Aerosmith is the debut studio album by the American rock band Aerosmith,released on January 5,1973,by Columbia Records.[5] "Dream On",originally released as a single in 1973,became an American top ten hit when re-released on 27 December 1975.[6] The album peaked at number 21 on the US Billboard 200 album chart in 1976.[7]
After entering a partnership with Frank Connelly,David Krebs and Steve Leber invited members of two record labels–Atlantic Records and Columbia Records–to view an Aerosmith concert at Max's Kansas City. Clive Davis,the president of Columbia,was impressed with the band and Aerosmith signed with Columbia in the summer of 1972.
The album's songs were largely written by Tyler,in contrast to later albums where other band members also contributed songs. The album's songs represent an early success in songwriting,a skill he had recently developed. He explains in a 1998 interview:
"The other guys really weren't into writing. Joe and I had written "Movin' Out," and I remember, the other guys lived in the living room, and I would wake them up in the morning and start playing the piano, because I had this thought from the night before. I wrote "One Way Street," "Make It," then "Write Me A Letter" and "Mama Kin." And I brought a song called "Dream On," which I had written three or four years before that. So, at the end of this album, I realized that something that I was trying to do for years and was not successful at I finally could do, which was write songs."[8]
"Make It" leads off the album and also served as the band's opening song during their first tours. Tyler wrote the song on the back of a Kleenex box in the back seat of the car as the group drove down from New Hampshire to Boston to move in together to start the band. Tyler was inspired both by the sudden view of the city through the windshield and the possibilities that starting the new band presented.[9] He explains to biographer Stephen Davis, "I wrote 'Make It' in a car driving from New Hampshire to Boston. There's that hill you come to and see the skyline of Boston, and I was sitting in the backseat thinking, What would be the greatest thing to sing for an audience if we were opening up for the... Stones? What would the lyrics say?"[10] Drummer Kramer elaborates on the song's sentiment in a 1998 interview: "You could search the ends of the earth, and I don't think you could find five more different guys. The one thing that we all had in common was that we all wanted to make it. And making it back then had nothing to do with being rich and famous. It had to do with being recognized, by your peers and people, for being a great band and being able to play concerts where a lot of people would come."[11]
"Somebody" dates from Tyler's previous band, Chain Reaction. Tyler explains, "'Somebody' grew out of a lick that our roadie Steve Emsback used to play on his guitar during the days of William Proud. I grabbed it and wrote the lyrics."[10] The music was also influenced by the Rolling Stones' version of "Route 66", which the band would use to rehearse to tighten up their playing. Tyler explains, "Back when we were a nothing band, we'd get into rehearsals at Boston University in the basement, and we would do things like play 'Route 66' and keep rehearsing it. I'd say, 'Let's grab that one piece in there' [hums the bridge]. We did and came up with 'Somebody'."[12] Tyler continues in his memoir: "'Route 66' was our Stones mantra, a way of finding our groove. It was the riff I asked the band to play again and again in the basement of BU to show them what tight playing meant. We played it so many times it eventually morphed into the melody for 'Somebody' on our first album."[13]
Tyler wrote "Dream On" in stages over several years, finalizing the lyrics during the album's sessions.[14] He explains, "The music for 'Dream On' was originally written on a Steinway upright piano in the living room of Trow-Rico Lodge in Sunapee, maybe four years before Aerosmith even started. I was seventeen or eighteen... It was just this little thing I was playing, and I never dreamed it would end up as a real song or anything... It's about dreaming until your dreams come true."[10] The song is famous for its building climax to showcase Tyler's trademark screams. It was written on piano but the recording contains a two-guitar arrangement, with guitarist Brad Whitford explaining to Guitar World's Alan Di Perna in 1997, "The idea was just to transcribe what Steven was doing with his left and right hands on the piano." Explains Tyler, "Never in a million years did I think I'd take it to guitar. When I transposed it to guitar Joe played the right fingers and Brad played the left hand on guitar. Sitting there working it out on guitar and piano I got a little melodramatic. The song was so good it brought a tear to my eye."[15] The song is composed in the key of F minor.[16]
"One Way Street" was inspired by one of Tyler's relationships at the time. He explains, "'One Way Street' was written on piano at 1325 [the street number of the house where the band lived], with rhythm and the harp coming from 'Midnight Rambler.'"[10][17]
"Mama Kin" was written on the same guitar found in the trash that Tyler later used to write "Seasons of Wither". He explains, "One day I grabbed this old guitar Joey Kramer found in the garbage on Beacon Street, an acoustic with no strings. It had snow on it and was so warped you could shoot arrows with it. I wedged it between the door and let it dry for a week. I looked at it for about two days, put four strings on it, which was all it would take because it was so warped... I stole the opening lick from an old Blodwyn Pig song,"[10] "See My Way." In a 2001 interview, Tyler explains the song's lyrics: "People always ask, 'What's "mama kin"?' It's the mother of everything. It's the desire to write music, the desire to get laid, to go through the relationship with a girl, or whatever it is. Keeping in touch with mama kin means keeping in touch with the old spirits that got you there to begin with."[18]
Tyler explains that "'Write Me' was originally 'Bite Me,' something we'd been working on for five or six months starting in the Bruins' dressing room at the Boston Garden, but it just didn't make it. Then one day I said, 'Fuck this,' said something to Joey, who started playing like a can-can rhythm thing, and suddenly there it was."[10] The intro was inspired by "Got to Get You into My Life" by the Beatles.[19]
Tyler considers "Movin' Out" to be the "first song of Aerosmith."[20] He explains, "'Movin' Out' was the first song I wrote with Joe, the first experience of coming up with something and saying, 'See? I can do it.'"[10] In his memoir, Tyler remembers writing the song with Perry sitting on a waterbed at their apartment: "One day at the very beginning of 1971 I wrote the basic track and lyrics for "Movin' Out" on a water bed with Joe Perry in our living room at 1325 Com. Ave. Joe's sitting on the water bed and I hear him strumming this thing and I go, 'Hold on...whoa, what's that?' and a minute later, Joe's riffing and I'm scribbling. I leaped up and shouted, 'Guys! Do you realize what we just did?' Their enthusiasm was curbed. 'Yeah, what is it, man?' 'It's our firstborn!' I proclaimed. 'The first Aerosmithed song! How great is that?'"[21]
The album concludes with a cover of Rufus Thomas' "Walkin' the Dog", a concert staple of the band which they learned from the Rolling Stones cover. It was used in place of an original psychedelic pop song, "Major Barbara".[22]
Recording
The group recorded their debut album at Intermedia Studios in 331 Newbury Street, Boston, Massachusetts with record producerAdrian Barber.[5] For the most part, the production is sparse and dry: two guitars, bass, drums, a singer, and occasionally piano. The most unusual feature of the album is how different Tyler sounds compared to the albums that followed. In his autobiography Tyler recalls, "The band was very uptight. We were so nervous that when the red recording light came on we froze. We were scared shitless. I changed my voice into the Muppet, Kermit the Frog, to sound more like a blues singer."[23] He continues in a 1998 interview, "I didn't like the way I sang. I was very critical about sounding like a white boy in the choir."[24] In 1997 the singer told Stephen Davis, "I changed my voice when we did the final vocals. I didn't like my voice, the way it sounded. I was insecure, but nobody told me not to."[25]
The band recalls the production of the album and their working relationship with producer Adrian Barber with mixed sentiment. Tyler suggests that producer Barber was "good for his time" but it was like "being with a retarded child in there, and I'm not sure if it was because he was so high, or because we all were."[26] In his autobiography Rocks, Joe Perry is more critical of Barber:
Our producer was practically useless. He had little input. When I heard the playback, I kept thinking, "We're better than this. We should sound better than this. We're being recorded wrong. We sound fuckin' flat." But because I lacked the studio chops to prescribe a remedy, I kept quiet. It pained me, though, that my guitar was not cutting through... There's magic on it, but just not the magic that I had envisioned.[27]
Bassist Tom Hamilton later confessed, "The album was done so fast I barely remember anything but overdubbing some tracks and running to the bathroom for a hit of blow".[25] Perry reflected, "We were uptight, afraid to make mistakes... We were total novices with no idea what to go for."[26]
Album cover
On the original cover, the song "Walkin' the Dog" was misprinted as "Walkin' the Dig". When a second pressing of the album was released, this error was corrected. Sometime after June 1973, but before January 1975, a third cover was printed. This has a modified version of the original, made up entirely of the photo of the band members, adding the 'Featuring "Dream On"' text and removing the biography information on the back. This third pressing is the more commonly available version of the LP. Cash Box magazine lists an Aerosmith II (Columbia KC 32045) release in the February 1, 1975 issue.[28] As this catalog number is consistent with a June 1973 date, it is possible Columbia used this number to identify the 'Featuring "Dream On"' cover, but stayed with the original KC 32005 catalog number on the actual release. In January 1975 Aerosmith was re-issued with the "PC" prefix, so there may have been some confusion as to the correct number. When reissued on CD in 1993 as a remastered version, the original artwork was used.
Recalling the album art, Perry commented in 2014, "Unfortunately the packaging was lame. We didn't even see the cover until the first printing. It was something that Columbia just threw together... The whole thing was sloppy. It marked the start of our education in dealing with labels."[29]
Promotion
"Dream On" was released as a single and became Aerosmith's first major hit and a classic rock radio staple. The single peaked at number 59 nationally but hit big in the band's native Boston,[30] where it was the number 1 single of the year on the less commercial top 40 station, WVBZ-FM,[31] number 5 for the year on highly rated Top 40 WRKO-AM, and number 16 on heritage Top 40 WMEX-AM.[31]
The album version of "Dream On" (4:28, as opposed to the 3:25 1973 45rpm edit) was re-issued late in 1975, debuting at number 81 on January 10, 1976, breaking into the Top 40 on February 14 and peaking at number 6 on the Billboard Hot 100 national chart on April 10.[32] Columbia chose to service Top 40 radio stations with a re-issue of the 3:25 edited version, thus, many 1976 Pop Radio listeners were exposed to the group's first Top 10 effort through the 45 edit.
In 1973, Aerosmith toured extensively behind the album, playing clubs in New England as well as larger venues throughout the eastern United States, opening for other groups including Mott the Hoople, Mahavishnu Orchestra, and The Kinks.[33] The jazz fusion, almost classical style of Mahavishnu Orchestra proved to be an idiosyncratic fit. Joe Perry explains, "After us, John McLaughlin would ask for a moment of silence. I guess he figured they needed it."[34] The band's managers would book the band to open for groups that were waning in popularity, so that Aerosmith would have a chance to steal their audience. Manager David Krebs explains, "We learned to play our market so that Aerosmith opened for acts that were slightly on the downslide – bands whose audience we could cop. Even if we didn't blow them off the stage every time, we could at least count on some to buy an Aerosmith album."[35] Tom Hamilton explains, "I think what we wanted to do, without ever really saying it, was to be the American equivalent of all the great British bands like Cream, the Yardbirds and Led Zeppelin. They were all so classy and powerful sounding. We couldn't think of an American band like that. We wanted to be the first one." Steven Tyler continues, "We were the guys you could actually see. It wasn't like Zeppelin was out there on the road in America all the time, the Stones weren't always coming to your town. We were America's band — the garage band that made it real big, the ultimate party band."[36]
During the year, the group played sets featuring the new album for two different radio broadcasts and made their first television appearance. Both radio performances were professionally recorded. In March, WBCN Boston DJ Maxanne Sartori, who would promote the group through frequent playing of "Dream On"[37], invited the group to broadcast their set from Paul's Mall in Boston. Two tracks from the performance would later be released on 1978's Live! Bootleg. In September, the group would perform a set at Counterpart Studios in the Cheviot neighborhood of Cincinnati, Ohio for WKRQ. Two tracks from this performance would see release in 1991 on Pandora's Box. In December, the group appeared on American Bandstand to perform "Dream On".[38]
The album was not a success when it was released on January 5, 1973.[5] To the band's disappointment, it was not reviewed in Rolling Stone. Moreover, Columbia released Aerosmith at the same time as Bruce Springsteen's debut album, Greetings from Asbury Park, N.J., for which they made a greater promotional effort.[43] Critics compared the band unfavorably to the Rolling Stones[44] and the New York Dolls.[45] In a 1998 interview, Bassist Tom Hamilton recalls a lukewarm reception from radio stations at first:
"We put it out, and a lot of the reports from radio around the country were coming back. I remember reading this sheet with a lot of quotes on it: 'Can't really use this at this time.' 'Doesn't really work with our playlist.' 'Sucks.' It was shocking, because we knew it was a good album. A lot of people took a look at us and said, 'They're like a Kmart version of the Stones.' So, basically, our manager came back and said, 'Look, you know, I just talked to the record company and they said, 'Unless your next album is really, really good, you're not going to be recording artists anymore.'"[46]
In a modern review for AllMusic, Stephen Thomas Erlewine described Aerosmith as "truly an American band, sounding as though they were the best bar band in your local town, cranking out nasty hard-edged rock"; he considered "Dream On" "the blueprint for all power ballads" and the album a worthy debut where the band's "sleazoid blues-rock" sound is fully present but not yet perfected as in the next album.[39] Canadian journalist Martin Popoff described the album as "raw, dirty and steeped with squalid integrity", but observed that "every successive release sounds light years ahead in terms of production, songcraft, maturity, everything".[40]
In an interview to Classic Rock magazine, Guns N' Roses guitarist Izzy Stradlin recalled: "Growing up in Indiana, I loved fucking Aerosmith, man... Smoke a joint, listen to the first record."[47] Aerosmith was considered a big influence on Guns N' Roses and helped shape their sound.[48]
Track listing
All tracks are written by Steven Tyler, except where noted
Aerosmith is an American rock band formed in Boston in 1970. The group consists of Steven Tyler (vocals), Joe Perry (guitar), Tom Hamilton (bass), Joey Kramer (drums), and Brad Whitford (guitar). Their style, which is rooted in blues-based hard rock, has also incorporated elements of pop rock, heavy metal, glam metal, and rhythm and blues, and has inspired many subsequent rock artists. Aerosmith is sometimes referred to as "the Bad Boys from Boston" and "America's Greatest Rock and Roll Band". The primary songwriting team of Tyler and Perry is sometimes referred to as the "Toxic Twins".
Rocks is the fourth studio album by American rock band Aerosmith, released on 3 May 1976. AllMusic described Rocks as having "captured Aerosmith at their most raw and rocking." Rocks was ranked number 366 on the updated Rolling Stone's list of the 500 Greatest Albums of All Time in 2020. It has greatly influenced many hard rock and heavy metal artists, including Guns N' Roses, Metallica, and Nirvana. The album was a commercial success, charting three singles on the Billboard Hot 100, two of which reached the Top 40. The album was one of the first to ship platinum when it was released, and has since gone quadruple platinum.
Toys in the Attic is the third studio album by American rock band Aerosmith, released on April 8, 1975, by Columbia Records. Its first single, "Sweet Emotion", was released on May 19 and the original version of "Walk This Way" followed on August 28 in the same year. The album is the band's most commercially successful studio LP in the United States, with nine million copies sold, according to the RIAA. In 2003, the album was ranked No. 228 on Rolling Stone's list of The 500 Greatest Albums of All Time. The album's title track and their collaboration with Run-DMC on a cover version of "Walk This Way" are included on the Rock and Roll Hall of Fame list of the "500 Songs that Shaped Rock and Roll".
Draw the Line is the fifth studio album by American hard rock band Aerosmith, released on December 9, 1977. It was recorded between June–October in an abandoned convent near New York City. The portrait of the band on the album cover was drawn by the celebrity caricaturist Al Hirschfeld.
Night in the Ruts is the sixth studio album by American rock band Aerosmith, released on November 16, 1979 by Columbia Records. Guitarist Joe Perry left the band midway through the album's recording.
Steven Victor Tallarico, known professionally as Steven Tyler, is an American singer, best known as the lead singer of the Boston-based rock band Aerosmith, in which he also plays the keyboards, harmonica and percussion. He has been called the "Demon of Screamin'" due to his high screams and his powerful wide vocal range. He is also known for his on-stage acrobatics. During his performances, Tyler usually dresses in colorful, sometimes androgynous outfits and makeup with his trademark scarves hanging from his microphone stand.
Joseph Anthony Pereira, professionally known as Joe Perry, is an American musician best known as the founding member, lead guitarist, backing and occasional lead vocalist of the rock band Aerosmith. Perry also has his own solo band called the Joe Perry Project, and is a member of the all-star band Hollywood Vampires with Alice Cooper and Johnny Depp.
"Walk This Way" is a song by the American rock band Aerosmith. Written by Steven Tyler and Joe Perry, the song was originally released as the second single from the album Toys in the Attic (1975). It peaked at number 10 on the Billboard Hot 100 in early 1977, part of a string of successful hit singles for the band in the 1970s. In addition to being one of the songs that helped break Aerosmith into the mainstream in the 1970s, it also helped revitalize their career in the 1980s when it was covered by hip hop group Run-D.M.C. on their 1986 album Raising Hell. This cover was a touchstone for the new musical subgenre of rap rock, or the melding of rock and hip hop. It became an international hit, reaching number 4 on the Billboard charts and becoming the first hip hop single to reach the top five on the charts, and won both groups a Soul Train Music Award for Best Rap Single in 1987 Soul Train Music Awards. Both versions are in the Grammy Hall of Fame.
Honkin' on Bobo is the fourteenth studio album by American rock band Aerosmith, released on March 30, 2004, by Columbia Records. The album includes 11 covers of blues and blues rock songs from the 1950s and 1960s, with one new song, "The Grind". The album pays tribute to Aerosmith's earliest influences and showcases a rawer sound when compared to their more recent commercial efforts. Honkin' on Bobo was produced by Jack Douglas, who was Aerosmith's producer on a vast majority of their 1970s output.
Get Your Wings is the second studio album by American rock band Aerosmith, released on March 15, 1974. The album was their first to be produced by Jack Douglas, who also was responsible for the band's next three albums. Three singles were released from the album, but none reached the singles charts.
Rock in a Hard Place is the seventh studio album by American hard rock band Aerosmith, released on August 27, 1982, by Columbia Records. It was certified gold on November 10, 1989. It is the only Aerosmith album not to feature lead guitarist Joe Perry, following his departure from the band in 1979. Rhythm guitarist Brad Whitford also left during the recording in 1981. The band spent $1.5 million on the recording of this album, which saw them reunited with producer Jack Douglas.
Done with Mirrors is the eighth studio album by American rock band Aerosmith, released on November 4, 1985. It marked the return to the band of guitarists Joe Perry, who left in 1979 and Brad Whitford, who departed in 1981. The band's first album on Geffen Records, it was intended as their ‘comeback’. However, the record failed to live up to commercial expectations despite positive reviews.
Pump is the tenth studio album by American rock band Aerosmith. It was released on September 12, 1989, by Geffen Records. The album peaked at No. 5 on the US charts, and was certified septuple platinum by the RIAA in 1995.
Nine Lives is the twelfth studio album by American rock band Aerosmith, released on March 18, 1997. The album was produced by Aerosmith and Kevin Shirley, and was the band's first studio album released by Columbia Records since 1982's Rock in a Hard Place. In the United States, it peaked at number one on the Billboard 200 and sold over two million copies. One of the album's singles, "Pink", won a Grammy Award for Best Rock Performance by a Duo or Group with Vocal. Until Music from Another Dimension!, Nine Lives was their longest album, at 63 minutes.
"Sweet Emotion" is a song by the American rock band Aerosmith, released in 1975 on their third studio album Toys in the Attic by Columbia Records. It was released as a single on May 19, 1975. The song began a string of pop hits and large-scale success for the band that would continue for the remainder of the 1970s. The song was written by lead singer Steven Tyler and bassist Tom Hamilton, produced by Jack Douglas and recorded at Record Plant studio.
"Dream On" is a power ballad by Aerosmith from their 1973 eponymous debut album. Written by lead singer Steven Tyler, this song was their first major hit and became a classic rock radio staple. Released in June 1973, it peaked at number 59 on the Billboard Hot 100 but hit big in the band's native Boston, where it was the number one single of the year on WBZ-FM, number five for the year on WRKO and number 16 on WMEX (AM). The song also received immediate heavy airplay on the former WVBF (FM), often showing up in the #1 position on "The Top Five at Five" in June 1973.
"Janie's Got a Gun" is a song by American rock band Aerosmith and written by Steven Tyler and Tom Hamilton. The song was released as the second single from Pump in 1989, peaking at number four on the US Billboard Hot 100 and number two on the Billboard Album Rock Tracks chart in 1990. In Australia, the song reached number one, becoming Aerosmith's first of two number-one singles there. It also reached number two in Canada, number 12 in Sweden, and number 13 in New Zealand.
Live! Bootleg is a double live album by American hard rock band Aerosmith, released in October 1978. While most of the performances were drawn from concerts in 1977 and 1978, "I Ain't Got You" and "Mother Popcorn" were taken from a radio broadcast of a Boston performance on March 20, 1973.
"Hangman Jury" is a song by American rock band Aerosmith. It was released as a promotional single in 1987 on the album Permanent Vacation. It was written by lead singer Steven Tyler, guitarist Joe Perry, and outside collaborator Jim Vallance. In contrast with the rest of the album which contains highly polished glam metal, the song is a mostly blues song. The chorus has a close similarity to "Linin' Track" by Lead Belly.
Music from Another Dimension! is the fifteenth studio album by American rock band Aerosmith, released on November 6, 2012, by Columbia Records. Their first studio album since 2004's Honkin' on Bobo, as well as the first to feature all-new material since 2001's Just Push Play, its release marks the longest gap between Aerosmith's studio albums. The album was released in a single CD edition, along with a deluxe version. It is the last album in Aerosmith's recording contract with Sony/Columbia Records and was produced by Jack Douglas, Steven Tyler, Joe Perry, and Marti Frederiksen. It is also their longest studio album with total track time of nearly 68 minutes.
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