer

Benjamin Clarence "Bull Moose" Jackson was an American blues and rhythm-and-blues singer and saxophonist, who was most successful in the late 1940s. He is considered a performer of dirty blues because of the suggestive nature of some of his songs, such as "I Want a Bowlegged Woman" and "Big Ten Inch Record".

<span class="mw-page-title-main">Joe Perry (musician)</span> American guitarist (born 1950)

Joseph Anthony Pereira, professionally known as Joe Perry, is an American musician best known as the founding member, guitarist, backing and occasional lead vocalist of the rock band Aerosmith. Perry also has his own solo band called the Joe Perry Project, and is a member of the all-star band Hollywood Vampires with Alice Cooper and Johnny Depp.

<span class="mw-page-title-main">Tom Hamilton (musician)</span> American musician (born 1951)

Thomas William Hamilton is an American musician and songwriter who serves as the bassist for the hard rock band Aerosmith.

<span class="mw-page-title-main">Walk This Way</span> 1975 single by Aerosmith

"Walk This Way" is a song by the American rock band Aerosmith. Written by Steven Tyler and Joe Perry, the song was originally released as the second single from the album Toys in the Attic (1975). It peaked at number 10 on the Billboard Hot 100 in early 1977, part of a string of successful hit singles for the band in the 1970s. In addition to being one of the songs that helped break Aerosmith into the mainstream in the 1970s, it also helped revitalize their career in the 1980s when it was covered by hip hop group Run-D.M.C. on their 1986 album Raising Hell. This cover was a touchstone for the new musical subgenre of rap rock, or the melding of rock and hip hop. It became an international hit, reaching number 4 on the Billboard charts and becoming the first hip hop single to reach the top five on the charts, and won both groups a Soul Train Music Award for Best Rap Single in 1987 Soul Train Music Awards. Both versions are in the Grammy Hall of Fame.

<i>Greatest Hits</i> (Aerosmith album) 1980 greatest hits album by Aerosmith

Greatest Hits, later re-released as Greatest Hits 1973–1988, is the first greatest hits compilation album by American hard rock band Aerosmith, released by Columbia Records on November 11, 1980.

<span class="mw-page-title-main">Come Together</span> 1969 single by the Beatles

"Come Together" is a song by the English rock band the Beatles, written by John Lennon and credited to Lennon–McCartney. The song is the opening track on the band's 1969 album Abbey Road and was also released as a double A-side single with "Something". The song reached the top of the charts in the United States and Australia but peaked at No. 4 in the United Kingdom.

<i>Big Ones</i> 1994 greatest hits album by Aerosmith

Big Ones is a compilation album by American rock band Aerosmith, released on November 1, 1994 by Geffen Records. Big Ones features 12 hits from the band's three consecutive multi-platinum albums, Permanent Vacation (1987), Pump (1989), and Get a Grip (1993), as well as the hit "Deuces Are Wild" from the compilation The Beavis and Butt-Head Experience (1993), and two new songs, "Blind Man" and "Walk on Water", which were recorded during a break in the band's Get a Grip Tour. These songs were also included on the band's 2001 compilation album, Young Lust: The Aerosmith Anthology. Big Ones is the band's second best-selling compilation album, reaching #6 on the Billboard charts, and selling four million copies in the United States alone. The album quickly became a worldwide hit reaching the Top 10 in nine countries before the end of the year.

<span class="mw-page-title-main">Dream On (Aerosmith song)</span> 1973 single by Aerosmith

"Dream On" is a power ballad by Aerosmith from their 1973 eponymous debut album. Written by lead singer Steven Tyler, this song was their first major hit and became a classic rock radio staple. Released in June 1973, it peaked at number 59 on the Billboard Hot 100 but hit big in the band's native Boston, where it was the number one single of the year on WBZ-FM, number five for the year on WRKO and number 16 on WMEX (AM). The song also received immediate heavy airplay on the former WVBF (FM), often showing up in the #1 position on "The Top Five at Five" in June 1973.

<span class="mw-page-title-main">Baby, Please Don't Go</span> Traditional blues standard

"Baby, Please Don't Go" is a traditional blues song that was popularized by Delta blues musician Big Joe Williams in 1935. Many cover versions followed, leading to its description as "one of the most played, arranged, and rearranged pieces in blues history" by French music historian Gérard Herzhaft.

<span class="mw-page-title-main">It's So Hard</span> 1971 single by John Lennon

"It's So Hard" is a song written and performed by John Lennon, which first appeared on his 1971 album Imagine. Shortly after the album's release, the song was issued as the B-side to the single "Imagine". In Mexico, it was released on an EP with "Imagine", "Oh My Love" and "Gimme Some Truth". In 1986, a live performance from 30 August 1972 was issued on Lennon's live album Live in New York City.

<span class="mw-page-title-main">Same Old Song and Dance</span> Song by Aerosmith

"Same Old Song and Dance" is a song by American hard rock band Aerosmith, written by singer Steven Tyler and guitarist Joe Perry. Released on March 19, 1974, as the lead single from their second studio album, Get Your Wings, it has remained a staple on rock radio and in the band's setlists.

Dirty blues is a form of blues music that deals with socially taboo and obscene subjects, often referring to sexual acts and drug use. Because of the sometimes graphic subject matter, such music was often banned from radio and available only on jukeboxes. The style was most popular in the years before World War II, although it experienced a revival in the early 1950s.

<span class="mw-page-title-main">Henry Glover</span> American songwriter, arranger, record producer and trumpet player

Henry Bernard Glover was an American songwriter, arranger, record producer and trumpet player. In the music industry of the time, Glover was one of the most successful and influential black executives. He gained eminence in the late 1940s, primarily working for the independent King label. His duties included operating as a producer, arranger, songwriter, engineer, trumpet player, talent scout, A&R man, studio constructor, while later in his career he became the owner of his own label. Glover worked with country, blues, R&B, pop, rock, and jazz musicians, and he helped King Records to become one of the largest independent labels of its time. Thanks to the efforts of family, friends and fans, Glover's hometown of Hot Springs, Arkansas celebrated the 100th anniversary of his birth in 2021 by inducting him into the downtown "Walk of Fame," the Mayor's "Proclamation," "Key to the City," and named a parklet "Henry Glover Way," along Black Broadway after him. In 2018, Glover was recognized with a Lifetime Achievement Award by the King Records 75th Anniversary. In 2013, he was inducted into the Blues Hall of Fame.

"Big Long Slidin' Thing" is a 1954 rhythm and blues song written by Leroy Kirkland and Mamie Thomas, sung by Dinah Washington, and arranged by Quincy Jones. It has been covered by a number of different artists, and has been rated as one of the best double entendre songs of all time.

"It Ain't the Meat (It's the Motion)", also known as "It Ain't the Meat", is a rhythm and blues song written by Henry Glover and Syd Nathan. It was first recorded in 1951 by the Swallows and released by King Records. It was later covered by Maria Muldaur in a 1974 version that has been credited with popularizing the song's title phrase as a proverb, referring to the importance of a man's sexual technique over the size of his penis.

"Need a Little Sugar in My Bowl" is a dirty blues song first recorded in 1931 by Bessie Smith and released by Columbia Records. It was written by Clarence Williams, J. Tim Brymn, and Dally Small. Owing to its sexually suggestive lyrics, it has been rated as one of the best double entendre songs of all time. In 1967, Nina Simone released "I Want a Little Sugar in My Bowl", which referenced lyrics from the original 1931 song.

"Keep On Churnin' (Till the Butter Comes)" is a rhythm and blues song written by Henry Glover, Jester Hairston, and Lois Mann. It was first recorded in 1952 by Wynonie Harris, with backing from the Todd Rhodes Orchestra, and released by King Records. The song was also recorded by Hank Ballard and the Midnighters. It has been rated as one of the best double entendre songs of all time.

References

  1. 1 2 3 Mike Greenblatt (January 22, 2015). "Tyler covered 'Big Ten-Inch' Record, but Bull Moose Jackson did it first".
  2. Noah Berlatsky (June 28, 2014). "The 19 greatest double entendre songs: From "It Ain't the Meat" to "Let Me Play with Your Poodle," the sneakiest sex songs in the history of music". Salon. salon.com.
  3. Mike Leadbitter, Neil Slaven (1987). Blues Records, 1943–1970: A Selective Discography. Record Information Services. p. 655.
  4. Michael Ruppli, William R. Daniels (1985). The King Labels: A Discography – Volume 1. Greenwood Press. p. 254. ISBN   9780313251450.
  5. American Popular Music: New Approaches to the Twentieth Century. University of Massachusetts Press. 2001. p. 130. ISBN   9781558492677.("Big Ten - inch Record , ” recorded by Moose Jackson and the Tiny Bradshaw Orchestra in 1952 , is another example of the ways in which artists invoked the myths of black male sexuality to undercut them.")
  6. Vladimir Bogdanov, Chris Woodstra, Stephen Thomas Erlewine (2003). All Music Guide to Blues: The Definitive Guide to the Blues. Backbeat Books. p. 271. ISBN   0879307366.{{cite book}}: CS1 maint: multiple names: authors list (link)
  7. Jim White (July 9, 1985). "Flashcats, 'Bull Moose' resurrect R&B oldies". The Pittsburgh Press. p. C5 via Newspapers.com.
  8. "Badman Jackson That's Me". Allmusic. Retrieved November 15, 2020.
  9. "Ride, Daddy, Ride and Other Songs of Love". Allmusic. Retrieved November 15, 2020.
  10. "Risque Blues: The King Anthology". Allmusic. Retrieved November 15, 2020.
  11. "The Very Best of Bull Moose Jackson". Allmusic. Retrieved November 15, 2020.
  12. "The Bull Moose Jackson Collection 1945–55". Allmusic. Retrieved November 15, 2020.
  13. "Toys in the Attic". Allmusic. Retrieved November 15, 2020.
  14. Jack Kegg (September 20, 1975). "Jack's Music". The Cumberland News. p. 7.
  15. 1 2 Cameron Cohick (November 21, 1970). "Review of Aerosmith's Greatest Hits". Fort Lauderdale News and Sun-Sentinel . p. 22S via Newspapers.com.
  16. Mark Simmons (August 31, 1975). "Innocence wears off edge of Aerosmith's sounds". The Austin American-Statesman . pp. 4, 5 via Newspapers.com.
  17. "Pandora's Box". Allmusic. Retrieved November 15, 2020.
  18. "Aerosmith's Greatest Hits 1973–1988". Allmusic. Retrieved November 15, 2020.
  19. "O, Yeah! Ultimate Aerosmith Hits". Allmusic. Retrieved November 15, 2020.
  20. "The Essential Aerosmith". Allmusic. Retrieved November 15, 2020.
  21. "Sweet Emotion: The Songs of Aerosmith". Allmusic. Retrieved November 15, 2020.
  22. "Automatic Overdrive". Allmusic. Retrieved November 15, 2020.
  23. "Nightcrawlin'". Allmusic. Retrieved November 15, 2020.
  24. "Blue Jobh". Allmusic. Retrieved November 15, 2020.
  25. "Burlesque Swing". Allmusic . Retrieved November 15, 2020.
  26. "Big Ten-Inch Record, Bull Moose Jackson". Genius.com. Retrieved November 16, 2020.
  27. Ed Ward (2016). The History of Rock & Roll, volume one 1920–1963. Flatiron Books. p. 80. ISBN   9781250071163.
  28. Jonathan Kamin (1975). "Parallels in the Social Reactions to Jazz and Rock". The Black Perspective in Music. 3 (3), Autumn 1975): 281. doi:10.2307/1214013. JSTOR   1214013.
  29. Noah Berlatsky (June 28, 2014). "The 19 greatest double entendre songs: From "It Ain't the Meat" to "Let Me Play with Your Poodle," the sneakiest sex songs in the history of music". Salon. salon.com.